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The Brief

The most important stories for you to know today
  • State's next governor will face tough choices
    The California State Capitol is shown rising above trees in Sacramento.
    California State Capitol in Sacramento.

    Topline:

    Whoever is elected this fall as governor and state superintendent of public instruction will face a new reality for California education. The changing of the guard after the eight-year term limits for Gov. Gavin Newsom and State Superintendent of Public Instruction Tony Thurmond will likely coincide with a belt-tightening period for the state budget, forcing tough choices for the next governor.

    What newly elected officials will face: Several factors are squeezing districts’ spending that will likely escalate in the coming years, demanding the next governor’s attention. The issues include declining enrollment, a rise in the number of students with disabilities as well as an increasing cost of living.

    Other issues: Newsom is proposing to shift control of the department’s operations to a new education commissioner appointed by the next governor — an arrangement common among states. The shift would diminish the power of the state superintendent, who’d be relieved of managing the education bureaucracy while remaining the state’s elected advocate-in-chief of education. If approved, that'll be only the first step to untangling the current fractured system of school improvement and accountability.

    Read on . . . for more of what these two offices will face in the upcoming years.

    Whoever is elected this fall as governor and state superintendent of public instruction will face a new reality for California education.

    The changing of the guard after the eight-year term limits for Gov. Gavin Newsom and State Superintendent of Public Instruction Tony Thurmond will likely coincide with a belt-tightening period for the state budget, forcing tough choices for the next governor.

    A consolation prize, however, could be more authority over the California Department of Education. Newsom is proposing to shift control of the department’s operations to a new education commissioner appointed by the next governor — an arrangement common among states. The shift would diminish the power of the state superintendent, who’d be relieved of managing the education bureaucracy while remaining the state’s elected advocate-in-chief of education.

    Over the past six years, amid a burst of state revenue, Newsom and the Legislature enacted multibillion-dollar programs that redefined TK-12. They expanded TK-12 with transitional kindergarten for 4-year-olds and lengthened the school day through expanded learning. Money for apprenticeships and career pathways created post-high school opportunities, and community schools broadened connections with parents and neighborhood health services.

    But the era of large-scale programs will be Newsom’s legacy, not his successor’s. Circumstances beyond the next governor’s control — continuing declines in enrollment and revenues, probably retreating to historical levels, forcing additional school closures, with a recession looming — will temper ambitions of what more can be done for California’s students.

    And then there are sounds of frustration, growing louder from the picket line to the school boardroom to the hallways of Sacramento. Districts are complaining that the rollout of ambitious programs, with accompanying reporting requirements and regulations, has diverted their attention and strained their budgets.

    David Roth, superintendent of Buckeye Union School District, which serves 4,200 TK-8 students in El Dorado County, was emphatic. “We don’t need new programs,” he said. Adding more, he said, would result in continued labor strife over pay raises that many districts argue they can’t afford, and “an inability to maintain the programs we have.”

    Roth’s message, reiterated by others, is that schools should get back to basics, as in base funding — the portion of the state’s funding formula intended to cover general operating expenses. They want the Legislature and the next governor to make raising base funding the number one priority.

    Roth established Raise the Base Coalition, a website that lays out the challenge of rising costs. Forty districts have signed up so far; they are primarily suburban districts with fewer-than-average high-needs students, and therefore receive less “supplemental” and “concentration” funding under the state’s Local Control Funding Formula and other programs with similar distributions.

    Opposition to equity is not the issue, Roth said. “Even districts with above-median funding are struggling to keep pace with rising costs.” When there is more money to cover basic expenses, he added, all districts benefit.

    Last month, school board presidents and members from 10 districts, mainly in the San Francisco Bay Area, made the same point while calling for, among other things, adjustments to the funding formula to reflect regional costs.

    “As those entrusted with ensuring the long-term financial viability and educational success of our public schools, we write to sound the alarm about the profound, widespread fiscal challenges districts across the state are facing,” they wrote.

    At first glance, their complaints may invoke little sympathy. From 2018-19, the year preceding Covid-19, through 2024-25, funding rose 53% through Proposition 98, the formula that sets the minimum share of state revenue for TK-12 and community colleges. Per student funding from the state will rise to more than $20,000, a record.

