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The Brief

The most important stories for you to know today
  • Has Trump been able to lower prices?


    Topline:

    Last year on Sept. 30, President Trump and his health officials announced a major agreement with Pfizer — the first of what he said would be a series of deals with pharmaceutical companies.

    Why it matters: Medicaid covers 66 million Americans, and its net spending on prescription drugs grew by 46% between 2019 and 2024, costing taxpayers $46 billion dollars that year, according to the nonpartisan health policy research group KFF.

    Why now: But turning Trump's promises into an operational program has been difficult. A year later, that effort has been plagued by uncertainties, delays and a general lack of transparency.

    When President Trump talks about accomplishments of his second term, he often mentions the deals he's struck with pharmaceutical companies to lower drug prices.

    "We went from the highest prescription drug prices, by far, anywhere in the world, to the lowest prescription drug prices anywhere in the world," Trump said during his remarks at the midterm Republican National Convention in Dallas on Sept 10. "And that alone should get us a big victory in our midterms that are coming up."

    Last year on Sept. 30, the president and his health officials gathered in the Oval Office to announce a major agreement with Pfizer — the first of what he said would be a series of deals with pharmaceutical companies. Eventually, the White House said 26 companies signed agreements, but they have not been made public.

    Trump refers to these agreements as "most favored nation" deals, meant to bring U.S. drug prices in line with what other wealthy countries pay for drugs.

    The most buzzed-about part of the first announcement was the creation of TrumpRx, a website for consumers to find discounts on some drugs if they choose not to use their health insurance. But, as NPR has reported, the drugs available are limited, and most consumers will get a better price if they just use their insurance and pay the copay.

    But Trump's announcement also included another promise, for the low-income and disabled Americans who are covered by Medicaid:

    "Today Pfizer is committing to offer all of their prescription medications to Medicaid," he said on Sept. 30, 2025. "And it will be at the most favored nation prices. It's gonna have a huge impact on bringing Medicaid costs down like nothing else."

    And Trump said he expected other drug companies would do the same.

    Medicaid covers 66 million Americans, and its net spending on prescription drugs grew by 46% between 2019 and 2024, costing taxpayers $46 billion dollars that year, according to the nonpartisan health policy research group KFF.

    But turning Trump's promises into an operational program has been difficult. A year later, that effort has been plagued by uncertainties, delays and a general lack of transparency.

    The pilot program relies on voluntary participation, by both drug companies and individual states, which means the number of drugs that will be discounted, and the number of patients who will have access to those prices, could be lower than what Trump originally promised.

    Companies might not offer all of their drugs

    Because the administration has refused to release the actual pharmaceutical agreements, it's not clear if participating companies have to offer Medicaid most-favored nation discounts for all their drugs.

    NPR reached out to Pfizer and 16 other major drug companies that struck pricing deals with the Trump Administration over the past year. None would confirm to NPR that all of their drugs would be discounted in Medicaid, or say exactly which ones would be discounted.

    Gilead told NPR it is working with states to make "selected covered products available," including drugs that treat hepatitis C, hepatitis B and HIV.

    Sanofi said it would make the discounted pricing available for "certain wholly owned medicines that treat diabetes, cardiovascular and neurological conditions, and cancer."

    Eli Lilly said it didn't have a final list but expected "many" of its medicines to be part of the pilot program at a discount. It said "any" of its "eligible covered outpatient drugs " could be selected — except for its GLP-1 medicines that are part of another pilot program in Medicare. 

    Genentech would only say that "certain medicines" would be a part of the Medicaid program.

    Two companies told NPR the terms of the Medicaid agreements were confidential.

    The federal regulatory agency, the Centers for Medicare and Medicaid, wouldn't tell NPR how many of each company's drugs would get Medicaid discounts either.

    This fact that companies aren't discounting all of their drugs as part of this pilot program is worrisome, said Dr. Thomas Hwang of Brigham and Women's Hospital in Boston. It makes it easier for companies to game the system, he said

    "Companies have every incentive to cherry-pick [for this program] the products for which they already give Medicaid the best discounts and for which the international price may not be that much lower," Hwang said. In other words, the companies might publicly get credit for discounts that are actually negligible.

