Students Donovan Starks (left) and Jamel White speak to a Morehouse College representative at L.A. Valley College.
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In September 2023, Gov. Gavin Newsom signed AB 1400, which redefined the College Access Tax Credit to provide up to a $5,000 one-time award for California community college students to transfer to HBCUs. It's one part of a broader strategy to improve transfer rates for Black students in California.
Will students use it? “I want to get out of the state. I've been a California native all my life, so really to explore and to also network with other people — especially like my people, Black people," said West L.A. College student Jamel White.
Round-trip ticket: There are no federally designated HBCUs in California. (Charles R. Drew University has a history of serving Black students, but does not have a federal designation). Tied to the grant funding is the expectation that students return to the state.
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California Makes Strides Toward Improving HBCU Transfer Pathway For Community College Students
Jamel White stopped at booth after booth at the Historically Black Colleges and Universities caravan, part of the Welcome B(l)ack event at Los Angeles Valley College. Studying criminal justice at West L.A., White said he’s primarily interested in going to an HBCU in the fall of 2024.
“I want to get out of the state. I've been a California native all my life, so really to explore and to also network with other people — especially like my people, Black people,” White said. He added that at an HBCU he’ll “feel more at home.”
When asked what he means by “home,” White said, “seeing more people that look like me walk around campus. I don't feel like an outsider. I walk into a class, it's people that look like me, not just I'm the only Black student, or it's only two Black students in this class of 30. So you feel more comfortable.”
He has fortunate timing. In September 2023, Gov. Gavin Newsom signed AB 1400, which redefined the College Access Tax Credit to provide up to a $5,000 one-time award for California community college students to transfer to HBCUs.
A one-time award
An HBCU is a college or university established prior to 1964, whose main mission was and is to educate Black Americans, though they serve students of any race.
There are no federally designated HBCUs in California. (Charles R. Drew University has a history of serving Black students, but does not have a federal designation).
Tied to the funding provided by AB 1400 is the expectation that students return to the state after they graduate.
Providing students with some funding to attend HBCUs makes it easier for students to use an existing transfer agreement between California community colleges and nearly 40 HBCU campuses. Since 2015, upon meeting certain academic requirements, California community college students are guaranteed transfer admission to participating HBCUs.
In the 2021 to 2022 fiscal year, there were just over 50 such transfer students at the nearly 40 HBCU campuses under this agreement.
That number may be higher due to challenges tracking transfers to private schools and HBCUs, according to Arynn Auzout Settle, project director for the California Community College transfer agreement.
Iris Tabb, director of admissions at Harris-Stowe State University in Missouri, attended the HBCU caravan at Los Angeles Valley College. She said the news of AB 1400 was very exciting, “that the state recognizes the opportunity for students to experience an HBCU education and then ultimately bringing that experience back to the state of California, ultimately adding to the rich, diverse, nature of the state as it is already.”
Tuition at Harris-Stowe can cost over $10,000 per year (in-state tuition is about $5,800 annually), and that's not including other fees. Tabb says the grant can make a substantial difference, along with other possible merit scholarships.
The importance of community
Darla Cooper, the executive director of The RP Group, a nonprofit that examined factors influencing transfer success among Black students, said that AB 1400 provides students with another option.
The new benefit could also help deal with an obstacle to Black student success. RP data shows nearly two-thirds of Black students who attend college in California start at a community college, but only 3% successfully transfer to a university in two years.
In their most recent report, The RP Group surveyed 7,000 current and former California Community college students who identified as African American or Black on their transfer experiences. The report found that students who regularly experienced microaggressions on campus were far less likely to pass gateway math on the first try relative to those who experienced microaggressions less frequently or not at all.
“The experience of Black students on campuses is they experience bias, discrimination, racism, and microaggressions quite regularly. Going to an HBCU erases a lot of that, not 100%, and not just for California, but across the nation,” Cooper said.
Nichelle Henderson, vice president of the LACCD board of trustees, spoke to a full auditorium at Los Angeles Valley College’s Welcome B(l)ack event. Henderson said that she went to a predominantly white institution and she did not get the support she needed as a Black student. At the college she attended, she felt like the only one in the room.
“Although I was very prepared to go to college, very prepared, when I got there and that lack of support caused me to doubt myself,” Henderson said. Subsequently, she said it took her several decades to complete her undergraduate degree.
Raising awareness of HBCU pathway
The RP Group also found that students who participate in Umoja were more likely to find a community where they belong and to personally connect with someone at their college who supports their academic success.
Umoja is a community dedicated to enhancing the cultural and educational experiences of Black students and other students. At L.A. Valley College, for example, the Umoja Black Scholars program is a mentorship-based community for students of color.
