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The Brief

The most important stories for you to know today
  • You don't need to be in NYC
    A man with messy hair dressed in brown and yellow and a woman dressed conservatively holding a textbook and smoking a cigarette with a shocked expression on stage in front of a lavish red theater set.
    Thomas Dekker and Darcy Rose Byrnes in "Reefer Madness: The Musical"

    Topline:

    With a new production of "Reefer Madness: The Musical" on Hollywood Boulevard, we were inspired by producer Kristen Bell to take a look at the theater scene in L.A.

    Why it matters:
    As Bell says, people tend to think of NYC when they think of musicals and live theater. But “there is this undercurrent of people performing here in Los Angeles that just has not gotten enough attention.”

    Why Now:

    She's behind the new production of "Reefer Madness: The Musical" now playing at the Whitley Theatre until July 21st. Read on to learn more about this production of "Reefer Madness: The Musical," and also get a roundup of some of the incredible theater going on around this city.

    The 77th annual Tony Awards were this past weekend, which means that musical numbers from NYC were broadcast across the nation. But, theater-loving Angelenos, there’s no need to feel like you’re missing out.

    The ensemble of "Reefer Madness" onstage during a provocative number. Cast members are wearing tight leopard print leggings and swimsuits while holding dance poses.
    Thomas Dekker, Claire Crause, Bryan Daniel Porter, Alex Tho, and more of the cast of “Reefer Madness: The Musical” during a musical number.
    (
    Andrew Patino
    )

    A cult classic

    In a recent interview with How To LA about the revival of Reefer Madness: The Musical on Hollywood Boulevard, actress and producer Kristen Bell noted that “people, when they think of theater and musical theater, they always think of New York,” but that “there is this undercurrent of people performing here in Los Angeles that just has not gotten enough attention.”

    Three women, on the left, a woman with straight blonde hair and large dark sunglasses wears a suit with a t-shirt that has a tie printed on it. In the middle, a teen with straight brown hair. On the right, a woman with long blonde hair wears an evening dress.
    Angelina Jolie, Vivienne Jolie-Pitt and Kristen Bell attend the opening night performance of "Reefer Madness: The Musical" at The Whitley on May 30, 2024 in Los Angeles, California.
    (
    Monica Schipper/Getty Images
    /
    Getty Images North America
    )

    Reefer Madness first premiered as a 1936 black and white film, originally financed by a church group to warn parents about the “danger of marijuana” to their teens. Eventually cut in the style of an exploitation film, with its over-the-top style, it became a cult classic and favorite midnight movie. That campy status led to an off-Broadway musical adaptation in 2001, starring Kristen Bell as Mary Jane, the all-American squeaky clean lead, who is accidentally tempted by a joint. “I really can identify [that production] as the fork in the road that changed my life,” Bell says.

    Her director pushed her to move to L.A., and she reprised the starring role in a 2005 Showtime film adaptation of the show. “I would not have my career, I would not have met my husband, I would not have had my kids if it hadn't been for the sort of love and affection and family energy that was thrown at me by this group of goofballs,” she says about the cast and crew of that original production of “Reefer Madness”

    A man with curly hair and a brown coat pretends to smoke a joint next to a blonde woman smiling at the camera and a man in a suit with eyeliner and dark hair with a joint in his mouth.
    Actors John Kassir, Kristen Bell and Alan Cumming attend the premiere of "Reefer Madness" at the Eccles Center for the Performing Arts during the 2005 Sundance Film Festival on January 27, 2005 in Park City, Utah.
    (
    Evan Agostini/Getty Images
    /
    Getty Images North America
    )

    That communal energy and excitement about the arts is what Bell is hoping this production brings to LA.

    The theater scene

    L.A. is practically littered with theaters, from the small to the grand. Many of these spaces have had lives as something else. Reefer Madness takes place in the Whitley Theater on Hollywood Boulevard, a spot named for the “father of Hollywood” H.J. Whitley. But before it was a theater space, it was a series of nightclubs, most notably the King King (which was also home to the LA production of “Rock of Ages”) and the iconic Cinespace.

