The Brief

Many of us learned it in history class. In 1781, 44 men, women and children traveled from Mexico under the banner of Spain, settling indigenous land to found what is now Los Angeles.

But did you know that over half of those pobladores, as they were known, had African ancestry? For decades, the information was repressed or derided by racist historians and civic leaders, eager to Europeanize the past.

“The Spanish, like most colonizers, had systems where they categorized people on racial grounds,” says Susan D. Anderson, History Curator and Program Manager at the California African American Museum.

“The census in Spain, like all European censuses, included information about the settlers that revealed this very complicated racial system of categorization. So, the reason that we know the background of the demographic background of the settlers is because of this ancient census-taking system.”

According to El Pueblo: The Historic Heart of Los Angeles by Jean Bruce Poole and Tevvy Ball, in 1777, Felipe de Neve, Spanish governor of the Californias, asked the Colonial Spanish government in Mexico to help him establish a new pueblo near the flourishing Gabrieleño village of Yang-Na. The land was prime for farming — “a very spacious valley, well-grown with cottonwood and alders, among which ran a beautiful river,” Father Juan Crespi recorded.

Agricultural settlements were badly needed in fledgling Alta California, to provide food for the string of missions and presidios (military garrisons) being built across the colony. They were also needed as a buffer against Russian and British aggressors. Neve’s request was granted and agents for the Spanish crown began searching for “men of the field” who were “without vices or defects” to recruit as settlers.

A statue of Felipe de Neve at La Plaza

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Agents focused their recruiting efforts on what are now the Mexican states of Sonora and Sinaloa. According to America’s Black Heritage, one-third of the people living in Sinaloa were of African descent. Intermarriage was common in Spanish Mexico, leading to an elaborate caste system which classified people according to their racial heritage.

In the Sinaloan town of El Rosario, where most of the future settlers lived, two-thirds of the residents were of Spanish and African descent and classified as “mulattos.”

Enslaved Black people were essential to the success of colonizers all over the western world. “The only reason people were settling on Indigenous land is because of the slave trade,” Anderson says.

“And it doesn't matter if it's Uruguay or Mexico or the U.S., it's all the same. There were so many Africans that were brought to the New World. So, for us to think that Mexicans aren't of African descent or Chileans aren't of African descent? It's crazy.”

Compared to enslaved people in the United States, people in bondage in Mexico were often able to purchase their rightful freedom.

“In Mexico, slaves were permitted to marry, and no master could sell and separate wives and husbands or children, and it was relatively easy for a slave to obtain his freedom,” William A. Mason and James Anderson write in America’s Black Heritage. “There was a place in society for the freed slave in Mexico. He was not an outcast.”

By the 1780s, roughly 90 percent of those classified as “mulattos” in Sinaloa were free. Many had probably been free for generations. Spanish agents scoured the area, promising land, rations, salaries, and livestock to potential settlers. Those who signed up included the eleven families who eventually became known as the founders of Los Angeles.

Settlers of Black descent

According to the anthology Seeking El Dorado: African Americans in California, of the eleven original families of Los Angeles, seven involved couples of different racial backgrounds, while two couples were of African Spanish descent.

Some of these couples were Luis and Maria Quintero, Manuel and Maria Tomasa Camero, Jose and Maria Guadalupe Moreno, Antonio and Maria Ana Mesa, and Basillo and Maria Manuela Rosas.

The pioneers left home and made the arduous journey to the Mission San Gabriel, around twenty-five miles away from the new pueblo of Los Angeles. Despite popular belief that they all arrived together at the new townsite on September 6, 1781, records in The Founding Documents of Los Angeles: A Bilingual Edition make clear they arrived in L.A. in waves, and each family received both a plot of land for a home and a field to till.

“The first homes, earth covered willow-and-tule huts, were soon replaced by adobe dwellings with flat roofs, which were later waterproofed with a coat of brea from the tar pits a few miles west on the Indian trail toward the ocean,” Poole and Ball write. “The pioneers constructed a dam and irrigation canals, including the zanja madre, or mother ditch, to bring water to the pueblo, and set about tilling and planting the fields.”

Life on the frontier was hard, and there were tensions between the settlers. In 1782, three families were “expelled” from Los Angeles. Antonio Mesa, who was said to be disillusioned with pioneer life, returned with his family to Sonora. Luis and Maria Quintero also left, but they didn’t go far. They settled in Santa Barbara, near three of their married daughters. Quintero became Santa Barbara’s first tailor, and his grandson Josef Rafael Gonzalez, served as alcalde (mayor) of Santa Barbara in 1829.

