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The Brief

The most important stories for you to know today
  • How to navigate the exhausting claims process
    A partially burned down building with beige walls. The mountains can be seen in the background and a person wearing a green sweatshirt and jeans walks by.
    Document everything when dealing with insurance: names, phone numbers, emails, dates. And send follow-up emails after every conversation.

    Topline:

    Lost or frustrated trying to navigate insurance after the Eaton or Palisades fire? LAist talked with professionals in the insurance industry and individuals navigating the claims process to put together this guide to common questions and roadblocks.

    TL;DR tips: 

    • Document all of your interactions with your insurance company.
    • Advocate for yourself … again and again.
    • Be proactive — provide information, like cost estimates, to adjusters to help them investigate your claim.
    • Free help is available, through groups like United Policyholders and the Legal Aid Foundation of Los Angeles.

    Read on ... for other resources and expert guidance.

    How do I get my insurance to pay for testing of my home for toxins after the fires that raged through L.A. neighborhoods in January?

    What if my insurance adjuster says they won’t cover a long-term rental?

    How can I get help navigating the claims process?

    These are some of the questions popping up among people displaced or affected by the Eaton and Palisades fires. LAist talked with professionals in the insurance industry and individuals navigating the claims process to put together this guide to common questions and roadblocks.

    Who does what?

    Let’s start with the basic layout of the insurance ecosystem, as it relates to the L.A. fires:

    Insurance adjuster: Adjusters investigate the damage to your property and injuries to determine how much your insurance company owes you based on your policy.

    You are likely to deal with several adjusters as you navigate the claims process, including field adjusters, who actually visit your property to investigate the damage.

    You are also likely to interact with independent adjusters, who are hired by insurance companies to help process claims. Because of the huge volume of claims from the SoCal fires, many insurance companies have had to hire independent adjusters from states across the country. They may be on the ground in L.A. for a month or several months, and then a different adjuster will take their place.

    And then you have public adjusters, which are very different from the adjusters mentioned above. A public adjuster works on behalf of you, the insured, to help you navigate the claims process and negotiate a settlement. They typically get paid a percentage of the payout you receive from your insurer. Public insurance adjusters, like agents and brokers, are licensed by the state insurance department. (We’ll get back to when and how you might decide to hire a public adjuster.)

    Tips on working with insurance adjusters

    Make sure you know your policy. Read your policy thoroughly and make sure you understand what coverage you have in all areas, including for specific things like temporary living expenses and debris cleanup.

    The nonprofit United Policyholders has an excellent guide on recovering from the 2025 wildfires, which you can download for free from their website. The group also holds online forums and FAQ sessions to help fire victims navigate recovery. (The next one is a survivor-to-survivor forum, at 7 p.m. tonight. Register on the group’s website.)

    If you can’t find your policy or don’t remember what company you’re insured with, the state Department of Insurance has an online form you can fill out. Once you do, they’ll forward your information to insurance companies in California so they can search their records.

    Know your rights

    California law requires insurance companies to offer certain things to fire victims and adjacent communities, including:

    • Four months advance payment for living expenses if your home was destroyed.
    • Renewal of your insurance policy for a minimum of one year after an emergency declaration (Jan. 7) if you live within or adjacent to the fire perimeter.

    Also, check out these tips for wildfire victims from the state Department of Insurance.

    Keep up-to-date on public guidance

    Pay attention to what public officials are saying, for example, about the cleanup process and related health concerns. You may have more information than your insurance adjuster and can use that to advocate for yourself.

    You can sign up for updates from the county here.

    Also check out all of LAist’s coverage of the fires and recovery.

    Talk to your neighbors and other fire victims

    You may be getting different answers about what your insurance company will and won’t cover from someone else in your community with the same insurance plan. That’s why it’s important to compare notes with fellow fire victims, said Kelsey Szamet, a lawyer whose home (which is still standing) is in the Eaton Fire burn area.

    You can use that information to pressure your insurance company to offer you what they’re offering someone else.

    Consider joining Facebook groups of fire victims and attending community forums.

    Document, document, document

    Since you may be working with multiple adjusters, it’s vital to document all of your interactions with them. “Because when the next set of adjusters come in, you want to make sure that any agreements that are made at the onset of the claim, they're still going to be an agreement throughout the whole process of the claim,” said Sydney Greenspan, a public adjuster with extensive experience in California wildfire claims.

    Ask for names and call-back numbers, and save that information.

    Greenspan suggests sending an email to the adjuster after each conversation recapping the topics discussed, any agreements made and asking for confirmation of receipt. And keep those records too.

