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The Brief

The most important stories for you to know today
  • Adobe's AI scandalized a 4th grade project
    A close up of signage that reads "Adobe" with a logo on a red brick building.
    A sign on the exterior of an Adobe office in San Francisco on Dec. 10, 2025.

    Topline:

    Adobe’s artificial intelligence generated sexualized images in response to prompts for a 4th grade book project at Delevan Drive Elementary School in Eagle Rock. The incident coincided with the release of new state guidelines to prevent harmful AI in schools.

    About the incident: When Jody Hughes’ daughter asked Adobe Express for Education, graphic design software provided by her teacher, to generate an image of “long stockings a red headed girl with braids sticking straight out,” it produced nothing resembling the Swedish children’s book character she had accurately described. Instead, using recently-added artificial intelligence, it generated sexualized imagery of women in lingerie and bikinis. Hughes quickly contacted other parents, who said they were able to reproduce similar results on their own school-issued Chromebook computers.

    Why it matters: The incident raised questions not only about the L.A. school district’s use of a particular AI product but also about guidelines state administrators provide to schools throughout California on how to safely adopt the technology. A few weeks after the incident, the state Department of Education published a new edition of the guidelines, which it had been working on for several months with help from a group of 50 teachers, administrators, and experts.

    Read on... for more about the incident.

    This story was originally published by CalMatters. Sign up for their newsletters.

    In December, fourth graders in a class at Delevan Drive Elementary School in Los Angeles were given a homework assignment: Write a book report about Pippi Longstocking, then draw or use artificial intelligence to make a book cover.

    When Jody Hughes’ daughter asked Adobe Express for Education, graphic design software provided by her teacher, to generate an image of “long stockings a red headed girl with braids sticking straight out,” it produced nothing resembling the Swedish children’s book character she had accurately described. Instead, using recently-added artificial intelligence, it generated sexualized imagery of women in lingerie and bikinis. Hughes quickly contacted other parents, who said they were able to reproduce similar results on their own school-issued Chromebook computers. Days later, the parent group Schools Beyond Screens told the L.A. school board they were opposed to further use of the Adobe software.

    The incident raised questions not only about the L.A. school district’s use of a particular AI product but also about guidelines state administrators provide to schools throughout California on how to safely adopt the technology. A few weeks after the incident, the state Department of Education published a new edition of the guidelines, which it had been working on for several months with help from a group of 50 teachers, administrators, and experts. The revision came in response to instructions from the Legislature, which passed two laws in 2024 telling the department, essentially, to get a handle on AI’s rapid spread among students, teachers and administrators.

    Critics wonder if the guidelines would have helped avoid what parents referred to as Pippigate; the controversy, they say, provides evidence that districts, schools, and parents, who often lack the time or resources to ensure that software tools don’t produce harmful output, need more support from the state. The guidelines, they add, are also too vague in places and don’t do enough to define guardrails for how teachers use AI in the classroom.

    The issues with the guidelines call into question whether the department can effectively respond to instructions from elected officials on how to safeguard a technology that, according to the guidelines themselves, can leave children isolated and with narrowed perspectives.

    With AI rapidly becoming more prevalent in society, effectively managing the technology has become an urgent issue. Though OpenAI’s ChatGPT popularized generative AI just three years ago, polls show that a majority of teachers and students nationwide now use the technology in some capacity.

    While AI can help save teachers time, personalize learning, and support students who do not speak English or who have disabilities, it can also inaccurately grade their papers and generate images that perpetuate or intensify stereotypes or sexualized imagery of women, particularly women of color. The majority of California K-12 students are people of color. Since the rapid expansion of generative AI adoption started, teachers who spoke with CalMatters have felt both a need to prepare their students for a future where AI is ubiquitous and a fear that AI tools can enable cheating on tests and lead to deficiencies in reasoning, logic, and critical thinking.

    “Educators have a narrow window to set norms before they harden,” said LaShawn Chatmon, CEO of the National Equity Project, an Oakland group that helps teachers produce more equitable outcomes. “Local education agencies that take advantage of this opportunity to co-design learning and policy with students and families can help shift who gets to decide AI’s role in our learning and lives.”

    A district spokesperson told CalMatters that images generated by the AI model don’t align with district standards and “we are collaborating with Adobe to address the issue.” Adobe VP of Education Charlie Miller said the company rolled out changes to address the issue within 24 hours of hearing about the incident. Miller did not respond to questions about how the tool was vetted before deployment.

