The Brief

Last week, a relic of military history in Orange County and an iconic structure to many local residents went up in flames.

"All of us who have lived in Orange County really in the past four generations...it's just been part of our landscape," historian and Orange County Historical Society President Chris Jepsen said of the World War II era wooden blimp hangar that caught fire early on the morning of Tuesday, Nov. 7.

"You see those hangars and you know you're home," Jepsen said during an interview this week with LAist's AirTalk, which airs daily on 89.3 FM.

A few days after the fire, Orange County declared a state of emergency after smoke and debris from the Tustin hangar fire tested positive for asbestos and other toxins. Schools continue to be closed in the area.

Bastions of coastal defense

Jepsen says the hangars were built in 1942 to house blimps that patrolled the U.S. coastline during World War II.

"The idea was they could keep an eye out for Japanese aircraft, or to some degree submarines coming toward our coast. These hangars, each one could house six large blimps inside it — fully inflated."

As the building burned, nearby residents, veterans and others with sentimental ties to the former Tustin air base flocked to the fenceline to get a final glimpse of the beloved hangars.

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Jae C. Hong

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AP

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At 17 stories high, more than 1,000 feet long, and 300 feet wide, the hangars were two of the largest wooden structures in the world when they were erected in 1942. They were built in a swift six months, as the country was eager to build up protection along its coasts. Jepsen says he's been inside the hangar that is now destroyed, and recalls being awe-struck at its scale.

"It's hard to wrap your brain around what you're seeing when you're in a place like that. It is so enormous."

Retired Marine Colonel Brian Delahaut was stationed at Tustin between 1983 and 1995. He told LAist's AirTalk, he remembers being awe-struck the first time he checked into the training squadron at the hangar.

"It was just absolutely incredible...when I checked in in the early 80s, the base was actually called...Marine Corps Air Station Tustin Lighter-than-Air (LTA). We all knew the buildings had been built...for the use of blimps, but the Marine Corps repurposed them and made them into helicopter hangars, so I don't think we appreciate what they were initially built for."

They’ve been mostly vacant since the base was decommissioned in 1999, sometimes serving as a shooting location for films and commercials. The hangars have been featured in television shows and films such as The X Files, Austin Powers, Pearl Harbor, and Star Trek.

The historic blimp hangar, at right, seen as it burned on Nov. 7, 2023.

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Jae C. Hong

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Associated Press

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Orange County icons

AirTalk and LAist listeners also shared their memories of the hangars.

Listener Jeaniqua in San Diego says she grew up on base housing while her father served in as a helicopter crew chief in the Marines, and even recalls a ballet group she was part of holding a recital inside the hangar.

"It's really sad. We grew up in the shadow of [the hangars] so I have very distinctive and clear memories of the office spaces in there, and even just walking in. The offices were along the side and in the center it was that wide open space, and I remember....just looking up and it seemed like it went up forever."

Listener Tee in Irvine remembers living in an Irvine apartment at Jamboree and Alton and being able to see the hangars from her bedroom window there, and recalls her niece participating in the video for Michael Jackson's song "Hold My Hand" that was shot at the hangars.

"It's just strange that one hangar is now gone. I actually went over...and took pictures. It's unbelievable how basically it looks as if everything has caved in, except for the concrete structures on the end. It's just really sad...it's strange not to have those there because it is a part of the community."

What will be become of the burned hangar?

Local officials have not yet announced plans for what will happen to what remains of the structure, but Jepsen says he'd be surprised if anything is saved or reconstructed, given the condition it's in and some of the environmental concerns about asbestos exposure.

"These things were built in the 40s and some of the materials are cause for concern," said Jepsen.

At the moment, the South Hangar is awaiting environmental remediation before it's handed over from the Navy to the city of Tustin. Jepsen says while a lot of different forms of adaptive reuse have been discussed, there are no concrete plans at the moment.

A closer look at the damaged hull left behind.

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Courtesy André J. Ausseresses

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Listen to the conversation

In the wake of the Eaton Fire, Altadena and Pasadena’s music community have really shown up to support fire survivors, especially fellow musicians who lost instruments and record collections.

That effort continues this weekend with a special donation concert at a Pasadena record store, with the aim of getting vinyl records back in the hands of survivors who lost their collections.

“You know, our name is Healing Force of the Universe, and I think that gives me a pretty clear direction… especially after the fires,” said Austin Manuel, founder of Pasadena record store, where Sunday’s show will be held.

The record donation effort is the brainchild of musician Brandon Jay, who founded the nonprofit Altadena Musicians after losing his home and almost all of his family’s instruments in the Eaton Fire. Through Altadena Musicians’s donation and registry platform, Jay said he and his partners have helped some 1,200 fire survivors get their music instruments back.