    Szamet said she and her husband are keeping a daily log of conversations with their insurance company in a Google doc and updating it in real time. Even though “we’re all overwhelmed,” Szamet said, “ you have to be your own friend and your own advocate in terms of documenting.”

    Advocate for yourself

    It may be exasperating and almost certainly is exhausting, but you have to constantly advocate for yourself throughout the claims and, if relevant, the rebuilding process.

    And sometimes, if you’re not getting something you know you’re entitled to under your policy, you may need to escalate — but keep your cool. “Essentially, what I like to politely say is, ‘Can I have your manager please?’” Szamet said. “Can I talk to the next person? Can I talk to your supervisor? And just stay at it. Be pleasant, be calm, be friendly, and realize this person is probably just following orders.”

    Likewise, if you are not satisfied with the adjuster assigned to work with you, you can ask to work with a different person. For Szamet, just asking the question removed a roadblock. “We had not had our adjuster come visit our property,” Szamet told LAist. “I called and said, ‘I would like a new adjuster’ via voicemail, and I also emailed that to my agent. I got a call back within an hour and someone was at my property within two hours to look at the damage to our house.”

    Be proactive with the adjuster

    Because you may be dealing with an adjuster from out of state, or with someone who isn't as familiar with your situation as you are, you have to be proactive, said Samuel Bruchey, an insurance lawyer whose home was damaged in the Eaton Fire.

    “We have to remember that these adjusters, even if they're well meaning and reasonable, they are overloaded with claims,” Bruchey said. “And so you have to make sure that the details of your claim that you think are important are brought to the attention of the adjuster.”

    Check your insurance company’s work

    If your insurance company sends its own expert to your damaged home to estimate the cost of clean-up,  ”make sure you get a copy of whatever estimate the insurance company relies upon when it decides how much to pay,” Bruchey said.

    When Bruchey did this himself, he found the report had vastly underestimated the square footage of his home. “If that estimate  is a lowball number, it's incumbent upon you to find somebody to prepare an estimate of your own, give it to the insurance company, and insist that the insurance company take it into consideration,” he said.

    If your insurer declines, ask them to explain why, in writing. (Again, document everything!)

    Don’t move too fast

    People whose homes survived the Eaton and Palisades fires may be anxious to move back in, but Greenspan, the public adjuster, urged people to be patient. “Safety should be the most important thing in everybody's mind right now,” she said.

    Greenspan said people should probably wait to have their homes cleaned until after debris cleanup in the burn areas is finished since that process could kick soot and toxins back up into the air and into your home.

    “ What you don't want to happen is you don't want to move too fast, do the initial cleaning and then not remediate it the right way. And in the summertime, when it's a hundred degrees, all of a sudden your house is smelling like a campfire again,” she said.

    Many fire victims who lost their homes have already gotten initial payouts. But rebuilding will take years, and insurance issues are likely to get thornier as people get further away from the initial disaster, experts told LAist.

    Be patient, Greenspan said. Right now, we’re still in triage mode.

    Feeling overwhelmed and in need of help?

    You have options.

    Public adjusters: If you just don’t have the substantial amount of time and energy it takes to deal with your insurance company, you could contact a licensed public adjuster.

    Public adjusters will handle all the communication and logistics with your insurance company on your behalf. You retain “ the final say on everything,” Greenspan explained.

    Check out these tips on hiring a public adjuster from the National Association of Public Insurance Adjusters.

    Legal help: If you need help going over the nuances of your policy or have other fire-related legal concerns, many lawyers and groups are offering free legal assistance. Ask trusted neighbors and friends for referrals, or you can start with these well-established nonprofit groups:

    File a complaint: If you think your insurance company, or someone claiming to work on behalf of your insurance company, is acting unlawfully, you can file a complaint with the state Department of Insurance.

  • Here's all the details
    Topline:
    The Los Angeles Official Martin Luther King Day Parade will take Monday in South L.A. So, whether you’re attending the parade or watching it on TV, here’s everything you need to know about Monday’s parade.

    The details: The procession will begin at 10 a.m., with ABC7 set to begin a broadcast at 11 a.m. Organizers say the best place to catch the parade in person is the intersection of Crenshaw Boulevard and Martin Luther King Jr. King Boulevard, or “camera corner,” where the parade will culminate and organizers are planning a live preshow. Bleacher seats, though, will be limited.