    As a result of what his child experienced, Hughes thinks students shouldn’t be told to use text-to-image generators for homework assignments. But he sees no attempt to place such limits on use of the technology in the Department of Education guidance.

    “These tech companies are making things marketed to kids that are not fully tested,” he said. “I don't know where to draw the line but elementary school is too young because it can get real nasty real fast as we’ve seen with the Grok stuff,” he added, referring to recent abuse of the Grok AI system to nonconsensually remove clothing in images of women and children.

    Issues with AI guidance

    The guidance supplies a list of unacceptable uses of AI by students, such as plagiarism, and urges educators to integrate real-world scenarios and case studies into discussions to help students apply ethical principles to practical situations. It also says students should be taught to “think critically and creatively” about AI tools’ “benefits and challenges.”

    Julie Flapan, director of the Computer Science Equity Project at UCLA’s Center X, said that the Pippi Longstocking incident called to mind a 2024 study that found young Black and Latino people are more likely to use generative AI than young white people. That data, in tandem with the historical disparity in access to computer science education, means, she said, that some parents and students will need help to think critically about AI.

    These tech companies are making things marketed to kids that are not fully tested.
    — Jody Hughes, parent of student at Delevan Drive Elementary School, Los Angeles

    “We often think about technological advances as ways to level the playing field,” she said. “But the reality is we know that they exacerbate inequalities.”

    Flapan said it makes sense that the guidelines urge critical thinking and vetting of AI tools before use and encourage education leaders to engage communities in decisionmaking. But, she added, the guidance doesn’t detail how to do that.

    Charles Logan, a former teacher now at a responsible tech laboratory at Northwestern University, said that the guidelines fall short by not offering teachers and parents clear guidance on how they can opt out of using the technology. A Brookings Institution study released in January, based on interviews with students, teachers and administrators in 50 countries, concluded that the risks of AI in classrooms currently outweigh the benefits and can “undermine children's foundational development."

    Mark Johnson, head of government affairs at Code.org, praised the guidelines, but said the state should offer more AI education support to educators and make proficiency in AI and computer science requirements for graduation. A recent report by Johnson found four states adopted such graduation requirements after releasing AI guidance.

    Katherine Goyette, who served as computer science coordinator for the Department of Education until January, when asked about the Longstocking incident, pointed to parts of the guidance emphasizing the importance of engaging families, communities and school board members when evaluating AI tools. She also said critical thinking is important in preventing such outcomes, pointing to guidance that pushes administrators to consider potential harms before use.

    Additional direction is on the way for how to put the recently released guidance into practice: the department’s AI working group will introduce specific policy recommendations based on the guidance by July.

    The pressure of the AI inevitability narrative 

    The latest version of California Department of Education AI guidelines come as local educational agencies move away from blanket AI bans considered after the 2022 release of OpenAI’s ChatGPT. Instead, districts are moving toward deciding when and how students and teachers can use the technology. Those local decisions will be critical to how the technology is actually used in schools, since the state cannot require school districts adopt its guidance.

    Even the largest school districts in California can encounter serious issues when deploying AI. In June 2024, Los Angeles Unified’s superintendent promised the best AI tutor in the world but had to pull it from use weeks later. A week later, news emerged that a majority of members on the San Diego Unified School District board, the second-largest district in the state, signed a contract for curriculum that they didn’t know included an AI grading tool.

    The move toward state and district AI guidance, rather than bans, reflects a broader sense of inevitability in the state around adoption of the technology. In his October veto of a bill that would have prevented use of some chatbots by minors, Gov. Gavin Newsom said AI is already shaping the world and that “We cannot prepare our youth for a future where AI is ubiquitous by preventing their use of these tools altogether.”

    Logan, who recently advised San Diego parents about how to resist and refuse AI use in classrooms, pushes back against this idea. He says the California Department of Education guidance should address situations in which parents might want to avoid having their children use AI at all.

    “It’s surprising that the guidance wants to make proficient AI users of kindergartners and there wasn’t space to say no or opt out,” he said in a phone call.

    The statewide AI guidance joins a series of efforts to protect kids from AI, including bills now before the Legislature that seeks to place a moratorium on toys with companion chatbots and protect student privacy in the age of AI. Common Sense Media and OpenAI are working on getting a kids online safety initiative on the ballot for the election in November.