    As a theater, it’s an intimate space, with much of the show’s action taking place around and among the audience, instead of feet away, tucked behind a proscenium arch. Bell says the unconventional space is an advantage. “Here in L.A., we like to make it a little bit more interactive and a little bit more immersive,” explains Bell. “The second you step in, the space has a vibe.”

    A man wearing a zombie-like mask and a Prom King sash holds a joint while moving through seated audience members in a musical number.
    Ensemble member Alex Tho moves through the audience during a number in "Reefer Madness: The Musical"
    (
    Andrew Patino
    )

    Reefer Madness: The Musical, and its speakeasy style “reefer den” afterparties, will be running at the Whitley through July 21st. You can find more information here.

    Other theater happening in LA, from big to small

    THE AHMANSON:

    The Center Theatre Group consistently has a wonderful slate of shows, and this is the last week audiences can catch Tony Award winning musical “A Strange Loop” right here in DTLA. A groundbreaking show about a young, gay, Black theater usher writing a musical about a young, gay, Black writer writing a musical, you won’t regret stepping into this strange loop.

    ATWATER VILLAGE THEATRE:

    The Circle X Theatre Company at Atwater Village Theatre is presenting a free series of play readings from emerging playwrights starting this weekend. Take a look at the offerings, swing by, and discover something new.

    THE ELYSIAN:

    Julia Masli’s award winning one-woman clown show “Ha Ha Ha Ha Ha Ha Ha” comes to Los Angeles. A limited engagement of five shows at the Elysian Theater in Frogtown, Masli is here to engage with the crowd and solve their problems the way only an absurdist clown can.

    GEFFEN PLAYHOUSE:

    You can catch “The Hope Theory” at the Geffen Playhouse for another month — a blend of storytelling and sleight-of-hand magic, this show started on Zoom in 2020, when online tickets came with a shipment of magic tricks for audiences to perform alongside star Helder Guimarães. The story of culture, immigration and home translates wonderfully to the stage. And Guimarães is doing a few shows entirely in Spanish.

    PASADENA PLAYHOUSE:

    This Tony Award winning theater has a few more performances of “Jelly’s Last Jam,” an electrifying show about jazz musician Jelly Roll Morton. If you can’t make it out before June 23rd, check out their fall season here.

  • Feds seized 15 around SoFi this weekend
    A green soccer pitch sits empty as some people begin to fill the stadium seats.
    A view of L.A. Stadium before the FIFA World Cup match between USA and Paraguay begins.

    Topline:

    The FBI seized about 15 drones flying near SoFi Stadium and L.A. Memorial Coliseum on Friday and Saturday for violating temporary flight restrictions.

    Why it matters: "No Drone Zones" have been put in place by the Federal Aviation Administration on match days at World Cup stadiums and venues hosting official fan festivals.

    The restrictions: Drones are prohibited at SoFi within a three-nautical-mile radius and up to 3,000 feet above ground level. They are also banned at the Coliseum for the official fan festival within a one-nautical-mile radius and up to 1,000 feet above ground level.

    The FBI seized about 15 drones near SoFi Stadium and L.A. Memorial Coliseum on Friday and Saturday for violating temporary flight restrictions, Amir Ehsaei, special agent in charge of counterterrorism and crisis response at the FBI's Los Angeles Field Office, told LAist. Multiple operators were cited.

    Stadiums hosting World Cup games and official fan festival venues are designated as "No Drone Zones" by the Federal Aviation Administration on match days.

    “We have a zero-tolerance policy when it comes to drones violating the temporary flight restrictions," Ehsaei said.

    He said drone detection teams are deployed at all SoFi games. "We will be out at other places depending on the nature — the size, the scope — [and] different intelligence that we'll get based on  threat assessments."

    Drones are prohibited at SoFi within a three-nautical-mile radius and up to 3,000 feet above ground level. They are also banned at the Coliseum for the official fan festival within a one-nautical-mile radius and up to 1,000 feet above ground level.

    Violators could face fines of up to $100,000 and federal criminal charges.

