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The Brief

The most important stories for you to know today
  • 5 key moments leading up to CEO’s departure
    A woman with medium-dark skin tone wearing a light blue suit and glasses sits in a row of blue chairs in an auditorium holding documents. Various people sit next to her.
    LAHSA Chief Executive Va Lecia Adams Kellum waits to give public comment at the county Board of Supervisors meeting April 1, the day county leaders voted to end their funding of her agency.

    Topline:

    How did Los Angeles end up losing its top homelessness executive at a critical moment for efforts to house more than 75,000 people living on the streets and in shelters? In this story, LAist looks at five key events leading up to the resignation of LAHSA leader Va Lecia Adams Kellum.

    Why it matters: L.A. County is now making big changes to how it approaches perhaps its thorniest crisis: homelessness. Elected leaders voted last week to defund the L.A. Homeless Services Authority, or LAHSA. The agency has lately been the subject of multiple audits uncovering serious financial and oversight failures. Adams Kellum announced on Friday that she would be stepping down after a tumultuous two-year tenure.

    The timing: Her decision comes at a time when the L.A. City Council is also weighing plans to pull funding from LAHSA. Meanwhile, county leaders are deciding how to spend more than $1 billion per year in sales tax revenue approved by voters for homeless services and affordable housing production.

    Read on ... to find out which moments have come to define Adams Kellum’s tenure at LAHSA.

    The Los Angeles region is at a critical juncture in how it approaches perhaps its thorniest crisis: homelessness.

    County elected leaders voted last week to defund the L.A. Homeless Services Authority, or LAHSA, which has been the subject of multiple audits uncovering serious financial and oversight failures.

    That agency’s chief executive, Va Lecia Adams Kellum, announced Friday that she would step down after a tumultuous two-year tenure.

    Her decision comes at a time when the L.A. City Council is also weighing plans to pull funding from LAHSA. Meanwhile, county leaders are deciding how to spend more than $1 billion per year in expected revenue from a sales tax approved by voters for homeless services and affordable housing production.

    How did the region end up losing its top homelessness executive and deciding to forge a different path on efforts to house more than 75,000 people living on the streets and in shelters?

    Here are five key events leading up to Adams Kellum’s resignation.

    Resignations at LAHSA precede Adams Kellum’s arrival 

    When Adams Kellum took the reins at LAHSA in 2023, the agency was not known for stable leadership. Before her term, LAHSA had been overseen by a string of short-lived executives and acting directors.

    The last LAHSA chief who lasted more than a couple years was Peter Lynn, who led the agency between 2014 and 2019.

    Heidi Marsten took over as executive director in 2020 and stepped down in 2022. In her resignation note, she said she received pushback over her efforts to freeze LAHSA executive compensation in order to give raises to the agency’s lowest-paid workers.

    “Leaders at the helm of the homelessness crisis are quick to state they want to end homelessness,” Marston wrote at the time. “But when given the opportunity to create housing security, I have watched those same people refuse to make the sacrifices necessary to effectuate that change.”

    Next, LAHSA was led by a pair of acting co-executive directors, Kristina Dixon and Molly Rysman. Following their tenure, Stephen David Simon acted as LAHSA’s interim executive director before Adams Kellum’s arrival.

    Late payments to service providers

    Multiple audits of LAHSA have identified one recurring problem: frequently delayed payments to the providers who work directly with unhoused people.

    Even before the release of the latest round of audits, the issue came to a head last year in a county Board of Supervisors meeting where service providers said LAHSA’s late payments had in some cases forced them to take out private loans in order to make payroll.

    John Maceri, CEO of the nonprofit the People Concern, said during the meeting that the late payments had brought his organization and others to “the breaking point.”

    Adams Kellum said the long-standing issue predated her time as CEO.

    “This issue right here is my primary focus,” she told county supervisors at the time. “I'm losing sleep, as you can imagine. And I should, because this must get addressed.”

    County audit finds un-recouped loans and lack of oversight 

    In November, the L.A. County auditor-controller’s office released an audit that confirmed LAHSA was indeed routinely paying service providers late. And it found much more than that.

    The audit concluded that LAHSA had failed to track whether providers followed the terms of their contracts. It uncovered that the agency had in some cases distributed funds set aside for specific purposes to providers for completely different purposes. The agency also failed to establish repayment agreements with service providers it gave $51 million in advances.

    Shortly after the audit came out, Supervisor Lindsey Horvath said she would introduce a motion to redirect county funding away from LAHSA and into a new county department responsible for homelessness response.