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

  • Central Library exhibit targets world record
    Two men pose in front of a giant pop-up-book art installation featuring a tree, a feathered serpent and a sea turtle inside the LA Central Library rotunda.
    Matthew Reinhart, left, and Daniel González, right, created “Luceros y Penumbras,” a pop-up book seeking to break the world record for size.

    Topline:

    A pop-up book that’s seeking to break the world record for size has unfolded at the Central Library in downtown Los Angeles.

    The backstory: Luceros y Penumbras, which roughly translates to “starlight and shadows,” is part of the Central Library’s centennial celebration. The towering tome is rooted in L.A. artist Daniel González’s experience visiting the library and his family in Mexico as a child. “It's a knowledge tree that's been shaped by all these different things that I've learned at the library, about myself, about the city I grew up in [and] about the town where my family's from,” González said.

    How it was made: González sketched the images, carved them into linoleum, printed them with ink and then digitized them to add color and other details. Matthew Reinhart, a paper engineer, author and illustrator, designed the three-dimensional build. “ My job is really making mistakes,” Reinhart said. “Making mistakes, figuring out where they are and solving them and— of course— making them look good.”

    The stats: Luceros y Penumbras is four pages that open to create two scenes— one of the Central Library building and another of a sprawling tree. The book is 31 feet wide, more than 11 feet tall, and weighs 1,800 pounds.

    How to visit: The pop-up book is on display in the rotunda from Saturday through mid-November during the Central Library’s regular hours.

    Read on ... to learn more about what it took to create this 1,800-pound pop-up book. 

    A pop-up book that’s seeking to break the world record for size has unfolded at the Central Library in downtown Los Angeles.

    The art piece is 31 feet wide, more than 11 feet tall, and weighs in at 1,800 pounds.

    Luceros y Penumbras, which roughly translates to “starlight and shadows,” is rooted in L.A. artist Daniel González’s experience visiting the library and his family in Mexico as a child.

    “It's a knowledge tree that's been shaped by all these different things that I've learned at the library, about myself, about the city I grew up in, [and] about the town where my family's from,” González said.

    The nonprofit Library Foundation of Los Angeles collaborated with the library to commission the piece as part of the Central Library’s centennial celebration.

    The project is inspired, in part, by the library’s Toy Movable collection, an archive of more than 2,000 pop-up books.

    “Normal pop-up books … they seem so simple, but something amazing pops out when you open the page,” said Todd Lerew, the foundation’s director of special projects. “That sort of childlike wonder that you feel that's persistent, even as an adult, is something that was really important to capture and dial up to 11 with this project.”

    The origin of 'Luceros'

    The foundation asked González in June 2025 to create a book that told the story of his personal relationship with the library. As González pondered questions including  ”What did the library do for me as a young person?" and "Why was I so attracted to it?" he thought about how knowledge was passed down in his family through the generations.

    His grandmother told him stories about the stars above her farm near Teúl, Zacatecas, in Mexico. She said those that emerged at dawn — luceros — were among the most special because they signaled the start of a new day.

    “ I looked at those stars … and the histories that my grandparents were sharing with me as these guiding lights,” González said. “Just like the library is a guiding light for many people.”

    A woman wearing a wide-brimmed straw hat and a maroon shawl, smiles  at the camera in a garden.
    Daniel González's maternal grandmother, Isabel Gómez, told him stories about the creatures that lived near her farm, including owls, that could teach healing.
    (
    Courtesy Daniel González
    )

    González grew up blocks away from the Benjamin Franklin Library in Boyle Heights.

    “ I spent summers there because it was literally the coolest place to be,” González said. “It just gave me the opportunity to explore anything that I had an interest in.”

    A childhood snapshot a boy with brown hair, resting his chin in his hand as he sits on a floral-print couch holding a pencil. He wears a white "Saint Mary's Aztecs" T-shirt, with newspapers spread out beside him.
    Daniel González, as a child, after an unsuccessful attempt to make a kite after a trip to the library.  "My dad's like, 'I'm gonna take a picture of you so you can see what you look like when you get grumpy,'" he said.
    (
    Courtesy Daniel González
    )

    Later, he’d visit the Central Library during a middle school field trip and return on the bus to wander the stacks and ask the staff questions.

