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The Brief

The most important stories for you to know today
  • A Great Day in the Stoke event returns to OC
    Three separate images of a Black woman in the ocean. The first image shows her on a surfboard preparing to stand up. In the second, she catches the wave, and in the third, she tries to steady herself as she stands.
    LAist editor Dana Littlefield takes a surfing lesson with Nathan Fluellen, founder of A Great Day in the Stoke, an event that celebrates Black surfers.

    Topline:

    The fourth annual A Great Day in the Stoke is set for Saturday in Huntington Beach. It's a free, all-day event billed as “the largest gathering of Black surfers in history.” In anticipation of the event, LAist senior editor Dana Littlefield took to the waves.

    Why it matters: Organizers say the event has many objectives: showcasing Black surfers, providing lessons and promoting water safety. They say the event is about creating a space where representation is the norm, not the exception.

    “My surf dreams were deferred,” said Nathan Fluellen, founder of the festival. “I didn’t see anybody that looked like me.”

    A surf session in OC: About a week before the festival, LAist senior editor Dana Littlefield had a surf lesson with Fluellen. There was a lot of trial and error, and some small successes, but overall it was about it having fun.

    “You’ve got good mechanics,” Fluellen said later. “You’ve got to just keep practicing, keep coming out. … You know, practice makes perfect.”

    What's next: A Great Day in the Stoke kicks off Saturday near the Huntington Beach pier. It runs 7 a.m. to 6 p.m.

    Go deeper ... for details on the surf lesson and the event.

    I consider myself an unlikely surfer.

    A few years ago, I — a middle-aged Black woman in search of mini-adventures — put on a wetsuit, rented a big foam surfboard and took some lessons.

    What surprised me was how freeing it felt. Not because I was any good, but because I didn’t feel a need to be. It was enough just to be outside, in the ocean, trying something new.

    Something a little unexpected.

    I’ve had several surf sessions since that first one, but last week was different. I had a lesson with Nathan Fluellen, founder of A Great Day in the Stoke, a free event in Orange County billed as “the largest gathering of Black surfers in history.”

    The fourth annual festival is set for Saturday in Huntington Beach.

    “Every year it’s growing, and it’s exciting to see it grow at a rapid pace,” Fluellen said.

    The all-day event has many objectives, according to its founder: showcasing Black surfers, providing lessons and promoting water safety.

    Organizers say the event is about creating a space where representation is the norm, not the exception.

    “My surf dreams were deferred,” said Fluellen, who is Black, in an interview after my surf lesson. “I didn’t see anybody that looked like me.”

    Listen 4:11
    As Black surfers return for competition and community in Huntington Beach, an LAist editor finds her wave

    He imagined more than a few children and teens have floated the idea of surfing to parents and friends, only to be told it’s not something Black people do.

    “Because they never saw it,” he said. “So if you don’t see it, you can’t believe it.”

    Origins of the festival

    Fluellen, a travel influencer and TV host who lives in Los Angeles, was in his mid-30s when he took up the sport. He’s now 44.

    As a child growing up in Chicago, Fluellen had seen surfing in movies — the original Point Break is a favorite — and they sparked an interest, he said. But that gave way to basketball — he was growing up in the Bulls’ home city in the era of Michael Jordan after all.

    The spark reignited when he got the opportunity to meet Zulu surfers in Durban, South Africa.

    “It was just pure joy,” he recalled. And he couldn’t wait to go back.

    Now, the event he founded draws hundreds to the water.

    A Black man with a bald head and thin mustache sits in a chair inside a small office. He is smiling and wearing a yellow T-shirt that reads: "A Great Day in the Stoke." There's an image of a hand in black making the hang-loose sign with the thumb and pinky finger extended and three middle fingers folded down. A microphone sits on a table in front of the man with a flag that reads LAist 89.3.
    Nathan Fluellen, founder of A Great Day in the Stoke, an annual festival in Huntington Beach that celebrates Black surf culture
    (
    Dana Littlefield
    /
    LAist
    )

    The idea for A Great Day in the Stoke was prompted, in part, by paddle outs Fluellen and other surfers held starting in 2020 to honor the lives of slain Black men and women, including George Floyd, Ahmaud Arbery and Breonna Taylor.

