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The Brief

The most important stories for you to know today
  • Students at CSU rally for Israel and Palestine
    A woman with dark hair wearing a beige long sleeve hugs a person with light skin tone wearing a pink spaghetti strap shirt and blue hair. In the background there are various beige couches and a snack table with some people hanging around the table.
    Yoanna Kollin, 22, a Studio Art major at California State University, Long Beach, center, embraces other students during a meeting to reflect on the violence amidst the war between Israel and Hamas, at CSULB.

    Topline:

    At California State University, Long Beach, students are reeling from the violence in Israel and Palestine. As they rally, they worry about their own safety, too.

    Worried for loved ones in Israel: “I'm seeing videos of girls and boys getting kidnapped and of families being killed and hiding,” said Ella Tilles, a first year student majoring in liberal studies. “And then I get a text in my family group chat that my aunt Maggie is in a bunker, and my cousins are in the war. And I haven't seen them in years."

    Upset for Palestine: “I'm really sick and tired of every single type of resistance being classified as anti-Semitic, as racist, as if we hate the existence of Jews,” said a woman wearing a Palestinian keffiyeh who took the bullhorn to address a rally. She declined to give her name.

    On Tuesday afternoon, a half dozen members of Beach Hillel, the Jewish student group at California State University, Long Beach gathered near the entrance to the university library. Two men put on tefillin, the traditional Jewish leather prayer bands.

    The visibility, days after hundreds of people were killed in Israel, is intentional.

    It's "... to remind ourselves that we're proud to be Jewish and that we're not going anywhere and that we're going to continue with all our programming — and not only that, we're going to increase our programming,” said ChayaLeah Sufrin, the group’s executive director.

    Understanding how we got here

    The history of this region is both complicated and fraught. Here is some context about what led up to the most recent attacks and counterattacks.

    NPR's Aya Batrawy and Daniel Estrin called the initial attack "one of the most dramatic escalations in violence in recent memory" adding there are "concerns the chaos could spread to the occupied West Bank and different countries in the Middle East."

    • This round of bloodshed began with a surprise attack by Palestinian fighters from Gaza into Israel during the Jewish holiday of Simchat Torah. On Oct. 7, militants infiltrated Israel's border using paragliders, motorbikes and boats and fired thousands of rockets toward the country from Gaza.

    NPR's Fatima Al-Kassab reported on the history of the Gaza Strip. Some key excerpts:

    • The Gaza Strip is a 25-mile-long by 6-mile-wide enclave, bounded by the Mediterranean Sea to the west, Israel to the north and east and Egypt to the south.
    • Gaza is one of two Palestinian territories. The other is the Israeli-occupied West Bank.
    • The strip has been under a blockade by Israel and Egypt, restricting the movement of people and goods since Hamas seized control of the territory in 2007. Israel controls its airspace and shoreline, as well as what goods can cross Gaza's borders.

    NPR's Fatma Tanis examined how we got here and what might come next in this longstanding conflict.

    For anyone looking for guidance on how to talk to children about this war:

    Here's the latest on a growing movement on college campuses nationwide, as students organize against Israel's war in Gaza.

    Images of violence

    Sufrin said students are reeling from the violence because of their cultural, religious, and family connections to Israel, made closer by social media.

    “I'm seeing videos of girls and boys getting kidnapped and of families being killed and hiding,” said Ella Tilles, a first year student majoring in liberal studies.

    “And then I get a text in my family group chat that my aunt Maggie is in a bunker, and my cousins are in the war. And I haven't seen them in years,” she said.

    A person wearing a Yarmulke with a blue and white design and Stars of David bows their head as a man with dark hair and glasses wraps a black strap around their neck.
    Levi Perelmuter, Rabbi at Shul By The Shore, left, assists Noah Ashergolden, a faculty member for California State University, Long Beach’s College of Education, in putting on a tefillin, during a gathering of students to reflect on the violence amidst the the war between Israel and Hamas, at CSULB.
    (
    Trevor Stamp
    /
    for LAist
    )

    Tilles was one of about 20 people who gathered in the Beach Hillel meeting room in the university library.

    “We want peace in Israel, we want peace for everyone,” Sufrin told the group.

    It’s a message she hopes will temper some of the new fear the students feel after this weekend.

    “I came to campus today with my Israeli transgender flag,” said Yoanna Kollin, a fifth-year studio art major.