    “ I'm really lucky that I met the people that nurtured that curiosity,” González said.

    From sketches to ‘paper engineering’

    First, González sketched the images, carved them into linoleum, printed them with ink and digitized them to add color and other details.

    A linocut print of an oak tree sits in a display case alongside the carved block, ink roller and carving tools used to make it.
    A few of Daniel González's tools. In the future, he plans to sell prints related to "Luceros y Penumbras."
    (
    Mariana Dale
    /
    LAist
    )

    Matthew Reinhart, children’s book author, illustrator and “paper engineer,” was tasked with translating the images into three dimensions.

    “ My job is really making mistakes,” Reinhart said. “Making mistakes, figuring out where they are and solving them and — of course — making them look good.”

    The construction and the fabrication of the book took the work of more than 30 people over a series of months. At least a dozen people using giant poles capped with cushions turn the pages.

    Fast facts about Luceros y Penumbras

    Dimensions: 31 feet wide, more than 11 feet tall, and
    Weight: More than 1,800 pounds
    Materials: paper, corrugated cardboard and fabric
    Artist: Daniel González
    Paper engineer: Matthew Reinhart
    Fabricated by: Goodnight & Co.

    Luceros y Penumbras is four pages that open to create two scenes — one of the Central Library building and another of a sprawling tree with an I Spy-like collection of creatures and images throughout. The featured pages will change throughout the exhibition, which is open until mid-November.

    A giant pop-up spread featuring a tree, feathered serpent, coyote and sea turtle towers over a regular-sized copy of the same pop-up book at the L.A. Central Library.
    There are at least a dozen different symbols throughout “Luceros y Penumbras."
    (
    Mariana Dale
    /
    LAist
    )

    The sea turtle at the base of the tree is a reference both to the creatures that live in the San Gabriel River and to the original inhabitants of the L.A. basin. The Gabrielino-Tongva Tribe tells a story that connects the region’s earthquakes to the turtles.

    “When we think of sea turtles, we think of these faraway places where they live, like tropical places,” González said. “But they exist here and they've had to adapt to a changing climate, a changing environment, and find places to call home, just as people do.”

    Other images include:

    • A star resting in an outstretched hand in honor of Octavia E. Butler, the science fiction writer who also spent time in the library. 
    •  Quetzalcoatl, the feathered serpent Aztec deity and a frequent motif in East L.A.’s murals. 
    • An owl, a symbol of knowledge associated with the Greek goddess Athena and the Roman goddess Minerva. 

    González said the goal is for viewers to create their own narrative about what they see.

    “ I just hope that people carry with them a sense of curiosity to further explore the things that I present, but also maybe something within them,” González said.

    Visit the pop-up book

    Central Library Centennial Festival

    See Luceros y Penumbras — and visit LAist — at the celebration of the library’s 100th birthday.
    When: Saturday, 10 a.m.-4:30 p.m.
    Cost: Free
    Address: 630 W. Fifth St., Los Angeles
    More information, including parking, here.

    On display

    When: Saturday through mid-November
    Address: Central Library, 630 W. Fifth St. Los Angeles
    Hours: 
    10 a.m.-8 p.m. Monday-Wednesday
    9:30 a.m.-5:30 p.m. Friday-Saturday
    1 p.m.-5 p.m. Sunday
    Parking: Validated rate available during library hours at 524 S. Flower St., more information

  • Sponsored message
  • Fire in Antelope Valley grows to 1,600 acres
    Fire burns amid Joshua trees in a desert landscape.
    The Summit Fire is burning in a part of the Antelope Valley that is dotted with Joshua trees and other desert plants.

    Topline:

    Multiple evacuation orders are in place for residents near a fast-growing fire in the Antelope Valley and the Angeles National Forest, near the L.A. County and San Bernardino County line.

    What we know so far: The fire is burning in a remote area but appears to be moving southward, toward the foothills below Wrightwood.

    Read on ... for more on evacuations.

    This is a developing story. LAist staffers are monitoring the fire but are not regularly updating this page Friday evening. Expect an update Saturday. For the most up-to-date information about the fire, you can check:

    Multiple evacuation orders were in place Friday for residents near a fast-growing fire in the Antelope Valley and the Angeles National Forest, near the L.A. County and San Bernardino County line.