    Getting there: The Metro K Line runs directly to the intersection, dropping people off at the Martin Luther King Jr. Metro station. Only residents will be allowed to drive into the band of neighborhoods directly along the length of the parade route. That includes the blocks from 39th Street to 42nd Street along King Boulevard and the blocks between McClung Drive and Victoria Avenue along the Crenshaw closure.

    Read on . . . for more information about street closures and the annual MLK Freedom Festival.

    In just four days, the Los Angeles Official Martin Luther King Day Parade will take over South L.A.

    The LA Local recently spoke with Sabra Wady, the parade’s lead organizer, who said this year’s parade will look much the same as recent years.

    So, whether you’re attending the parade or watching it on TV, here’s everything you need to know about Monday’s parade:

    The procession will begin at 10 a.m., with ABC7 set to begin a broadcast at 11 a.m.

    What time does the parade start? How can I watch? Is anything happening after?

    Wady said the best place to catch the parade in person is the intersection of Crenshaw Boulevard and Martin Luther King Jr. King Boulevard, or “camera corner,” where the parade will culminate and organizers are planning a live preshow. Bleacher seats, though, will be limited.

    The Metro K Line runs directly to the intersection, dropping people off at the Martin Luther King Jr. Metro station.

    Onlookers can also post up along the parade route with folding chairs and other self-arranged seating, Wady said.

    The parade broadcast will run until 1 p.m., but Wady said the procession is expected to keep going until mid-afternoon.

    “After the cameras stop rolling, it’s the people’s parade,” Wady said.

    LA City Council President Marqueece Harris-Dawson and Councilmembers Curren Price and Heather Hutt – who represent council districts 8, 9 and 10, respectively — will organize the annual MLK Freedom Festival in the Leimert Park Plaza from 11 a.m. to 5 p.m.

    What route will the parade take?

    The route will remain the same, running down King Boulevard from Western Avenue to Crenshaw Boulevard before turning south down Crenshaw and heading to Leimert Park. Much of the route will be closed to traffic overnight before the parade.

    More than 150 groups, including bands, floats, horseback riders and marchers, will trek down the boulevard. Wady said organizers cut off new sign-ups weeks ago in order to keep the parade manageable.

    What will road closures look like?

    Colin Sweeney, a spokesperson for the LA Department of Transportation, said in an email that the department will close off traffic down the main parade route overnight.

    Here are the roads that will be closed to all vehicles for the duration of the parade and festival.

    • King Boulevard from Vermont Avenue to Crenshaw Boulevard 
    • Crenshaw Boulevard from King Boulevard to 48th Street
    • Leimert Boulevard from 8th Avenue to Leimert Park 
    • Degnan Avenue between 43rd Street and Leimert Park

    Sweeney said only residents will be allowed to drive into the band of neighborhoods directly along the length of the parade route. That includes the blocks from 39th Street to 42nd Street along King Boulevard and the blocks between McClung Drive and Victoria Avenue along the Crenshaw closure.

    The transportation department will allow traffic to cross the parade route at major intersections — including Western Avenue, Arlington Avenue and Stocker Street — but those crossings will be shut down at 10 a.m. All closed roads will stay blocked off until the parade and festival wrap up and transportation officials determine crowds have sufficiently dispersed, Sweeney said.

    Wady said the parade is expected to peter out around mid-afternoon. The festival at Leimert Park Plaza is scheduled to end at 5 p.m.

    Vehicles parked in the parade assembly area, parade route and disbanding area will be subject to impound or tickets, Sweeney wrote.

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  • Shoot days up at end of 2025 but down from 2024
    A man with a professional camera for film and TV production sits on a cart that is situated on top of a metal track and films a scene. Other crew members holding microphones, cameras and other production equipment look on in the background.
    A film crew works on the set of author Michael Connelly's "Bosch," shooting in the San Fernando Valley. On-location film shoots in the last three months of 2025 rose 5.6% but were 16.1% lower overall during the year than in 2024.

    Topline:

    On-location filming in L-A increased over the last three months of 2025 but still lagged behind where it was at the end of 2024, according to an end-of-year report from Film L.A., the official filming office for the city and county.

    By the numbers: Film and television shoot days total 4,625 in the final three months of 2025, up 5.1 percent in that timeframe. But overall last year there were 19,694 shoot days, which is down 16.1 percent from 2024's total of 23.480.

    Why it matters: Production in Los Angeles has been slow to rebound since the COVID-19 pandemic and the Hollywood writers and actors strikes in 2023. There is also increased competition from other states that offer appealing film tax credits and other incentives for productions that decide to take their shoot outside of California. This summer, Governor Gavin Newsom expanded California's Film and TV Tax Credit Program in an effort to lure productions back to the Golden State.