    “The audit findings make clear the structure we have for service delivery is not working. We need greater accountability and bold action," Horvath said at the time.

    Adams Kellum signs $2.1M contract to her husband’s employer

    Public officials are generally banned from getting involved in contracts in which they have a financial interest, according to state conflict-of-interest laws. That includes contracts that financially benefit their spouse.

    Adams Kellum told LAist late last year that she had disclosed the fact that her husband was employed by a local homeless services provider. She said she had been “completely recused” from contracts involving that provider.

    But LAist found through a public records request that Adams Kellum signed a $2.1 million contract to Upward Bound House, the Santa Monica provider where her husband, Edward Kellum, works in a senior role.

    A LAHSA spokesperson told us agency employees mistakenly sent the contract to Adams Kellum for her signature. But her failure to designate an alternate signer was criticized by Supervisor Kathryn Barger in a recent Board of Supervisors meeting.

    “This is about just plain old sloppy work by [executives at] LAHSA, and quite frankly the executive director who signed it,” Barger said at the time. “If my spouse was working for ABC Corporation and I saw something come across my desk, I would know I shouldn't sign that.”

    Adams Kellum tries to save LAHSA’s county funding 

    As scrutiny of LAHSA intensified, agency officials made the unusual decision to release early, incomplete data from this year’s homeless count.

    In March, Adams Kellum said that preliminary data suggested that when the full results of the 2025 homeless count are released this summer, they would show a 5% to 10% drop in unsheltered homelessness across the county. She said that would build on a 10% drop in the city of L.A.’s unsheltered population the previous year, according to her agency’s count.

    But those numbers were not enough to stop elected leaders from moving forward with plans to pull county funds from LAHSA.

    When Horvath’s motion came up for a final vote last week, Adams Kellum showed up at the Board of Supervisors meeting to argue against the move. Instead of being welcomed by the board to share her perspective at length, Adams Kellum spoke from the public comment podium like any other county resident lining up to voice their opinion on board votes.

    “I made promises — one would be a reduction in unsheltered homelessness, which we’ve seen now two years in a row,” Adams Kellum said. “To enhance transparency, I promised that we would improve our operations, and we have. We’ve implemented 20 new data dashboards that provide unprecedented insight into how our system functions.”

    Adams Kellum said she had also made progress on fixing LAHSA’s late payments to providers.

    “We’ve made a lot of the changes that you proposed,” Adams Kellum told the board, shortly before her public comment time ran out and her microphone was cut off.

    The board ended up voting, 4-0 (with one abstention), to pull nearly $350 million in county funding from LAHSA.

    Three days later, Adams Kellum announced her resignation.

  • Bridge project to connect to waterfront
    A rendering shows a pedestrian bridge lined with trees. People walk on the bridge.
    A rendering depicts the Avalong Bridge Project and Gateway. It's one of three projects meant to help harbor residents access L.A.'s waterfront.

    Topline:

    Residents in Wilmington say a new waterfront project can’t come soon enough to improve pedestrian and bicycle access.

    Why it matters: The project’s construction underlines how the harbor’s massive industrialization in the 20th century limits residents’ full access to new public spaces.

    Why now: Residents say the 2-year-old Wilmington Waterfront Promenade remains inaccessible to many residents because of heavy truck traffic and railroad tracks. The bridge will help.

    The backstory: The bridge project is the third public access undertaking by the Port of L.A. after designating some operating budget income for development that helps residents access the waterfront.

    What's next: Contractors are expecting the green light Monday to begin work.

    Go deeper: In The Shadows Of Industry: LA County’s Port Communities

    Contractors are expected to get the green light Monday from the Port of L.A. to start transforming 12 acres of densely industrial land next to the Wilmington waterfront into a green space called the Avalon Bridge Project and Gateway.

    Residents say the project can’t be done soon enough.

    “Right now, it's not safe to walk from downtown Wilmington all the way to the waterfront,” said Salvador Lara, who’s lived in Wilmington for 35 years and works for a nonprofit that does clean-ups in the neighborhood.

    Until 2024, most Wilmington residents had little reason to walk to the waterfront. That year, officials unveiled the Wilmington Waterfront Promenade, a 9-acre open space with picnic areas, grass and a public dock.

    Now, residents go there to enjoy the park and trails, as well as free events such as wellness fairs and Dia de los Reyes celebrations. But access remains a problem.

    Lucia Moreno-Linares, a Wilmington resident and former L.A. Harbor Commissioner, points to last year’s Shakespeare-by-the-sea event as a good example of the challenge.

