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The Brief

The most important stories for you to know today
  • Why it gave activists a new reason to battle buses
    A close up of an orange Metro bus with the number "111. LAX."
    The Norwalk Green Line Station in Norwalk on April 3, 2023.

    Topline:

    Opponents to dense housing developments in Los Angeles turned their attention to transit after Gov. Gavin Newsom signed a law encouraging construction near bus and rail lines.

    The backstory: For years, Burbank residents, business owners and elected officials have been squabbling over a plan to run a speedy new bus line through the middle of town. The North Hollywood to Pasadena Bus Rapid Transit project is slated to carve a bus-only corridor linking the eastern edge of the San Fernando Valley to the western extent of the San Gabriel Valley while connecting two of L.A. County’s most well-trafficked rail lines. To do so, LA Metro plans to take away a lane of traffic and a ton of parking spaces along most of the 18-mile route, which includes much of a four-lane stretch that runs through downtown Burbank.

    Why now: Earlier this month, Newsom signed a law allowing apartment buildings to sprout up within a half-mile of major public transit stations. That includes stops for select bus routes that run frequently, get priority at stop lights and have their own lanes. The purpose of the law is to locate new housing close to publicly funded transportation, funneling more would-be riders onto those systems, while minimizing the traffic, pollution and climate impact of new residential development. But the law also applies to future transit projects that have reached a certain point in the planning pipeline — including the NoHo to Pasadena bus line.

    Read on... for what this looks beyond Burbank.

    For years, Burbank residents, business owners and elected officials have been squabbling over a plan to run a speedy new bus line through the middle of town.

    The North Hollywood to Pasadena Bus Rapid Transit project is slated to carve a bus-only corridor linking the eastern edge of the San Fernando Valley to the western extent of the San Gabriel Valley while connecting two of LA County’s most well-trafficked rail lines. To do so, LA Metro plans to take away a lane of traffic and a ton of parking spaces along most of the 18-mile route, which includes much of a four-lane stretch that runs through downtown Burbank.

    Ever since the agency floated the project in 2017, a vocal coalition of ticked-off Burbankers, Glendalians and denizens of the northeast L.A. neighborhood of Eagle Rock has been protesting, petitioning and (unsuccessfully) suing to block, delay or revamp the plan.

    Now, with the sweep of his pen, Gov. Gavin Newsom has turned this long-simmering battle over a bus into a full-fledged war over housing, local control and the future of the single-family neighborhoods.

    Earlier this month, Newsom signed a law allowing apartment buildings to sprout up within a half-mile of major public transit stations. That includes stops for select bus routes that run frequently, get priority at stop lights and have their own lanes.

    The purpose of the law is to locate new housing close to publicly funded transportation, funneling more would-be riders onto those systems, while minimizing the traffic, pollution and climate impact of new residential development.

    But the law also applies to future transit projects that have reached a certain point in the planning pipeline — including the NoHo to Pasadena bus line.

    Susan O’Carroll, a planning and environmental consultant and Burbank resident, said she has long had issues with the bus plan. Now that its development carries the promise of a neighborhood-spanning zoning overhaul, the stakes feel much higher. The bus, in effect, will “destroy the single family neighborhoods on either side” of the route, she said.

    The only way to stop the apartments now, she said, is to stop the bus.

    The brewing battle in Burbank is an unintended consequence of Senate Bill 79, a law that pro-housing advocates, public transit boosters and many environmentally-minded urbanists lauded as a historic victory for sustainable planning. That law represents the culmination of a legislative trend, in which California has relaxed minimum parking requirements and allowed for more affordable housing and accessory dwelling unit development on lots close to bus and rail lines.

    But even supporters of transit-oriented development recognize that it can sometimes result in “perverse” political incentives, said Amy Lee, a transportation researcher at UC Davis, who recently published a paper on how California city governments responded to a 2022 law banning local parking requirements for housing near transit.

    When housing and transportation are tied together, for opponents of new residential construction, “logically, a response is to just say, ‘OK, we’ll just reduce the transit,’” she said.

    That might mean scrapping a project altogether. In the case of the Senate Bill 79, it could also mean campaigning to put a bus back in the flow of car traffic or slowing down a commuter rail system, so as to skirt the specific thresholds that would trigger a rezoning.

    Density-averse city governments may also exploit ambiguities in the law. For example, if a bus only gets a dedicated lane on part of its route, as is the case with the line designed to cut through Burbank, is rezoning triggered at every stop along its route, none of them or just those where the bus has its own lane?

    Turning contentious local disputes over new bus or rail lines into even more contentious rezoning battles also just has a way of turbo-charging the politics of both. “It’s chummed the waters,” said Lee.

    A barrier to LA's transit boom?