    "So there would be an incentive for companies to try to limit their liability and pay less to Medicaid," Hwang explained. "That gaming is what worries me about this backsliding over the past months — from the initial messaging that all drugs will be offered from participating manufacturers, and now to maybe only certain drugs will be offered."

    The discounts will be offered through the states

    Even if pharmaceutical companies do end up offering lower prices on a wide range of products, those new prices won't simply take effect nationwide. Instead, the discount program is being set up as a voluntary pilot. That means every state has to decide whether to opt-in, and then agree to certain conditions.

    The pilot is called the Generous model. And the ramp-up has been slow. Deadlines for drug companies and states to sign up were originally set for the spring and summer, but they've been pushed back.

    "It's always a bad sign when you keep pushing back your deadline," said Ameet Sarpatwari, a professor of population medicine at Harvard, and a drug policy researcher.

    Why states might hesitate to commit

    Even though the aim of the Generous pilot program is lower drug prices, a state that signs up could be exposing itself to some financial risks.

    The federal government splits the cost of Medicaid with the states. In most states, Medicaid is the biggest part of the state budget, after education.

    But unlike the federal government, states have to balance their budgets every year, according to Jack Rollins, who directs federal policy at the National Association of Medicaid Directors.

    Even if a prescription drug is expected to save money on projected health care costs over many years, a state Medicaid program might not have enough budgeted to pay for every patient who needs the drug in a given year.

    "Everything in Medicaid is going to be a trade-off," he said. "There's no silver bullet to the drug costs that we're navigating."

    State budget managers already try to control Medicaid costs using various coverage rules for drugs with high price tags.

    For example, some drugs might require a doctor to submit a "prior authorization" request to the state Medicaid program. Another rule is to require patients to try cheaper drugs first, to manage their condition, before trying a more expensive brand.

    But in the Generous pilot program, states would have to toss out their own coverage criteria and accept a standardized system, if they want the negotiated price.

    That would mean states that previously had some coverage limitations on certain drugs might be forced to offer unfettered access, says Sarpatwari.

    "Then all of a sudden your state Medicaid plans might be spending a whole lot more because a whole lot more people might be getting the drugs," he says.

    The deadline for states to apply was Sept. 10, and all 50 states applied, according to the White House. California officials previously told NPR they would apply, but as a means to see more details before committing. States have until September 30 to finalize and sign binding agreements, and according to CMS, 40 of them and Puerto Rico have done that.

    Copyright 2026 NPR

  • 16 bears are competing for the title

    The backstory: The bears endure a condition called hyperphagia, feeding a relentless hunger so they can pack on fat they'll need to survive the coming winter. The park uses Fat Bear Week to teach the public and students about brown bears, sockeye salmon and their ecosystem. Some 2,200 bears are estimated to live in Katmai National Park and Preserve's 4.2 million acres

    What's next: This year's single-elimination tournament begins on Tuesday, Sept. 22, when public voting starts. Voting pauses over the weekend, before a new champion is crowned on Sept. 29.

    The brown bears in Katmai National Park and Preserve in Alaska, famous for embiggening themselves by feasting on salmon in the park's scenic Brooks River, are ready for their annual closeup. The 2026 Fat Bear Week bracket came out on Friday, kicking off a competition to determine which bear has worked hardest to pack on pounds for hibernation.

    Officials say fans should look out for signs of a generational shift, reflecting the vitality of Katmai's ecosystem. And this year's bracket features 16 bears, up from 12 in recent years.

    "There are more cubs at Brooks Camp this year than have been seen in a long time," Park Superintendent Mark Sturm said in a news release.

    "A new generation of fat bears is taking shape, and they're off to a strong start," Sturm added, saying his team is eager to see how the young bears develop and fit in.