    But several factors squeezing districts’ spending will likely escalate in the coming years, demanding the next governor’s attention.

    Declining enrollment

    The California Department of Finance projects the nearly decade-long statewide decline in enrollment to accelerate, with an additional 10% drop by 2033-34, bringing the total to 5.2 million students. Most districts will feel it, with enrollment losses of up to 20% in some Los Angeles County districts.

    Districts receive funding based on the average number of students who attend school daily over the course of a year. Adding transitional kindergarten has propped up attendance, but now that TK is fully phased in, the average daily attendance decline will bite harder in many districts.

    Special education

    The percentage of students with disabilities has risen from 13% in 2018-19 to 15% in 2023-24, even as overall enrollment has declined. Newsom is proposing to add $500 million next year to equalize state special education funding among districts, but the overall trend has not favored districts. The federal share of total special education funding in California, never close to the 40% share that Congress envisioned 50 years ago when passing the federal special education mandate, has fallen steadily over the past decade, as has the state’s share of dedicated funding.

    Districts will continue to be responsible for the shortfall. Districts’ share of special education costs has risen from 51% in 2014 to 63% last year, according to School Services of California, a statewide consulting company, and higher in some small districts.

    Placer County Office of Education Superintendent Gayle Garbolino-Mojica said that unexpected special education costs have forced three of her districts onto the state’s financial watch list. Preschoolers are coming to school with serious special needs — autism, multiple disabilities, behavioral problems — “in numbers not seen before,” she said.

    Inadequate cost-of-living adjustments

    A 3% decline in a district’s attendance may not appear dramatic, but losing 3% of funding will be larger than the 2.41% cost-of-living adjustment that districts are projected to receive in 2026-27. And it’s larger than the 2.30% COLA they got this year and the 1.07% COLA in 2024-25. The state’s COLA is tied to a national formula of a basket of goods that doesn’t reflect the sharp rise in health insurance and the need to raise staff pay to retain teachers.

    The state cushions the impact of a steadily declining enrollment by allowing districts to claim attendance over a three-year period. Without it, “we would be toast,” said Roth. But that’s not a long-term answer, he said. “We cannot adjust costs as quickly as we will lose revenue.”

    ‘Declining enrollment dividend’

    Because of Proposition 98’s funding guarantee, TK-12 and community colleges will continue to receive 40% of the state’s general revenue, yet districts collectively will receive fewer dollars as their enrollments drop. The unallotted difference, euphemistically called a “declining enrollment dividend,” could grow to $7.5 billion annually, providing a pot of discretionary funding for the Legislature and governor. How to spend it could prove one of the more contentious decisions in the coming years. Among the options:

    • Switching from funding by attendance to funding by annual enrollment, a method favored especially by districts hardest hit by chronic absences.
    • Adding a regional cost factor to the Local Control Funding Formula — a much-discussed idea over the years, but never adopted;
    • Increasing the state’s share of special education expenses, benefiting all districts;
    • Building in a permanent 4% annual COLA;
    • Making permanent what has been sporadic among districts: funding professional development, starting with evidence-based instruction in early literacy and the new math framework.

    Other issues

    Plenty of important decisions won’t require more money. While it’s a fool’s errand to predict what future events will determine, what could crowd its way to the top of the list includes:

    Restructuring the California Department of Education 

    If the Legislature approves Newsom’s plan as part of the next state budget, the department will fall under the authority of Newsom’s successor. That will be only the first step to untangling the current fractured system of school improvement and accountability. Like it or not, the next governor will take credit or blame for implementing programs the state superintendent of instruction had managed.

    Resolving Miliani Rodriguez v. State of California 

    That’s the lawsuit the public interest law firm Public Advocates filed on behalf of 14 students, parents, and teachers in six school districts, challenging the first-come, first-served state formula for distributing billions of dollars to repair school facilities. If Newsom doesn’t settle what he has acknowledged favors wealthy districts, then the decision to defend or negotiate an end to an inequitable system falls to his successor.

    Taking the lead on artificial intelligence 

    AI is a big, amorphous subject, enticing and forbidding, that has been left to districts to decipher and deal with vendors. The next California governor can call for all students to be AI literate, said Chris Agnew, director of Generative AI for Education Hub at Stanford University, and ask fundamental questions like, “What are the core capacities we want to build in California students, and what are the research-backed learning experiences that build these capacities?”