    “Our campus is very liberal… there's a lot of progressive people that are very against Israel… yesterday online I was even called a Nazi by a student… and I'm Jewish, that doesn't make sense,” she said.

    Hillel, the international Jewish college organization, posted photos of vigils at several U.S. campuses in response to the violence in Israel.

    What we know so far

    Death toll and casualties

    • Israeli officials report an attack by Hamas militants on Oct. 7 killed about 1,200 people. In addition, they say about 250 people were taken hostage, some have since been released.
    • Gaza health officials have reported more than 25,000 Palestinians have been killed in Israeli airstrikes.

    NPR (Jan. 24)

    'Sick and tired'

    About a hundred yards from the Beach Hillel gathering, on the university quad, several dozen people gathered for a rally to support Palestine.

    Signs read: “End Apartheid” and “Zionism is Fascism.”

    Various women wearing blue and white surgical masks and hoodies stand outside. The woman in the middle wears a black surgical mask and holds a poster that reads "When people are occupied resistance is justified. Free Palestine." The writing is written with black, red, and green ink. There's also a drawing of the Palestinian flag.
    Pro-Palestine supporters gather for a rally to speak out against Israel during the ongoing conflict with Hamas, at California State University, Long Beach.
    (
    Trevor Stamp
    /
    for LAist
    )

    “I'm really sick and tired of every single type of resistance being classified as anti-Semitic, as racist, as if we hate the existence of Jews,” said a woman wearing a Palestinian keffiyeh who took the bullhorn to address the group. She declined to give her name.

    A man wearing a fluorescent vest said no one in the rally would talk to reporters.

    A flier for the rally listed CSULB Students United Against Apartheid as an organizer. The flier showed a drawing of a motorized paraglider, like the ones used by Hamas to cross over the protected border between Gaza and Israel.

    A picture of a bulletin board with photos and an illustration pinned to it. The illustration shows hands clasping over the word Peace, and the Israel and Palestine flags.
    Students gathered at the Interfaith Center to reflect on the violence amidst the the Israel and Hamas war, at California State University, Long Beach.
    (
    Trevor Stamp
    /
    for LAist
    )

    On Instagram, the group also spoke to safety, telling followers who might be nervous "due to the amount of negative attention and commentary" that the group would have a safety team present to mediate conflict. "The top priority is to keep each other safe, avoid interactions with police and media, and minimize interaction with instigators," the organizers said.

    CSULB’s president supported the group’s free speech rights, but condemned glorification of war and killing.

    “For many, those posts — and an event the group is planning for this afternoon — are deeply offensive in light of the loss of life and unspeakable violence during this conflict,” said university president Jane Close Conoley in an email to the university community.

    The expected escalation of the war in Israel may test Conoley and other college leaders’ ability to keep campus discussions civil as campus leaders try to focus on making this a teachable moment.

    Disclosure: Guzman-Lopez is an adjunct professor of journalism at CSU Long Beach.

  • LAHSA hasn’t finished any internal audits in years
    A woman with medium skin tone with short curly light brown hair wearing black-rimmed glasses and a black jacket with the seal of Los Angeles stands behind a podium speaking into a microphone.
    L.A. Mayor Karen Bass speaks at a news conference before LAHSA's annual homeless count in 2025. Next to her are LAHSA's then-CEO Va Lecia Adams Kellum and LAHSA's then-Chair Wendy Greuel (far right).

    Topline:

    L.A.’s homeless services agency has not completed any internal audits in years — and one that was started two years ago is still incomplete because management is taking months to provide responses, officials said Monday.

    Details: The delayed audit has been looking into why the L.A. Homeless Services Authority, known as LAHSA, failed to spend $7 million in federal dollars it was granted to house and serve people in need. The roughly six-page audit report hasn’t been released because it’s missing LAHSA management responses that were requested over two months ago, officials said.

    Why it matters: Internal audits are considered critically important to protecting taxpayer dollars at every level of government. L.A. County auditors, for example, issued about 100 reports in a recent fiscal year.

    Not the first rodeo: The audit is examining a repeat problem. A previous audit in January 2022 found LAHSA had left $3.5 million in federal grants on the table by not using them.

    L.A.’s homeless services agency has not completed any internal audits in years — and one that was started two years ago is still incomplete because management is taking months to provide responses, officials said Monday.