  • Sponsored message
  • Residents debate local impact
    a woman in a sweatshirt and jeans walks along a platform next to a train that says "E EAST LA"
    A woman exits the train at the Metro E Line Indiana station in East L.A. on April 15, 2025.

    Topline:

    Residents in East LA are weighing the promise of a new Metro E Line extension with concerns over construction disruptions, small-business impacts and whether more outreach is needed about the project.

    What is the project: The 4.7-mile extension of the Metro E Line would connect East Los Angeles to Montebello with four new stations. The project would relocate the existing Atlantic and Pomona station underground, and include a mix of underground, aerial and street-level track transit.

    Read on ... for more about the pros and cons locals see for the extension.

    Residents in East LA are weighing the promise of a new Metro E Line extension with concerns over construction disruptions, small-business impacts and whether more outreach is needed about the project.

    The 4.7-mile extension of the Metro E Line would connect East Los Angeles to Montebello with four new stations. The project would relocate the existing Atlantic and Pomona station underground and include a mix of underground, aerial and street-level track transit.

    The $7.9 billion project is expected to open for service between 2035 and 2037, according to Metro.

    Construction will begin in 2029 and last approximately eight to 10 years, pending full funding approval. It’s part of a wider plan to connect the E Line to the city of Whittier, though officials say the work will be built in two phases due to funding constraints.

    While officials say the project is intended to reduce traffic congestion and ease pressure on local roads, residents at a recent community meeting focused more on the immediate impact and communication.

    Concerns over construction and local impact

    “Thirty days for comment on a complex issue like this is ridiculous. … We need better outreach,” said East LA resident Clara Solis about a 30-day public comment period ending June 26.

    Solis and others also raised concerns about how construction could affect traffic and disrupt local commerce, pointing to past transit projects.

    “How is this going to impact the businesses? When the Gold Line went through, a lot of our businesses really suffered economically. We want to see a presentation on that. You should have a presentation just on how it’s going to impact the businesses,” Solis added.

    a series of interconnected dots and lines with city names and station names
    A map shows the Eastside Transit Corridor Phase 2 project will extend the E Line nearly nine miles east from East Los Angeles to the City of Whittier. ()
    (
    Courtesy Metro
    )

    Calls for broader outreach

    East LA resident Kristie Hernandez said community outreach for the project should also extend to people who do not necessarily live within the immediate 200-foot project radius.

    “We need to understand that folks who don’t necessarily live within that close proximity also frequent that area when they drive,” said Hernandez.

    Hernandez advocated for a 90-day public comment window and also called for presentations on underground infrastructure, especially in the wake of the East LA pipeline that was punctured during construction work in late May.

    “We do not want that to happen again,” she said.

    A promise for greater mobility

    Lucia Martinez spoke favorably about the extension plans, considering that she relies on buses to get around East LA to do her shopping. She said she looks forward to using the Metro to travel to the Citadel as well as to the hospital in Pasadena.

    “As an older woman who became aware of this project, I think it is amazing because I am someone who does not drive,” she said.

    LA Documenter Rafael Cazzorla contributed reporting for this story. LA Documenters trains and pays LA residents to take notes at local government meetings around Los Angeles. You can find meeting notes and audio at losangeles.documenters.org

  • Scientist celebrate FDA approval
    one hand with two bracelets around the wrist reaches up to apply sunscreen to another hand against a blue sky background
    A sunscreen ingredient used in Europe and Asia that blocks UVA and UVB rays has been approved for use in the U.S.

    Topline:

    For the first time in nearly three decades, the Food and Drug Administration approved a new chemical UV filter for use in sunscreens sold in the U.S. And that has many dermatologists cheering.

    Why it matters: The new ingredient is called bemotrizinol, and it has several advantages over the chemical sunscreen ingredients previously available in the U.S., says Dr. Heather Rogers, a dermatologist in Seattle and a fellow of the American Academy of Dermatology.

    The backstory: In the U.S., sunscreens are regulated as over-the-counter drugs rather than cosmetics, as they're classified in Europe. That means ingredients need to undergo rigorous testing for safety and efficacy before they can be approved for use in the U.S.

