The Brief

The historic Wayfarers Chapel in Rancho Palos Verdes will be disassembled this week because of unprecedented land movement that has reached about 7 inches a week.

The project, which was announced Monday, comes as the land movement accelerates. City officials say the land where the chapel is located has been moving around 7 inches a week for the past few months. From October 2021 to October 2022, the land moved at a rate of around 0.08 inches a week.

“With the land moving at its current pace, the only way to preserve this building is to move it to a temporary safe location until a suitable build site is identified,” said Katie Horak with Architectural Resources Group, one of the organizations tasked with overseeing the disassembly of the 73-year-old structure. “The chapel cannot be moved in one piece due to the nature of its structure, and therefore it must be disassembled.”

How the disassembly will work

The “most delicate components” of the chapel — the redwood beams, steel mullions and blue roof tiles — will be removed first. Workers will use a 3D model of the building to label each part as it is removed so it can be put back together exactly where it belongs once it’s reconstructed.

Megan Turner, with S. L. Leonard & Associates, said the roof tiles will be removed with machinery, but the steel mullions and the salvageable glass panes will be removed by hand.

Special techniques will be used to deconstruct and remove the beams by crane. They will be placed in “wooden cradles” or custom fit boxes to be transported to another location in Rancho Palos Verdes.

The location of where the components of the chapel will be stored is important. Turner said that because of exposure to “the moisture and the afternoon sun and the morning dew,” mimicking those conditions in storage “is important to ensuring that the wood pieces maintain their integrity.”

Cracks on the glass facade of the Wayfarers Chapel in Rancho Palos Verdes and on walkways.

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While the priority is disassembly and storage of the building, Dan Burchett, executive director of Wayfarers Chapel, said church officials are committed to rebuilding on its existing grounds.

“If it can't be rebuilt on this site, and that is our first choice, we have never wanted to move off of this site,” he said. “But if this square mile landslide renders that an impossibility, we are open to looking for a similar site in Rancho Palos Verdes. We have no intention of leaving the area.”

How we got here

Rancho Palos Verdes Mayor John Cruikshank said Monday that land is moving at a rate of 6 to 9 inches per week in the Abalone Cove landslide, 5 to 9 inches in the Portuguese Bend landslide, and 1 to 4 inches in the Klondike Canyon landslide complex.

“The middle of the complex is moving the fastest with over 9 inches per week, and if you do that math, it's about 39 feet per year,” he said.

The land movement resulted in the chapel’s administration building being red-tagged in April.

The damaged grounds of the Wayfarers Chapel in Rancho Palos Verdes.

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Turner said when she was brought in a year ago to do restoration work on the chapel, there were some “hairline cracks” along the building. But the heavy rains of 2023 and earlier this year resulted in an increase in movement. In September, the first glass panel cracked.

“Gaps that we had last December that were maybe up to a half inch to an inch at that point have now increased to 3 to 5 inches in certain areas back behind the chapel,” she said.

LAist last visited the chapel in February. Since then, more glass appeared to be cracked and in some places missing. Cracks on the sidewalk were more pronounced and one side of the parking lot could no longer be used due to the land having shifted around 2 feet.

A storied history

An early postcard image of the Wayfarers Chapel in Rancho Palos Verdes.

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As we reported when the issues first became dire earlier this year:

Wayfarers Chapel was built in 1951 at the behest of the Swedenborgian Church. Members commissioned Lloyd Wright — son of famed architect Frank Lloyd Wright — to fulfill their vision of a small church overlooking the Pacific Ocean.

L.A. County is home to 23 National Historic Landmarks, according to the National Park Service. Dubbed “most Instagrammable chapel in L.A” by the Los Angeles Times, Wayfarers Chapel became the newest addition to that list in December 2023.

When Gilbert Lindsay became the first Black person elected to Los Angeles City Council in 1963, it gave the residents of the predominantly Black District 9 someone who understood the challenges they faced living in South Central. 

This area was the center of Black political power in LA because it was one of the few places in the city Black people were allowed to live and thrive due, in part, to housing restrictions. For the next 63 years, voters in this district — which includes historic South Central, Exposition Park and a small portion of downtown Los Angeles — consecutively chose a Black representative. 

That will end with Curren D. Price Jr., the current District 9 councilmember who can’t run again due to term limits. 