    “It was cool at first,” he said of the paddle outs, noting they were among the few opportunities he had during the COVID-19 lockdowns to see people in person. “But then, I just got exhausted of paddle outs because it was a reaction to tragedy. And then, I was just like, ‘Man, we need something to celebrate our existence.’”

    The festival’s name was inspired by a famous photo titled “A Great Day in Harlem,” taken in 1958 by photographer Art Kane. The photo featured 57 jazz musicians posing in front of a brownstone. Four decades later, in 1998, photographer Gordon Parks captured a similar image — this time with nearly 200 rap artists and producers — titled “A Great Day in Hip Hop.”

    Fluellen swapped in the word “stoke” because it’s rooted in surf culture.

    Representation matters

    Fluellen said A Great Day in the Stoke is part of a larger movement to amplify access, equity and inclusion in surfing and promote health and wellness.

    He chose Huntington Beach because it’s known as Surf City USA, home to both the International Surfing Museum and the US Open of Surfing.

    He said the city has welcomed the event, which attracted hundreds of attendees its first year.

    Devon James, a 24-year-old surfer and content creator from Pasadena, was at the event four years ago. He’s been surfing since he was 9.

    “The first one was rad just because it was so new and everyone was, like, to the nines, going 100 percent,” he said. “Just the community as a whole really showed out.”

    Dozens of people are lined up on a beach with several colorful surfboards. The Huntington Beach pier is in the background.
    Attendees at a previous A Great Day in the Stoke event in Huntington Beach.
    (
    Courtesy A Great Day in the Stoke
    )

    James said A Great Day in the Stoke is about providing a space for freedom of expression in the water.

    “We have people coming in from all over the country,” he said. “It’s truly just a celebration of surf culture and just an opportunity for inclusivity. And I think that’s what I love about it.”

    My surf session

    To avoid the crowd gathering for a special event in Huntington, my lesson took place just down the coast in Newport Beach.

    The weather was as close to perfect as I could hope for. The air was hot, and the water was cold, but not too cold.

    Fluellen started with instructions on how to lie on the big, foam surfboard, paddle with my arms and pop up to my feet. He asked if my stance was “regular,” with my left foot forward and my right foot back, or “goofy,” the opposite.

    “Regular,” I said, sounding a little too confident.

    Fluellen carried on with the lesson: “Your head controls where you’re going. So if you look straight, you’ll go straight. If you look to the left, you’ll go to the left. Look to the right, you’ll go right. Look down, you’re going down.”

    I laughed nervously.

    No need to worry about paddling, he said, because he’d wait for a wave and push me into it. All I had to do was stand up.

    Easier said than done, I thought.

    What followed was me trying and failing again and again to catch small waves as they rolled to the shore. In the end, I had sea water in my mouth and sand in my ears, but I managed to stand — briefly — at least once.

    And that felt like success.

    “You’ve got good mechanics,” Fluellen told me later. “You’ve got to just keep practicing, keep coming out. … You know, practice makes perfect.”

    Luckily for me, perfection’s not required.

    LAist Associate Producer Brandon Killman contributed to this report.

  • Budget proposal to slash jobs
    A man sits in one of the oversized chairs next to shelves of books inside a library.
    A man sits in one of the oversized chairs at the Billie Jean King Main Library as he looks out the second floor window overlooking Lincoln Park in Long Beach, Tuesday, Aug. 29, 2023.

    Topline:

    Long Beach's budget proposal would shutter libraries on Mondays and lay off more than a dozen library workers, including ones who staff counters, shelve books and offer mental health services to teens.

    Why it matters: In response, educators, the local library foundation and union leaders are pushing back, saying the city can’t afford to lose a vital service for kids and families.

    Details: Under the budget proposal, five of the city’s 12 libraries — Bay Shore, Burnett, El Dorado, Harte and Michelle Obama — would drop from six days of service back to five, losing their Monday hours.