    Redesigning high schools

    High schools face a challenge. Only 55% of California students report feeling connected to high school. In 2025, the Legislature budgeted $10 million for a Secondary School Redesign Pilot Program to establish 14 networks for high schools and middle schools in 57 districts. Some have been experimenting for years, while others are launching different models with team teaching, small-group learning to strengthen student relationships, and nontraditional scheduling to accommodate apprenticeships.

    A seven-period day, driven by college course requirements and seat time regulations, is hard to change. But if, as State Board President Linda Darling-Hammond hopes, the results show “what it takes for students to be engaged and purposeful in a rapidly changing world,” the next governor should scale up the project, she said.

    Getting serious about the achievement gap

    Newsom’s big bets on improving students’ well-being and academic progress may bear fruit long term. But the California School Boards Association is demanding full attention now to narrowing persistent disparities in achievement between low-income and well-off students, and among racial and ethnic groups.

    CSBA is pushing bills that would hold state agencies accountable for providing the annual metrics that they use to track how they are closing the achievement gap. A separate commission would weed out regulations and duplicate programs, and give a thumbs-down on new programs that would divert resources and energy from addressing the achievement gap.

    The bills may not pass, at least as written, but the message is clear: A governor with a different agenda may be out of sync with the times.

    EdSource is an independent nonprofit organization that provides analysis on key education issues facing California and the nation. LAist republishes articles from EdSource with permission.

  • Killer whales at the museum
    A life-size orca replica on display at the Natural History Museum. The hiller whale has black and white markings.
    The life-size replicas of an orca family on display at the Natural History Museum of LA County.

    Topline:

    Orcas — the lovable black and white marine predators — have taken over 10,000 square feet of the Natural History Museum of L.A. County.

    “Orcas: Our Shared Future” — which opened this past Sunday — includes floor to ceiling screens that play orcas swimming in the wild and life-size replicas of an orca family.

    The details: There are 140 original artifacts and specimens to see and experience at the immersive show, including sculptures and masks by Indigenous artists of the Pacific Northwest Coast.

    Details: You can check out Orcas: Our Shared Future through April 25, 2027, at the Natural History Museum of L.A. County.

    Orcas, the lovable black and white marine predators, have taken over 10,000 square feet of the Natural History Museum of L.A. County.

    Orcas: Our Shared Future, which opened Sunday, includes floor to ceiling screens that play orcas swimming in the wild and a life-size replica of Ruffles.

    He was one of the first orcas Alisa Schulman-Janiger, lead research biologist for the California Killer Whale Project, saw in the wild back in the 80s.

    “It’s not him but it represents him. And I can actually go back in time and replay: I was standing here and my boyfriend who became my husband was standing next to me... seeing them under us foraging for fish,” she said.

    Schulman-Janiger, who is also a research associate for the museum, said there was a sighting of these giants – the largest members of the dolphin family – in our local waters just this month.

    “In the Channel Islands,” she said. “I just looked at some photos today sent to me by one of the naturalists... and she saw at least 16 different orcas.”

    There are 140 original artifacts and specimens to see and experience at the immersive show, including sculptures and masks by Indigenous artists of the Pacific Northwest Coast.

    Fred DeNisco, an orca expert from British Columbia who goes by ‘The Orca Man’ on social media, said he fell in love with orcas at the age of three, while watching 1993’s Free Willy in the back of a mini-van.

    A VHS clamshell for the 1993 film 'Free Willy' depicts the famous scene of a killer whale jumping over a boy.
    An original 'Free Willy' VHS clamshell on display at the Natural History Museum of LA County
    (
    Robert Garrova / LAist
    )

    He’s followed the exhibition all over the U.S. and Canada.

    “It is just so unique in the breadth of topics that it covers, both in indigenous relationships with orcas, the research and more particularly our human relationship and the tumultuous relationship that has in media and captivity and even whale watching,” DeNisco told LAist.

    And in case you’re wondering, the exhibition does include an original clamshell for a VHS copy of Free Willy, the film that inspired a generation of orca-lovers like DeNisco.

    You can check out Orcas: Our Shared Future through April 25, 2027.

    Ticket info is at the Natural History Museum website.