    New contenders this year include Bear 89, a male known as "Backpack." His nickname originated after an injury he had as a cub forced him to ride around on his mother's back, according to the park's website. Another male competitor is 151 Walker, one of the most dominant bears on the river.

    This year's single-elimination tournament begins on Tuesday, Sept. 22, when public voting starts. Voting pauses over the weekend, before a new champion is crowned on Sept. 29.

    Viewers can follow the Katmai bears' exploits on webcams from Brooks River on Explore.org. The brown bears and cubs fill TV screens and computer monitors with fishing, eating and inter-ursine drama, giving humans a much-needed break from thinking about AI, midterm elections and the economy.

    Instead, they can ponder the chances that last year's winner, the immense Bear 32 nicknamed "Chunk," might again be dubbed the fattest bear of them all. Weighing in at over 1,200 pounds, Chunk won over voters last year by chowing down despite suffering a broken jaw and even finding time to play with younger bears. It was a redemption story of sorts, coming a year after Chunk was villainized by some after killing a cub belonging to Grazer, the 2024 champion.

    Individual bears have differing priorities, Katmai National Park Ranger Sarah Bruce said in an online chat unveiling the bracket. For example, she noted that many single adult females must help their cubs get enough calories.

    "When you're voting, consider the challenges of a bear's life," Bruce said. "Trust your gut and go with whatever you think the fattest bear is."

    This has been a record-setting year for cubs, said former Katmai ranger Mike Fitz, resident naturalist at webcam company Explore.org. He says 37 cubs were counted at Brooks River. Several cubs are included with their mothers in this year's bracket, such as Bear 806, which adopted an older cub along with raising her own cub from this spring. Bruce also noted the importance of resilience, describing how Bear 909 has prepared for hibernation after losing both of her cubs this year.

    Before-and-after photos of the bears highlight the stunning transformation they undergo each year, after emerging gaunt and bony in the spring and bulking up from as little as 600 pounds for an adult male in the summer up to more than 1,000 pounds in the fall.

    The bears endure a condition called hyperphagia, feeding a relentless hunger so they can pack on fat they'll need to survive the coming winter. The park uses Fat Bear Week to teach the public and students about brown bears, sockeye salmon and their ecosystem. Some 2,200 bears are estimated to live in Katmai National Park and Preserve's 4.2 million acres.

    Interest in Fat Bear Week, which began in 2014, is international: For last year's contest, people cast more than 1.7 million votes from more than 100 countries, according to the park.
    Copyright 2026 NPR

  • Sponsored message
  • New memoir brings together photos, music, stories
    Three young people stand next to each other, the male presenting person wears a white t-shirt. The two female presenting people have long, dark hair.
    Guadalupe Rosales, center, was part of the L.A. party crew scene in the mid-1990s.

    Topline:

    Guadalupe Rosales, who was at the center of the ’90s LA party crew scene, felt her joyful experiences and those of her friends were being erased, overshadowed by a narrative of gang violence. So she wrote East of the River: A Memoir of Los Angeles Girlhood to make sure their stories would not be forgotten.

    Why it matters: The '90s party crew scene was a multi-faceted movement that involved mostly Latino youth in Southern California. It involved music, fashion, flier art and the commerce of staging parties.

    What it drew on: The memoir’s foundation was the online archive Veteranas and Rucas, a repository of Rosales’ photos from the party crew scene, and photos, largely from women, from those times.

    The backstory: Rosales began documenting the party crew scene years after being in it, while she was earning an MFA at The School of the Art Institute of Chicago.

    Read on… to read about the party crew names and the women’s dominant fashions in the scene.

    In the '90s, Guadalupe Rosales was a teenager in Los Angeles, part of the party crew scene. She remembers it as beautiful and empowering — but that’s not what she saw years later when she searched for stories about the scene online.

    “I noticed that anything that was about Latino culture, '90s culture in L.A. specifically, [focused on] gang violence, everything that was mostly criminalizing,” Rosales said.

    Rosales’ new memoir, East of the River: A Memoir of Los Angeles Girlhood, is her effort to correct the absence of personal histories of people who were a key part of that scene.