    “Most people used their car to get there, especially because it was in the evening,” she said. Yet for many residents, it would not have been a long walk, if there was a way to get through the industrial area safely."

    She expects the bridge project will make a big difference.

    “When the bridge is finished, I think we'll have a better turnout for that event,” she said.

    Seven adult people hold shovels and scoop up soil.
    Public officials broke ground in February on the Avalon Bridge Project and Gateway.
    (
    Courtesy Port of L.A.
    )

    The 380-foot bridge will give pedestrians and bicyclists a way to safely cross over working rail lines and avoid port traffic to get to the promenade. The concrete bridge will feature a cable-stayed arch structure.

    The Avalon Bridge Project is expected to be completed in 2028. It's part of the Port of L.A.'s decade-old Public Access Investment Plan that's set aside $400 million for waterfront and education projects, including the promenade, the bridge project and San Pedro Town Square. One construction will be a massive sundial.

    A rendering shows a bridge with an arch, over multiple railroad tracks. People walk on the bridge.
    A rendering of the Avalong Bridge Project and Gateway. It's meant to help people avoid train tracks and truck traffic to walk to a watefront park.
    (
    Courtesy Port of L.A.
    )
    A rendering shows a park with grass and trees from a bird's eye view.
    A rendering shows what part of the Avalon Bridge Project is expected to look like when finished in 2028.
    (
    Courtesy Port of L.A.
    )

    The access problems residents hope the bridge project will fix

    Just north of the promenade and the future gateway project lie the dense residential and business districts whose roots go back to the mid-19th century.

    But the harbor grew massively in the 20th century, with railroad tracks and heavy container truck traffic popping up between those residents and the water.

    Now that the waterfront promenade includes places for people to walk, ride their bikes and grass on which to lay a picnic blanket, the industrial area acts as a barrier.

    What makes this project special is that it's all about more than just building infrastructure.
    — Gene Seroka, Port of L.A. Executive Director

    The Avalon Bridge Project gives pedestrians a way to safely skip over those hurdles. It's designed to improve the quality of life of residents, who for generations have sacrificed a lot for being on the doorstep of the massive Port of L.A.

    “What makes this project special is that it's all about more than just building infrastructure,” said Port of L.A. executive director Gene Seroka at a recent briefing. “It's about giving Wilmington residents direct access to their own waterfront and creating spaces where the community can gather and connect.”

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  • Honoring Dolores Huerta, cooking classes and more
    Three hands hold glasses clinking over a table with vegetables and dips set out on it.
    Maydan Market hosts an intimate cooking class this week.

    In this edition:

    Honoring Dolores Huerta through art, two silent movie screenings, Regarding Her cooking class, Broadway sing-a-long night and more of the best things to do this week.

    Highlights:

    • A Broadway sing-along with American Idol’s in-house pianist? Say no more. Sign up to sing with pianist Michael Orland or just sing along with other Broadway fanatics.
    • Catch a double feature of silent films —The Cruise of the Jasper B (1926) and The Yankee Clipper (1927) with live accompaniment by Jon Mirsalis and projected from 16mm Kodascope prints.
    • This group exhibit honoring Dolores Huerta, the trailblazer, survivor and farmworkers’ rights activist, could not be better timed.
    • South Central native Lauren Halsey had a vision to create a sculpture park in her home neighborhood for years, and it’s finally a reality. Sister Dream, the artist’s “architectural ode to tha surge n splurge of south central los angeles” is a new monument, attraction, gathering spot and homage to innovation to be enjoyed by all.

    I went to get my hair cut last week, and when I pulled into the driveway of the salon, I saw the biggest lizard I've ever seen in Southern California — and this was in West Adams, nowhere near a hiking trail! Turns out I’m not alone. As Jacob Margolis reported last week, alligator lizards and other scaly friends are having a field day with this weather. And while I was sufficiently freaked out by my sighting in our urban jungle, the real risk of the early warm weather is to them, not us.

    Sing your lizard heart out this week with Licorice Pizza’s music calendar. On Monday, K-pop girl group Hearts2Hearts will be at the Grammy Museum as part of the museum’s Global Spin Live program, while Lady Blackbird, aka the “Grace Jones of jazz,” is at the Blue Note.

    On Tuesday, there’s a very special show at the El Rey with the Dirty Three, featuring Warren Ellis of Nick Cave and the Bad Seeds, while country-pop troubadour Lindsay Ell is at the Troubadour.