    LAist is one of the Natural History Museum’s media partners for the exhibition, Orcas: Our Shared Future.

  • Sponsored message
  • A punk art show, comedy at night and more
    A large group of people gathers in an art gallery to look at a black and white mural.
    The Dead City Punx exhibit is on through the end of May.

    In this edition:

    Old Woman Naked at the Broadwater, a glowworm night hike in Altadena, a punk art show and more of the best things to do this week.

    Highlights:

    • Acclaimed author Pamela Redmond is no stranger to using her own life for inspiration for her beloved fiction. But baring all — emotionally and physically — onstage? That’s new territory for the 72-year-old. Old Woman Naked digs into the truth about aging, sexuality, feminism, motherhood and coming into your own.
    • Rattlesnakes sleep at night (right?), so head out for a late-night hike to see the rare California pink glowworms that come out this time of year in the Altadena foothills. Intrepid hiker Jason Wise (Journeyman) leads this nature-filled evening with L.A. Rises.  
    • Bob Odenkirk, Sarah Silverman, and many more bold-faced comedy names join this showcase at UCB Franklin, hosted by Nate Odenkirk & Ari Mostow.
    • Double chin? More like double yum. Get in line early for this pop-up at Petit Grain in Santa Monica, featuring Leah Chin-Katz’s popular pastries and jams.

    I’ve loved reading your reactions to the new LACMA David Geffen Galleries. Here are just a few of the many responses we received; most were positive, but there were some smart criticisms as well:

    “The architecture by Peter Zumthor and the uniquely designed way of displaying the collection across time and place was brilliant! The joy is in finding the connections.” —Marlan

    “Time and place braid together in a continuum unleashed from the strictly defined spaces typical of an encyclopedic museum. Truly radical in the best way possible.” —Bianca

    “The art seemed to be presented in an almost random order, as if they took LACMA's collection like a deck of cards, shuffled them twice, and then just hung everything in the resulting order.” —Steve

    Licorice Pizza has your music picks for the week, including post-hardcore band La Dispute at the Belasco, indie-folk star Cut Worms at Pacific Electric and rock en español sensation Julieta Venegas at the Grammy Museum — all on Tuesday. Wednesday, Charlie Puth is at the Forum, dream-pop trio Sunday (1994) is at Hollywood Forever Cemetery, singer-songwriter and breakout The Voice contestant Carol Ades plays the Troubadour and Latin rock band Zoé plays the first of two nights at the YouTube Theater. Thursday, Chet Faker plays the Novo, Maro is at the Fonda, King Tuff plays Sid The Cat Auditorium and a cappella legends Take 6 begin their four-night residency at the Blue Note.

    Elsewhere on LAist, you can get a first look at the new Annenberg Wildlife Crossing, find out more about this King Taco’s historic designation, and grab your tickets for Wild Card with NPR’s Rachel Martin Live at the Crawford on May 2.

    Events

    Enormous Things

    Tuesday and Wednesday, April 28 and 29
    Elysian Theater
    1944 Riverside Drive, Elysian Valley
    COST: $25; MORE INFO

    Enormous Things Poster featuring a drawing of two large eyes on a blue and red background.
    (
    Courtesy The Elysian
    )

    A more up-my-alley musical has never before landed in my Instagram feed. Do you, like me, enjoy modern art and showtunes more than almost anything else? Enormous Things — a musical about Claes Oldenburg where Jeff Koons is the villain — might also be for you.


    Just Sing 

    Thursday, April 30, 7:30 p.m. 
    Laemmle NoHo 7
    5240 Lankershim Blvd., North Hollywood
    COST: $14.50; MORE INFO

    Fans of Pitch Perfect will want to check out this local real-life story. Just Sing follows the USC a cappella group SoCal VoCals as they make their way to the International Championship of Collegiate A Cappella in New York City. Co-directors and cinematographers Angelique Molina and Abraham Troen will host a Q&A following the screening.


    Japanese Heritage Night at Dodger Stadium

    Monday, April 27, 7:10 p.m.
    Dodger Stadium 
    1000 Vin Scully Ave., Elysian Park 
    COST: FROM $70; MORE INFO 

    A front and back side-by-side image of Dodgers jerseys to honor Japanese Heritage Night
    (
    Courtesy Los Angeles Dodgers
    )

    Japanese superstar Yoshiki will perform at the Dodgers vs. Marlins game ahead of his headliner performance at Disney Hall in July, marking Japanese Heritage Night at the stadium. Get there early to hear the music, enjoy Japanese food specials and grab your special game jersey.


