A Los Angeles-area attorney must pay a $10,000 fine for filing a state court appeal full of fake quotations generated by the artificial intelligence tool ChatGPT.
Why it matters: The fine appears to be the largest issued over AI fabrications by a California court and came with a blistering opinion stating that 21 of 23 quotes from cases cited in the attorney’s opening brief were made up. It also noted that numerous out-of-state and federal courts have confronted attorneys for citing fake legal authority.
Why now? The opinion, issued 10 days ago in California’s 2nd District Court of Appeal, is a clear example of why the state’s legal authorities are scrambling to regulate the use of AI in the judiciary. The state’s Judicial Council two weeks ago issued guidelines requiring judges and court staff to either ban generative AI or adopt a generative AI use policy by Dec. 15. Meanwhile, the California Bar Association is considering whether to strengthen its code of conduct to account for various forms of AI following a request by the California Supreme Court last month.
The context: The attorney fined last week, Amir Mostafavi, told the court that he did not read text generated by the AI model before submitting the appeal in July 2023, months after OpenAI marketed ChatGPT as capable of passing the bar exam. A three-judge panel fined him for filing a frivolous appeal, violating court rules, citing fake cases, and wasting the court’s time and the taxpayers money, according to the opinion. Mostafavi told CalMatters he wrote the appeal and then used ChatGPT to try and improve it. He said that he didn’t know it would add case citations or make things up.
Read on... for more on the implications of using AI in the legal system.
A Los Angeles-area attorney must pay a $10,000 fine for filing a state court appeal full of fake quotations generated by the artificial intelligence tool ChatGPT.
The fine appears to be the largest issued over AI fabrications by a California court and came with a blistering opinion stating that 21 of 23 quotes from cases cited in the attorney’s opening brief were made up. It also noted that numerous out-of-state and federal courts have confronted attorneys for citing fake legal authority.
“We therefore publish this opinion as a warning,” it continued. “Simply stated, no brief, pleading, motion, or any other paper filed in any court should contain any citations— whether provided by generative AI or any other source—that the attorney responsible for submitting the pleading has not personally read and verified.”
The opinion, issued 10 days ago in California’s 2nd District Court of Appeal, is a clear example of why the state’s legal authorities are scrambling to regulate the use of AI in the judiciary. The state’s Judicial Council two weeks ago issued guidelines requiring judges and court staff to either ban generative AI or adopt a generative AI use policy by Dec. 15. Meanwhile, the California Bar Association is considering whether to strengthen its code of conduct to account for various forms of AI following a request by the California Supreme Court last month.
The attorney fined last week, Amir Mostafavi, told the court that he did not read text generated by the AI model before submitting the appeal in July 2023, months after OpenAI marketed ChatGPT as capable of passing the bar exam. A three-judge panel fined him for filing a frivolous appeal, violating court rules, citing fake cases, and wasting the court’s time and the taxpayers money, according to the opinion.
Mostafavi told CalMatters he wrote the appeal and then used ChatGPT to try and improve it. He said that he didn’t know it would add case citations or make things up.
He thinks it is unrealistic to expect lawyers to stop using AI. It’s become an important tool just as online databases largely replaced law libraries and, until AI systems stop hallucinating fake information, he suggests lawyers who use AI to proceed with caution.
“In the meantime we’re going to have some victims, we’re going to have some damages, we’re going to have some wreckages,” he said. “I hope this example will help others not fall into the hole. I’m paying the price.”
The fine issued to Mostafavi is the most costly penalty issued to an attorney by a California state court and one of the highest fines ever issued over attorney use of AI, according to Damien Charlotin, who teaches a class on AI and the law at a business school in Paris. He tracks instances of attorneys citing fake cases, primarily in Australia, Canada, the United States, and the United Kingdom.
In a widely-publicized case in May, a U.S. district court judge in California ordered two law firms to pay $31,100 in fees to defense counsel and the court for costs associated with using “bogus AI-generated research.” In that ruling, the judge described feeling misled, said they almost cited fake material in a judicial order and said “Strong deterrence is needed to make sure that attorneys don’t succumb to this easy shortcut.”
Charlotin thinks courts and the public should expect to see an exponential rise in these cases in the future. When he started tracking court filings involving AI and fake cases earlier this year, he encountered a few cases a month. Now he sees a few cases a day. Large language models confidently state falsehoods as facts, particularly when there are no supporting facts.
