The Brief

Proposed rules to protect California workers from extreme heat would extend to schoolchildren, requiring school districts to find ways to keep classrooms cool.

If the standards are approved this month, employers in the nation’s most populous state will have to provide relief to indoor workers in sweltering warehouses, steamy kitchens, and other dangerously hot job sites. The rules will extend to schools, where teachers, custodians, cafeteria workers, and other employees may work without air conditioning — like their students.

“Our working conditions are students’ learning conditions,” said Jeffery Freitas, president of the California Federation of Teachers, which represents more than 120,000 teachers and other educational employees. “We’re seeing an unprecedented change in the environment, and we know for a fact that when it’s too hot, kids can’t learn.”

A state worker safety board is scheduled to vote on the rules June 20, and they would likely take effect this summer. The move, which marks Democratic Gov. Gavin Newsom’s latest effort to respond to the growing impacts of climate change and extreme heat, would put California ahead of the federal government and much of the nation in setting heat standards.

The standards would require indoor workplaces to be cooled below 87 degrees Fahrenheit when employees are present and below 82 degrees in places where workers wear protective clothing or are exposed to radiant heat, such as furnaces. Schools and other worksites that don’t have air conditioning could use fans, misters, and other methods to bring the room temperature down.

The rules allow workarounds for businesses, including the roughly 1,000 school districts in the state, if they can’t cool their workplaces sufficiently. In those cases, employers must provide workers with water, breaks, areas where they can cool down, cooling vests, or other means to keep employees from overheating.

“Heat is a deadly hazard no matter what kind of work you do,” said Laura Stock, a member of the Occupational Safety and Health Standards Board. “If you have an indoor space that is both populated by workers and the public, or in this case by children, you would have the same risks to their health as to workers.”

Heat waves have historically struck outside of the school year, but climate change is making them longer, more frequent, and more intense. Last year was the hottest on record and schools across the U.S. closed sporadically during spring and summer, unable to keep students cool.

Scientists say this year could be even hotter. School officials in Vicksburg, Mississippi, last month ended the school year early when air conditioners had issues. And California’s first heat wave of the season is hitting while some schools are still in session, with temperatures reaching 105 in the Central Valley.

Several states, including Arizona and New Mexico, require schools to have working air conditioners, but they aren’t required to run them. Mississippi requires schools to be air-conditioned but doesn’t say to what temperature. Hawaii schools must have classrooms at a “temperature acceptable for student learning,” without specifying the temperature. And Oregon schools must try to cool classrooms, such as with fans, and provide teachers and other employees ways to cool down, including water and rest breaks, when the heat index indoors reaches 80 degrees.

When the sun bakes the library at Bridges Academy at Melrose, a public school in East Oakland with little shade and tree cover, Christine Schooley closes the curtains and turns off the computers to cool her room. She stopped using a fan after a girl’s long hair got caught in it.

“My library is the hottest place on campus because I have 120 kids through here a day,” Schooley said. “It stays warm in here. So yeah, it makes me grouchy and irritable as well.”

A 2021 analysis by the Center for Climate Integrity suggests nearly 14,000 public schools across the U.S. that did not need air conditioning in 1970 now do, because they annually experience 32 days of temperatures more than 80 degrees — upgrades that would cost more than $40 billion. Researchers found that same comparison produces a cost of $2.4 billion to install air conditioning in 678 California schools.

It’s not clear how many California schools might need to install air conditioners or other cooling equipment to comply with the new standards because the state doesn’t track which ones already have them, said V. Kelly Turner, associate director of the Luskin Center for Innovation at the University of California-Los Angeles.

And a school district in the northern reaches of the state would not face the same challenges as a district in the desert cities of Needles or Palm Springs, said Naj Alikhan, a spokesperson for the Association of California School Administrators, which has not taken a position on the proposed rules.

An economic analysis commissioned for the board provided cost estimates for a host of industries — such as warehousing, manufacturing, and construction — but lacked an estimate for school districts, which make up one of the largest public infrastructure systems in the state and already face a steep backlog of needed upgrades. The state Department of Education hasn’t taken a position on the proposal and a spokesperson, Scott Roark, declined to comment on the potential cost to schools.