    The delayed audit has been looking into why the L.A. Homeless Services Authority, known as LAHSA, failed to spend $7 million in federal dollars it was granted to house and serve people in need. The roughly six-page audit report hasn’t been released because it’s missing LAHSA management responses that were requested over two months ago, officials said.

    Internal audits are considered critically important to protecting taxpayer dollars at every level of government. L.A. County auditors, for example, issued about 100 reports in a recent fiscal year.

    “ We haven’t gotten anything,” said Erum Shahnawaz, LAHSA’s chief internal auditor, referring to the lack of response from LAHSA management at a meeting of the agency’s audit committee on Monday.

    “That’s the only thing that's holding us from issuing the final report,” Shahnawaz said of the underspending audit.

    That audit is examining a repeat problem. A previous, external audit in January 2022 found LAHSA had left $3.5 million in federal grants on the table by not using them.

    Shahnawaz flagged management’s delays to the LAHSA Commissioner Justin Szlasa, Szlasa said. He chairs the commission’s audit committee, and has repeatedly called out LAHSA executives’ delays in providing information about taxpayer spending over the past year.

    “ I've been trying to intervene and use whatever I can to try to help provide support,” said Szlasa as he described his attempts to get the auditor the answers needed to complete the report.

    Szlasa was appointed to the commission by L.A. County Supervisor Kathryn Barger.

     “It shouldn't take us two months to receive a…management response to an internal audit,” Szlasa said at Monday’s meeting. He said the industry standard for internal audits is eight or nine weeks from start to finish. That compares to the two years — and counting — for LAHSA’s federal underspend audit.

    “We haven't had a single internal audit completed here in the last couple of years, which is nuts,” Szlasa added. He called for internal audits to happen much more frequently.

    Long delays to LAHSA audits also are not new. In November 2024, the county issued a widely-seen audit that included findings that LAHSA was failing to complete internal audits.

    Half of LAHSA’s governing commission is appointed by L.A. Mayor Karen Bass and half appointed by each of the five county supervisors. Bass is also the only elected official on the commission. She served on the audit committee for several months last fall. Records show she was absent for all of the meetings during that time.

    Janine Lim, LAHSA’s deputy chief financial officer, said management’s responses to the audit on underspending haven’t been provided yet because LAHSA leadership did not have clearly defined roles for who is supposed to coordinate responses to internal audits.

    “ We need to work on clarifying that role internally,” Lim said.

     “The last two months have been probably some of the most stress-filled two months that we've had at LAHSA,” said Paul Rubenstein, chief of staff to LAHSA CEO Gita O’Neil, pointing to mass layoffs.

    Szlasa said there’s not that much in the audit for management to respond to.

    “It's like, six pages or less,” he said.

    Szlasa said  another option is to “just say we've asked management for responses and we're awaiting management response. We can publish the results.”

    In response, Shahnawaz said that if management doesn't have an updated timeline for a response, then she’ll go ahead and issue the report without the response.

    Once they floated that idea, Lim committed to providing the responses by next Tuesday.

    LAHSA’s leadership has downsized the internal audit team — dropping from a staff of three to just one in the agency’s proposed budget up for approval Friday.

    Delays in getting access to financial records

    The delayed responses from management are not the only thing that’s been slowing down audits, Szlasa said at the meeting.

    LAHSA policy, approved by its governing commission, says internal auditors are “ authorized to access all organizational records, personnel, and systems necessary for conducting audits,” he said.

    But the auditor has faced challenges in actually getting that access, Szlasa said — including delays in being allowed to view LAHSA’s databases that show contracts and financial payments.

     ”We finally were granted access, but it wasn't, it wasn't easy, it wasn't immediate. It was slow,” Szlasa said.

    Many failed outside audits

    The delays on the internal audit come even after LAHSA failed multiple external audits in recent years, which have found the agency — overseen by city and county elected officials — has neglected to properly track billions of dollars in spending.

    Largely in response to earlier audits, L.A. County supervisors pulled funding from LAHSA and are having the county instead oversee it directly. L.A.’s mayor and City Council have continued to have LAHSA manage the city’s homeless spending while the council delays plans to start studying a possible plan to transition away city tax dollars.

    Signatures under scrutiny

    LAHSA is also in the midst of a different internal audit — expected to finish in late August or early September — examining whether top officials followed requirements when signing contracts and letting others sign. It was launched in the wake of LAist reporting that found LAHSA’s then-CEO Va Lecia Adams Kellum’s signature finalized a $2.1 million contract with her husband’s employer.