“The harder your legal argument is to make, the more the model will tend to hallucinate, because they will try to please you,” he said. “That’s where the confirmation bias kicks in.”
A May 2024 analysis by Stanford University’s RegLab found that although three out of four lawyers plan to use generative AI in their practice, some forms of AI generate hallucinations in one out of three queries. Detecting fake material cited in legal filings could get harder as models grow in size.
Another tracker of cases where lawyers cite nonexistent legal authority due to use of AI identifies 52 such cases in California and more than 600 nationwide. That amount is expected to increase in the near future because AI innovation is outpacing the education of attorneys, said Nicholas Sanctis, a law student at Capital University Law School in Ohio.
Jenny Wondracek, who leads the tracker project, said she expects this trend to get worse because she still regularly encounters lawyers who don’t know that AI makes things up or believe that legal tech tools can eliminate all fake or false material generated by language models.
“I think we’d see a reduction if (lawyers) just understood the basics of the technology,” she said.
Like Charlotin, she suspects there are more instances of made up cases generated by AI in state court filings than in federal courts, but a lack of standard filing methods makes it difficult to verify that. She said she encounters fake cases most often among overburdened attorneys or people who choose to represent themselves in family court.
She suspects the number of arguments filed by attorneys that use AI and cite fake cases will continue to go up, but added that not just attorneys engage in the practice. In recent weeks, she’s documented three instances of judges citing fake legal authority in their decisions.
As California considers how to treat generative AI and fake case citations, Wondracek said they can consider approaches taken by other states, such as temporary suspensions, requiring attorneys who get caught to take courses to better understand how to ethically use AI, or requiring them to teach law students how they can avoid making the same mistake.
Mark McKenna, codirector of the UCLA Institute of Technology, Law & Policy praised fines like the one against Mostafavi as punishing lawyers for “an abdication of your responsibility as a party representing someone.” He thinks the problem “will get worse before it gets better,” because there’s been a rush among law schools and private firms to adopt AI without thinking through the appropriate way to use them.
UCLA School of Law professor Andrew Selbst agrees, pointing out that clerks that work for judges are recent law school graduates, and students are getting bombarded with the message that they must use AI or get left behind. Educators and other professionals report feeling similar pressures.
“This is getting shoved down all our throats,” he said. “It’s being pushed in firms and schools and a lot of places and we have not yet grappled with the consequences of that.”
A person prepares a marijuana cigarette in New York City on April 20, 2024.
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Topline:
As marijuana use among teens has grown in the past decade, researchers have been trying to better understand the health risks of the drug. Now, a new longitudinal study finds that cannabis use among adolescents increases risks of being diagnosed with bipolar and psychotic disorders, as well as anxiety and depression, years later.
What was the study: Researchers analyzed health data on 460,000 teenagers in the Kaiser Permanente Health System in Northern California. The teens were followed until they were 25 years old.
What was the result: They found that the teens who reported using cannabis in the past year were at a higher risk of being diagnosed with several mental health conditions a few years later, compared to teens who didn't use cannabis.
Read on ... for more on what the study found.
As marijuana use among teens has grown in the past decade, researchers have been trying to better understand the health risks of the drug. Now, a new longitudinal study finds that cannabis use among adolescents increases risks of being diagnosed with bipolar and psychotic disorders, as well as anxiety and depression, years later.
Researchers analyzed health data on 460,000 teenagers in the Kaiser Permanente Health System in Northern California. The teens were followed until they were 25 years old. The data included annual screenings for substance use and any mental health diagnoses from the health records. Researchers excluded the adolescents who had symptoms of mental illnesses before using cannabis.
"We looked at kids using cannabis before they had any evidence of these psychiatric conditions and then followed them to understand if they were more likely or less likely to develop them," says Dr. Lynn Silver, a pediatrician and researcher at the Public Health Institute, and an author of the new study.
They found that the teens who reported using cannabis in the past year were at a higher risk of being diagnosed with several mental health conditions a few years later, compared to teens who didn't use cannabis.
Teens who reported using cannabis had twice the risk of developing two serious mental illnesses: bipolar, which manifests as alternating episodes of depression and mania, and psychotic disorders, such as schizophrenia which involve a break with reality.
Now, only a small fraction — nearly 4,000 — of all teens in the study were diagnosed with each of these two disorders. Both bipolar and psychotic disorders are among the most serious and disabling of mental illnesses.
"Those are the scarier conditions that we worry about," says Sultan.