Projections of a multibillion-dollar cost to state prisons were the reason the Newsom administration refused to sign off on the indoor heat rules this year. Since then, tens of thousands of prison and jail employees — and prisoners — have been exempted.

It’s also unclear whether the regulation will apply to school buses, many of which don’t have air conditioning. The Department of Industrial Relations, which oversees the worker safety board, has not responded to queries from school officials or California Healthline.

Libia Garcia worries about her 15-year-old son, who spends at least an hour each school day traveling on a hot, stuffy school bus from their home in the rural Central Valley community of Huron to his high school and back. “Once my kid arrives home, he is exhausted; he is dehydrated,” Garcia said in Spanish. “He has no energy to do homework or anything else.”

The California Federation of Teachers is pushing state lawmakers to pass a climate-resilient schools bill that would require the state to develop a master plan to upgrade school heating and air conditioning systems. Newsom last year vetoed similar legislation, citing the cost.

Campaigns to cool schools in other states have yielded mixed results. Legislation in Colorado and New Hampshire failed this year while bills in New Jersey and New York were pending as of June 6. Last month, a teachers union in New York brought a portable sauna to the state Capitol to demonstrate how hot it can get inside classrooms, only a quarter of which have air conditioning, said Melinda Person, president of New York State United Teachers.

“We have these temperature limits for animal shelters. How is it that we don’t have it for classrooms?” said Democratic New York Assembly member Chris Eachus, whose bill would require schools to take relief measures when classrooms and buildings reach 82 degrees. “We do have to protect the health and safety of the kids.”

Extreme heat is the No. 1 weather-related killer in the U.S. — deadlier than hurricanes, floods, and tornadoes. Heat stress can cause heatstroke, cardiac arrest, and kidney failure. The Centers for Disease Control and Prevention reported 1,600 heat-related deaths occurred in 2021, which is likely an undercount because health care providers are not required to report them. It’s not clear how many of these deaths are related to work, either indoors or outdoors.

California has had heat standards on the books for outdoor workers since 2005, and rules for indoor workplaces have been in development since 2016 — delayed, in part, because of the covid pandemic.

At the federal level, the Biden administration has been slow to release a long-awaited regulation to protect indoor and outdoor workers from heat exposure. Although an official said a draft is expected this year, its outlook could hinge on the November presidential election. If former President Donald Trump wins, it is unlikely that rules targeting businesses will move forward.

The Biden White House held a summit on school sustainability and climate change in April, at which top officials encouraged districts to apply an infusion of new federal dollars to upgrade their aging infrastructure. The administration also unveiled an 18-page guide for school districts to tap federal funds.

“How we invest in our school buildings and our school grounds, it makes a difference for our students’ lives,” Roberto Rodriguez, an assistant secretary at the U.S. Department of Education, said at the summit. “They are on the front line in terms of feeling those impacts.”

When the Station Fire roared through the Angeles National Forest in 2009, Colleen and Jason Warnesky could see it from the front porch of their Altadena, Calif., home. Eleven years later, the family witnessed the Bobcat Fire from the same spot as it became one of the largest fires in Los Angeles County history.

Their house remained standing after both close calls. So when the Eaton Fire struck more than 3 miles away in January 2025, they were certain they'd again remain unscathed.

"We couldn't imagine how it would get from all the way over there to our house," Colleen Warnesky told NPR, as she pointed to the lush mountains on a recent Sunday afternoon.

Fifteen months later, the couple is pacing around the fenced-in dirt lot that was once the site of their 1,400 sq. foot home. So far the land has been cleared of all toxins, and they're waiting on the city to approve drainage permits before construction workers can start pouring the foundation

The Warneskys are among the dozens of families in the immediate neighborhood who have opted to rebuild with manufactured homes. They were swayed by a local program launched by city-LAB UCLA, a center founded by the University of California, Los Angeles' Architecture and Urban Design Department, which included a showcase of six prefab housing options and a guide to help navigate the process and secure financing.