    Read on ... for four key things to know about this coming change.

    For the first time in nearly three decades, the Food and Drug Administration approved a new chemical UV filter for use in sunscreens sold in the U.S. And that has many dermatologists cheering.

    "This is a very big deal," says Dr. Heather Rogers, a dermatologist in Seattle and a fellow of the American Academy of Dermatology.

    The new ingredient is called bemotrizinol, and it has several advantages over the chemical sunscreen ingredients previously available in the U.S., Rogers says.

    "It hits like really every box for us that we have been waiting for as dermatologists and consumers," Rogers says.

    Here's what you need to know about this new ingredient and how it could lead to better sunscreens sold stateside.

    1. It blocks both UVA and UVB rays

    Rogers says in general, you want to use sunscreens that are broad spectrum, meaning they protect against both UVA rays — the longer wavelengths that cause premature aging and wrinkles — and UVB rays, which lead to sunburns. Both types of UV rays can cause skin cancer.

    She says the sunscreens currently sold in the U.S. do an excellent job of protecting against UVB rays, but the chemical UV filters available in sunscreens in the U.S. until now aren't as good at blocking out UVA rays.

    In general, chemical sunscreens sold in the U.S. rely on an ingredient called avobenzone to block out UVA rays, says Kelly Dobos, a cosmetic chemist who teaches at the University of Cincinnati.

    But avobenzone by itself isn't photo stable, meaning its protection can start to break down rapidly when exposed to sunlight. And as avobenzone breaks down, it can release molecules that lead to skin irritation, says Alexa Friedman, a senior scientist with the nonprofit Environmental Working Group, or EWG.

    By contrast, bemotrizinol offers protection against both UVA and UVB rays all on its own, and it is photo stable, so it breaks down more slowly, offering better protection, Rogers says.

    "So if you go a little longer than two hours to reapply your sunscreen, there will be more protection left," Rogers says. However, she says you should still reapply sunscreen every two hours.

    2. It's long been used in other countries 

    Bemotrizinol has been widely used in European and Asian sunscreens for decades. But it has taken 20 years for the FDA to approve its use in this country.

    That's because in the U.S., sunscreens are regulated as over-the-counter drugs rather than cosmetics, as they're classified in Europe. That means ingredients need to undergo rigorous testing for safety and efficacy before they can be approved for use in the U.S.

    "It's really expensive and time consuming," Dobos says. The European company DSM-Firmenich spent at least $18 million over more than two decades in its push to gain FDA approval for bemotrizinol.

    3. It has a well-documented safety profile

    However, all that testing means bemotrizinol has more safety data to back it up than any other chemical sunscreen ingredient currently approved in the U.S., says Friedman of EWG.

    "This ingredient is exciting because we have that data to support its safety," Friedman says.

    Friedman says animal testing showed bemotrizinol doesn't lead to concerns like reproductive harm, while clinical testing on humans found that it does not irritate the skin, even after repeated application over time, "which is hopefully how people are using sunscreens."

    And because bemotrizinol's molecules are larger, it's not readily absorbed by the skin and into the bloodstream, she says.

    That's important, because studies have shown that some of the other chemical sunscreen UV filters sold in the U.S. can be absorbed in the bloodstream, prompting calls for more safety data and leading to a backlash against sunscreen on social media fueled by misinformation. Rogers says that trend is concerning because skin cancer is the most common form of cancer.

    "We just need to have sunscreen that people will use, that they'll trust," Rogers says. "And this ingredient is going to allow that to happen. And that is very exciting."

    And bemotrizinol is also considered to be non-irritating, Friedman says. That should be welcome news to people who've been put off by chemical sunscreens in the past.

    4. It could lead to sunscreens that look better on you

    Until now, Rogers says, the only sunscreen ingredient available in the U.S. that offered the aforementioned advantages of bemotrizinol — photo stable, non-irritating, minimally absorbed into the skin and with good broad spectrum protection against both UVA and UVB rays — was zinc oxide.