    What's next: Film L.A.'s Phil Sokoloski says that many of the productions approved under the expanded tax credit program are just now getting underway, and he hopes the industry will start to see the effects of not only the tax incentive expansion in 2026, but also L.A. Mayor Karen Bass' directives to streamline the permitting and shooting process in the city.

    Topline:

    On-location filming in L.A. increased over the last three months of 2025 but still lagged behind where it was at the end of 2024, according to an end-of-year report from Film L.A., the official filming office for the city and county.

    By the numbers: Film and television shoot days totaled 4,625 in the final three months of 2025, up 5.1% in that timeframe. But overall last year, there were 19,694 shoot days, which is down 16.1% from 2024's total of 23.480.

    Why it matters: Production in Los Angeles has been slow to rebound since the COVID-19 pandemic and the Hollywood writers and actors strikes in 2023. There is also increased competition from other states that offer appealing film tax credits and other incentives for productions that decide to take their shoot outside of California. This summer, Gov. Gavin Newsom expanded California's Film and TV Tax Credit Program in an effort to lure productions back to the Golden State.

    What's next: Film L.A.'s Phil Sokoloski says that many of the productions approved under the expanded tax credit program are just now getting underway, and he hopes the industry will start to see the effects of not only the tax incentive expansion in 2026, but also L.A. Mayor Karen Bass' directives to streamline the permitting and shooting process in the city.

  • Events honoring Civil Rights leader
    U.S. civil rights leader Martin Luther King Jr., waves to supporters on August 28, 1963, on the National Mall in Washington D.C.
    The Rev. Martin Luther King Jr. waves to supporters during the March on Washington on Aug. 28, 1963.

    Topline:

    In L.A., there is no shortage of events to celebrate Martin Luther King Jr. Day, observed this year on January 19.

    Events at California African American Museum: The California African American Museum is hosting a King Day scavenger hunt on Sunday from 2 to 3 p.m.. On Monday, it is hosting an all-day event honoring the Rev. Martin Luther King Jr. that will culminate with a performance by the Inner City Youth Orchestra of L.A., which is billed as the largest majority Black youth orchestra in the country.

    Orchestra at Skirball: The orchestra will also perform at the Skirball Cultural Center on Saturday evening. The free event is already at capacity, but you can try your luck by signing up for the waitlist here. Earlier Saturday, the orchestra will join the Santa Monica Symphony for its annual MLK concert.

    Read on ... for more events to choose from.

    In L.A., there is no shortage of events to celebrate Martin Luther King Jr. Day this year.

    Since 1986, the federal holiday is observed on the third Monday of January to honor the life and legacy of the Civil Rights leader.

    California African American Museum

    The California African American Museum is hosting a King Day scavenger hunt on Sunday from 2 to 3 p.m. On Monday, it is hosting an all-day event honoring King that will culminate with a performance by the Inner City Youth Orchestra of L.A., which is billed as the largest majority Black youth orchestra in the country.

    Orchestra at Skirball

    The orchestra will also perform at the Skirball Cultural Center on Saturday evening. The free event is already at capacity, but you can try your luck by signing up for the waitlist here. Earlier Saturday, the orchestra will join the Santa Monica Symphony for its annual MLK concert.

    Parades and celebrations

    Cedric the Entertainer will be the grand marshal of this year’s official L.A. MLK Day Parade on Martin Luther King Jr. Boulevard between Western and Crenshaw avenues on Monday. If you’re looking for a parade earlier in the weekend, you can head to Long Beach’s MLK Day parade on Saturday. Also on Saturday is a celebration of King’s legacy at the Veterans Memorial Auditorium in Culver City.

    Volunteer opportunities

    In 1994, President Bill Clinton officially decreed MLK Day as a day of service. If you’re looking for opportunities to volunteer, grab free tickets to Monday’s MLK Day Volunteer Festival at the L.A. Memorial Coliseum.

    Free access to state parks

    Gov. Gavin Newsom announced Friday that more than 200 California state parks will be free to enter on Monday. The move comes after the Trump administration eliminated MLK Day and Juneteenth from the list of days when it’s free to access national parks. There are 12 free state parks on the list in L.A. County, including Los Angeles and Will Rogers State Historic Parks, as well as Topanga and Malibu Creek State Parks. See the full list here.