    Old Woman Naked

    Wednesday and Thursday, April 29 and 30, 7:30 p.m. 
    The Broadwater Second Stage
    6320 Santa Monica Blvd., Hollywood 
    COST: $45; MORE INFO 

    Acclaimed author Pamela Redmond is no stranger to using her own life for inspiration for her beloved fiction, like Younger (which later became the hit Freeform show) and Older. But baring all — emotionally and physically — onstage? That’s new territory for the 72-year-old. First performed in New York to a sold-out one-night-only crowd, Old Woman Naked digs into the truth about aging, sexuality, feminism, motherhood and coming into your own. An additional date of May 17 has just been added.


    Comedy, at Night 

    Tuesday, April 28, 8:30 p.m. 
    UCB Franklin 
    5919 Franklin Ave., Hollywood
    COST: $20; MORE INFO 

    A picture of a full moon on a poster reading "On April 28th, 2026, at 8:30pm, Nate & Ari will present: Comedy at Night."
    (
    Courtesy UCB Comedy
    )

    Bob Odenkirk, Sarah Silverman and many more bold-faced comedy names join this showcase at UCB Franklin, hosted by Nate Odenkirk and Ari Mostow.


    Double Chin pop-up 

    Monday, April 27, 9 a.m. until sold out 
    Petitgrain Boulangerie 
    1209 Wilshire Blvd., Santa Monica 
    COST: VARIES; MORE INFO

    Double chin? More like double yum. Get in line early for this pop-up at Petitgrain, featuring Leah Chin-Katz’s popular pastries and jams.


    Glowworm Full Moon Night Hike 

    Thursday, April 30, 7 p.m. to 9 p.m.  
    Gabrielino Trail, Western Trailhead
    915 Ventura Street, Altadena
    COST: FREE; MORE INFO 

    A closeup of a pink glowworm on dirt.
    (
    Jason Journeyman
    /
    Eventbrite
    )

    Rattlesnakes sleep at night (right?), so head out for a late-night hike to see the rare California pink glowworms that come out this time of year in the Altadena foothills. Intrepid hiker Jason Wise (Journeyman) leads this nature-filled evening with L.A. Rises.


    Screening: Dead City Punx 

    Thursday, April 30, 7:30 p.m.
    Brain Dead Studios
    611 N. Fairfax Ave., Melrose 
    COST: $18; MORE INFO 

    Five men with medium-light-skin wearing black t-shirts stand in front of a projector screen that reads "Dead City Beyond the Streets"
    (
    Courtesy Gold Atlas
    )

    Dead City Punx exhibit 

    Through Saturday, May 30
    Beyond the Streets 
    434 N. La Brea Ave., Mid-City
    COST: FREE, MORE INFO 

    A collection of street art with a brown sign featuring a spray paint cannister reading "No Graffiti"
    (
    yubo dong
    /
    studio photography
    )

    Punk in Los Angeles is far from dead. Dead City Punx, whose shows have shut down streets and seen fans start fires, are the focus of a new documentary and gallery show at Beyond the Streets. Dead City Punx (trailer here) tells the story of the band that built a following through “chaotic, illegal outdoor shows during the pandemic — complete with bonfires, fireworks, graffiti and clashes with law enforcement — ultimately sparking a movement that challenged what DIY and punk culture mean today.” Produced by Rage Against the Machine’s Zack de la Rocha, the film and gallery show are out now.

  • Has the initiative delivered on its promises?
    A tent and wheelchair and several people along a sidewalk outside a Skid Row building at night.
    Unhoused resident's in the Skid Row neighborhood of Downtown L.A.
    Topline:
    In 2024, L.A. County voters approved Measure A, a half-percent sales tax increase aimed at raising $1 billion a year for homeless services and affordable housing. Its backers promised voters more transparency, accountability and results.

    So where do things stand now?
    Why now: As new revenue flows in, questions about how L.A. County spends homelessness dollars aren’t going away.