    The book is part historical archive, and part personal narrative. It’s also a log of her efforts to bring the scene to life for people in the 21st century, using her training as an artist and a scholar, three decades after the scene’s heyday.

    A magazine cover with bright green, yellow and red font says "Street Beat" and shows a female presenting person with long, dark hair.
    Street Beat magazine documented the California party crew scene in the '90s.
    (
    Courtesy Adolfo Guzman-Lopez collection
    )

    Rosales's artistic work today is in demand. Her most recent solo show was "Tzahualli: Mi memoria en tu reflejo" in 2025 at the Palm Springs Art Museum. The Broad acquired a piece by Rosales that it's including in a group show titled "Has the myth been shattered" opening in November.

    Her pieces are in the collections of the Whitney Museum, the Hammer, LACMA and others. Rosales has taught at UCLA and UC Riverside.

    She brings that sensibility to the book. “I really wanted to think about something that could live on hundreds of years from now, something that could be studied, something that could feel empowering, especially for women,” she said.

    A female presenting person wears dark sunglasses and a black shirt.
    A recent photo of artist and scholar Guadalupe Rosales.
    (
    Fabian Guerrero
    /
    Courtesy Penguin Random House
    )
    An image of three people with words in cursive above them that say, "East of the River".
    The new memoir, East of the River: A Memoir of Los Angeles Girlhood is about the 1990s party crew scene in L.A.
    (
    Courtesy Penguin Random House
    )

    The party crew scene in a nutshell

    The ‘90s party crew scene was a multi-faceted movement that involved mostly Latino youth in Southern California. The center of the phenomenon was the party, which could take place in small backyards or large empty warehouses.

    Five photos on a magazine page show people dancing at parties and two male presenting people playing vinyl records.
    Photos from the scene.
    (
    Courtesy Adolfo Guzman-Lopez collection
    )

    The music was variations of underground techno far from the pop mainstream. DJs played and mixed records on analog turntables, from people like DJ Irene and DJ Attack.

    The scene also generated a lot of business activity. Partygoers paid entrance fees, and for alcohol, party organizers paid venues to hold the party and for the DJs to keep people dancing.

    It was common to go out with the same group of people. The groups came up with names for their crews, such as Chicanos With Pride, Firme Hinas, Aztek Nation, Frek Show Tribe, Hispanics Causing Panic, and Playerz Cauzin’ Pleazure, among many, many others.

    It was all covered by Street Beat, an independent publication loaded with photos of party crews and parties, while individuals honed graphic design styles for the fliers used to promote each party.

    Fashion was another essential component of the scene.

    Four photos from a magazine show people posing at parties.
    Photos from Street Beat magazine in 1992 show the party crew scene in Southern California.
    (
    Courtesy Adolfo Guzman-Lopez collection
    )

    In the book, Rosales describes the mesmerized feeling she had when she saw her first house party. She was about 13 years old and watched the young women show off their style through the window of her house in East L.A.

    “They wore tank tops and baggy pants with puffed-out front pockets or overalls. Their sneakers — Adidas or Converse Chuck Taylors,” she said. “Two of the girls wore oversized shirts that hung loosely on their frames, and they had short hair like Demi Moore in the movie Ghost. The others wore their hair longer, styled in that wet, wavy look that was so popular, half pulled up with a clip. One took out a travel-size Aqua Net hairspray and mousse, then scrunched up her hair with one hand while spraying her hair with the other.”

    The style and dance moves wowed her, she said, but what captivated her then, and to this day, was these young women’s confidence in who they were. It was magnetic, pointed her in a direction she wanted to go.

    A female presenting person in a long white dress stands in front of a young man dressed in a tuxedo, outside in a park-like setting.
    A photo of Guadalupe Rosales on her 15th birthday, her quinceañera.
    (
    Guadalupe Rosales collection
    /
    Courtesy Penguin Random House
    )

    The stories

    For photos, Rosales drew on her online archive Veteranas and Rucas, (which roughly translates as “experienced ladies and broads“) which she’d kept going through the years, a repository of her own photos from the scene, and other photos from the time, largely from women. She began the project while earning an MFA at The School of the Art Institute of Chicago.