    Both zinc oxide and titanium dioxide are mineral UV filters. Both chemical sunscreens and mineral sunscreens work by absorbing UV rays from the sun. Mineral sunscreens also reflect some UV rays. The bigger difference is that mineral sunscreens sit on the surface of the skin, while chemical sunscreens get absorbed into the skin, Rogers says.

    The downside of mineral sunscreens is that they can leave an unattractive white cast on the skin — think of lifeguards with white paste on their noses. "Particularly if you're a person of color, zinc is going to make you look pale, white or ashy, which really makes it hard to use on a regular basis," Rogers says.

    Bemotrizinol, on the other hand, is transparent on the skin, and because it protects against both UVA and UVB rays on its own, it doesn't have to be mixed with as many other chemical filters and stabilizers to achieve broad spectrum protection, Dobos adds. She says that should lead to more aesthetically pleasing, less greasy sunscreen formulations in the near future.

    "I think it's a real win for public health," Dobos says. "If we can make a sunscreen that consumers like to use and want to use and apply in the proper amounts, I think that's something that's really going to be a win for consumers."

    DSM-Firmenich has exclusive rights to market bemotrizinol in the U.S. for 18 months. It will be sold under the brand name Parsol Shield. The company says the first sunscreen products containing the ingredient should start hitting American store shelves around September.

  • DOJ approves Warner acquisition, CA pushes back

    Topline:

    The Justice Department yesterday approved Paramount's proposed $111 billion takeover of Warner Bros. Discovery.

    How we got here: The decision came after the DOJ concluded its antitrust investigation into the pending merger. The department said in a statement that it found that the deal posed no threat to competition or consumers of film, broadcast television or streaming.

    What's next: The decision clears the way for a merger of two rival Hollywood studio titans: Paramount, the owner of CBS, including CBS News, will swallow the much larger Warner, which includes HBO and CNN. But several states, including California, have raised antitrust concerns. The European Union is investigating as well.

    The Justice Department on Friday approved Paramount's proposed $111 billion takeover of Warner Bros. Discovery.

    After concluding its antitrust investigation into the pending merger, the department said in a statement that it found that the deal posed no threat to competition or consumers of film, broadcast television or streaming.

    The decision clears the way for a merger of two rival Hollywood studio titans: Paramount, the owner of CBS, including CBS News, will swallow the much larger Warner, which includes HBO and CNN.

    The DOJ''s Antitrust Division concluded that a union of two studio giants isn't anti-competitive because the streaming market has expanded the competition for conventional Hollywood studios, which includes Netflix, Apple and Amazon, as well as smaller streamers. The Justice Department's view is that, for the same reason, consumers won't lose out because there are plenty of other places to get entertainment.

    Several states, including California, have raised antitrust concerns. The European Union is investigating as well.

    California Attorney General Rob Bonta, who has been investigating the deal for antitrust violations, said in a post on social media following the Justice Department's approval: "The merger of Warner Bros and Paramount is not a done deal and remains under investigation by my office."

    In a statement following the decision, Paramount described the deal as "pro-competitive," and would result in "a stronger company better positioned to compete against dominant technology platforms in an industry increasingly defined by intense competition for audiences, talent, technology, and investment."

    The company said it planned to complete the merger as soon as possible, "delivering its benefits to consumers, creators, and the entertainment industry as a whole."

    The consolidation will put media mogul David Ellison — son of Oracle co-founder Larry Ellison — at the helm of Warner Bros. studio as well as its cable and streaming properties, including CNN and HBO. The Ellison family took over Paramount and CBS last summer.

    In the months leading up to the regulatory approval, critics in Hollywood feared the deal would consolidate an already concentrated media landscape and lead to fewer jobs and less creative content.

    In April, thousands of directors, actors, writers and other industry talent — including Kristen Stewart, Pedro Pascal and Javier Bardem — signed an open letter opposing the merger.

    The elder Ellison is also a financial backer and adviser to President Trump on artificial intelligence. Critics of recent changes at CBS under the Ellisons' control are concerned that, as they say has happened with CBS News, the acquisition would make CNN more friendly to Trump.

    NPR's Carrie Johnson and Mandalit del Barco contributed to this story.
    Copyright 2026 NPR