According to the LA Almanac, the Camero and Moreno families stayed in Los Angeles, where both Manuel and Jose served as city councilmen. They were joined by other settlers of Black descent, including Fernando Reyes, who was the first elected mayor of Los Angeles in 1793.

Pobladores' descendants

By 1790, census records indicate 18% of colonists throughout Alta California were of African descent. This number was probably incorrect, since many Afro Latinos had already begun changing their names and racial classification.

Maria Guadalupe Perez, the wife of Jose Moreno and the last of the Pobladores, lived to see California become an American state in 1850. She died in 1860. Her granddaughter, Catalina, became the life partner of Mexican soldier Don Andres Pico (who also had African ancestry), the brother of the last Mexican governor Pio Pico.

Maria Rita Valdez, the granddaughter of Luis Quintero, was a brilliant businesswoman who ran her family’s prosperous 4,500-acre rancho known as El Rancho Rodeo de las Aguas. She sold it to Henry Hancock and Benjamin D. Wilson in 1854. The area is now known as Beverly Hills.

John Gómez, Adelina Mutaw de Lugo, Minnie Lugo de Gómez, Mary Abelar de Lugo, Isabel Lugo de Wilson, Suzanne Lugo de Barker in May 1937. The Lugo women are direct descendants of Luís Quintero, one of the original pobladores.

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But, by the time Maria Guadalupe Perez died, these women’s heritage was being consciously blotted out by the new xenophobic, racist American elites of Los Angeles. “Once the U.S. took over California and then getting into the 20th century, white historians started whitewashing California's history,” Anderson notes.

According to historian William M. Mason, the uproar began in 1884, when historian Hubert Howe Bancroft published the 1781 census of the Pobladores, which included their caste, in his book History of California. The backlash was immediate, with fellow Californian J.M. Guinn deriding the Pobladores’ contributions, claiming they “were mongrels in race…poor in purse, poor in blood, poor in all the sterner qualities of character that our own hearty pioneers possessed.”

Los Angeles boosters, eager to lure more white Americans to Southern California, increased their campaign to erase L.A.’s multi-ethnic beginnings, and paint the Pobladores as European Spaniards. This meant that many of the founders’ thousands of descendants were unaware of their Black heritage.

This campaign continued well into the twentieth century. “The racial background of the founders was in the textbooks in the 1940s,” Anderson says. “By the 1950s, when the district put out new textbooks, they erased that information.”

Reclaiming the city's Black heritage

There were some L.A. historians who insisted on reclaiming the city’s Black heritage. In the 1950s, Glen Price, a curator for the Plaza Park Project, commissioned a plaque which pointedly included the race of each of the original 44 settlers. “The plaque soon vanished without a trace,” Cecilia Rasmussen reported in the Los Angeles Times. “Rumor had it that several Recreation and Parks commissioners had been displeased by its public display of the role blacks played in the city’s founding.”

California historian William A. Mason also advocated for reclaiming the founders’ heritage. “In view of our great debt to the pobladores,” he wrote in 1975, “we should celebrate them for what they really were — a racially mixed group with a decidedly Black cast.”

Charlotta A. Bass, publisher and editor of the California Eagle newspaper in the 1950's

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But it was two Black women who would make sure the Black Pobladores were recognized and honored. “I would say that there are probably two heroes in my book who are associated with these campaigns,” Anderson says. “One is Charlotta Bass.”

Bass, the legendary publisher of The California Eagle, used her paper to tell the truth about the settlers’ heritage. “Of the eleven founding families, 56% would be classified as colored today!” she wrote in 1941, per Victoria Bernal of PBS SoCal. “These are no idle statistics, since the names, lot numbers and race of the founders are preserved in the archives of the State of California and City of Los Angeles."

“In 1948,” Bernal writes, “she opined about the city's 167th anniversary, ‘When celebrating anniversaries, the City of Angels has always avoided any mention of the fact that among the first settlers (the first 44 persons) there were some important Black angels…’”

As Anderson notes, the other hero in the story was the pioneering Miriam Matthews, who was the first certified Black librarian in California. Known as the “dean of Los Angeles Black history,” Matthews worked tirelessly to chronicle Black history in Los Angeles, including reclaiming the origins of the city’s founders. "It is a sad commentary when the names of these black families — Antonio Mesa, Manuel Camero, Luis Quintero, Jose Moreno — were omitted from many history books,” she wrote in The Los Angeles Sentinel.