    Two teenagers, one male presenting, one female presenting or shown in a studio snapshot. They are embracing.
    A photo from Guadalupe Rosales' collection of 1990s ephemera.
    (
    Credit: Guadalupe Rosales collection
    /
    Courtesy Penguin Random House
    )

    The book includes CD covers from popular bands at the time, Dr. Dre and Eazy-E, as well as photos of youth at protests against Prop. 187, the anti-immigrant California ballot measure.

    “Youth culture exists for everyone. It might look different depending on where you live and who you are. And for us, as teenagers, we're living in that moment,” she said.

    In the book Rosales connects a student walkout at her high school in Montebello with memories of her mother taking her and her sister to protests years before.

    “Being an adult, working on this book, being an artist is also about reflecting back and also learning a lot of things that I wasn't aware of,” she said.

    East of the River: A Memoir of Los Angeles Girlhood is published by One World, an imprint of Penguin Random House and is available Sept. 8.

  • Crossover show happening at The Ford
    A mariachi band with four male members and one female.
    From left: Ivan Cruz, Tony Zuniga, Maira Solis, Luis Morales and Ivan Peña of Mariachi Tierra Mia

    Topline:

    Two loves of Mexican American culture in L.A. are coming together in a show called “Mariachi Meets The Smiths” at The Ford on Sept. 27.

    Backstory: The crossover is the brainchild of Maira Solis, director of the L.A.-based Mariachi Tierra Mia, which will perform at the show.

    Read on … to find out how a lucha libre Christmas party paved the way for this crossover show at The Ford.

    Two loves of Mexican American culture in L.A. are coming together in a show called “Mariachi Meets The Smiths” at The Ford.

    And you know if you know.

    Maira Solis is the show’s architect — as well as the director of Mariachi Tierra Mia, the L.A.-based group that will perform a mariachi program the night of Sept. 27 before launching into a set of Smiths covers with the band, The Last Line of Defense.

    As to the enduring love Mexican Angelenos have for The Smiths, Solis will be the first to admit she didn’t know.

    “This was, like, not intentional at all,” she said of the crossover.

    Learning about The Smiths

    The inadvertent mash-up happened in December 2024, just hours before Mariachi Tierra Mia was set to play a house gig — a “lucha libre-themed Christmas party” — when their client asked if the group knew any songs by The Smiths.

    That would be the ‘80s Manchester band — led by singer-lyricist (and the Pope of Mope himself) Morrissey and guitarist Johnny Marr — that crafted songs as gorgeous and achy as they are wry and over-the-top. “Last Night I Dreamt That Somebody Loved Me” and “Girlfriend in a Coma” are popular titles.

    “I was like, ‘I don't think so,’” Solis said. She double-checked with her husband, Ivan Peña, guitarist and singer.

    “He turned around, and he's like, ‘I f—ing love The Smiths,’” she recalled.

    A red wall with framed posters of the band, The Smiths.
    The Smiths tour posters photographed in London this month. The band and its lead singer remain very popular with Mexican Americans.
    (
    Carl Court
    /
    Getty Images
    )

    A few hours later, Peña, with a serape draped over his Charro suit and little preparation, belted out “Heaven Knows I’m Miserable Now” — and brought down the house.

    “Like, the mariachis were jamming out, the taco people, the bar people, everyone in attendance was just like, ‘Yeah,’” Solis said.

    That performance, captured on video, went viral on social media. Then the requests started to flood in.

    “Hey, we love all your traditional songs,” her clients would tell Solis. “But can you put a Smiths song in there?”

    Learning mariachi's centuries-old songbook one gig at a time

    Solis picked up the violin in middle school and continued on in high school. Both schools in Boyle Heights offered mariachi programs that exposed her to the music.

    Some of the students, she said, were already doing paid gigs and took her under their wing.