    On Wednesday, L.A. garage band ALEXSUCKS plays the El Rey, misleadingly named folk singer Skullcrusher plays the Lodge Room and there will be a rebirth of slick with alternative hip-hop legend Digable Planets at the Blue Note (they’re also there on Thursday). Also on Thursday, metal band Bad Omens plays the Forum, and veteran indie band Voxtrot is at cool new Chinatown venue Pacific Electric.

    Elsewhere on LAist, you can learn about how the Iranian community in L.A. is celebrating Nowruz in wartime, head to North Hills for a late-night Filipino grocery store rave (yes, you read that right) and get a ticket for Kai Ryssdal’s special Marketplace Live event on March 29.

    Events

    Silent film screening with music: The Cruise of the Jasper B and The Yankee Clipper

    Monday, March 23, 7:30 p.m.
    Hollywood Heritage Museum 
    2100 N Highland Ave., Hollywood
    COST: $10; MORE INFO

    A black-and-white film still of a light-skinned man holding down another man with a knife in his hand while a group of pirates looks on.
    (
    Courtesy Hollywood Heritage
    )

    Catch a double feature of silent films — The Cruise of the Jasper B (1926) and The Yankee Clipper (1927) — projected from 16mm Kodascope prints, with live accompaniment by Jon Mirsalis. The two films are both part of a celebration of the DeMille Pictures Corporation (as in Cecil B.); the first is a comedy starring Rod LaRocque and Mildred Harris; the second is not about Joe DiMaggio, but is an adventure about the U.S. and Great Britain’s seafaring rivalry.


    Michael Orland’s Broadway Sing-Along

    Wednesday, March 25, 7 p.m. to 10 p.m. 
    Three Clubs 
    1123 Vine Street, Hollywood
    COST: $28; MORE INFO

    A colorful poster with a man with light skin tone and text reading "Open Mic
    (
    Jonathan Sadowski
    /
    Eventbrite
    )

    A Broadway singalong with American Idol’s in-house pianist? Say no more. I’m prepping my best rendition of “Defying Gravity” as we speak. Sign up to sing with pianist Michael Orland, or just sing along with other Broadway fanatics.


    Dolores: Group exhibition

    Through Sunday, April 12
    Plaza de la Raza Boathouse Gallery
    3540 N. Mission Road, Lincoln Heights
    COST: FREE; MORE INFO 

    A poster on a blue-green background reading "Dolores" in purple, depicting a woman with medium skin tone.
    (
    Barbara Carrasco
    /
    Plaza de la Raza
    )

    This group exhibit honoring Dolores Huerta, a trailblazer, survivor and farmworkers’ rights activist, could not be better timed. While the news about César Chávez's history of abuse is harrowing, this show is a chance to honor Huerta and her work for the greater good of farmworkers and California writ large — and view the farmworkers’ movement through the eyes of artists of all stripes.


    Sister Dreamer

    Through September 2027
    Wednesdays to Sundays 
    1810 W. 76th Street, South Central L.A. 
    COST: FREE; MORE INFO 

    Lauren Halsey, who's from South Central, had a vision to create a sculpture park in her home neighborhood for years, and it’s finally a reality. Sister Dreamer, the artist’s “architectural ode to tha surge n splurge of south central los angeles,” is a new monument, attraction, gathering spot and homage to innovation to be enjoyed by all.


    Dragon Mama

    Through Sunday, April 12
    Geffen Playhouse
    10886 Le Conte Ave., Westwood 
    COST: FROM $39; MORE INFO

    A woman with medium-light skin tone sits on a metal chair on a blue-lit stage.
    (
    Jeff Lorch
    /
    Geffen Playhouse
    )

    The second installment of the popular Dragon Cycle series about a Filipina woman’s relationship with her mother, her culture, her queerness and her love life recently opened at the Geffen Playhouse to rave reviews. The one-woman show Dragon Mama follows last year’s Dragon Lady, and is written and performed by Sara Porkalob. It’s peppered with ghosts, Filipino gangsters and a '90s R&B soundtrack.


    Secret Walls: Wet Paint LA

    Through Saturday, April 4
    2272 Venice Blvd., Harvard Heights
    COST: FREE; MORE INFO

    An orange poster with the shadow of a palm tree and a gorilla and bunny climbing it, with text to the right reading "Wet Paint."
    (
    Secret Walls
    /
    Eventbrite
    )

    Graffiti as a movement and as an art takes center stage at Secret Walls' first Wet Paint show in Los Angeles. It features graffiti artists including CAN2, MERLOT, JOSE MERTZ, JOSHUA VIDES, YES2 and many more.