“HBCUs are Umoja put through the whole college — having relations with other students, faculty, staff. Imagine if in every class it’s like being in Umoja,” Cooper said.
Elliott Coney, counselor and coordinator of Umoja Black Scholars at Los Angeles Valley College.
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Elliott Coney, counselor and coordinator of Umoja Black Scholars at Los Angeles Valley College, spearheaded the Welcome B(l)ack event in October, which included the HBCU caravan. Coney said the Welcome B(l)ack event originated during the pandemic to connect students to one another.
“As an HBCU alum, I just want to expose students to opportunities that they're not familiar with. HBCUs were a vital part of my life and it's the reason why I'm here and doing this work,” he said. “So I just want to make sure that, you know, students have opportunities to come see African American success, Black success, as well as schools that are going to help them to obtain that.”
Yisak Mulugeta, a West L.A. College student majoring in computer science, attended the event to get to know more people. He hadn’t been thinking much about what he’ll do in a year.
“Now I’m here it just seems like a really good opportunity just to learn about what comes after community college,” Mulugeta said.
Fostering connections
Donovan Starks, a student in computer engineering at West L.A., approached HBCU representatives in the caravan. He talked to as many as he could to see if they were a match — he met their needs and they had what he wanted, a golf program.
Golf is a predominantly white sport, Starks said, and he wants to change that; most people see him and assume he plays football. He said they’re shocked when he tells them he plays golf.
It was also appealing to him that colleges and universities in the HBCU Caravan offered on-site admissions.
“I like the outcome of people that graduate from HBCUs. They have a very good camaraderie with other alumni,” Starks said. He also said this type of connection fostered at HBCUs will help when college gets rough.
“I like the enthusiasm that most HBCUs have,” Starks said. “It's not just come here and get your education. It's come here and make a connection and get your education.”
By Adriana Gallardo, A Martínez, Lilly Quiroz | NPR
Published February 8, 2026 6:12 AM
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Bad Bunny is headlining today's Superbowl halftime show — a historic moment for some, a controversial choice for others.
The backstory: Bad Bunny, made history at the 2026 Grammy Awards when he became the first artist to win album of the year for a Spanish-language album. The artist has been vocal in his opposition to federal ICE raids.
Why now: But this Sunday, Bad Bunny will meet a larger and potentially more politically divided audience at the Super Bowl. Since late September when the NFL, Apple Music and Roc Nation announced their invitation to Bad Bunny, many took to social media to voice their indignation at the choice to platform an artist who has only released music in Spanish.
Puerto Rican superstar, Bad Bunny, made history at the 2026 Grammy Awards when he became the first artist to win album of the year for a Spanish-language project, with him winning for his album Debí Tirar Más Fotos. In addition to the top prize, Bad Bunny, whose given name is Benito Antonio Martínez Ocasio, took home the award for the best música urbana album and best global music performance for his song "EoO".
In his acceptance remarks, and not unlike other moments throughout his career, the artist used the spotlight to express his political views.
"Before I say thanks to God, I'm going to say ICE out," Bad Bunny said during his acceptance speech for best música urbana album. "We're not savages, we're not animals, we're not aliens — we're humans and we are Americans," he added in response to the ongoing U.S. Immigration and Customs Enforcement raids across the country.
The crowd in Los Angeles, largely met his statements with applause and ovation.
But this Sunday, Bad Bunny will meet a larger and potentially more politically divided audience at the Super Bowl, where he is set to headline this year's halftime show. Since late September when the NFL, Apple Music and Roc Nation announced their invitation to Bad Bunny, many took to social media to voice their indignation at the choice to platform an artist who has only released music in Spanish.
To learn more about Bad Bunny's political history and what we might expect at the Super Bowl, Morning Edition host A Martinez spoke with Petra R. Rivera-Rideau, who chairs the American Studies Department at Wellesley College and the co-author, alongside Vanessa Díaz, of the new book, P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance. The two academics are also behind the Bad Bunny Syllabus, an online teaching resource based on Puerto Rican history and Bad Bunny's meteoric rise since 2016.
Below are three takeaways from the conversation.
Students come for Bad Bunny and stay for the history
Rivera-Rideau teaches "Bad Bunny: Race, Gender, and Empire in Reggaetón" at Wellesley and said the course uses Bad Bunny's work as a hook to get students into the seminar.
"But we really actually spend most of our time talking about Puerto Rican history and Puerto Rican history is part of U.S. history," she said. "And Bad Bunny music has consistently made references to this history."