    As of Friday afternoon, the Summit Fire had burned more than 1,600 acres since it sparked earlier in the day and was moving south toward the foothills below Wrightwood. Smoke may be visible from around L.A.

    The evacuation orders cover areas south of State Road 138 and north of Big Pines Highway between Largo Vista Road and the western border of Piñon Hills. Warnings are in effect for areas south of Big Pines Highway and north of Antelope Highway, including for popular ski destination Mountain High Resort.

    An evacuation shelter has been opened at the Antelope Valley YMCA in Lancaster. Small pets are allowed in the evacuation shelter. Small animals can also be taken to the Los Angeles County Animal Care Center in Palmdale.

    L.A. County and Angeles National Forest fire crews are working to contain the blaze. Authorities said structures are threatened, but they have yet to specify the type of structures or how many. Several aircraft are involved in the firefight.

    The L.A. County Fire Department responded to the reports of the brush fire at 12:49 p.m.

    The basics

    • Acreage: 1,600 acres as of 5:30 p.m. Friday.
    • Containment: 0%
    • Structures destroyed: None reported (though authorities said structures are threatened).
    • Deaths: None reported.
    • Injuries: None reported.

    Evacuation map and orders

    Evacuation orders have been issued for the following areas:

    • South of State Road 138 and north of Big Pines Highway between Largo Vista Road and the western border of Piñon Hills.

    Up-to-date evacuation information for L.A. County can be found here. Check for San Bernardino County alerts here.

    Evacuation warnings

    Authorities say those who require additional time to evacuate and those with pets and livestock should leave immediately.

    • South of Big Pines Highway.
    • North of Antelope Valley Highway and south of Pearblossom Highway.
    Smoke from a distant fire rises over mountainous terrain.
    A camera looking northeast from Mount Disappointment in the San Gabriel Mountains captures smoke rising from the Summit Fire.
    (
    Alert California
    /
    UC San Diego
    )

    Evacuation shelter

    Animal shelter for small animals

    What we know so far

    The Summit Fire was first reported early Friday afternoon near Llano in the Antelope Valley. It is burning near the L.A. County and San Bernardino County line. It grew rapidly throughout the afternoon. Weather conditions are expected to stay warm with gusty winds for the rest of the day and into the night.

    Fire burns in a desert area. The air is thick with smoke. A van is visible.
    The area where the Summit Fire began is sparsely populated.
    (
    CalFire
    )

    Listen to our Big Burn podcast

    Listen 39:42
    Get ready now. Listen to our The Big Burn podcast
    Jacob Margolis, LAist's science reporter, examines the new normal of big fires in California.

    Fire resources and tips

    Check out LAist's wildfire recovery guide

    If you have to evacuate:

    Navigating fire conditions:

    How to help yourself and others:

    How to start the recovery process:

    What to do for your kids:

    Prepare for the next disaster:

  • Pickle-brined fried chicken, caviar and more
    Photo of a bucket of fried chicken in metal tray, alongside it are a full sauce container, and pickles. The tray sits on a table, alongside a glass of beer.
    Pawn Shop's pickle-brined fried chicken and a glass of beer.

    Top line:

    You won't find resale items at the Pawn Shop in Hollywood. You'll find TVs, menu items like pickle-brined fried chicken and caviar and a James Beard chef. The new sports bar opened at the end June.

    Why the name Pawn Shop? The building was formerly home to Brothers Collateral Pawn Shop and was redeveloped into a sports bar/restaurant after it closed in 2019.

    About the chef: Tony Messina is a James Beard award-winning chef who grew up in Boston and moved to Los Angeles in 2021.

    You won't find resale items at the Pawn Shop in Hollywood. Instead you'll find TVs, menu items like pickle-brined fried chicken and caviar and a James Beard chef.

    The new sports bar, which opened at the end of June, got its name from the long-running pawn shop which used to be at the location.

    Chef Tony Messina, along with fellow Pawn Shop partner Diego Torres-Palma, sat down with Austin Cross, who hosts AirTalk every Friday, to explain what makes their new establishment stand out.