    The city of Long Beach has proposed cutting library hours and laying off librarians to help balance its budget. In response, educators, the local library foundation and union leaders are pushing back, saying the city can’t afford to lose a vital service for kids and families.

    Under the budget proposal, five of the city’s 12 libraries — Bay Shore, Burnett, El Dorado, Harte and Michelle Obama — would drop from six days of service back to five, losing their Monday hours just a few years after those hours were added. (The city’s other libraries were already closed on Mondays, and all are closed Sundays.)

    On an average Monday, those branches see a total of more than 1,000 visitors, according to city data.

    “In a city the size of Long Beach, and with our population, we could be seeing a 2027 where there are no libraries open on Monday. I think that’s pretty crazy,” said Kristen Hernandez with the Long Beach Public Library Foundation. The nonprofit, which raises money for the local library system, is gathering signatures on a petition protesting the cuts. As of Friday, it had more than 1,800 signatures.

    Changes to the city library system are a sliver of the cuts unveiled last week by Long Beach City Manager Tom Modica as part of a citywide winnowing in programs and services to close next year’s expected $58 million deficit.

    Beyond cuts to programs and facility hours, Modica proposed laying off more than 260 city workers and cutting more than 200 additional vacant positions — about 4% of the city’s roughly 6,000-person workforce.

    The proposed library cuts

    Local libraries would lose 14 positions, 11 of them currently filled, including five library clerks, four library assistants, a vacant general librarian position at the Billie Jean King Main Library, and a mental health associate who serves as the library’s teen specialist. The plan also cuts funding for library pages who stock books and funding for security services, as well as nearly all print and digital newspaper subscriptions.

    The combined cuts would save the department a little more than $1.4 million.

    Elizabeth Cespuglio, a librarian at Billie Jean King Library, said that the library assistants at risk of being cut are responsible for planning and running workshops and programs at the branches, pulling materials, tracking which books and genres are most in demand and staffing the information desk. Clerks handle check-outs, check-ins and library cards, while pages keep the shelves organized.

    Perhaps most at risk, Cespuglio said, is the library’s mental health associate, Jasmin Flores, who spends her days building rapport with teens in need. Losing that specialist, she said, leaves her “quite fearful” for the patrons and staff alike, since the library’s other social worker focuses on unhoused adults and doesn’t have the time and energy to build the same relationships with youth.

    Each day, Flores is the calming face for more than a dozen kids. Many of them are in and out of homelessness; some have been in juvenile detention. Others are LGBTQIA and struggle to find friends; others struggle to find food. She’s already told some that she may not be showing up anymore. It’s a difficult conversation, she said, having to console others for the loss of her job.

    “It honestly breaks my heart that I probably will not be in that position anymore,” she said.

    Flores’ main worry is that some of them will stop showing up. “We’ve built that rapport, and it hasn’t been easy to build,” she said. “It’s taken a while to get there, and I just hate to see all that go to waste.”

    Librarians say they’re already stretched thin

    The real problem, Cespuglio said, is that libraries are losing funding even as they’re increasingly in demand — more than 2,800 patrons visit daily across Long Beach’s 12 branches, an 8% rise since last year. The number of programs offered has increased by 50% in the past year, with more than 1,000 adult participants.

    Annually, city libraries have continually climbed in foot traffic since the onset of the pandemic, though averages are still lower than in 2018 and 2019.

    Branches have been understaffed for more than a decade, Cespuglio said, at least since the last time the city announced library layoffs in 2012.

    “There’s still an expectation on the system for us to be doing all of these things and continue the same level of service as we’ve done,” she said. “Cutting those hours, or those Mondays, not only does it impact the public’s access to the library all over the city, but it has these other ramifications in the rest of the five days that the rest of us are working.”

    The looming cuts have created an “undercurrent of anxiety” among staff who still don’t know which of them may lose their jobs, according to Cespuglio. Her own position is not at risk, but her partner’s is, and she said the possibility of losing half her household income is real. She said that rent in Long Beach has outpaced her pay raises for the 12 years she’s lived and worked in the city.