Rivera-Rideau pointed to an example from 2018 when Bad Bunny debuted on a U.S. mainstream English language television show, The Tonight Show Starring Jimmy Fallon. The artist opened with a critique of the Trump administration's handling of Hurricane Maria, which had devastated his island in 2017.
"After one year of the hurricane, there's still people without electricity in their homes. More than 3,000 people died and Trump is still in denial," Martínez Ocasio said.
Latinos remain "perpetually foreign" to some
Puerto Ricans are born U.S. citizens — but this has not always protected them from being caught in recent ICE operations.
"I think part of that has to do with the kind of racialization of Spanish and the racialization of Latino communities of which Puerto Ricans are a part," she said. "And I think what it indicates is that, to me, Latinos in the United States, many of whom have been here for generations, are often understood to be perpetually foreign as a group of people that just does not belong."
The Party is the Protest
Rivera-Rideau said if Apple Music's trailer for the Super Bowl halftime show — which features Bad Bunny dancing with a group representing a smattering of ages, faces and abilities — is any indication of what audiences can expect on Sunday's stage, the theme might be joy in the face of a difficult moment for immigrants and Latinos in the U.S.
"One of the things we talk about in our book is that Bad Bunny is part of resistance, he does engage in protests but it's often through joy," she said. "We have a chapter in our book called 'The Party is the Protest' and I actually feel like that's what I expect at the Superbowl, a party and a protest.
Suzanne Levy
is a senior editor on the Explore LA team, where she oversees food, LA Explained and other feature stories.
Published February 8, 2026 5:00 AM
Can Bad Bunny outshine Kendrick?
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For LAist Senior Editor Suzanne Levy, who grew up in the U.K., the Super Bowl is a fascinating experience. Yes, there's the football — but for her that's the least interesting thing about it.
Why it matters: Want to know how the Super Bowl looks to much of the rest of the world? Read on.
Why now: It's Super Bowl Sunday... let the commercials and the half-time show begin!
The Super Bowl, to someone who a) grew up in the UK, and b) doesn’t really get football, is a strange experience.
Of course, I’m talking American football, not English football, by the way. If England gets into the World Cup quarter final you might find me at 7 a.m. in a pub in Santa Monica drinking a nice cup of tea and cheering the TV.
The Super Bowl is a national cultural event, and there’s so much excitement running up to it, yet when it happens, the thing that everyone is fixated on is the thing you’re least interested in. As in, the football — the men with padded shoulders who pile into a heap. I mean, I get the ones in the middle are doing something, but the ones at the edges are just for show, right?
All the running and the throwing and the tackling … well that just gets in the way of all the entertainment.
OK, OK, I’m kidding. I do get excited when a halfback grabs the ball and starts up the field, elbowing people out of the way, but even that can get a bit wearing when it happens over and over again. Just let the guy get to where he wants to go already!
And that’s where the Super Bowl is ideal. It comes with ready prepared breaks in the action, so there’s no chance to get bored. There’s the commercials. Over the years, some of them have been so great, like that one with the kid and the Force, and that Eminem Detroit one.
Some, not so much. That’s where I do my armchair critiquing. “Well I hoped they paid him a whole boatload of money for that one, his credibility’s down the toilet,” or, “Oh come on, ad agency, for a million dollars per millisecond, that’s all you can come up with?”
But it’s the hope, the desire, that this moment you’ll be blown out of your chair. Wait, that sounds a lot like watching football. Hmm.
Then there’s the half time show, which I always watch. “Call me when it starts!” I yell at my family as I walk out to do some very important laundry folding. As the music begins, I rush back in. Lady Gaga, Beyonce and now … Bad Bunny. As I watch pure perfection, I keep telling myself, they’re doing it live, in front of a billion people. They are not missing a damn note. Or step. Except that left shark. Hell, even the Weeknd won me over eventually.
And then there’s the last quarter. I make sure I watch that. It’s the psychodrama of it all. The looks on the coach’s faces as they chew their gum, serious, determined. The fans, holding their breath. The commentators asking Tom Brady what it was like when he was doing it. And then.. the whistle blows. And one half of the stadium is ecstatic, giddy with delight, while the other half stares into the abyss. It's a Shakespearean tragedy come to life. For all the commercials and the music, this really is the can’t miss part, which brings me back year after year. Go Patriots! Go Seahawks! Let the game begin.
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Fiona Ng
is LAist's deputy managing editor and leads a team of reporters who explore food, culture, history, events and more.
Published February 8, 2026 5:00 AM
Bad Bunny is introduced during the Super Bowl LX Pregame & Apple Music Super Bowl LX Halftime Show Press Conference at Moscone Center West on February 05, 2026 in San Francisco, California.