    Two men sit on a couch, smiling. The man on the left of the frame is wearing jeans, white sneakers, white chef's coat, and a white hate, with black text spelling "Pawn shop." The man on the right is wearing white sneakers, black pants, black suit, and a black shirt with white text that spells "Pawn Shop."
    Chef Tony Messina (left) and business partner Diego Torres-Palma.
    (
    Shelby Moore
    )

    About the food

    Tony Messina began his culinary journey in Boston, starting as a caterer and cook at age 14. Since then, he's received multiple James Beard award nominations, and the organization recognized him in 2019 as the best chef in the Northeast. He made his way to Los Angeles in 2021.

    With the beer flowing and multiple flat-screen TVs, you could assume it to be a standard sports bar. However, Messina elevated the menu, blending his fine-dining experience with his New England roots.

    "You can come to a fun night with the family or a date night even," Messina said. "Be all-encompassing with the restaurant aspect, as opposed to just being pub grub."

    The best Pawn Shop experience

    Messina says to have to ultimate experience in the space, you should sit at their bar or booths that have a good view of of the games on TV. If you want a more premium experience, you could reserve a private suite to watch games with friends and family.

    As for food, he says to prioritize their small plates and shareables (like their New England-Polynesian Pu Pu Platter) and get a main dish if you're still hungry.

    Restaurant details

    An empty restaurant, with a row of tables, chairs, plates, and cups in the bottom right of the frame. The bottom left has a bar, with a row of chairs. Above all of this are multiple television screens.
    Interior of Pawn Shop
    (
    Shelby Moore
    )

    • The building was originally home to Brothers Collateral Pawn Shop, which closed in 2019 after 40 years.
    • One of its partners, Diego Torres-Palma, also helped develop Benny Boy Brewing through his real estate-investment firm, Ventana Ventures.
    • Investors include Dodgers executive Andrew Friedman and Dallas Mavericks minority owner Mark Cuban.

    Menu items we tried

    Photo of a plate with food, laying on a table. The dish is a slice of beard, with tomato, fish and a green garnish.
    Pawn shop's Pan con Tomate
    (
    Shelby Moore
    )

    • Pan con Tomate (smoked tomato, boquerones, urfa, toasted bread)
    • Fried chicken (pickle-brined)
    • Italian sandwich (capicola, mortadella, prosciutto, salami, schiacciata bread)

    How to visit

    • Address: 5901 Melrose Ave., Los Angeles
    • Hours: Monday–Wednesday 11 a.m. to 11 p.m.; Thursday–Friday 11 a.m. to midnight; Saturday 10 a.m. to midnight; Sunday 10 a.m. to 11 p.m.
    • Cost: Pan con Tomate costs $18; an 8-piece bucket of Fried Chicken costs $68, while a 16-piece bucket costs $110; an Italian sub costs $22.

    What should we try next?

    Have a question or comment about a segment? Want to pitch us a story?

    Fill out the form below, and please include an email address so we're able to follow up if necessary! We're not able to respond to every inquiry, but all submissions are read and reviewed by our production team.

  • Risk of rip currents, thunder and lightning
    Four people with surfboards head to the ocean.
    Watch for rip currents and big waves if you're headed to the beach this weekend.

    Topline:

    There’s a high risk of rip currents at Southern California’s beaches this weekend, and thunderstorms are possible throughout L.A. County.

    Tides: High surf and elevated tides are to blame for the chance of dangerous rip currents and big waves. Forecasters say the highest risk will be on south-facing beaches across L.A., Orange and Ventura counties. Waves will run farther up beaches during high tide and could cause minor coastal flooding, especially in low-lying areas such as boardwalks and parking lots.

    Thunderstorms: L.A. County and areas to the north have a 10% to 20% chance of thunderstorms starting Sunday. That’s due to an increase of monsoonal moisture and humidity entering the region. The chance of thunderstorms comes with the potential for lightning and the risk of lighting-sparked fires. The risk will be highest Saturday night and Sunday before more moisture, and possible precipitation, materializes at the start of the week.

    Stay safe: If you’re headed to the beach to escape the heat, watch for hazardous rip tides and waves. Stay near occupied lifeguard stands and follow their advice about ocean conditions. Also look for warning flags and signs. Forecasters say it’s a good idea to avoid turning your back to the ocean and to stay off rock jetties. As for thunderstorms, forecasters say to take shelter in a fully enclosed building or a car with a metal roof if you’re caught in a storm.

    What’s next: More hot weather is on the way. An extreme heat watch remains in place for much of Southern California beginning Tuesday.