When Matthews was appointed by Mayor Tom Bradley to the bicentennial committee to put together L.A.’s 200th anniversary celebration, she was determined to have a new plaque honoring the Pobladores placed near where the city began. “And that was my top priority: a proper founders monument to be erected in the plaza, in the State Historic Park” she later said in an interview.

On September 4, 1981, a plaque recreating the 1791 census, complete with the racial backgrounds of each settler, was unveiled on the southern side of the Los Angeles Plaza. There it stands to this day. “A result,” Anderson says, “of a a generations long battle to expose the historical truth.”

Warner Bros. Discovery's blockbuster announcement Thursday that it would accept Paramount Skydance's takeover bid shouldn't be thought of simply as seeking to unify two major Hollywood players, two big streaming platforms and two leading TV news divisions under one roof.

It is certainly that. The nearly $111 billion Paramount-Warner marriage would unite their studios — and their back catalogue of shows and movies. It would add such franchises as D.C. Comics, Harry Potter and Game of Thrones to Paramount's Top Gun, Mission Impossible and Star Trek powerhouse. Paramount+ and HBO Max. CBS and CNN.

But there's more to it.

Paramount Skydance Chairman and CEO David Ellison is relying largely on the financial backing of his father, Larry Ellison — the co-founder of software giant Oracle, the lead investor in TikTok US, and one of the richest people on the planet.

The Ellisons have staged what appears to be a lightning-swift ascent through social and legacy media relying heavily on their connection to the Oval Office.

Should the Ellisons receive a green light from regulators to proceed with the deal, the minnow will have swallowed the whale. Warner currently has more than five times the market value of Paramount.

That's on top of acquiring Paramount itself and a major stake in TikTok US — all in less than a year. And that's in addition to Oracle, which runs much of the digital backbone of the nation's commerce and government.

Oracle co-founder Larry Ellison, right, sits next to media mogul Rupert Murdoch as they listen to President Donald Trump speak in the Oval Office.

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"It's tech giants becoming media giants," argues Jon Klein, a former top executive at CNN and CBS News.

But history shows such mega-mergers often end in tears. The movie business is expensive. Cable television is highly profitable but in steep decline as viewers cut the cord. The combined company will be saddled with debt. So why would the Ellisons spend their billions this way?

David Ellison has sought to be a force in Hollywood for years. He helped to produce movies with Tom Cruise at his family's company Skydance Media. But for his father, Larry Ellison, it's about more than just making his son's very expensive dreams come true.

"Beyond any dollars that they can derive — it's the data about consumer habits, down to the specific identity," Klein says.

He says the push into artificial intelligence by Oracle creates a thirst for more insight into how people view news and entertainment and what products they buy online. The streaming channels and social media giant both offer greater and more granular information.

"That's the prism that you've got to look at this Paramount/WBD deal through," says Klein, co-founder of HANG Media, a Gen Z social video engagement platform. "Oracle... wants to be one of the major players in AI. That's what Oracle wants to get out of media."

The deal still hinges on acceptance from antitrust regulators in Washington and Europe, who can seek to block the transaction. California's attorney general made clear Thursday night he would also give the acquisition tough scrutiny.

"If a merger substantially reduces competition in any market, it's illegal. Courts sort of take that literally," says University of Chicago law professor Eric Posner, who held a senior antitrust position in the U.S. Justice Department under former President Joe Biden.

"But in practice, the Justice Department has discretion on whether to challenge these mergers," Posner tells NPR. "And the courts have discretion on whether to block them."

Friendly ties to Trump

President Donald Trump's Justice Department is a wild card. Last year, the department's then antitrust chief, Gail Slater, took an aggressive stance against Google in court. Last month, the Justice Department sued to block Hewlett Packard Enterprise's $14 billion acquisition of a wireless tech competitor. Slater resigned under duress this month, however.

The Federal Communications Commission is unlikely to intervene, as no broadcast licenses would change hands in the Paramount takeover of Warner. But its chair, Brendan Carr, may well advise the Justice Department and he has lauded David Ellison's moves at CBS.