  • How a film helped tell a fuller story.
    A young man and a middle aged Asian woman smiling and holding each other's hands while standing in the ocean. A pier and waves are visible behind them.
    Lawrence Shou and Lucy Liu in a scene from 'Rosemead.'

    Topline:

    The new movie Rosemead, starring Lucy Liu, is based on a 2017 Los Angeles Times article about the tragic story of a terminally ill woman who killed her 18-year-old son, who’d been diagnosed with schizophrenia.

    The context: It’s a carefully reported story by journalist Frank Shyong about a family, about the shame and stigma that can surround mental illness in Asian American communities, and how media portrayals of people with mental disorders can perpetuate harmful misconceptions.

    Shyong had some concerns when he was first approached about the idea of adapting the story into a narrative film, but found that it ended up "sort of completing the circle a little bit. It added parts to the story that I wanted to see depicted."

    Read on ... for more about the true story behind 'Rosemead.'

    A 2017 Los Angeles Times article tells the tragic story of Lai Hang, a terminally ill woman who killed her 18-year-old son George, who’d been diagnosed with schizophrenia.

    It’s a carefully reported story by journalist Frank Shyong about a family, about the shame and stigma that can surround mental illness in Asian American communities, and how media portrayals of people with mental disorders can perpetuate harmful misconceptions.

    So when Shyong was first approached about the idea of adapting the story he wrote into a narrative film, he had some “very intense” concerns about whether a film would get the story right.

    But after conversations with the filmmakers, and thinking through the potential value of telling fictionalized stories based on real-life events, Shyong says, “ I think I realized that my story was in a lot of ways incomplete.”

    Nine years later, the film, titled Rosemead, is finished. Directed by Eric Lin and written by Marilyn Fu, the film stars Lucy Liu as Irene, a character based on Hang, and Lawrence Shou as Joe, who’s based on George.

    And Shyong, who is credited as an executive producer and served as a consultant on the film, says “it’s sort of completing the circle a little bit” — fleshing out Hang and George as “full 360 degree human beings” and giving glimpses of how their story might have ended differently.

    Reporting on trauma in Asian American communities

    Back in 2015, when the events depicted in Rosemead happened, the breaking news coverage revealed the basics of what was known at the time — that a woman had fatally shot her son in a Rosemead motel and turned herself in.

    “ I think a lot of people probably realized there was more story there,” Shyong says. But the only person who knew the details, Hang’s longtime friend Ping Chong, had declined to talk to the media.

    Still, Shyong kept following up because the court records hinted at a story that he thought should be told.

    The court records revealed that Hang had been dying of cancer, and that Chong continued to visit her after she turned herself in, performing Buddhist rituals for her.

    “Just knowing those two facts,” Shyong says, “and knowing Asian American families, and how complete and terrifying the sense of responsibility that a parent can feel toward a child, I just thought there's gotta be something there.”

    He would visit Chong’s shop, a traditional Chinese pharmacy, leaving notes for her and talking to her about why he wanted to know more. And he gained her trust.

     ”You just have to say, ‘This is [the] story I think is here. And do you think that story is true? And if so, can you help me tell it?’ And that's all I did,” Shyong says. “I think that's all any journalist ever does.”

    It’s a story that Shyong says he would come to learn is more common than many may expect.   “When you are a caregiver in these communities,” Shyong says, “you can find and name a tragic story like this in probably every zip code.”

    How filmmaking and journalism can complement each other

    Shyong’s article ends with this poignant quote from Chong, about her friend: “People will only know her as the mother who killed her son [...] But she was more.”

    The piece itself goes a long way toward dispelling Chong’s concern, including details about Hang’s life — that she was a talented graphic designer, that she was “beautiful, smart and ambitious,” that she’d lost her husband to cancer, and that she deeply cared about her son.

    But “in this case fiction,” Shyong says, “could give closure to characters in a way that I couldn't in reality. It could tell the fullness of this family story.”

    The film shows Liu’s character Irene having fun with her son at the beach, and joining his therapy sessions at the urging of a psychiatrist, despite being visibly uncomfortable doing so.

    It shows George (Joe in the film) with his friends, who come to visit him after he has an intense schizophrenic episode at school.

    The sound design gives a sense of what it’s like to experience schizophrenia, and a part of the film where Joe runs away shows how quickly a boy with a mother and friends who care about him can become an unhoused person who someone might fear on the street.

    Ultimately, the film ends on a note of hope, which grew out of something that Shyong learned from Chong after the article was published. In a way that he couldn’t do in print, “It added parts to the story that I wanted to see depicted.”