    How to reach me

    If you have a tip, you can reach me on Signal. My username is ngerda.47.

    LAist also discovered Adams Kellum’s signature, as LAHSA’s CEO at the time, finalized a quarter-million-dollar contract between LAHSA and a longtime service provider she led up until two months earlier.

    That contract was signed so soon after she left the service provider — St. Joseph Center — that the contract paperwork still listed her as one of St. Joseph Center’s points of contact and authorized signers.

    She is currently under a state ethics investigation into whether her actions were an illegal conflict of interest.

  • Sponsored message
  • Genshiyaki lands at Bengara in the Arts District
    Skewered meats propped upright around a glowing bed of embers and charcoal.
    The uni kiritampo, Bengara's take on a traditional Akita prefecture rice skewer, finished with uni and scallion.

    Topline:

    Chef Tyler Burges came upon genshiyaki, an ultra-rare ambient-heat grilling method, at a single robatayaki spot in the coastal city of Fukuoka in Japan — and spent six months building a custom pit to bring it to his new Arts District restaurant.

    Why it matters: L.A.'s Japanese dining scene defaults to ramen and omakase; Bengara's fire-driven menu, built by a Michelin-starred Saison/Angler alumnus, offers something genuinely uncommon, even in Japan.

    Why now: Bengara just launched an eight-course tasting menu ($98) centered on the technique, giving readers a fresh reason to visit.

    When Bengara opened in Los Angeles' Arts District earlier this year, its owner and head chef had something special lined up in their kitchen arsenal.

    It was genshiyaki, a rare traditional Japanese grilling method that dates back 1,500 years.

    Chef and co-owner Tyler Burges had only encountered it once while traveling in Japan at a robatayaki spot in Fukuoka, a port city on the island of Kyushu.

    Robatayaki, a style of slow, ember-cooked grilling rooted in Japan's rural coastal kitchens, usually centers on an open charcoal hearth. But the restaurant Burges visited had something even more noteworthy: a genshiyaki pit, a gentler, ambient method of cooking that uses radiant heat instead of direct flame.

    Loving the unusually subtle, delicate flavor and texture it produced, he and head chef Phil Mireles decided to bring genshiyaki back to the U.S. and build their Arts District restaurant around it. The genshiyaki pit is a rare enough technique that Burges had to work with fabricator Phil Roxworthy for six months just to get the grill built to spec.

    It's Burges' and Mireles' first L.A. project. The pair are also behind Smoke Door, their acclaimed Lake Tahoe restaurant, and Bengara brings a more casual, day-to-day take on the same fire-driven cooking.

    All roads lead to the Arts District

    Two chefs in black aprons and t-shirts stand in front of a wall with large Japanese calligraphy. The chef on the left has a light skin tone and brown hair; the chef on the right has a medium-dark skin tone and black hair.
    Chef/owner Tyler Burges (left) and head chef Phil Mireles at Bengara.
    (
    Wonho Frank Lee
    /
    Courtesy Bengara
    )

    Burges and Mireles both got their start at San Francisco's Saison and Angler under chef Joshua Skenes — who's now just down the street in L.A. at LYNX with fellow alum Brandyn Tepper.

    Burges traces Bengara's DNA back to two mentors: Ron Siegel, who introduced him to Japanese ingredients and technique in his mid-20s, and Skenes, who taught him to cook with live fire. It was Skenes, Burges said, who showed him that fire didn't have to mean char and bravado.

    "The one thing I loved about wood-fire cooking is you get this subtle, sweet barbecue flavor when you cook correctly over embers, and you don't cook directly over the fire," Burges said. "Most places, when you think about grilling something, you think of char, bold flavors, masculine flavors. But Chef Josh — it's like a master art, getting really delicate, subtle flavor using that grill method."

    Close-up of a grilled rice skewer topped with glistening uni and scallion, resting on black stones.
    The uni kiritampo, Bengara's take on a traditional Akita-prefecture rice skewer, finished with scallion.
    (
    Wono Frank Lee
    /
    Courtesy Bengara
    )

    What sets the food apart

    Take their luscious miso cod. On a normal grill, the marinade's sugars would blacken before the fish cooked through. On the genshiyaki pit, the cod sits at a distance from the embers, cooking gently until the very end, when it's given one last pass directly over the coals — what Burges describes as a final "kiss" of heat before it hits the plate.