    The backstory: Homeless service providers and advocates wrote and campaigned for Measure A in 2024. Their goal was for it to replace a smaller, temporary county sales tax for homeless services known as Measure H, which was set to expire in 2027.

    The funding helped move more people into shelter beds, and the number of unhoused people in shelters increased from about 15,000 in L.A. County in 2017 to about 23,000 in 2024, according to official estimates.

    But L.A. County’s overall unhoused population — which includes people staying in shelters as well as those living on the streets — grew by 37%, from about 55,000 in 2017 to more than 75,000 in 2024.

    Go deeper ... to learn more about Measure A and its effect on future homeless services planning.

    Los Angeles County is home to the largest homeless population in the U.S. — more than 72,000 people, according to official estimates.

    In 2024, county voters approved Measure A, a half-percent sales tax increase aimed at raising $1 billion a year for homeless services and affordable housing.

    Its backers promised voters more transparency, accountability and results.

    As new revenue flows in, questions about how L.A. County spends homelessness dollars aren’t going away.

    How Measure A came to be 

    Homeless service providers and advocates wrote and campaigned for Measure A in 2024. Their goal was for it to replace a smaller, temporary county sales tax for homeless services known as Measure H, which was set to expire in 2027.

    That quarter-percent sales tax, approved by voters in 2017, delivered about $500 million a year.

    That new funding helped move more people into shelter beds, and the number of unhoused people in shelters in L.A. County increased from about 15,000 in 2017 to about 23,000 in 2024, according to official estimates.

    But the county's overall unhoused population — which includes people staying in shelters as well as those living on the streets —- grew by 37%, from about 55,000 in 2017 to more than 75,000 in 2024.

    Measure A’s solution was to double the special sales tax for homelessness, make it permanent and use the extra revenue to help build more affordable housing in addition to homeless services.

    A majority of county voters agreed. The county enacted the “Affordable Housing, Homelessness Solutions, and Prevention Now Transactions and Use Tax Ordinance” — and then started collecting the Measure A tax in April 2025.

    A man in a red shirt and a woman with silver hair are standing outdoors behind a podium with the words "United Way" on it. They are turned to each other and each using both of their hands to hold either side of a framed graphic.
    Elise Buik, President and CEO of United Way of Greater Los Angeles presents an award to Peter Laugharn, President and CEO of Conrad N. Hilton Foundation at the United Way "Annual HomeWalk To End Homelessness" in 2017. Both organizations were major backers of Measure A, along with the California Community Foundation and others.
    (
    Greg Doherty
    /
    Getty Images
    )

    Measure A’s promises

    Voters approved Measure A amid increasing concerns about the regional agency long tasked with managing public homelessness dollars by the county and city of L.A.

    A county audit in late 2024 found that the Los Angeles Regional Homelessness Authority, or LAHSA, had regularly paid service providers late and failed to properly monitor contracts. A separate court-ordered report found L.A. city officials had made it impossible to accurately track homelessness spending, largely by outsourcing to LAHSA.

    Measure A proposed a new approach to the region’s homeless services system, which many have described as “dysfunctional.” Written into the ordinance were clearer systemwide goals, increased accountability over spending and consequences for programs that fail to perform.

    Unlike Measure H, which focused on getting people off the street, Measure A was written to also focus on preventing people from falling into homelessness. It directs more than 35% of its roughly $1 billion in yearly revenue to a new county affordable housing agency. Supporters estimated it could produce 18,000 new affordable units in L.A. County over 10 years.

    It directs 60% or revenues towards homeless services — and dedicates a portion of that funding to be split directly among L.A. County’s 88 cities.

    Measure A delegated oversight responsibilities for the spending to the county Board of Supervisors and two governance bodies the board had established in 2023 to coordinate regional planning on homelessness.

    The first is an advisory group called the Leadership Table for Regional Homelessness Alignment. It includes nonprofit service providers and experts who meet regularly and inform policy decisions.

    That group advises a more powerful one called the Executive Committee for Regional Homelessness Alignment, which sets Measure A’s goals and makes plans and funding recommendations.

    Its nine members include two county supervisors (currently Kathryn Barger and Lindsey Horvath), the L.A. mayor (currently Karen Bass), an L.A. City Council member (currently Nithya Raman), a representative from Gov. Gavin Newsom’s administration and four officials from cities across the county.