Even before sweetening its offer this week, Paramount proclaimed its "confidence in the speed and certainty of regulatory approval for its transaction."

Publicly, it argues that such consolidation is needed to take on streaming giants, very much including Netflix but also Amazon Prime, Apple, Disney and YouTube.

Behind the scenes — and sometimes in not-so-hidden ways — the Ellisons have become cozy with President Trump. Larry Ellison is a backer and adviser.

On Tuesday night, David Ellison attended Trump's State of the Union address as a guest of the president's ally, Senator Lindsey Graham, a South Carolina Republican. Graham tweeted out a photo of the two men making Trump's signature "thumbs-up" gesture ahead of the speech.

The president cares deeply about TV news. He has publicly said he wants new owners for CNN — which he has blasted repeatedly as "fake news" — and has proven willing to interfere in corporate matters in his return to the White House.

Netflix CEO Ted Sarandos departs the White House on Wednesday. Sarandos was there to discuss Netflix's bid for Warner Bros. just hours before Warner announced its preference for Paramount.

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Netflix chief Ted Sarandos met Thursday with administration officials at the White House — though notably not with Trump, according to an aide — in a last-gasp effort to salvage his company's competing bid. By the end of the night, Netflix had given up the fight.

The shadow cast over the process by the president has inspired sharp criticism of the path that Paramount and the Ellisons took to land the Warner deal.

"A handful of Trump-aligned billionaires are trying to seize control of what you watch and charge you whatever price they want," Democratic Sen. Elizabeth Warren of Massachusetts said in a statement. "With the cloud of corruption looming over Trump's Department of Justice, it'll be up to the American people to speak up and state attorneys general to enforce the law."

"It is not just the seemingly open corruption of this entire process that leaves me shaken," writes Jeffrey Blehar in the conservative National Review. "I am shaken by how little people will care."

Said Seth Stern, head of the Freedom of the Press Foundation, "Ellison will readily throw the First Amendment, CNN's reporters and HBO's filmmakers under the bus if they stand in the way of expanding his corporate empire and fattening his pockets."

CNN's future hangs in the balance

The Ellisons' acquisition of Paramount followed a similar path.

Last summer, the previous owners of Paramount announced the end of late night host Stephen Colbert's CBS show as they sought federal approval to sell the company to David Ellison.

While they cited economics, Colbert's was the top-rated late night show on network television — and he has been a lacerating satirist of the president. Colbert called the cancellation a "big fat bribe."

Ellison subsequently made additional pledges to the FCC's Carr to win support. Among them: he promised the cessation of diversity, equity and inclusion initiatives throughout Paramount and the addition of an ombudsman to field complaints of ideological bias. He named the former head of a conservative think tank to that role.

Carr blessed the sale. He has since praised the shifts made at CBS News.

The question of what happens to CNN hovers prominently over the Warner sale. The network has undergone rounds of cuts under a series of owners seeking to reduce debt; Paramount would be its fourth corporate parent in under a decade.

Other elements are in play as well.

CBS's new editor in chief is Bari Weiss, founder of the center-right opinion and news site The Free Press. Ellison bought the site and added it to Paramount's portfolio.

Bari Weiss, CBS News' editor in chief, interviews conservative activist Erika Kirk in a CBS town hall event in December.

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Weiss has contended CBS and much of the rest of the media has been too reflexively hostile to conservatives and the president, and she's sought to revamp the newsroom.

CNN's Anderson Cooper, who has also served as a correspondent for CBS's 60 Minutes for two decades, recently announced that he would leave the show, citing the desire to spend time with his small children. Associates, speaking on condition of anonymity because they were not authorized to disclose internal network matters, say he was concerned about the approach that Weiss has taken at CBS.

She is considered likely to have a role over CNN as well, should the deal go through.

CNN CEO Mark Thompson urged colleagues to focus on their news coverage. "Despite all the speculation you've read during this process, I'd suggest that you don't jump to conclusions about the future until we know more," he wrote in a memo Thursday.

Perceived value beyond the bottom line

The deal David Ellison struck for Warner is valued at nearly $111 billion. The new company would carry substantial debts and have Saudi and Emirate backing. The profits are currently relatively modest.

Yet Klein contends larger motives are in play. Just look at Google, he says, which owns what many consider the dominant media company, YouTube.