The spate of wildfires, hurricanes, tornadoes and floods fueled by man-made climate change that have plagued vast swaths of the country in recent years is changing the housing industry. That's because people like the Warneskys, who are seeking to rebuild in disaster-prone regions, are searching for greater peace of mind. As a result, they're turning away from stick-builds and embracing prefabricated homes that are made using materials that are fire-resistant and can withstand extreme weather, and that are now considered standard, and are often more affordable.

Manufacturers are meeting that demand with innovative and safer alternatives. Many companies are designing prefab houses that can withstand category 5 hurricane winds — up to 250 mph — earthquakes, hail storms, massive snowfall and fire. Depending on customizable preferences, prices can vary from below $100 per square foot to over $500 per square foot, excluding land. But even those prices often fall under traditional on-site building costs in many parts of the country.

"We're working with Honomobo, which is one modular company out of Canada. And then the people across the way are working with another company called Bevy House. And then there's a whole set of three families on Harriet that are working with a third modular company," Warnesky said, pointing out various vacant or half-built lots in the neighborhood.

"It was a combination of factors," Warnesky said, explaining why they have opted to forgo a traditional build. After losing everything, and the stress of dealing with the seemingly endless insurance paperwork, they had decision fatigue. The idea of picking something out of a catalog that would arrive fully built seemed like a lifesaver.

"But a big part of it was also safety," Warnesky clarified. She added, "I think that we both felt early on, if there was a way to make it so that we had less to worry about if another fire happened in the future," we'd go with that.

For their own house, which will largely consist of glass, steel and concrete, the Warneskys said they bought a package that is specifically designed for a wildland urban interface environment, known as WUI. These are areas where real estate developments and infrastructure butt up against wildland vegetation.

Jason Warnesky described some of the features of the old, post-WWII-built home. It was modest but comfortable. It had a redwood deck that spanned a big section of the backyard, he said.

"I would suspect that was probably one of the first things that went up on our house," he said.

"We won't do that again," his wife added.

The building prefab business

The Manufactured Housing Institute reports that as of 2024, nearly 21 million people in the U.S. live in manufactured or mobile homes. And manufactured homes made up more than 9% of new home starts in the same year. Meanwhile, consumer prices have remained largely unchanged over the past three years, making them increasingly attractive to first-time buyers.

The same study noted that three U.S.-based companies account for about 83% of the nation's market share. Most of those sales are happening in states with nearly annual flooding, hurricane or wildfire disasters — Texas, Florida and California.

Given the escalating climate risks across the country, Harrison Langley, CEO of MDLR Brands, believes that traditional on-site building is unsustainable. His company has built single-family prefabricated homes, apartment buildings and commercial structures in the Bahamas following 2019's Hurricane Dorian and in California, Tennessee and North Carolina.

"The building materials space is run by dinosaurs," he told NPR. "The way we've been building for the last 100 years really hasn't changed. But the materials have gotten less strong. A two-by-four is no longer two-by-four. It's smaller."

The company offers manufactured kit homes as well as custom-designed projects that are built using composite structural insulated panels. Each one has a 30-minute fire rating, meaning "you could hide behind this wall without the heat coming through for 30 minutes," he explained, adding that the panels can be hardened even further by using a cement board on top of the panels. "That could give you about an hour to get out of a building," Langley added.

Another bonus is that the panels are also more elastic than a wooden frame, making the houses better capable of withstanding earthquakes. And, he said, because the panels have an exterior fiberglass layer, they can stand up to category 5 hurricane winds. (Third-party certifiers test it by shooting a two-by-four traveling at 170 mph, Langley explained.)

According to Langley, America has been on the cusp of embracing modular and prefabricated homes for some time. But, he believes, the growing ubiquity of accessory dwelling units is serving as "proof of concept" for potential clients. "People are used to seeing them now," he said.