Twelve candidates announced campaigns in February to replace Price. Of them, six candidates have qualified to be on the June 2 primary election ballot, none of whom are Black. They include: Estuardo Mazariegos, Elmer Roldan, Jorge Hernandez Rosas, Jorge Nuño, Martha Sánchez and Jose Ugarte. 

The list is a reflection of the demographic shift of the area, but candidates also told The LA Local that it shows the strength of the district’s Black-Latino political coalition. And with the civil rights gains since the 1960s, while some locals are concerned that issues facing Black voters won’t get the attention they need, others who live in the district said they’re less concerned with what their representative looks like. Instead, they said they want someone who listens and gets things done. 

“As long as you do good in the community, we’re going to be happy,” said Dennis Anya, who works on Central Avenue and has lived in the district for nearly 40 years.

What the demographic shifts in District 9 mean for the June election

The upcoming election comes as the demographics have changed in District 9 and South LA. The Black population in South Los Angeles was 81% in 1965, according to a special census survey from November 1965 of South and East LA. 

As of 2021, District 9, specifically, is about 78% Latino and 13% Black, according to LA City Council population demographic data taken that year as part of a redistricting effort. 

Officials have predicted the district’s shift for years. Former City Councilmembers Kevin De León and Nury Martinez discussed the district’s future in the leaked 2021 audio — checkered with racist remarks — that the LA Times reported in 2022.“This will be [Price’s] last four years,” De Leon said at one point in the conversation, the transcript of which the LA Times published in full. “That eventually becomes a Latino seat.” 

Erin Aubry Kaplan, a writer and columnist who traces her family’s roots to South Central, told The LA Local that because District 9 has historically voted for a Black candidate, there is some anxiety amongst Black voters about losing Black representation in Los Angeles. 

“I would hope that whoever wins, will carry the interest of Black folk forward,” she said.

Manuel Pastor, a USC professor and co-author of “South Central Dreams: Finding Home and Community in South LA,” told The LA Local that traditionally, voters are older. While District 9 is now home to a younger, immigrant community, they may not vote at the same rate as older generations, and undocumented residents are ineligible to vote.  

Pastor said it’s likely for this reason that the current District 9 candidates are not emphasizing being Latino but are modeling their campaigns after other city leaders and focusing on Black-Latino solidarity. 

“Just because the demographics have changed, doesn’t mean that the voting population has changed,” Pastor said.  

Here’s what the candidates say about the transformation of District 9

Chris Martin, one of the two Black candidates who campaigned for the seat but did not qualify for the ballot, said he believes the city’s Black elected officials should have supported Black candidates in the race. Martin said he will challenge the city clerk’s decision on his nomination petition in court. 

“The story of Black political power in the city of Los Angeles is dying,” Martin said. “I felt like I had a good chance of keeping it alive.” 

When Gilbert Lindsay became the first Black person elected to Los Angeles City Council in 1963, it gave the residents of the predominantly Black District 9 someone who understood the challenges they faced living in South Central.

Michelle Washington, the other Black candidate who also did not qualify, did not respond to a request for comment.Price, the current District 9 councilmember, endorsed his deputy Jose Ugarte in the race and wrote in a statement that this election is about solidarity. 

“As a Black man who has served a majority-Latino district, I know that progress in South Central has always come from Black and Brown families moving forward together,” Price wrote. “We’ve had to fight harder for housing, safety, opportunity and the basic investments every neighborhood deserves. And when we’ve made gains, it’s because we stood united.”  

Five of the six candidates who qualified for the ballot told The LA Local that not having a Black candidate on the ballot doesn’t diminish the place of the district’s Black community. (Candidate Jorge Hernandez Rosas did not return requests for comment.) 

“It has always been a Black community and will always be a Black community. This isn’t about a passing of the baton or one community taking over another. It’s about building a solidarity movement,” Estuardo Mazariegos said. 

Elmer Roldan, who carries endorsements from LA Mayor Karen Bass and City Council President Marqueece Harris-Dawson, said the district needs a councilmember who won’t leave anyone behind.“We have to avoid at all costs contributing to Black erasure and Black displacement,” Roldan said.

Ugarte said that the major quality of life problems — like dirty streets and broken street lights — affecting the neighborhood’s Black and brown communities haven’t changed since he was a child living in the district. 