    A Celebration of Ralph Steadman: A Live Show 

    Wednesday, March 25, 8 p.m. 
    Actors’ Gang
    9070 Venice Blvd., Culver City 
    COST: $58; MORE INFO

    Exhibit through Saturday, May 9 
    Ralph Steadman
    Torrance Art Museum
    3320 Civic Center Drive, Torrance
    COST: FREE; MORE INFO

    An illustrated poster featuring a large head and palm trees, with a red convertible driving down the road.
    (
    Ralph Steadman
    /
    Courtesy Torrance Art Museum
    )

    The writings and illustrations of Ralph Steadman (most famous for his illustrations of gonzo journalist Hunter S. Thompson’s work) is the focus of an evening on stage at the Actors’ Gang in Culver City. It will feature readings by Josh Brolin, Michael C. Mahon and Pat Healey; singing by Kim Chase; and an introduction by Steadman’s youngest daughter, Sadie Williams. Can’t make the stage show? Head to Torrance Art Museum through May 9 for an exhibit that features more than 140 drawings and other works of Steadman’s, including illustrations for Thompson’s Fear and Loathing in Las Vegas. Plus, check out the Gonzo Art Trail around the L.A. area that the museum has created, which challenges users to a scavenger hunt for Steadman’s SoCal inspirations, and includes events like the Actors’ Gang show throughout the exhibition’s lifecycle.


    Regarding Her reception and cooking classes

    Monday, March 23, 5:30 p.m.
    Maydan Market 
    4301 W. Jefferson Blvd., West Adams
    COST: $108; MORE INFO

    An assortment of Middle Eastern food on a table, including grilled fish, pita, pickled vegetables and dips.
    (
    Ashley Randall Photography
    )

    Rose Previte, the founder of new West Adams hotspot Maydan Market, joins women’s culinary organization Regarding Her for a cooking class and networking evening at the hip space. Several other big-name L.A. female chefs will join Previte for the event, which invites foodies to participate in an array of intimate cooking classes. You can make Guerrerense tamales with Heidie Irra from Maléna; indigenous Oaxacan chocolate and atole with Odilia Romero and chef Evelyn Gregorio from Lugya’h; market fruit hand pies with Anastashia Chavez from Inglewood’s Cadoro Bakery; Korean pork mandu with Deborah Pak from legendary Koreatown institution Soban; and gnocchetti sardi with Victoria Bermudez from Leona, a micro-batch pasta shop in Los Feliz.

  • Jim Michaelian died Saturday. He was 83.
    A man with gray hair and sunglasses holding a helmet with an American flag designed. He is talking to two men at a car race.
    Jim Michaelian (center) talks with Jim Liaw (right) and Mayor Rex Richardson before a press conference as work begins on the Acura Grand Prix of Long Beach racetrack in Long Beach on Thursday, Feb. 26, 2026.

    Topline:

    Grand Prix Association of Long Beach president and CEO Jim Michaelian died on Saturday, just four weeks before the street race was scheduled to roar again along the city’s shoreline, association officials said.

    Details: Michaelian was 83. His cause of death was not released.

    Legacy: Michaelian wore increasingly larger hats during the past 51 years of the annual race, serving first as the Grand Prix Association’s controller, chief operating officer and then being named president and CEO in December 2001. This year's race was to be the last race he would oversee before passing the reins to incoming CEO Jim Liaw.

    Grand Prix Association of Long Beach president and CEO Jim Michaelian died on Saturday, just four weeks before the street race was scheduled to roar again along the city’s shoreline, association officials said. It was to be the last race he would oversee before passing the reins to incoming CEO Jim Liaw.

    Michaelian was 83. His cause of death was not released.

    Michaelian wore increasingly larger hats during the past 51 years of the annual race, serving first as the Grand Prix Association’s controller, chief operating officer and then being named president and CEO in December 2001.

    “Jim didn’t just lead the Grand Prix — he lived it,” Mayor Rex Richardson said in a statement. ”His passion, warmth and dedication turned an event into a tradition, and a tradition into a source of pride for generations of Long Beach residents. Under his leadership, the Grand Prix became a global event and a defining part of Long Beach’s identity.”

    Michaelian graduated from UCLA with a BS in Physics and an MBA. He was a competitive sports car racer for more than 25 years and competed in endurance events at tracks including Le Mans, Daytona, Nürburgring, Dubai and Sebring.

    Penske Entertainment acquired the Grand Prix Association of Long Beach in November 2024.