Beyond a boxy modular style

For some people, the reluctance to embrace a modular or manufactured build has less to do with costs and more to do with style. Or a perceived absence of it.

Across the street from Colleen and Jason Warnesky are Linda and Liam Mennis. They also lost their 1940s 1,600 sq. ft. home in the Eaton Fire. Initially, they were thinking of going with a traditional stick-build home, but after a discussion with their architect, they learned they could design a customized manufactured home.

"We couldn't do a cookie-cutter house," Mennis told NPR. "We didn't want to pick something from a catalog that would look exactly like somebody else's house."

A home designed by California-based Bevy House. This, nearly 8,000 square foot Malibu project is a partial rebuild, as a large portion of the home was lost in the 2018 Woolsey Fire. It was one of the first homes to receive occupancy post fire.

(

Bevy House

)

They're now working with Bevy House, whose tag line is, "The conventional home building process is broken. We're the solution." Instead of boxy structures, they take personalized architectural plans and figure out how to make them modular so they can be fabricated at their facilities and put together on site. A majority of the company's builds are installed in California, and they've worked with several fire victims.

Following the destructive 2018 Woolsey Fire in Ventura and Los Angeles counties, they built one of the first homes to receive occupancy post-fire, according to their website. It's a Spanish revival, five-bedroom, seven-bathroom, nearly 8,000-square-foot spread that features custom reclaimed beams. The project was a partial rebuild, as a large portion of the original home was lost in the fire. 

For Mennis and his wife, it was a streamlined process. After finalizing a design plan, he said, Bevy House "makes sure they can break it up into modules" in a 3-D rendering system, and they get started on production.

Prefab's past

The idea of creating aesthetically pleasing and affordable modular homes on a mass scale is not a new one. Seventy-seven years ago, famed architects and furniture designers Ray and Charles Eames, came up with a modernist blueprint for a system composed of inexpensive and off-the-shelf materials from industrial and commercial catalogs that could be easily assembled. Their own iconic home and studio space, Case Study No. 8 house, served as a model of what could be done.

Eames Office has partnered with Spanish office furniture brand, Kettal, to produce a universal modular system that will eventually include the option to build a customized home. The Eames Pavilion was unveiled last week at the Triennale di Milano.

(

Salva Lopez

/

Courtesy of Kettal

)

Eames Demetrios, director of the Eames Office and chairman of the Eames Foundation, has revived his grandparents' dream. Together with Spanish office furniture brand Kettal, Eames Office rolled out the Eames Pavilion system last week at the Triennale di Milano exhibition in Italy. It is a modular, pre-fabricated kit that uses aluminum frames with interchangeable glass, wood, and composite panels. The initial product is only for a single room that can serve as an office or studio space. But by 2027, Demetrios said, it will expand to allow for customizable configurations of single or multi-level dwellings.

"What is wonderful about it is it isn't a copy of the Eames House," Demetrios told NPR. "It's not a facsimile. But it certainly has the spirit of it. And when you look closely, you realize that it's something that is different, which is really trying to create a system out of it."

The kits will be on the pricier side of prefabricated homes, but Demetrios said they intend to keep costs below $500 per square foot. Clients will also have options to swap out materials that may suit the building site better, he added. Because it is a modular system, Demetrios explained, "as innovations happen it is possible to include those in a more dynamic way."

He added: "I'm predicting in about five years we'll have houses that people will almost not be able to tell are from the same system. And I think that that's part of the power of it. And that's part of the opportunity of it."
Copyright 2026 NPR

The alleged gunman at the White House Correspondents' Dinner, where President Donald Trump and other top administration officials were gathered, is set to make his first appearance in court today.

Cole Allen, 31, is slated to be arraigned in federal court. Police have not formally identified Allen as the suspect, but NPR confirmed his identity with two people familiar with the investigation who aren't authorized to speak publicly.

Allen faces charges including using a firearm during a crime of violence and assault on a federal officer using a dangerous weapon, according to U.S. Attorney for the District of Columbia Jeanine Pirro.