"They want to know what you watch, and where you come from, and what you buy when you watch, and where you go after you buy, and what you post in the comments and what you like and love and all that," Klein says.

"And if you can combine that with your streaming content and your studio decisions and your marketing for all the content product you're creating," he adds, "you're in a very very powerful position."

Copyright 2026 NPR

This story first appeared on The LA Local.

The Serving Spoon has been an Inglewood cornerstone for four decades, dishing up grilled corn bread and fried turkey chops. 

Now, though, the whole country is in on the secret. 

The breakfast and lunch spot on Centinela Avenue was announced Wednesday by the James Beard Foundation as one of six winners of the America’s Classics Award, an honor the foundation says goes to “timeless” local institutions. The foundation is also responsible for the James Beard Award, one of the nation’s top culinary honors. 

The Serving Spoon joins a pantheon of other L.A.-area eateries to win the classics award including Guelaguetza, Langer’s Deli and Philippe the Original. 

Jessica Bane, part of the third generation to run the family-owned restaurant, said the honor is still sinking in, but that it validates decades of work. “It’s being done out of love,” Bane said.

The Serving Spoon has been an Inglewood cornerstone for four decades, dishing up grilled corn bread and fried turkey chops.

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The award announcement hailed The Serving Spoon as an “anchor” of L.A.’s Black community, run by staff who genuinely care for their customers.“The restaurant is cherished for its joyful hospitality and as a place where all can gather and feel at home,” the announcement read. 

The Serving Spoon didn’t exactly need Beard recognition — the diner is often packed and already has  pedigree as Snoop Dogg and Raphael Saadiq’s breakfast spot of choice in the 2000 Lucy Pearl song “You” — but Bane said the award takes the diner’s reputation national.“The recognition is beyond appreciated,” Bane said. 

The Serving Spoon was founded in 1983 by Bane’s grandfather, Harold E. Sparks. He passed the restaurant down to Bane and her brother, Justin Johnson, through their parents. 

The menu looks much the same as it did four decades ago, Bane said, though some of the dishes have been renamed for regulars. 

During the Thursday lunch rush a day after the announcement, The Serving Spoon’s vinyl booths were packed, as usual. Bane oversaw the dining room while Johnson marshaled plates of fried catfish through the kitchen. 

Tina and Kevin Jenkins waited for a table outside. The L.A. natives each have been coming to The Serving Spoon since childhood. They live in Lancaster now, but make sure to come back to the diner whenever they’re in town. 

“It’s the atmosphere, our people, our music,” Tina Jenkins said.

Despite taxes on imports at levels not seen in a century, Long Beach’s seaport had a good year in 2025. And a decent January.

Port officials said Wednesday they started the new year by leading the nation in trade, responsible for moving more than 847,000 shipping containers in January — 51% of the total cargo at the San Pedro Bay Complex, which it shares with neighboring Port of Los Angeles.

In a call with reporters, Port CEO Noel Hacegaba said that despite a “fair share of doom and gloom” at the time, the seaport finished 2025 as its busiest year on record.

This comes days after President Donald Trump signed new, across-the-board tariffs on U.S. trading partners, and later added he would raise the tariffs to 15%. It’s a direct response to a recent Supreme Court decision that found his tariffs announced last April were unconstitutional.

The new tariffs would operate under a law that restricts them to 150 days, unless approved by Congress.

Asked to measure how much this will affect the seaport, traders, logistics companies and consumers, Hacegaba reiterated a word he has evoked heavily in the past 10 months: uncertainty.

“Our strong cargo volumes do not suggest we are not being affected by tariffs,” Hacegaba said, adding the Port saw a 13% decline in imports driven by major reductions in iron, steel, synthetic fibers, salt, sulfur and cement.

Economists are somewhat more confident, saying it would take nothing short of a national economic crisis to reverse the seaport’s fortunes. “Even if the market is affected, our standing at the Port of Long Beach, even compared to other ports, is strong,” said Laura Gonzalez, an economics professor at Cal State Long Beach.

But experts caution that the ruling will heap the most damage on businesses, especially smaller enterprises, as well as the average consumer who already bore the tariff’s costs last year.

Noel Hacegaba, CEO of the Port of Long Beach, held his first State of the Port in Long Beach on Thursday, Jan. 15, 2026.

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Tariffs added $1,700 in costs to the average U.S. household, as importers raised prices to offset higher import taxes — especially on clothes, shoes and electronics from China and other Southeast Asian nations.