    The bigger budget picture

    The library cuts are part of a far larger fiscal reckoning for Long Beach.

    The proposed layoffs stretch across more than a dozen departments and offices, hitting fire, police, homeless services, parks and libraries alike, as the city grapples with rising personnel costs, mounting legal payouts, the loss of federal grants and a local economic slowdown that has weighed on tax revenue.

    City officials have said the strategy of previous years — pulling from cash reserves to delay layoffs — is no longer sustainable; the city drained tens of millions of dollars from its reserves, including its emergency fund, just to close out the current fiscal year.

    Sashi Muralidharan, a labor representative with the city’s largest union, IAM Local 1930, said they will “fight for every job,” even as labor negotiations — which coincide with the budget talks — are looking grim.

    Eighty percent of the positions proposed to be cut are represented by IAM, including 209 filled positions.

    “Anything that does result in a layoff, we will be bargaining over those impacts to make sure that we lessen the negative impacts,” Muralidharan said.

    At a Long Beach City Council meeting this week, nurses, union shop stewards, library staff and other city workers turned out to protest the cuts, arguing they would bring greater ramifications to the public’s quality of life and further enervate its remaining staff, pushing them to look for work elsewhere.

    Nate Kim, a city nurse and negotiator with IAM Local 1930, told the council that while his own position had been renewed, many of his colleagues had not been so fortunate. “Many have been laid off already,” he added. Emily Quest, a resident who uses the library’s free craftspace, begged council members through tears not to cut the hours or the staff who run it.

    Mayor Rex Richardson has proposed restoring 70 of the positions slated for elimination and said the city remains on track for its first structural budget surplus by 2028, even as another deficit, projected at $27.3 million, looms for the following year.

    The City Council is expected to hold public hearings on the budget through the summer before a final vote in late September. You can find a schedule of hearings to attend here or fill out an online survey to share your priorities with the City Council, which must debate and pass the budget by Oct. 1.

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  • Only one business reimbursed by pipeline operator
    Crews clean the scene along Cesar E. Chavez and Eastern avenues after an oil spill
    East Los Angeles will undergo months of soil testing and excavation after May’s crude oil spill, with the cleanup expected to continue into early 2027, according to county officials.

    Topline:

    Two months after a pipeline rupture sent more than 25,000 gallons of crude oil onto East Los Angeles streets and into storm drains, many businesses along the Cesar E. Chavez Avenue corridor are still waiting to be paid back for their losses.

    Why now: Reimbursement from pipeline operator Pacific Pipeline System has been slow, said Kelly LoBianco, director of the LA County Department of Economic Opportunity. As of Tuesday, 19 businesses had filed claims and only one had been approved.

    The backstory: The May spill forced weeklong street closures near East Cesar E. Chavez and Eastern avenues, prompting restaurants, barbershops and bike shops to cancel appointments, delay deliveries or close entirely. A survey of nearly 50 businesses found a 70% to 75% loss in revenue following the spill.

    This story first appeared on The LA Local.

    Two months after an oil spill shut down streets in East Los Angeles and disrupted businesses along the Cesar E. Chavez Avenue corridor, many owners are still waiting for reimbursement.

    The May spill forced street closures after crews punctured an underground pipeline, sending more than 25,000 gallons of crude oil onto nearby streets and into storm drains. Along the commercial corridor, owners of restaurants, barbershops and bike shops had to cancel appointments, delay deliveries or close their doors for a week as cleanup crews worked in the area.

    What the spill cost businesses

    In the days following the spill, a survey of nearly 50 businesses near the intersection of East Cesar E. Chavez and Eastern avenues found a 70% to 75% loss in revenue, according to Kelly LoBianco, director of the LA County Department of Economic Opportunity.

    “You know how the barbershop gets on a Friday. … We lost a lot of business that week,” said Barber Avila, owner of Brooklyn Lab Barbershop. Avila preferred not to share his first name for this story.