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On Sunday, fans are gathering at bars and house parties to pay witness to Bad Bunny's historic performance at Benito Bowls viewing parties all across the Southland.
Why it matters: Superbowl halftime shows are always a big deal. But to many in Los Angeles and beyond, Bad Bunny's performance marks a particularly important cultural — and political — moment.
Why now: "We're going through a lot of heaviness here in our community with ICE [and] people disappearing. It's sad, we're angry," said Bianca Ramirez, LAist's director of operations and a longtime fan of Bad Bunny, the Puerto Rican superstar whose real name is Benito Antonio Martínez Ocasio.
Superbowl halftime shows are always a big deal. But to many in Los Angeles and beyond, Bad Bunny's performance marks a particularly important cultural — and political — moment.
On Sunday, fans are gathering at bars and house parties to pay witness at so-called Benito Bowls viewing parties all across the Southland.
"We're going through a lot of heaviness here in our community with ICE [and] people disappearing. It's sad, we're angry," said Bianca Ramirez, LAist's director of operations and a longtime fan of the Puerto Rican superstar.
In the face of continual crackdown, she said, resistance shall take the form of pride and joy on Sunday. It'd be the first time the halftime show will be performed entirely in Spanish by a headliner.
" This is definitely unprecedented," Ramirez said.
Just a week before taking the Superbowl stage, Bad Bunny notched another first, winning album of the year at the Grammy's for the Spanish-language DeBí Tirar Más Fotos.
LAist's Bianca Ramirez with her Bad Bunny plushie.
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"[It] was such a proud moment for our Latino community, not here in Los Angeles, but around the world," Ramirez said, characterizing the album as one of the artist's most political to date. "He dives into gentrification and making sure that we protect Puerto Rico and its roots. He does criticize the Trump administration a lot in that album."
DeBí Tirar Más Fotos also won Best Música Urban album.
"Before I say thanks to God, I'm going to say ICE out," the artist, whose real name is Benito Antonio Martínez Ocasio, said as he accepted that award.
Later today, Ramirez is heading to a Benito Bowl — one of many gatherings held by Bad Bunny fans across the Southland. In her case, it's a backyard hang with childhood friends to celebrate a history-making concert "where these two other football teams so happen to be playing at the same time."
Ramirez has her fingers crossed that the performance includes the song that first got her hooked.
"Hopefully he surprises us with Cardi B [and] he plays I like it," she said. "Bring it full circle for me as a fan."
No matter what, it's an iconic day.
"It's just gonna be a moment for us to hang out and celebrate Latinidad and just [the] proudness that Bad Bunny brings to our communities and beyond," she said.
A general view of the Olympic flame in the Olympic cauldron designed by Marco Balich next to the Arco della Pace monument in Milan.
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The 2026 Milan Cortina Winter Olympics kicked off in Milan on Friday evening, local time. Athletes representing over 90 countries march into the San Siro stadium filled with thousands of spectators during the opening ceremony in Milan.
Read on ... to see photos from the 2026 Winter Olympics opening ceremony.
The 2026 Milan Cortina Winter Olympics kicked off in Milan on Friday evening, local time. Athletes representing over 90 countries march into the San Siro stadium filled with thousands of spectators during the opening ceremony in Milan.
The performance paid homage to Italian music, art and culture with tributes to composers, visual artists and films in a colorful spectacle. Performers included Italian actress Matilda De Angelis, American singer Mariah Carey, Italian singer Andrea Bocelli, Italian rapper Ghali and Italian ballet dancers Antonella Albano and Claudio Coviello, among dozens of other dancers.
Here is a selection of images from the opening ceremony:
Italian ballet dancers Antonella Albano and Claudio Coviello perform during the opening ceremony.
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Colorful dancers perform under large tubes of paint suspended above them during the opening ceremony.
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Italian actress Matilda De Angelis (center) performs with dancers dressed as the three great masters of Italian opera: Giuseppe Verdi, Giacomo Puccini and Gioachino Rossini.
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Mariah Carey sings during the opening ceremony.
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Performers dressed in the colors of the Italian flag line up during the opening ceremony.
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Members of The Corazzieri, the Italian Corps of Cuirassiers, raise the Italian flag during the opening ceremony.
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Two performers are suspended between two large rings.
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The Olympic Rings are revealed above dancers during the opening ceremony.
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An aerial view of the athletes parading into the San Siro stadium.
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Stoats Milo and Tina, the Paralympics and Olympics mascots, dance before the Olympic opening ceremony.