Consumers, Gonzalez said, should budget over the next six months “for essentials.”

Priyaranjan Jha, an economics professor at UC Irvine, said historically trade policies since 2018 have shown that for every dollar of duty imposed, consumer prices rose by about 90 cents.

Even if tariffs are reduced or reversed, and pressure is relieved on importers, consumers shouldn’t expect lower sticker prices right away, he said. “Firms do not always reduce prices as quickly as they raise them, especially if contracts or inventories are involved.”

Richer San, a former banker and business owner in Long Beach, said he’s in regular talks with shops across the city’s historic Cambodia Town that have been crushed by the increased prices of imported ingredients.

“Most of these are family-owned businesses operating on very small profit margins,” he said, adding there is little to no margin to “absorb higher costs.”

Many companies managed to avoid price increases last year in part by stockpiling inventory in the first half of the year to be sold through Christmas and the start of the year. As stock dwindles, many businesses might be less willing to eat the cost of a new set of tariffs.

Marc Sullivan, president of Long Beach-based Global Trade and Customs, said his logistics company saw a brief boom last year in ordered goods, mostly medical equipment and pharmaceuticals.

But by June, orders dropped 35%, a trend that continues today. It’s forced him to freeze any new hiring in the past year and at least through the next six months as he waits for federal officials to settle on tariffs that will determine the cost of shipped goods.

“For the companies that I work with that are importing into the state here, it’s just ‘hold on and let’s see what happens,’” he said.

“I’d like to hire a salesperson to go out and chase new business, … but it’s just a bleak outlook,” he added.

In the interim, he’s received a steady flow of calls (that started “within minutes” of the ruling) from importers looking to claim refunds or recoup their tariff expenses. The U.S. Treasury had collected more than $140 billion from tariffs enacted under emergency powers, and the Supreme Court left the decision of how to appropriate the refund proceedings to lower courts.

His response: They might be stuck waiting for a while. “Customs doesn’t pay anything back quickly,” he said. “It could be a year before you ever see anything back to you.”

Sullivan said he knows of companies that spent upwards of $20,000 per shipment for months.

“They’re going to want that money to be able to reinvest it,” Sullivan said.

But some experts say that consumers, as well as small businesses, deserve a share of refunds.

“The importer may receive a refund even though consumers bore much of the cost,” Jha said. “Courts generally refund the statutory payer, not downstream buyers, but that opens the possibility of follow-on litigation. Small businesses that directly imported goods and paid tariffs should qualify for refunds.”

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A long turtle lineage: Dubbed “Porkchop” by aquarium staff due to her hefty appetite, the young female green sea turtle represents one of seven sea turtle species worldwide (six of which occur in U.S. waters). These animals have called our oceans home since at least the time of the dinosaurs — about 110 million years ago, according to NOAA. All species of sea turtles found in the U.S. are listed as either endangered or threatened and are protected by the Endangered Species Act.

Porkchop’s healing journey: Aquarium vets had to amputate Porkchop’s right front flipper after tangled fishing lines severely cut off her blood flow. She also had a fishing hook removed from her throat. First rescued after being spotted in the San Gabriel River by volunteers with the aquarium’s sea turtle monitoring program last March, her healing journey took nearly a year. She now swims and eats as well as her four-flippered kin and after a final physical exam, blood sample and X-ray, vets determined she was ready to return to her wild roots. She also now has a microchip, so if she ends up stranded again, scientists will know it’s her.

An ambassador for conservation: Porkchop became the aquarium’s first public-facing ambassador for its expanded green sea turtle rescue efforts. A new holding tank, viewable by the public, doubles the aquarium’s capacity to rescue green sea turtles and provides firsthand education about their conservation efforts. The aquarium is currently caring for another larger and older female green sea turtle — she weighs more than 200 pounds — rescued from the San Gabriel River in January. She’ll be in the public viewing tank in the coming months when she’s recovered a bit more.

How to help local green sea turtles: Green sea turtle populations are actually doing quite well in the San Gabriel River, but trash, debris and pollution remains a big threat. If you fish the San Gabriel River, never litter fishing lines or hooks. If you see a stranded sea turtle in the San Gabriel River or elsewhere, call the West Coast Marine Mammal and Sea Turtle Stranding Network’s hotline at (562) 506-4315. You can also donate to the aquarium’s rescue program.