Authorities said Allen charged through a security perimeter at the Washington Hilton, where the annual event was taking place, before being stopped and arrested by law enforcement. One Secret Service agent was shot in his protective vest and not seriously injured.

Video from the event shows Secret Service agents surrounding Trump and Vice President Vance and ushering them out of the room after shots rang out. Journalists and other attendees can be seen crouched under tables as federal officers swarmed the ballroom.

At a White House press conference shortly after the shooting, Trump said he recognized the dangers of his position as president.

"I like not to think about it. I lead a pretty normal life, considering, you know, it's a dangerous life. I think I'm — I think I handle it as well as it can be handled," Trump said.

Acting Attorney General Todd Blanche told NBC's Meet the Press Sunday morning that the suspect is believed to have been targeting administration officials.

What happened?

Just after the dinner began around 8 p.m. ET, the suspect allegedly attempted to breach a security barrier inside the Washington Hilton near the ballroom where the correspondents' dinner was being held.

Trump on Saturday night posted a video on social media appearing to show a man sprinting through a security checkpoint, with agents then turning and pointing their weapons in his direction. Those inside the nearby ballroom could hear muffled pops.

"Tonight we saw exactly what our brave men and women do each and every day to protect our protectees," Secret Service Director Sean Curran said Saturday evening. "And that individual, when he charged a checkpoint, was apprehended. It shows that our multi-layered protection works."

The suspect was believed to have acted alone, and two firearms and multiple knives were recovered, the Metropolitan Police Department said in a statement on social media.

Trump said after the shooting that he wanted the dinner to continue, but later said he decided to leave at the request of law enforcement, adding that the organizers told him the event would be rescheduled.

Weijia Jiang, a CBS News journalist who is president of the White House Correspondents' Association, called Sunday's shooting a "harrowing moment" and said the WHCA board would meet to "assess what happened and determine how to proceed."

Who is Cole Allen?

Before the shooting, Allen allegedly sent his family members what the White House is calling a manifesto, stating he wanted to target members of the Trump administration, a White House official told NPR.

That official also said Allen's sister had spoken with law enforcement, telling them her brother had a tendency to make radical statements and had alluded to a plan to do "something" to fix the world's problems.

According to his sister, Allen purchased two handguns and a shotgun that he stored at his parents' home without their knowledge.

Additional details about the suspect began to emerge in the hours after the attack.

A LinkedIn page that appears to belong to Allen describes him as a "mechanical engineer and computer scientist by degree, independent game developer by experience, teacher by birth." According to the LinkedIn page, Allen worked as a part-time teacher at C2 Education, a tutoring service that offers testing prep for high school students. He received a "teacher of the month" award from the company in December 2024.

One of his students, Jason, a 17-year-old who NPR is identifying only by his first name because he is a minor, said "you wouldn't expect [Allen] to be plotting some crazy, evil plan to kill the president." Jason added: "He was just quirky because he was a just really smart guy."

Movses Janbazian, pastor at Pasadena United Reformed Church, told NPR he knew Allen years ago as a "good guy" and "quiet." Allen attended weekly church services while he was a student at California Institute of Technology, according to Janbazian.

"He was faithful in his attendance, and he was always friendly and courteous to everyone," Janbazian said. "He was in a very competitive school, and so we didn't get to see him much because he was always working, doing homework."

"Every interaction we had with him was great," Janbazian continued.

Janbazian also said the news is still "very surprising" and he doesn't "know what to think." Allen was not involved in the church outside of worship, he added.

"No secret handshakes or anything," Janbazian said. "Just — he would come. He would hear the gospel. He would worship. He would go home."

Federal Election Commission records show that Allen donated $25 to the fundraising platform ActBlue in October 2024, earmarked for Kamala Harris' presidential campaign.

NPR's Danielle Kurtzleben, Ryan Lucas, Lydia Calitri, Steve Futterman, Deepa Shivaram and Ava Berger contributed reporting.
Copyright 2026 NPR

Orcas, the lovable black and white marine predators, have taken over 10,000 square feet of the Natural History Museum of L.A. County.