    Penske Corporation chairman Roger Penske reflected on Michaelian’s contributions.

    “Jim was a leader of a small, passionate group who believed in the concept of bringing elite open-wheel competition to Long Beach in the 1970s, worked tirelessly to make it happen despite steep odds and then helped nurture the Grand Prix of Long Beach into becoming America’s premier street race,” Penske said. “His vision and energy surrounding this great event remained boundless for 50 years, as no task was too small for Jim, even while he served in numerous leadership roles.”

    Michaelian is survived by his wife, Mary, and sons Bob and Mike.

    “A loving and devoted husband, nothing meant more to Jim than his family,” the Grand Prix Association said in a statement. “He especially treasured the time he spent with his two boys, creating memories that will be carried forever.”

  • MLB season opens this week
    players hold up trophy
    Yoshinobu Yamamoto and the Dodgers are looking for a three-peat this season.

    Topline:

    Major League Baseball season kicks off this Wednesday, with the New York Yankees going up against the San Francisco Giants.

    And: For our reigning world champs Dodgers, their home opener is on Thursday, when they play the Arizona Diamondbacks at Chavez Ravine.

    Why it matters: This year, the Dodgers are looking to make history for the franchise with their pursuit of a back-to-back-to-back win. So, how are their chances? We take these questions to LAist's resident sports expert, Matt Dangelantonio.

    The Major League Baseball season kicks off this Wednesday, with the New York Yankees going up against the San Francisco Giants.

    For our reigning world champs Dodgers, their home opener is on Thursday, when they play the Arizona Diamondbacks at Chavez Ravine.

    This year, the Dodgers are looking to make history for the franchise with their pursuit of a back-to-back-to-back win. So, how are their chances? We take these questions to LAist's resident sports expert, Matt Dangelantonio.

    How are the Dodgers looking this year?

    In a word? Great. Almost the entire 2025 World Series team is returning, with a couple of major additions in the outfield and bullpen. The Dodgers are Vegas' favorites to win it all at +230, far ahead of the next team up — the New York Yankees at +1000. The Dodgers remain the team to beat in the National League West, and really in all of baseball. They are a blueprint for what can go right when you have a lot of money to spend and invest right.

    The team's biggest assets?

    Biggest assets are the names you already know: Ohtani, Freeman, Betts, Muncy, Teoscar, Yoshi ... the list goes on. There are also two new names folks will want to watch. One is slugging outfielder Kyle Tucker, to whom the Dodgers gave a four-year deal worth a whopping $240 million. He's a four-time All-Star who can hit 30 home runs, and is a strong defensive outfielder with a Gold Glove (2022) under his belt. One thing the Dodgers lacked last year was a de facto closer, though rookie Roki Sasaki took on that role during the postseason. Now, the Dodgers have a true closer in Edwin Diaz, a former New York Met with a proven track record of locking things down in the ninth inning — if he can stay healthy. The bullpen will also benefit from the return of past mainstays like Brusdar Graterol, Tanner Scott and Alex Vesia, who missed the World Series after the death of his newborn daughter.

    The biggest concerns?

    Age and health, pretty much the same as usual. Offensive woes caught up to some of the team's elder statesmen — like Freddie Freeman, Mookie Betts and Max Muncy — in the World Series, though Muncy did redeem himself with the clutch 7th-inning homer in Game 7 of the World Series to make it 3-2 and set the table for Miggy Ro's 9th-inning, game-tying homer. But those guys aren't getting any younger. Health was also an issue for the pitching staff in particular last year. Blake Snell and Tyler Glasnow both missed big chunks of time with injuries.

    The archrivals?

    In the NL West, it's the Padres as usual. They have a solid combination of veteran experience and youth in their lineup, a strong pitching rotation and arguably one of the best bullpens in baseball. The Mets and Phillies are likely to be the biggest potential threats to the Dodgers' reign, though both clubs have bad track records of winning when it matters. And then league-wide, the Yankees, Mariners and Blue Jays should all be very good and are each good bets to be on the opposite side should the Dodgers make it back to the World Series.

    So, three-peat?

    Nothing is certain in baseball, but what I'll say is ... it's their World Series to lose. I think in the eyes of owner Mark Walter and GM Andrew Friedman, anything short of a World Series win would be considered a failure, given how much money they've spent on their roster. They have absolutely no excuse not to make it back to the World Series this year if they stay healthy. They are in a unique position before the year even starts to be on cruise control through the regular season and really play their best baseball in October.