    To fuel genshiyaki's slower, ambient style, ordinary charcoal or wood is replaced with binchotan, an ultra-dense, pure-carbon hardwood charcoal traditionally made in Japan, which burns hotter and cleaner.

    The signature dish

    A perfect example of how this cooking style comes together is the uni kiritampo, the Akita prefecture rice skewer, reimagined with uni and cooked via genshiyaki — born of an offhand kitchen conversation with one of the restaurant's Japanese chefs about regional dishes cooked over fire.

    Once they realized genshiyaki was the dish's original, historic cooking method, the rest fell into place.

    "It's like the most delicious thing," Burges said. "I don't know why it never made it over to the United States earlier."

    Dark, moody restaurant interior with wood tables, black leather banquette seating, and a hallway lined with warm sconce lighting.
    Bengara's Arts District dining room pairs industrial bones with warm, low lighting and long communal tables.
    (
    Wonho Frank Lee
    /
    Courtesy Bengara
    )

    The chewy exterior, with just a hint of smoke, gives way to a creamy inside, like a caramelized custard, that’s topped with a decadent amount of uni, providing a semi-sweet finish — one memorable bite.

    Tasting menu option

    Bengara recently added a daily eight-course tasting menu ($98) that doubles as a greatest-hits tour of the kitchen — Toyosu carpaccio with chili coffee oil, pork belly "tacos" wrapped in mochi crepes, miso cod, Mary's half chicken, and handmade citrus soba, with optional wagyu and uni add-ons.

    The price includes a beverage pairing, with a full non-alcoholic option alongside the boozy version. Walk-ins are welcome, and reservations can be booked via OpenTable.

    Location: 806 E. 3rd St., Ste 140, Arts District
    Hours: Sunday, Tuesday–Thursday, 5–9:30 p.m.; Friday–Saturday, 5–10:30 p.m.; weekend lunch 11:30 a.m.–1:30 p.m.; closed Monday

  • General admission on sale ahead of fall opening
    A white building in an infinity shape with black, glass roofing. Off to the left is a street with a few cars driving by. In front the white building is a large grass area.
    The long-awaited Lucas Museum of Narrative Art is set to open at Exposition Park on Sept. 22.

    Topline:

    General admission tickets are now on sale for the Lucas Museum of Narrative Art ahead of its fall opening with thousands trying to secure a spot, according to Tuesday’s virtual queue.

    Why it matters: Museum officials said you will “likely experience high demand and long wait times in the queue" and thanked people for their patience.

    LAist saw estimated wait times up to 6 hours, and it took a little more than 4.5 hours for this reporter to get through. On the bright side, there were still plenty of tickets left, including for the first day. Do not refresh the page or you may lose your spot.

    The details: All tickets are timed entry. Tickets are $25 for adults and $21 for those 65 and older. Children, members, active-duty military, personal aides or attendants and EBT cardholders have free entry. Museum neighbors in the LM37 program will also be free, with that pass opening in August.

    But how do I buy: Each person is limited to nine tickets, and you’ll have 20 minutes to check out once they’re added to your cart, according to the museum. You can find the link here.

    What's next: The grand opening is Tuesday, Sept. 22.

    • Location: One Lucas Plaza, Los Angeles
    • Regular hours: Monday, Wednesday, Thursday from 10 a.m. to 5 p.m., Friday from 10 a.m. to 9 p.m., Saturday from 9 a.m. to 9 p.m., Sunday from 9 a.m. to 5 p.m. (Closed Tuesdays)

    Go deeper: How to secure Lucas Museum of Narrative Art tickets ahead of the fall opening

    Topline:

    General admission tickets are now on sale for the Lucas Museum of Narrative Art ahead of its fall opening with thousands trying to secure a spot, according to Tuesday’s virtual queue.

    Why it matters: Museum officials said you will “likely experience high demand and long wait times in the queue" and thanked people for their patience.

    LAist saw estimated wait times up to 6 hours, and it took a little more than 4.5 hours for this reporter to get through. On the bright side, there were still plenty of tickets left, including for the first day. Do not refresh the page or you may lose your spot.

    The details: All tickets are timed entry. Tickets are $25 for adults and $21 for those 65 and older. Children, members, active-duty military, personal aides or attendants and EBT cardholders have free entry. Museum neighbors in the LM37 program will also be free, with that pass opening in August.