Silver points out these illnesses are expensive to treat and come at a high cost to society. The U.S. cannabis market is an industry with a value in the tens-of-billions — but the societal cost of schizophrenia has been calculated to be $350 billion a year.
"And if we increase the number of people who develop that condition in a way that's preventable, that can wipe out the whole value of the cannabis market," Silver says.
Depression and anxiety too
The new study also found that the risk for more common conditions like depression and anxiety was also higher among cannabis users.
"Depression alone went up by about a third," says Silver, "and anxiety went up by about a quarter."
But the link between cannabis use and depression and anxiety got weaker for teens who were older when they used cannabis. "Which really shows the sensitivity of the younger child's brain to the effects of cannabis," says Silver. "The brain is still developing. The effects of cannabis on the receptors in the brain seem to have a significant impact on their neurological development and the risk for these mental health disorders."
Silver hopes these findings will make teens more cautious about using the drug, which is not as safe as people perceive it to be.
"With legalization, we've had a tremendous wave of this perception of cannabis as a safe, natural product to treat your stress with," she says. "That is simply not true."
The new study is well designed and gets at "the chicken or the egg, order-of-operations question," says Sultan. There have been other past studies that have also found a link between cannabis use and mental health conditions, especially psychosis. But, those studies couldn't tell whether cannabis affected the likelihood of developing mental health symptoms or whether people with existing problems were more likely to use cannabis — perhaps to treat their symptoms.
But by excluding teens who were already showing mental health symptoms, the new study suggests a causal link between cannabis use and later mental health diagnoses. Additional research is needed to understand the link fully.
'Playing with fire'
Sultan, the psychiatrist and researcher at Columbia University, says the study confirms what he's seeing in his clinic — more teens using cannabis who've developed new or worsening mental health symptoms.
"It is most common around anxiety and depression, but it's also showing up in more severe conditions like bipolar disorder and psychosis," he says.
He notes that mental health disorders are complex in origin. A host of risk factors, like genetics, environment, lifestyle and life experiences all play a role. And some young people are more at risk than others.
"When someone has a psychotic episode in the context of cannabis or a manic episode in the context of cannabis, clinicians are going to say, 'Please do not do that again because you're you're you're playing with fire,'" he says.
Because the more they use the drug, he says the more likely that their symptoms will worsen over time, making recovery harder.
"What we're worried about [is if] you sort of get stuck in psychosis, it gets harder and harder to pull the person back," says Sultan. "Psychosis and severe mood disorders, particularly bipolar disorder are like seizures in your brain. They're sort of neurotoxic to your brain, and so it seems to be associated with a more rapid deterioration of the brain."
Teenagers ride electric motorcycles along the La Jolla coastline at sunset Dec. 27, 2025, in San Diego.
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Topline:
A proposed bill in the California legislature would require certain electric bikes to register with the Department of Motor Vehicles and to carry license plates.
Why does it matter?: This proposal would make it easier to identify people involved in dangerous incidents.
Why now?: E-bike related injuries increased 18-fold between 2018 and 2023, according to data from the Statewide Integrated Traffic Records System.
Read on for more details …
Some electric bikes in California could soon require license plates under a proposed state bill aiming to address the rise in electric bike related injuries.
AB 1942 or the E-bike Accountability Act, would apply exclusively to Class 2 and Class 3 electric bikes.
Class 2 bikes can be operated without peddling until it reaches the speed of 20 mph.
Class 3 bikes reach a max speed of 28 mph; motor assist could only kick in with peddling.
The bill would also require owners to carry proof of ownership and would direct the Department of Motor Vehicles to establish a registration process. It was introduced by Assemblymember Rebecca Bauer-Kahan of Orinda in Contra Costa County earlier this month.
E-bike injuries spiked 18-fold between 2018 and 2023, according to state traffic data.
The bill may be heard in committee March 16.
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NASA could launch four astronauts on a mission to fly around the moon as soon as March 6th.
The backstory: The Artemis II test flight will send four astronauts on an approximately 600,000-mile trip around the moon and back. It will mark the first time that people have ventured to the moon since the final Apollo lunar mission in 1972.
What's next: There's still some pending work that remains to be done out at the launch pad, and officials will have to conduct a multi-day flight readiness review late next week to make sure that every aspect of the mission is truly ready to go.
NASA could launch four astronauts on a mission to fly around the moon as soon as March 6.
That's the launch date that the space agency is now working toward following a successful test fueling of its big, 322-foot tall moon rocket, which is standing on a launch pad at the Kennedy Space Center in Florida.