Brandon Jay.

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Robert Garrova

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LAist

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Now, that effort has fanned out to restoring vinyl record collections.

“All of that stuff evaporated for thousands of people,” Jay said. “Look at your own record collection and be like, ‘Wow, what if that whole thing disappeared?’”

You might know Jay from several bands over the years, including Lutefisk, a 1990s alt-rock band based in Los Angeles. He and his wife, Gwendolyn Sanford, composed music for TV shows, including Orange is the New Black and Weeds.

Jay plans to play some holiday tunes at Sunday's record donation show (which LAist is the media sponsor), along with fellow musician Daniel Brummel of Sanglorians. Brummel, who was also a founding member of Pasadena’s indie-rock sensation Ozma, said he was grateful to Jay for his fire recovery work and to Manuel for making Healing Force available for shows like this.

Brummel, who came close to losing his own home in the Eaton Fire, recalled a show he played at Healing Force back in March.

Ryen Slegr (left) and Daniel Brummel perform with their band, Ozma, on the 2014 Weezer Cruise.

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Even Keel Imagery

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“The trauma of the fires was still really fresh,” Brummel said. After playing a cover of Rufus Wainwright’s “Going to a Town,” that night — which includes the lyrics “I’m going to a town that has already been burnt down” — Brummel said his neighbors in the audience told him the rendition hit them hard. “It felt really powerful. And without that space, it just wouldn’t have occurred.”

Details

Healing Force of the Universe Record Donation Show
Featuring: Quasar (aka Brandon Jay), Sanglorians (Daniel Brummel) and The Acrylic.
Sunday, Dec. 14; 2 to 5 p.m.
1200 E. Walnut St., Pasadena
Tickets are $15 or you can donate 5 or more records at the door. More info here.

Topline:

The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.

The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.

What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."

What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."

Every year in Santa Ana, Luis Cantabrana turns the front of his home into an elaborate altar in honor of La Virgen de Guadalupe that draws hundreds of visitors.

Along the front of the house, the multi-colored altar is filled with lights, flowers and a stained-glass tapestry behind a sculpture of the Lady of Guadalupe. Cantabrana’s roof also is lit up with the green, white and red lights that spell out “Virgen de Guadalupe” and a cross.

Visitors are welcomed with music and the smell of roses as they celebrate the saint, but this year’s gathering comes after a dark year for immigrant communities.

Luis Cantabrana stands in front of the stunning altar he built in front of his home in honor of La Virgen de Guadalupe. Every year, his display draws hundreds of visitors.

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Destiny Torres

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LAist

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Why do they celebrate? 

In 1513, the Virgin Mary appeared before St. Juan Diego between Dec. 9 and Dec. 12, asking him to build a church in her honor. Her image — a brown-skinned woman wearing a green veil with her hands together in prayer and an angel at her feet — miraculously appeared on his cloak.

To celebrate in Santa Ana, worshippers gathered late-night Wednesday and in the very early hours Dec. 12 to pray the rosary, sing hymns and celebrate the saint.

Cantabrana has hosted worshippers at his home for 27 years — 17 in Santa Ana.

The altar started out small, he said, and over the years, he added a fabric background, more lights and flowers (lots and lots of flowers).

“It started with me making a promise to la Virgen de Guadalupe that while I had life and a home to build an altar, that I would do it,” Cantabrana said. “Everything you see in photos and videos is pretty, but when you come and see it live, it's more than pretty. It's beautiful.”

The Santa Ana home's elaborate altar in honor of La Virgen de Guadalupe draws hundreds of visitors each year.

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Destiny Torres

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LAist

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Gathering in a time of turmoil 

Many also look to the Lady of Guadalupe for protection, especially at a time when federal enforcement has rattled immigrant communities.

“People don’t want to go to work, they don’t want to take their kids to school, but the love we have for our Virgen de Guadalupe,” Cantabrana said. “We see that la Virgen de Guadalupe has a lot of power, and so we know immigration [enforcement] won’t come here.”

Margarita Lopez of Garden Grove has been visiting the altar for three years with her husband. She’s been celebrating the Virgencita since she was a young girl. Honoring the saint is as important now as ever, she said.

“We ask, and she performs miracles,” Lopez said.

Claudia Tapia, a lifelong Santa Ana resident, said the Virgin Mary represents strength.

“Right now, with everything going on, a lot of our families [have] turned and prayed to the Virgen for strength during these times,” Tapia said. “She's a very strong symbol of Mexican culture, of unity, of faith and of resilience.”

See it for yourself

The shrine will stay up into the new year on the corner of Broadway and Camile Street.