    It’s not that the backers of the new law didn’t see this coming.

    The statute purposefully limits rezoning to projects that have already entered a regional transportation improvement plan — a short-list of projects that have already received a short- to medium-term funding commitment.

    “If, in a few weeks, the Orange County Transportation Authority says they want to do a street car project from Fullerton to Disneyland, that wouldn’t be eligible,” said Marc Vukcevich, state policy director for Streets For All, which co-sponsored Senate Bill 79.

    Further out, projects can still trigger changes to zoning once they are added to one of those transportation short-lists in the future, but only if they are part of a region's longer-term capital plan as of the end of this year.

    The pipeline of such projects isn’t especially full in most of the state’s major metro areas. The Bay Area’s transit system isn’t growing much these days. Nor is San Diego’s, where the city has upzoned most of its major transit hubs anyway.

    The Los Angeles metro area is a notable exception.

    In 2016, county voters backed a sales tax hike to fund public transit improvements. With relatively little public transit infrastructure on and in the ground, LA Metro has a subway, light rail and bus rapid transit boom in its planning pipeline. All of those projects may trigger rezoning under the new housing law and so “have a chance to be impacted by the NIMBY politics of housing,” said Vukcevich.

    Beyond Burbank

    O’Carroll and other opponents of the NoHo to Pasadena project have called upon LA Metro to conduct another environmental review of the bus line. The first one, drafted back in 2020, didn’t take rezoning into account. That leaves significant land-use changes that would result from the bus line unexamined and unpublicized, she said.

    Burbank’s city council has, for its own part, repeatedly voted to ask LA Metro to leave the bus in the regular flow of traffic along its route through the city.

    It might be too late.

    In a written statement, LA Metro spokesperson Missy Colman said that the agency will continue to “closely coordinate with the cities of Los Angeles, Burbank, Glendale and Pasadena” as it finalizes the design “in accordance with the Metro Board approved project.”

    What the board approved is a route with a bus-only lane. Construction is scheduled to break ground before next summer. The pressing deadline of the 2028 Olympics could make further delay especially unpalatable.

    “The Metro board would have to basically take the unprecedented step of stopping a project that has already begun,” said Nick Andert, a documentary filmmaker and public transportation advocate.

    But with so many bus and rail projects in the pipeline across Los Angeles County, the extra-heated politics of Burbank’s new bus may be a preview of what’s to come.

    Massive plans are in the works. New rail from the San Fernando Valley to the affluent neighborhoods around UCLA. A subway extension running south out of Hollywood. A bus rapid transit line connecting South Los Angeles to the neighborhoods east of Hollywood. All are controversial in their own right, said Andert. Throwing in the prospect of new apartment buildings could give local elected officials extra reason to dissent.

    “Cities can really slow down permitting for certain things if Metro doesn’t work with them hand-in-hand and address their concerns,” he said.

    'They have no idea what's coming'

    Backers of the new zoning law say they hope such controversies will be isolated and short-lived. Once neighborhoods start getting rezoned beginning next July, it will likely take years for developers to start swapping out single-family homes for apartment buildings en masse. Significant, neighborhood redefining densification could take decades in any given location, if ever happens.

    “Call me an optimist — or maybe ludicrous — but I think the general public will understand that housing is not the end of the world and that development happens on a really long time frame,” said Vukcevich.

    It might be some time before irate homeowners along the NoHo to Pasadena bus line reach such levels of equanimity.

    Lisa Cusack, a Glendale homeowner and local GOP activist who sits on the town’s historic preservation commission, said she was late to begin organizing against the planned bus route. It was only after this year’s zoning law advanced out of the state Senate that she realized the full implications of the proposed bus line and launched a petition and website to “save Glenoaks,” the major thoroughfare that will serve as its main route through town.

    “I’ve been going around talking to neighbors and they have no idea what’s coming,” she said. When Senate Bill 79 was still floating through the Legislature, the “threat” of densification was a little abstract. Now that Newsom has signed it into law, the pitch to her neighbors is much easier to make — the only way to stop the coming zoning changes is to stop the bus.

    “People are only now starting to find out,” she said.

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

  • Unveiling today at Elephant Hill in El Sereno
    The photo captures a picturesque residential area nestled at the base of lush green hills. In the foreground, you can see houses and streets, while the background features rolling hills covered in grass and dotted with trees. Winding dirt paths meander through the hills, adding a sense of depth and exploration. The sky is clear and blue, suggesting a bright, sunny day. Tall trees on the right side of the image frame the scene beautifully.
    Elephant Hill in El Sereno.

    Topline:

    A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles officially opens this weekend.

    Why it matters: The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

    What's next: The trail is part of a decades-long effort to preserve the entire 110 acres of Elephant Hill. Read on to learn more.