"This is really getting real," says Lori Glaze, acting associate administrator of NASA's exploration systems development mission directorate. "It's time to get serious and start getting excited."
But she cautioned that there's still some pending work that remains to be done out at the launch pad, and officials will have to conduct a multi-day flight readiness review late next week to make sure that every aspect of the mission is truly ready to go.
"We need to successfully navigate all of those, but assuming that happens, it puts us in a very good position to target March 6th," she says, noting that the flight readiness review will be "extensive and detailed."
The Artemis II test flight will send four astronauts on an approximately 600,000-mile trip around the moon and back. It will mark the first time that people have ventured to the moon since the final Apollo lunar mission in 1972.
When NASA workers first tested out fueling the rocket earlier this month, they encountered problems like a liquid hydrogen leak. Swapping out some seals and other work seems to have fixed these issues, according to officials who say that the latest countdown dress rehearsal went smoothly, despite glitches such as a loss of ground communications in the Launch Control Center that forced workers to temporarily use backups.
Members of the Artemis II crew — NASA astronauts Reid Wiseman, Victor Glover, Christina Koch and Canadian Space Agency astronaut Jeremy Hansen — are starting their roughly two-week quarantine to limit their exposure to illnesses before their flight.
Glaze says she spoke to several of the astronauts during the recent test fueling, as they were in Florida to observe the preparations. "They're all very, very excited," she says. "They are really getting a lot of anticipation for a potential launch in March."
Makenna Sievertson
covers the daily drumbeat of Southern California — events, processes and nuances making it a unique place to call home.
Published February 21, 2026 5:00 AM
The second section of the exhibition focuses on Ponyo leaving her home, following her curiosity to dry land where she meets Sōsuke.
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Topline:
An exhibition that takes visitors through the magical water worlds of the 2008 film Ponyo and the hand-drawn artistry of Studio Ghibli is now open at the Academy Museum of Motion Pictures.
Why it matters: The films from the Japanese animation studio and director Hayao Miyazaki have captivated imaginations around the world for decades — this reporter with my four tattoos of favorite Studio Ghibli characters included.
Why now: This is now the second time the Miracle Mile museum has dedicated an exhibition to Miyazaki’s works, with the focus on Ponyo arriving more than four years after the retrospective of all his animated feature films.
The backstory: “These drawings have never been shown outside of Japan,” Shraddha Aryal, the museum’s executive vice president of exhibitions, told LAist. “We have an amazing conservation team who actually cell by cell took care of these, conserved these and that was what led us to say let’s do another exhibition really highlighting their artwork.”
Read on ... for more about the Ponyo exhibition.
An exhibition that takes visitors through the magical water worlds of the 2008 film Ponyo and the hand-drawn artistry of Studio Ghibli is now open at the Academy Museum of Motion Pictures.
The films from the Japanese animation studio and director Hayao Miyazaki have captivated imaginations around the world for decades — this reporter with my four tattoos of favorite Studio Ghibli characters included.
This is now the second time the Miracle Mile museum has dedicated an exhibition to Miyazaki’s works, with the focus on Ponyo arriving more than four years after the retrospective of all his animated feature films.
“These drawings have never been shown outside of Japan,” Shraddha Aryal, the museum’s executive vice president of exhibitions, told LAist. “We have an amazing conservation team who actually cell by cell took care of these, conserved these and that was what led us to say let’s do another exhibition really highlighting their artwork.”
The exhibition includes more than 100 items from Studio Ghibli, including animation cells from Ponyo.
The studio and Miyazaki would achieve the same feat again two decades later with The Boy and the Heron in 2024.
Studio Ghibli’s films are often fantastical with a lens of childlike wonder, but they also touch on difficult topics like the horrors of war, fascism, greed and environmental destruction. Characters are complex, with women and girls regularly in strong roles, such as the spear-wielding San or the brave but stubborn Kiki.
For me, there’s something about the carefully crafted storylines and colorful style that still make me feel like I’m exploring the forest with Princess Mononoke or stuck in a secret world of sorcery with Spirited Away, even as an adult.
Miyazaki's magical world
Ponyo is one of Miyazaki’s most kid friendly films — with positive themes of courage and curiosity as the audience tags along with the adventures of the young main characters. Plus, there’s no unnerving scenes of parents being turned into pigs like in Spirited Away (if you know you know).