    Solis was very much humbled at her first backyard gig, armed with a repertoire of about 20 songs learned from school, around age 14.

    “I realized, ‘Oh my God, I don't know anything,’” she said, comparing her knowledge to the music’s vast songbook that has been passed down for generations.

    Then there are the subgenres. “People will ask for a bolero, a huapango, a son, a ranchera,” she said.

    And the music keeps adding new numbers, such as “Risk It All” by Bruno Mars.

    Is it really so strange (yes, that’s indeed a Smiths reference) then, that mariachi would meet The Smiths?

    “A lot of mariachi songs stand the test of time because they're very poetic,” she said, as they are commonly about heartbreak and hardships. “The melodies really give life to those words.”

    Just like the music of The Smiths.

    “That's why they're timeless,” Solis said. “The whole purpose  of our ‘Mariachi Meets The Smiths’ — it’s gonna blend that.”

    How to go

    Mariachi Meets The Smiths

    Where: The Ford, 2580 Cahuenga Blvd. East, Los Angeles
    When: 7:30 p.m., Sunday, Sept. 27
    Tickets and info: theford.com

  • Multiple insurance companies have also been sued
    A man with white hair and a light skin tone smiles in a dark suit and blue tie, with a microphone in the foreground and a group of people in suits behind them.
    Los Angeles Dodgers owner and chairman Mark Walter speaks during a ceremony to honor the Major League Baseball 2024 World Series Champion team in the East Room of the White House, April 7, 2025, in Washington.

    Topline:

    Los Angeles Dodgers owner Mark Walter and multiple insurance companies he owns have been sued, alleging they failed to disclose an ongoing federal probe to customers while directing policyholders’ money into Walter’s other companies.

    Who's behind the suit: Ira Rosner, a 67-year-old Florida man, brought the class-action lawsuit in U.S. District Court in Miami on Wednesday. He purchased a policy from Delaware Life in April and he had until late May to withdraw his money without penalty. However, the company did not disclose the investigation to him until June, Rosner is seeking a jury trial in the lawsuit that seeks damages for negligent misrepresentation, breach of contract and aiding and abetting fraud.

    The backstory: Walter has been under investigation since last year by the U.S. Attorney’s Office in Manhattan and the Securities and Exchange Commission following a whistleblower complaint regarding alleged misrepresented loans made between companies within his business portfolio.

    Los Angeles Dodgers owner Mark Walter and multiple insurance companies he owns have been sued, alleging they failed to disclose an ongoing federal probe to customers while directing policyholders’ money into Walter’s other companies.

    The lawsuit lists Walter, Delaware Life Insurance Co., Clear Spring Life and Annuity, TWG Global Holdings and Walter’s Guggenheim Partners investment firm as defendants.

    Ira Rosner, a 67-year-old Florida man, brought the class-action lawsuit in U.S. District Court in Miami on Wednesday. He purchased a policy from Delaware Life in April and he had until late May to withdraw his money without penalty. However, the company did not disclose the investigation to him until June,

    Rosner is seeking a jury trial in the lawsuit that seeks damages for negligent misrepresentation, breach of contract and aiding and abetting fraud.

    TWG Global didn’t immediately respond to a request for comment on the lawsuit.

    Walter has been under investigation since last year by the U.S. Attorney’s Office in Manhattan and the Securities and Exchange Commission following a whistleblower complaint regarding alleged misrepresented loans made between companies within his business portfolio.

    TWG Global Holdings is the holding company through which Walter controls Delaware Life, Clear Spring Life and Annuity Co. and his stake in Guggenheim Partners. TWG Global denied any wrongdoing involving the probe in a statement last month.

    Walter and co-owner Todd Boehly sold their stakes in English Premier League club Chelsea this week. Last month, Walter agreed to sell the Los Angeles Lakers in a surprise move less than a year after buying the NBA franchise from the Buss family. The deal is under review by the league.

    The Dodgers have been adamant that Walter has no plans to sell the baseball team.