    A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

    The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

    The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

    It's 0.75 miles in total, but packs a punch.

    "It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

    People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

    The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

    Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

    And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

    "We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

    A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

    "They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

    Here's a preview:

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  • Giant art pop-up takes over former Snapchat HQ
    White commercial building with large storefront windows displaying vibrant artwork and eclectic objects, including bicycles and abstract paintings.
    The former Snapchat buildings on the Venice Boardwalk are now pop-up art spaces, free for all to visit.

    Topline:

    A new art installation on the Venice Boardwalk features local and international artists, pop-up evening performances, and projects that explore the themes of childhood and home.

    Why it matters: The Venice Boardwalk is usually a daytime playground, but a new art installation and performance pop up aims to breathe new life into the evening scene at the beach.

    Why now: Two formerly vacant buildings with spaces facing the Boardwalk have been turned into free art installations after a new owner took over the former Snapchat-owned buildings.

    The backstory: Stefan Ashkenazy, founder of the Bombay Beach Biennale, brings some of his favorite collaborators into a new space on the Venice Boardwalk, giving a chance for tourists and locals alike to check out projects from artists including William Attaway, James Ostrer, Greg Haberny, Robin Murez, and more.

    Read on ... to find out how you can visit.

    The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

    “Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

    The concept doesn’t have an official name yet, but he’s been calling it “See World.”

    The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

    Over the past several weeks the installations have been created in real-time, in public.

    Venice Boardwalk art pop-ups
    The installations are open now and can be seen from the Boardwalk for free 24/7. They will be up for several months and evening performances are ongoing.

    All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

    Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

    New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

    “I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

    Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

    “It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

    While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

    Three artists work in a cluttered studio with white walls displaying various paintings and art supplies scattered on the green floor.
    Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.
    (
    Laura Hertzfeld
    /
    LAist
    )

    “I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

    While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

    Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

    “This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

  • Rally in City of Industry against latest project
    Rows of Lithium Ion batteries in an energy storage container with red cables coming out of them.
    Battery storage hubs are used to stabilize the energy grid but have led to lithium battery fires.

    Topline:

    San Gabriel Valley residents are rallying today against a battery storage project in the City of Industry. They warn it could bring environmental and health impacts and pave the way for more industrial development, like data centers.

    The backstory: City leaders approved the 400-megawatt Marici battery facility in January. But residents in nearby communities say they were not adequately informed and are concerned about safety risks.

    What's next: Some local activists have challenged the approval of the battery facility under the California Environmental Quality Act.

    The rally: Protesters will be at the Peter F. Schabarum Regional Park in Rowland Heights from 10 a.m. to 1 p.m.

    A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

    A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

    Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

    WHAT: Protest against battery storage facility in the city of Industry

    WHERE: Peter F. Schabarum Regional Park in neighboring Rowland Heights

    WHEN: 10 a.m. to 1 p.m.

    Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

    “Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

    Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

    Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

    Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

    A city spokesperson has not responded to requests for comment.

    The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

    A request for comment from Aypa was not returned.

    Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

    Yip pointed out that industrial developments make a lot of money for the City of Industry.

    “But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

  • Welder-artist makes a bench to celebrate the city
    A male presenting person sits on a bench. The bench is painted in bright blue and yellow.
    Steve Campos sits on a bench he calls the "LA Bench" that approriates the logo used by the Dodgers in a statement of civic pride.

    Topline:

    LA welder-artist uses the well-loved "L.A." logo to create an “LA Bench” to spark civic pride. It may look like a tribute to the Dodgers, but it's more complicated.

    Why it matters: Steve Campos is a second-generation welder born and raised in L.A. who is using his training and education to create work with more artistic designs.

    Why now: The Dodgers’ success is making their logos ubiquitous. But the team's success, some Angelenos say, came at the cost of mass displacement after World War II of working class communities where Dodger Stadium how stands.

    The backstory: The interlocking letters of the L.A. logo were used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

    What's next: Campos is offering the LA Benches for sale and hopes he can get permission from the Dodgers to install a few at Dodger Stadium.

    Go deeper: The ugly, violent clearing of Chavez Ravine.

    It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

    “This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

    Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

    The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

    “The monogram was here before the Dodgers,” Campos said.

    A second-generation welder

    Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

    The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

    “I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

    A metal sculpture in the shape of the letters "L" and "A".
    Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.
    (
    Courtesy Steve Campos
    )

    It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

    LA civic pride travels to Japan

    Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

    “They look at it and they go, 'Oh, Ohtani bench,'” he said.

    For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

    I would love to get a couple of them installed at Dodger Stadium.
    — Steve Campos, welder-artist

    Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

    While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

    “I would love to get a couple of them installed at Dodger Stadium,” he said.