The 2008 film tells the story of its namesake, the magical goldfish-like creature, Ponyo, and her budding friendship with a 5-year-old human boy named Sōsuke. The film follows Ponyo’s desire to leave her underwater world and become a human to be with Sōsuke, disrupting the balance of nature and having to contend with challenges like a tsunami along the way.
The exhibit creates a 3D version of the filmic world where visitors can climb inside an interactive version of Sōsuke’s green bucket or walk on wave displays like Ponyo in the tsunami.
“Ponyo exhibition is all about this character’s perseverance, and the joyful nature and triumph through ups and downs, [being] willing to explore a new world,” Aryal said. “And it's such a beautiful love story about friendship.”
Reimagining Ponyo
The exhibition includes rare Studio Ghibli donations on display in North America for the first time ever, such as original Miyazaki drawings and Ponyo animation cells, according to the Academy Museum. Guests can explore more than 100 items hand-picked by the studio, including an original animation desk and a make-your-own stop-motion station.
The experience is designed for all ages, reporter superfans with several tattoos of Studio Ghibli characters included.
But Jessica Niebel, the museum’s senior exhibitions curator, told LAist she hopes the Ponyo exhibition helps children feel inspired by the "beautiful messages” of the movie, especially after last year’s L.A. fires and the COVID pandemic.
“Sometimes you live through times where you have a tsunami, where you lose your magic or your mojo, you know, you're not quite sure of your identity,” she said. “[Miyazaki] gives us hope and courage that we can be free and run on the waves like Ponyo.”
“And instead of seeing things as a threat, maybe we use them to carry us,” she continued.
Dipping into the 3-D world
The exhibition is split into four sections focused on different aspects of the film.
The first dives inside Ponyo’s magical underwater home, introducing some main characters with a scene played on a screen spanning nearly the entire room.
The Ponyo exhibition takes visitors inside the 2008 film's magical water worlds.
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The first section includes Ponyo's goddess mother.
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A portrait of Ponyo’s goddess mother, Granmamare, is set up behind a few bean bag chairs in the space, giving guests the sense she’s watching the sea creatures over your shoulder.
The second section centers on Ponyo leaving her home, following her curiosity to dry land where she meets Sōsuke.
The room intentionally reflects the green and blue tones of the film, with curved designs and an interactive bucket that mirrors Miyazaki’s spirit, according to Aryal.
The second section includes the original Japanese release posters from Studio Ghibli’s other famed films, including Princess Mononoke, Spirited Away, Howl’s Moving Castle and The Wind Rises.
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The walls are lined with the original Japanese release posters from Studio Ghibli’s other famed films, including Howl’s Moving Castle, Porco Rosso and The Wind Rises.
The third section takes you inside “the animators’ imaginative world,” Niebel said. The centerpiece is an original animation desk donated by Studio Ghibli and surrounded by Miyazaki’s detailed drawings for Ponyo.
The exhibition includes rare materials, such as a Studio Ghibli animation desk with drawing supplies.
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Stations are set up where guests can make their own stop motion animation using sea creature cut-outs.
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Two stations are set-up on the side where guests can create their own stop motion animation scene using some of the sea creature cut-out materials sent by the studio, according to Arturo Arias, an Academy Museum educator and gallery attendant.
“It's really nice to have the sort of underwater theme happening and so people submerge — no pun intended — into it and just kind of play along,” Arias told LAist.
The final section focuses on the scene where Ponyo runs on waves instead of being swallowed by the water.
“That's a moment that's really close to my heart and I think it's sensational and only [something] Hayao Miyazaki could do,” Neibel said. “[Ponyo]'s just so joyful and so free.”
Painted waves cascade on the exhibition walls as a bright Ponyo pokes out, with behind-the-scenes clips showcased on the side.
The film follows Ponyo’s desire to leave her underwater world and become a human disrupting the balance of nature with a tsunami along the way.
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Behind the scenes clips from the making on Ponyo were showcased on the side in the last section of the exhibition.
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The movie may be nearly 20-years-old, but Aryal said the hopeful messages of Ponyo are still “really relevant” in the current world and political climate.
“It kind of becomes a refuge, if I may say that, this joyful refuge,” she said. “There is an option for you, even in this sort of disruptive climate that we're living in right now, that you can come and go through this joyful immersive experience.”
Details
The Academy Museum’s “Studio Ghibli’s PONYO” exhibition is open until Jan. 10, 2027. General admission to the museum is free for children and $25 for adults.