“The same issues are still here,” he said. 

Here’s what happens next

If you haven’t registered to vote and you want to receive a vote-by-mail ballot, you must register to vote by May 18.

Results from the primary election will be certified by July 2. If no candidate receives more than 50% of the vote, the top two candidates will move on to the general election on Nov. 3, according to the City Clerk’s website. 

The winner of District 9 will begin a four-year term Dec. 14.

The L.A. County Medical Examiner has released the cause of death for Emily Beutner, the daughter of former LAUSD Superintendent Austin Beutner.

The 22-year-old died from the effects of a combination of drugs, including two linked to the opioid known as kratom — mitragynine and 7-hydroxymitragynine — according to the statement released by the medical examiner Friday.

A county health official told our partner CBS L.A. that kratom products are sometimes sold as natural remedies but are illegal and unsafe.

The other two substances cited as causes of death were quetiapine and mirtazapine — the former is an antipsychotic medication, and the latter is used to treat depression, according to the Mayo Clinic.

The former Loyola Marymount University student was found alone and suffering from medical distress by L.A. County Fire Department personnel shortly after midnight in a field by a highway in Palmdale on Jan. 6. She was transported to a hospital and pronounced dead soon after.

After his daughter's death, Beutner dropped out of the L.A. mayoral race.

The Medical Examiner said the manner of death was ruled a suicide.

Resources

If You Need Immediate Help

• If you or someone you know is in crisis and need immediate help, call the Suicide Prevention Lifeline at 988 or go here for online chat.

If you or someone you know is experiencing a crisis, you can dial the mental health lifeline at 988.

Additional resources

This story first appeared on The LA Local.

There’s a familiar shorthand history of the L.A. band Los Lobos: four working-class Chicano musicians in their early twenties — David Hidalgo, Conrad Lozano, Louie Pérez and Cesar Rosas — got together in 1973 and began playing traditional Mexican music. That’s the music they recorded for their first album, 1978’s “Los Lobos del Este de Los Angeles (Just Another Band From East L.A.).” 

A few years later, they moved on to the other music they grew up listening to — rock, R&B and blues. After adding saxophonist Steve Berlin and releasing two critically acclaimed albums in the mid-1980s, they were tapped to perform Ritchie Valens’ songs for the hit 1987 film, “La Bamba.” The soundtrack album topped the Billboard charts and catapulted the band to rock star status. 

But instead of continuing along that gilded path, they reverted to the traditional sounds — both in Spanish and English — that meant so much to them. Fifty-plus years after starting out, Los Lobos are still at it, and now a new documentary is digging deep into their ups and downs — and how they always stayed true to their East L.A. roots.

“Los Lobos: Native Sons” — co-directed by Doug Blush and Piero F. Giunti — had its world premiere on Sunday at the SXSW Film & TV Festival in Austin, Texas. The band was in attendance, proudly walking the red carpet in front of the historic Paramount Theatre. The film, which took 4 ½ years to complete, combines archival photos and film/video footage (17 boxes of material from Pérez alone), alongside contemporary interviews with the band members, their families and a host of admirers, including Linda Ronstadt, Rubén Blades, Dolores Huerta, Cheech Marin, Edward James Olmos, George Lopez and others.

“I thought the film was great,” said Pérez, speaking from his home a few days after the premiere. “There were tears, cheers … I was moved.”

The new documentary “Los Lobos: Native Sons” was 4 1/2 years in the making.

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Pérez said he was particularly touched by a part in the film when his wife talks about the song, “A Matter of Time,” off the band’s album, “How Will the Wolf Survive?” from 1984. Pérez noted that he and Hidalgo wrote the song about a Mexican migrant worker who has to part ways with his family:

In the film, Mary Pérez becomes emotional as she describes how the song was just as much about the band members leaving their families behind when they went on tour, the kids waking up to find their fathers gone.

“That song became our narrative,” Louie Pérez said in our interview. In the film, he bluntly states that the band “wouldn’t exist without the women in our lives.” Those women were the den mothers of the wolfpack, holding down the fort at home, accompanying the band on tour when possible, with some of the kids eventually jamming with their dads onstage.

Personal stories aside, the documentary also poetically frames the band’s — and the country’s — evolution over a half-century. “I saw the face of America change,” Pérez says in the film. “And that face is brown.”