    For the past month, Avila has been working with LA County and pipeline operator Pacific Pipeline System (PPS) to submit documents – including tax records, sales reports and expenses – to show how the spill affected his business and file a claim for reimbursement.

    Avila said his claim was approved this week and he is now awaiting payment.

    Reimbursement has been slow

    Many other businesses are seeking reimbursement from PPS, but the process has been slow, LoBianco said.

    As of Tuesday, 19 businesses had filed claims. Only one had been approved, while three others were close to approval, LoBianco said. She did not have details on the amount reimbursed.

    Veronica Ramos, co-owner of Ramos Industries, a commercial and residential glass and aluminum contractor, said she was reimbursed by PPS a week after submitting a claim. The spill caused contracted jobs to be canceled and deliveries to be rescheduled for a fee because trucks could not access the shop.

    Ramos said her business had a bookkeeper who was able to quickly gather the required documents but she worries her neighbors may struggle to provide the needed records for a claim.

    A PPS spokesperson said claims are still being accepted and processed. A third-party claims administrator has been helping businesses with the filing process in English and Spanish, the company said.

    “We understand how important a timely resolution is for those affected and remain committed to working through each claim as efficiently as possible,” PPS said.

    Cleanup could stretch into 2027

    What lies ahead are months of soil testing and excavation to remove contaminated soil from the site of the spill, which county officials say could continue into January 2027. Neither Avila nor Ramos knew about the remaining work and worried about how additional street closures could affect their business again.

    “It’s good to keep it in mind,” Ramos said.

    Was your business affected by the oil spill?

    Anyone who believes they were impacted by the oil spill can still contact the PPS claims line at 1-877-817-5465 to be connected to a third-party administrator who can guide them through the process in English and Spanish, PPS said. There is currently no deadline to submit a claim.

    The Department of Economic Opportunity’s Office of Small Business (OSB) is continuing to provide guidance on claim preparation, documentation requirements, and submission for affected businesses. To book a one-on-one appointment, businesses can:

    • Call OSB at (844) 432-4900,
    • Visit OSB’s East LA Entrepreneurship Center located at 4716 E. Cesar E. Chavez Ave., or; 
    • Email osb@opportunity.lacounty.gov. 

    All impacted businesses seeking assistance should indicate that their request is related to the East LA oil spill.

    How to avoid scams:

    Rafael Carbajal, director of the LA County Department of Consumer and Business Affairs (DCBA) said bad actors may prey upon communities during environmental disasters like the oil spill including contractors and legal services providers.

    Carbajal said the DCBA office is helping residents verify contractors, legal services providers and is providing information on their website on how to recognize scams.

    Residents who have concerns or questions can call the DCBA hotline at (800) 593-8222.

  • 20-year journey to set 'Fireman's Prayer' to music
    Musicians in an orchestra playing their instruments. Behind them is a screen with a projected image of firefighters.
    The orchestra performing "The Fireman's Prayer" in Los Angeles in July.

    Topline:

    Composer Charles-Henri Avelange has spent nearly 20 years trying to find a way to honor firefighters with music.

    Why now: In July, that longtime dream took shape when dozens of Hollywood orchestral musicians gathered at Sony Pictures Studios to record the "Fireman's Prayer."

    Back story: The poem was written by Wichita firefighter Alvin William "Smokey" Linn, inspired by a 1958 apartment fire in which three children died — words that firefighters have recited ever since.

    What's next: Thanks to private donations, Avelange recorded with the Los Angeles Children's Chorus and the Los Angeles Master Chorale in May, then returned last month with Grammy-winning conductor Grant Gershon and dozens of Hollywood's best musicians — some of them survivors of the Eaton and Palisades fires — to record the orchestral portion. He is still fundraising to add the California Professional Firefighters Pipes & Drums Corps.

    Composer Charles-Henri Avelange has wanted to find a way to honor firefighters with music since the 9/11 attacks.

    Last month, that longtime dream started to take shape when over 85 orchestral musicians working in Hollywood gathered at a Sony Pictures Studio soundstage to record the “Fireman's Prayer.”