    The committee’s recommendations go to the county Board of Supervisors, which has the final say.

    Last March, the supervisors formally adopted five-year Measure A goals with 2030 deadlines. They include: reducing unsheltered homelessness in the county by 30%, moving twice as many people annually into permanent housing and boosting affordable housing production by about 50%.

    Measure A’s effects

    One of the early after effects of passing Measure A has been a reorganization of who controls the growing pot of county homelessness dollars.

    In April 2025, the Board of Supervisors voted to divert more than $300 million from LAHSA and create a new county department, the Department of Homeless Services and Housing, to manage homelessness funding directly.

    Supporters of the move said it was necessary because Measure A voters were demanding accountability that LAHSA wasn’t delivering. The new county department formally launched in January.

    The full transition of LAHSA programs to the county is planned in July. The Board of Supervisors recently directed the new department to create strict oversight procedures for all homeless service contracts.

    Last March, L.A. County approved its first annual budget that included projected allocations from Measure A, totaling about $1 billion. The county had twice as much funding at its disposal but still cut tens of millions of dollars in programs and services for unhoused people, citing a strategic shift.

    Now, the county is finalizing the budget for the next fiscal year, which starts July 1. It again includes $1 billion for homeless services and affordable housing because of Measure A, but the homelessness spending plan includes nearly $200 million in program reductions.

    County officials said those reductions were necessary to cover rising shelter costs and the loss of pandemic-era state and federal funding.

    Measure A has allocated about $100 million annually, or roughly 9% of all Measure A revenues, directly to the 88 cities within L.A. County to address homelessness in what’s known as the Local Solutions Fund. The county publishes a regional plan showing how that money is used.

    The funding is awarded based primarily on a city’s recent unhoused population numbers, using estimates from the official annual homeless count.

    Some city leaders complain that their residents are paying way more into the Measure A tax than they are getting out of it.

    Torrance mayor George Chen says his city will generate about $26 million annually for the county through the Measure A sales tax, and it will receive about $559,000 in local funding through the measure.

    A woman with light skin tone and redish hair wearing a navy blue fleece and large black rimmed glasses speaks into a microphone making a gesture with her hands.
    Los Angeles County Supervisor Lindsey Horvath supported the Measure A sales tax, and also championed the effort to break from LAHSA and form a new county homelessness department.
    (
    Brian Feinzimer
    /
    LAist
    )

    Affordable housing focus 

    The major structural difference between Measure A and its predecessor is that it earmarks roughly 36% of its proceeds — about $363 million a year — for affordable housing development. Those funds flow through a new independent regional agency called the Los Angeles County Affordable Housing Solutions Agency, or LACAHSA.

    The agency’s mandate is to create new affordable homes, preserve lower-rent housing and prevent displacement. It is still in its early stages.

    As of March, the agency had received $275 million from Measure A and distributed $25 million to recipients, according to its Measure A Funds Tracker. Most of what had been awarded was emergency rental assistance.

    On April 15, the agency’s board conditionally approved its first major round of housing production funding, approximately $102 million for 10 projects that will add 566 units of affordable housing, according to a recent report.

    Projects are required to break ground within one year of receiving awards. A second round of awards is scheduled for the board's May 13 meeting.

    Demand for funding far outpaced what was available: LACAHSA received 242 applications for 127 projects totaling $1.56 billion and representing 11,484 units.

    What’s next?

    The goals Measure A set are ambitious, and the deadline is 2030. A county dashboard tracking progress shows the region gaining ground reducing unsheltered homelessness while falling behind on other targets.

    The county hasn’t made any progress decreasing the number of people falling into homelessness or decreasing homelessness among people with mental health or substance use disorders. The dashboard does not yet include affordable housing production metrics.

    The transition from the regional Homeless Services Authority to the new county Department of Homeless Services and Housing is still underway, with a full handoff of staff and programs targeted for July 2026.

    LAHSA recently announced it will lay off 284 employees at the end of June.

    Federal cuts and changes to funding from Medicaid and the U.S. Housing and Urban Development — flagged as “threats to recent progress” in the county's recent budget documents — loom over the entire system.