    But how do I buy: Each person is limited to nine tickets, and you’ll have 20 minutes to check out once they’re added to your cart, according to the museum. You can find the link here.

    What's next: The grand opening is Sept. 22.

    Go deeper: How to secure Lucas Museum of Narrative Art tickets ahead of the fall opening

  • City officials make room for more development
    Cars drive along a four lane surface street, past a Popeye's restaurant and Ralph's market.
    Inglewood officials are working on a full rewrite of the city map for the first time in nearly 40 years, laying out how they want the city to grow and change for the next two decades.

    Topline:

    Inglewood officials are working on a full rewrite of the city map for the first time in nearly 40 years, laying out how they want the city to grow and change over the next two decades.

    Why now: It’s all part of the ongoing process for Inglewood’s new general plan, the foundational guide that governs things like what kind of buildings can be built where in the city and how they need to look. A draft land-use plan will go before the Inglewood City Council on Tuesday, then go into the environmental impact review process. The new update to the general plan could set the city’s direction until 2050.

    Mixed use development and housing: Planners hope to change some of the city’s commercial corridors into mixed-use zones that allow for housing and businesses alongside each other or even stacked on top of each other. Planners are aiming to open up room for new housing and to revitalize some of the city’s flagging business corridors, without changing the city’s existing residential blocks or sacrificing the grocery stores, barbershops and local restaurants that make neighborhoods tick.

    Inglewood officials are working on a full rewrite of the city map for the first time in nearly 40 years, laying out how they want the city to grow and change for the next two decades.

    Along part of Manchester Boulevard, city planners are setting up an option for developers to rebuild rows of small storefronts with a mix of homes and commercial space. On La Brea Avenue, south of Centinela Avenue, they envision the possibility of dense housing and business blocks as high as six stories.

    Jerome Johnson, an Inglewood local, said he’s lived through three decades of change in the city. He recalled watching a “raggedy market” at the corner of La Brea and Centinela make way for the two-story shopping center that’s there today. He said the potential developments around the intersection could be a catch-22.

    “There’s a shortage of housing,” Johnson said. “But you don’t want it to turn into New York City.”

    It’s all part of the ongoing process for Inglewood’s new general plan, the foundational guide that governs things like what kind of buildings can be built where in the city and how they need to look. A draft land-use plan will go before the Inglewood City Council on Tuesday, then go into the environmental impact review process.

    “This is really a historic milestone for the city,” Bernard McCrumby, Inglewood development services director, told The LA Local. 

    McCrumby said planners are aiming to open up room for new housing and to revitalize some of the city’s flagging business corridors, without changing the city’s existing residential blocks or sacrificing the grocery stores, barbershops and local restaurants that make neighborhoods tick.

    “The stadiums and arenas are here, they’re not going anywhere,” McCrumby said. “Now we can plan around those.”

    The last time the city did a full update of its general plan was 1987, when horses were still racing at Hollywood Park and the “Showtime” Lakers were winning championships at the Forum. Edward Vincent Jr., the city’s first Black mayor, had only been in office for four years. 

    The city has made intermittent updates to its planning guidelines since then — notably remapping a band of Inglewood along the Metro K line before it opened — but city documents indicate planners spent the past couple years working on a comprehensive rewrite. 

    The new update to the general plan could set the city’s direction until 2050.

    Planners hope to change some of the city’s commercial corridors into mixed-use zones that allow for housing and businesses alongside each other or even stacked on top of each other.

    Those zones could go in place along Century Boulevard and Arbor Vitae Street as well as Manchester, Centinela and La Brea.

    The rest of the update, McCrumby said, is aimed at lining the city’s zoning regulations up with state law and the city’s current reality on the ground.

    City staff held several community meetings over the last year as they put together the draft and still aren’t done gathering feedback. 

    The next year will see at least one more community meeting and a 45-day public review period, according to city documents. McCrumby said that, with the anchor of the land-use map in place, planners will continue to work on the rest of the general plan, targeting final City Council approval of the plan and accompanying environmental impact report next spring.

    You can get all the details on the general plan at nextlevelinglewood.com and attend the City Council meeting at 2 p.m. on Tuesday to give a public comment.

    We also want to know what you think of the proposed changes. Email isaiah@thelalocal.org with your questions or thoughts.