    The poem, written by Alvin William “Smokey” Linn, was inspired by an apartment fire in 1958 in which three children died. It’s something every firefighter learns to recite.

    Not long after moving to the U.S., Avelange found the Fireman’s Prayer inscribed on the wall of a firehouse in 2006 — and began singing a melody.

    Avelange asked the firefighters whether the piece was already set to music. “Because to me, this is not just a prayer, it's an anthem,” he said.

    Twenty-four hours later, he had written the first draft of the anthem.

    A white man with slicked back hair in a suit jacket. He is seated behind a mixing board.
    Charles-Henri Avelange.
    (
    Slava Pedan
    /
    Courtesy The Fireman's Prayer project
    )

    A $100,000 vision, and no idea how to pull it off 

    Avelange’s vision was to have 200 to 250 musicians, including a children's choir, full adult choir, full orchestra and a 56-piece drum and bagpipe corps for the recording, which costs nearly $100,000. All proceeds from the song would go to firefighters.

     “Everybody who knows me eventually always heard about the Fireman's Prayer,” he said. “I have no idea how or when it will get done.”

    A piece of sheet music with notes on it. The title says "The Fireman's Prayer"
    Composer Charles-Henri Avelange has set the poem, The Fireman's Prayer, to music.
    (
    Slava Pedan
    /
    The Fireman's Prayer project
    )

    Then the January 2025  fires hit Los Angeles. Avelange and his wife found themselves just blocks from a Palisades Fire evacuation zone. They could see the firefighters protecting homes on their street.

    “My wife, Jennifer … looked at me and she said, ‘Well, if this is not a sign, Charles, this thing is needed. It is really time.’”

    Thanks to private donations, Avelange recorded with the Los Angeles Children’s Choir and the Los Angeles Master Chorale in May. He is still fundraising to record  the Pipes and Drums of California Professional Firefighters performing.

    Last month, he was joined by Grammy-winning conductor Grant Gershon and many of Hollywood’s best musicians — some are survivors of the Eaton and Palisades fires — to record the orchestral portion of an anthem he had heard only as digital samples for nearly 20 years.

    How to support the 'Fireman's Prayer' anthem

    The recording is being funded through the nonprofit, Los Angeles County Fire Museum. Learn more on how you can help.

    Joining them in the audience were members of the firefighting community.

     “When I heard them playing, it sounded exactly the way it's supposed to and actually even better,” he said. “It was quite a magical moment.”

  • Fire now 70% contained
    A photo of a lot of smoke from a fire burning in a mountainous area.
    The Walnut Fire burning in Burbank.

    Topline:

    A brush fire burning in Wildwood Canyon above Burbank has prompted evacuation orders for DeBell Restaurant and Golf Course and Stough Canyon Nature Center, according to the city of Burbank.

    What we know so far: The Walnut Fire broke out Saturday afternoon near the intersection East Harvard Road and Wildwood Canyon Road.

    Read on ... for more on evacuations and weather conditions.

    This is a developing story and will be updated. For the most up-to-date information about the fire you can check:

    Evacuation orders for DeBell Restaurant and Golf Course and Stough Canyon Nature Center remain in place for a fire burning in Wildwood Canyon above Burbank.

    Evacuation warnings for Churches Ct. and Country Club Drive were lifted at 6:20 p.m.

    As of 5:55 p.m., the fire had burned 40 acres and 70% contained, according to Burbank.

    The Walnut Fire broke out Saturday afternoon near the intersection East Harvard Road and Wildwood Canyon Road.

    Hiking trails around the area are closed. The Starlight Bowl concert scheduled for tonight has been canceled.

    Listen to our Big Burn podcast

    Listen 39:42
    Get ready now. Listen to our The Big Burn podcast
    Jacob Margolis, LAist's science reporter, examines the new normal of big fires in California.

    Fire resources and tips

    Check out LAist's wildfire recovery guide

    If you have to evacuate:

    Navigating fire conditions:

    How to help yourself and others:

    How to start the recovery process:

    What to do for your kids:

    Prepare for the next disaster: