The Brief

Thousands of Southern California students have walked out of school to protest the Trump administration’s crackdown on immigrants since January after the killings of Renee Good and Alex Pretti by federal agents in Minneapolis.

Some students have told LAist their teachers and principals supported their participation in the walkouts, for example, by allowing them to make protest signs in class. Others said their administrators shared confusing messages about potential discipline for leaving campus.

Broadly speaking, California law requires minors to attend school, but it also protects students’ rights to speak out.

 ”The fact that some students may have a controversial point of view that might make others upset, that's not a basis to restrict the speech under the education code,” said Peter Eliasberg, chief council with ACLU of Southern California.

LAist cannot offer legal counsel but created this guide to help students, families and educators better understand these rights. It’s based on:

• Information from Eliasberg and the ACLU of Southern California. 
• A February webinar hosted by Compton nonprofit Community Lawyers Inc., with the Law Offices of Hirji, Chau and Rodriguez. 

Tl;dr of best practices for students at protests

When preparing to walk out, you might consider the following:

• Have a clear civic and political purpose. 
• Walk out peacefully. Do not create additional disruptions for other students, vandalize school property or physically harm others.  
• Document the purpose of the walkout in writing but be cautious about recording video of participants who may not want to be identified. 
• Ask your principal for school and district policies related to student walkouts and free speech and compare them to district policy and state laws. 
• Request an excused absence for civic and political event (more on how to do this below).  

An overview of the (many) rules

The rules at your school are likely shaped by a larger organization, such as a school district or a charter network. Beyond that is California’s education code, a part of state law that is dedicated to schools.

Apart from that, you have federal policy, like the U.S. Constitution, which guarantees the First Amendment right to freedom of speech.

Ideally, all of these sets of rules should agree with one another, but that’s not always the case, said Rosa Hirji, an educational, civil and disability rights attorney. Hirji said the information shared by school administrators also may not align with the policy of their school, district or California’s education law.

“You need to do your research and identify all of those things that you can do to protect yourself after the fact,” Hirji said. “Make sure that you disseminate that information amongst your peers and friends.”

California’s education code states students have the right to exercise freedom of speech and press, including by:

• Distributing printed materials
• Wearing buttons, badges or other symbols
• Expressing themselves in school publications

Hirji said schools cannot legally prevent students from expressing themselves, but they can make rules for when, how and where that free expression can occur. For example, a school may designate time at lunch for students to march and hold up signs with political messages.

But there are no protections for speech that incites students to create a “clear and present danger” of:

• Committing unlawful acts on campus
• Violating lawful school regulations 
• Disrupting the operation of the school

Does calling for a walkout constitute inciting students to break rules? Not necessarily, Hirji said.

“ The question is — is that advocacy or calling for the walkout so inflammatory that it provokes some kind of disturbance in the school environment?” Hirji said. What qualifies as a “disturbance” is must be defined in policy and is not simply the opinion of the administrator, she added.

Speech that is obscene, libelous or slanderous is not protected.

How can I get an excused absence for walking out?

There are limited circumstances when schools will grant a student an excused absence to participate in a walkout, even when parents are supportive of the action.

California allows middle and high school students one excused absence per school year for a civic or political event. Students must notify the school in advance of the absence. School administrators may grant more than one excused absence related to protests, but they are not required to do so.

Community Lawyers Inc. created a template for this notice that students can print and fill out.

Can I get suspended or expelled for walking out?

Students can't be suspended or expelled solely for walking out, but students can be marked tardy, truant or absent. Multiple incidents may lead to more severe discipline.

Let’s define these terms:

• Tardy means a student has arrived late to class. 
• Absent means a student is not present in class. 
• Truant means a student has missed more than 30 minutes of instruction without an excuse three or more times during the school year. 

Eliasberg said that missing class to attend a protest can’t be punished differently than any other kind of absence.

“The government can't say, 'Well, we think it's worse for you to go out and protest than it is for you to skip class,'” he said.

Truancy, tardiness or absence from school is not a basis for school suspension under California’s education code.

“So if a school district wants to engage in a disciplinary action against a student that walks out, they need to find another reason, another behavior that has occurred,” Hirji said.

For example:

• Causing, attempting or threatening physical injury or violence 
• Possessing weapons or drugs
• Stealing or damaging school property 
• Bullying, intimidating or sexual harassment 

California passed a law in 2023 that prohibits schools from suspending middle and high school students for “willful defiance,” which includes disrupting school activities or defying school personnel.

But there can be consequences for walking out

Once a student is considered truant, the school district is required to notify the student’s family, provide information about alternative educational programs, available mental health support and the right to meet with school staff to discuss the student's absences from school.

The penalties for truancy can escalate the more often a student is absent and may include:

• Attending makeup classes
• Referral to an attendance review board, a group of people whose goal it is to help get students back in school 
• Community service 

What should I do if I get in trouble for walking out?

Before a student can be suspended, they must be informed of the reason for the suspension and whether other means of correction were attempted, Hirji said. Examples of those other forms of correction include additional school, community service or communicating with a parent.

 ”School is not supposed to suspend you on your first offense,” Hirji said.

Hirji said the school should provide evidence of the offense allegedly committed and allow students to provide their version of events. This is due process.

Students may be able to appeal a suspension, which means asking the school to reconsider the punishment.

Where can I find my school district or charter network’s policy?

Here are examples of documents a school or district may have related to students' free speech and protest rights.

School board policies and administrative regulations

• What they are: rules approved by a school district’s elected board
• Where to find them: your local school board’s website

School safety plan

• What it is: a plan for each school and required by California law that addresses potential risks and emergencies.
• Where to find them: You may find it on a school’s website or request it directly from an administrator. 

However, schools and districts may have outdated policies that do not comply with existing law.

Hirji suggests comparing what a teacher, principal or other administrator says with the school, district and state’s rules.

Can the police get involved? 

In mid-February, the Los Angeles Police Department warned that protesting students may face legal consequences for violating a city law that bars minors from public places during school hours.

The city of L.A.’s daytime curfew law states it is unlawful for minors under 18 to be in public places when they would normally attend school. There are several exceptions, including for emergencies and minors accompanied by a parent or guardian.

At one point, LAPD was issuing thousands of tickets a year during curfew sweeps, but the agency agreed in 2011 to ease enforcement after pushback from civil rights attorneys, parents and community activists.

Hirji said students who have excused absences for civil and political reasons should not be subject to the daytime curfew law and suggests protesting students carry proof of their excused absence with them — for example, a copy of the letter or email provided to the school to excuse the absence.

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.