Orcas: Our Shared Future, which opened Sunday, includes floor to ceiling screens that play orcas swimming in the wild and a life-size replica of Ruffles.

He was one of the first orcas Alisa Schulman-Janiger, lead research biologist for the California Killer Whale Project, saw in the wild back in the 80s.

“It’s not him but it represents him," she said. "And I can actually go back in time and replay: I was standing here and my boyfriend who became my husband was standing next to me... seeing them under us foraging for fish."

Schulman-Janiger, who is also a research associate for the museum, said there was a sighting of these giants — the largest members of the dolphin family — in our local waters just this month.

“In the Channel Islands,” she said. “I just looked at some photos today sent to me by one of the naturalists... and she saw at least 16 different orcas.”

About the exhibition

There are 140 original artifacts and specimens to see and experience at the immersive show, including sculptures and masks by Indigenous artists of the Pacific Northwest Coast.

Fred DeNisco, an orca expert from British Columbia who goes by ‘The Orca Man’ on social media, said he fell in love with orcas at the age of three, while watching 1993’s Free Willy in the back of a mini-van.

An original 'Free Willy' VHS clamshell on display at the Natural History Museum of LA County

(

Robert Garrova

/

LAist

)

He’s followed the exhibition all over the U.S. and Canada.

“It is just so unique in the breadth of topics that it covers, both in indigenous relationships with orcas, the research and more particularly our human relationship and the tumultuous relationship that has in media and captivity and even whale watching,” DeNisco told LAist.

And in case you’re wondering, the exhibition does include an original clamshell for a VHS copy of Free Willy, the film that inspired a generation of orca-lovers like DeNisco.

How to go

You can check out Orcas: Our Shared Future through April 25, 2027.

Museum hours: 9:30 a.m. to 5 p.m.
Location: 900 Exposition Blvd., Los Angeles
Phone: 213.763.DINO (3466)

Ticket info is at the Natural History Museum website. Note: There is an additional fee for the exhibition ($12 for adults, $6 for children)

LAist is one of the Natural History Museum’s media partners for the exhibition, Orcas: Our Shared Future.

I’ve loved reading your reactions to the new LACMA David Geffen Galleries. Here are just a few of the many responses we received; most were positive, but there were some smart criticisms as well:

“The architecture by Peter Zumthor and the uniquely designed way of displaying the collection across time and place was brilliant! The joy is in finding the connections.” —Marlan

“Time and place braid together in a continuum unleashed from the strictly defined spaces typical of an encyclopedic museum. Truly radical in the best way possible.” —Bianca

“The art seemed to be presented in an almost random order, as if they took LACMA's collection like a deck of cards, shuffled them twice, and then just hung everything in the resulting order.” —Steve

Licorice Pizza has your music picks for the week, including post-hardcore band La Dispute at the Belasco, indie-folk star Cut Worms at Pacific Electric and rock en español sensation Julieta Venegas at the Grammy Museum — all on Tuesday. Wednesday, Charlie Puth is at the Forum, dream-pop trio Sunday (1994) is at Hollywood Forever Cemetery, singer-songwriter and breakout The Voice contestant Carol Ades plays the Troubadour and Latin rock band Zoé plays the first of two nights at the YouTube Theater. Thursday, Chet Faker plays the Novo, Maro is at the Fonda, King Tuff plays Sid The Cat Auditorium and a cappella legends Take 6 begin their four-night residency at the Blue Note.

Elsewhere on LAist, you can get a first look at the new Annenberg Wildlife Crossing, find out more about this King Taco’s historic designation, and grab your tickets for Wild Card with NPR’s Rachel Martin live at the Crawford on May 2.

Events

Enormous Things

Tuesday and Wednesday, April 28 and 29
Elysian Theater
1944 Riverside Drive, Elysian Valley
COST: $25; MORE INFO

(

Courtesy The Elysian

)

A more up-my-alley musical has never before landed in my Instagram feed. Do you, like me, enjoy modern art and showtunes more than almost anything else? Enormous Things — a musical about Claes Oldenburg where Jeff Koons is the villain — might also be for you.

Just Sing 

Thursday, April 30, 7:30 p.m. 
Laemmle NoHo 7
5240 Lankershim Blvd., North Hollywood
COST: $14.50; MORE INFO

Fans of Pitch Perfect will want to check out this local real-life story. Just Sing follows the USC a cappella group SoCal VoCals as they make their way to the International Championship of Collegiate A Cappella in New York City. Co-directors and cinematographers Angelique Molina and Abraham Troen will host a Q&A following the screening.

Japanese Heritage Night at Dodger Stadium

Monday, April 27, 7:10 p.m.
Dodger Stadium 
1000 Vin Scully Ave., Elysian Park 
COST: FROM $70; MORE INFO 

(

Courtesy Los Angeles Dodgers

)

Japanese superstar Yoshiki will perform at the Dodgers vs. Marlins game ahead of his headliner performance at Disney Hall in July, marking Japanese Heritage Night at the stadium. Get there early to hear the music, enjoy Japanese food specials and grab your special game jersey.

Old Woman Naked

Wednesday and Thursday, April 29 and 30, 7:30 p.m. 
The Broadwater Second Stage
6320 Santa Monica Blvd., Hollywood 
COST: $45; MORE INFO 

Acclaimed author Pamela Redmond is no stranger to using her own life for inspiration for her beloved fiction, like Younger (which later became the hit Freeform show) and Older. But baring all — emotionally and physically — onstage? That’s new territory for the 72-year-old. First performed in New York to a sold-out one-night-only crowd, Old Woman Naked digs into the truth about aging, sexuality, feminism, motherhood and coming into your own. An additional date of May 17 has just been added.

Comedy, at Night 

Tuesday, April 28, 8:30 p.m. 
UCB Franklin 
5919 Franklin Ave., Hollywood
COST: $20; MORE INFO 

(

Courtesy UCB Comedy

)

Bob Odenkirk, Sarah Silverman and many more bold-faced comedy names join this showcase at UCB Franklin, hosted by Nate Odenkirk and Ari Mostow.

Double Chin pop-up 

Monday, April 27, 9 a.m. until sold out 
Petitgrain Boulangerie 
1209 Wilshire Blvd., Santa Monica 
COST: VARIES; MORE INFO

Double chin? More like double yum. Get in line early for this pop-up at Petitgrain, featuring Leah Chin-Katz’s popular pastries and jams.

Glowworm Full Moon Night Hike 

Thursday, April 30, 7 p.m. to 9 p.m.  
Gabrielino Trail, Western Trailhead
915 Ventura Street, Altadena
COST: FREE; MORE INFO 

(

Jason Journeyman

/

Eventbrite

)

Rattlesnakes sleep at night (right?), so head out for a late-night hike to see the rare California pink glowworms that come out this time of year in the Altadena foothills. Intrepid hiker Jason Wise (Journeyman) leads this nature-filled evening with L.A. Rises.

Screening: Dead City Punx 

Thursday, April 30, 7:30 p.m.
Brain Dead Studios
611 N. Fairfax Ave., Melrose 
COST: $18; MORE INFO 

(

Courtesy Gold Atlas

)

Dead City Punx exhibit 

Through Saturday, May 30
Beyond the Streets 
434 N. La Brea Ave., Mid-City
COST: FREE, MORE INFO 

(

yubo dong

/

studio photography

)

Punk in Los Angeles is far from dead. Dead City Punx, whose shows have shut down streets and seen fans start fires, are the focus of a new documentary and gallery show at Beyond the Streets. Dead City Punx (trailer here) tells the story of the band that built a following through “chaotic, illegal outdoor shows during the pandemic — complete with bonfires, fireworks, graffiti and clashes with law enforcement — ultimately sparking a movement that challenged what DIY and punk culture mean today.” Produced by Rage Against the Machine’s Zack de la Rocha, the film and gallery show are out now.