Days after the premiere, Pérez reflected on the band’s journey. “All our success, all our hard work — we’re fortunate to be where we are considering where we came from.”

Los Lobos continue to perform after 53 years as a band.

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From Garfield High School to playing at weddings and quinceañeras to performing in the Obama White House and winning four Grammy Awards, Los Lobos has exemplified — indeed, helped define — what it means to be Mexican American.

“We set out to de-mystify what a Mexican was, what a Chicano was,” Pérez said. “We needed to let people know who we were.”

And that they did, and continue to do — for 53 years and counting. 

“At this point in my life,” said the 73-year-old Pérez, “I’ve never been more proud to be who I am.”

On Friday, K-pop's biggest group, BTS, released its highly anticipated new album, Arirang. It's the first project featuring all seven members of the boy band in nearly four years, following a hiatus for mandatory military service in South Korea.

Individual members — particularly Jimin and Jung Kook — have achieved significant solo success since then, but the return of BTS in full force signals a massive moment for the genre the group helped turn into a global powerhouse. In 2018, BTS' album Love Yourself: Tear became the first K-pop album ever to top the Billboard 200 chart. The band would go on to reach that milestone five more times in four years.

Since BTS' hiatus, K-pop has reached unprecedented heights in mainstream culture, largely thanks to groups like Blackpink, NewJeans, and of course, the artists behind Netflix's animated film KPop Demon Hunters (which led to the first Grammy win for a K-pop song). But even during their time out of the spotlight, BTS' impact — and the promise of its return — has lingered over the genre.

"It's interesting to me because a lot of people are crediting 'Golden' and KPop Demon Hunters with bringing people into K-pop," Billboard journalist Tetris Kelly told NPR's Morning Edition. "But I don't think that the success of even 'Golden' would've happened if BTS didn't already push that door open for this kind of moment."

K-pop may have grown (and Westernized) during BTS' time away — but if the preliminary numbers for their comeback are any indication, pop culture (and their fervent fanbase, known as the "ARMY") has been eagerly awaiting the band's return. Here are just a few ways to measure how enormous the impact is expected to be:

Arirang album presales

In January, South Korean news outlets reported that presales for Arirang — advance orders ahead of the album's release — had likely surpassed 4 million copies within one week of the album being announced. In the U.S., BTS' last release, the 2022 compilation Proof, sold 314,000 copies in its first week. Arirang seems likely to eclipse that mark.

Concert in Seoul

On Saturday, BTS will perform a free concert in Seoul's Gwanghwamun Square. Although about 22,000 fans secured tickets to the show, authorities expect closer to a quarter of a million people to show up to the event. Billboard journalist Tetris Kelly told NPR's Morning Edition that the anticipated crowds have activated security concerns, leading authorities to seal off around 30 buildings in the surrounding areas. According to the BBC, Army members had already started gathering on Friday afternoon, and the city of Seoul had deployed thousands of police officers to monitor the area.

Luckily for fans around the world, Netflix will also be live-streaming the performance in 190 countries at 4 a.m. Saturday. It will be the streaming giant's first time globally broadcasting a concert, and tens of millions of viewers are expected to watch. In interviews with the press, Brandon Riegg, Netflix's vice president of nonfiction series and sports, suggested the show could be part of a longer-term investment in South Korean culture.

"We have high expectations with this inaugural concert, but it certainly should signal a greater appetite that we have to work with other artists and labels throughout Korea and Asia in general," Riegg told Reuters.

On March 27, Netflix will also release a documentary about the making of Arirang and the band's blockbuster return.

Sold out tour

After Saturday's concert, BTS will keep the momentum going — first at an intimate performance hosted by Spotify in New York City, and then on a sold out global tour that kicks off in South Korea on April 9.

The Arirang tour, or at least this initial leg, which spans across multiple continents and more than 70 shows, will extend into the spring of 2027. Within just a few days of tickets going on sale, all of the North America, Europe and U.K. stadium dates sold out. The total number of tickets sold, according to Live Nation: close to 2.4 million. The first two dates of the tour will also be screened in movie theaters around the world. Bloomberg projects that BTS' tour could rival Taylor Swift's Eras Tour, which is the most successful tour of all time.

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