  • Social media sustains Hollywood success
    a large group of people sit in a theater looking at a bright screen

    Topline:

    According to new data from TikTok and theater trade group Cinema United fan-made TikToks can now do what big marketing campaigns couldn't always achieve: keep a movie thriving after opening weekend.

    Why it matters: TikTokers post enthusiastic movie reviews, they cosplay and reenact scenes, and some create new edits from the official trailers and footage. For instance, 24-year-old college student Josiah Pilet remixed Spider-Man clips set to music.

    Read on ... for more on why Hollywood is embracing social media influencers.

    According to new data from TikTok and theater trade group Cinema United fan-made TikToks can now do what big marketing campaigns couldn't always achieve: keep a movie thriving after opening weekend.

    At this year's CinemaCon, the annual convention for movie theater owners, director Denis Villeneuve showed the first seven minutes of his third Dune film. He told the crowd he made his latest installment of the science fiction saga for the fans. And long before the December opening, fans have been posting their own reactions on TikTok.

    "There's this incredible chant in Dune 3 that's in the trailer and what we've seen is it's a soundbite that users on TikTok have embraced and made their own content with," says Cameron Curtis, executive vice president of global digital marketing for Warner Bros.

    He says TikTok is a tremendous platform for reaching new audiences.

    "We often see that the creator content on [the] platform outperforms our traditional advertising content by 3-to-1. It's become just critical to our strategy and everything that we do," says Curtis.

    He says Warner Bros. and other studios have been partnering with TikTok creators to market their films. According to TikTok executives, that's for good reason. "We really saw that the buzz doesn't stop with the opening weekend," says Dennis Papirowski, TikTok's global head of Entertainment and News.

    He says every day, the platform's users create 6.5 million posts related to content from new and classic films and TV shows. According to TikTok, half of their users say they discovered a new movie through the platform. And of those, more than a third looked up showtimes and purchased a movie ticket.

    Dawn Yang, the company's global head of entertainment partnerships and business development, says studios tend to do a lot of marketing for the first weekend a film opens.

    "But on TikTok, it really takes off after the first weekend," she says, "because people have seen the entire movie and they want to talk about it."

    TikTokers post enthusiastic movie reviews, they cosplay and reenact scenes, and some create new edits from the official trailers and footage. For instance, 24-year-old college student Josiah Pilet remixed Spider-Man clips set to music.

    Fan edits would have been no-nos in the old Hollywood strategy of protecting intellectual property, says Paul Dergarabedian, senior media analyst for Comscore, which analyzes the box office.

    "There was a time when studios did not want marketing messaging going out that wasn't from them," he says. Now, he says even negative responses to movies are welcome "as long as it's not something horrible, that can boost the profile of a movie and excitement around it, because sometimes people want to see what the fuss is all about."

    Dergarabedian says studios are increasingly embracing and harnessing the power of short TikToks made by the key Gen Z audience.

    "You have some movies that open huge, have a huge opening weekend, then drop by 70% or more in their second weekend," he says. "But the way you keep people coming back is that you not only have a great movie, but the social media engagement continues, amplifies and creates that excitement and the FOMO factor among potential moviegoers."

    Take last year's box office hit Sinners. Cinema United and TikTok's report found that buzz about the film surged on the platform during its opening week — and ticket sales barely dipped the following week.

    But social media platforms, including TikTok, have also sometimes caused minor headaches for theaters. Last year, fan-made posts chronicled the mayhem sparked by a line spoken by Jack Black's character in The Minecraft Movie.

    Audiences shouted "chicken jockey" along with him and tossed popcorn in theaters. The ruckus was so chaotic that one fan even carried a live chicken into the movie, as shown by one viral video.

    At CinemaCon, Warner Bros. executives offered a good-natured apology to theater owners for the mess.

    But it's not just fans posting TikToks. As executive director of communications and content for B&B Theatres, Paul Farnsworth makes funny TikToks, starring himself and the staff — often in the lobby, playing around with the latest movies.

    "It's like a little wink-wink joke, nothing that you're going to like, pay money to go see a stand-up comedian say," he says. "But I think for us, it indicates to our guests a sensibility of like the playfulness of the movies, the magic of the experience, the shared communal thing that we're all trying to achieve with them."

    Farnsworth says he asks the studios for guidance on the material — hoping his viral TikToks get people into movie theaters.