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The Brief

The most important stories for you to know today
  • The Pasadena Chorale lost its church in Eaton Fire
    A wide shot of the remains of a burned down building. There are cracked and charred remains of an archway as a person stands in front.
    Altadena Community Church burned down by the Eaton Fire in Altadena on Thursday, January 9, 2025.

    Topline:

    The Altadena Community Church was lost in the Eaton Fire. The place of worship was also the rehearsal space for the Pasadena Chorale. The choir director also lost his home.

    Why it matters: Despite the devastation, the choir gathered to sing together just days later. They rehearsed to offer each other solace and maintain normalcy amidst all the destruction.

    The backstory: Founded in 2009, the Pasadena Chorale is a community choir that’s grown from a smaller group to a force of around one hundred people.

    Read on... for more on the choir's decision to keep rehearsing.

    The email came while the fires were still burning across Los Angeles.

    It was less than 48 hours since the Eaton fire sparked in the San Gabriel foothills that would burn Altadena Community Church to the ground. It hadn’t even been a day after a photo was sent to the Pasadena Chorale showing the church – its rehearsal space – ablaze.

    And choir director Jeffrey Bernstein had lost his own home, too, along with others in the group, made up of musicians, educators, JPL scientists and people of all types that gather every week to sing together. I am one of them. Seeing and reading about the devastation, it seemed impossible to imagine gathering for rehearsal again anytime soon.

    But two days after the fire, Bernstein wrote to the group that the upcoming rehearsal would not be canceled on the weekend.

    So on the appointed date, we assembled in a new, unfamiliar church in a familiar half-circle around the piano. And before much at all was said about the fires, we began to sing.

    A strong community 

    Founded in 2009, the Pasadena Chorale is a community choir that’s grown from a smaller group to a force of around one hundred people.

    Some in the choir have been singing together for years, and others are brand new to the mix. This means the weekly rehearsals have a lovely small-town feel, where people look forward to the 20-minute break so they can catch up with friends or chat with someone they haven't met before. As a newer member of the choir, I've found refuge in a group so at ease in each other's company, and so joyful in its dedication to choral music.

    The common ground is a commitment to showing up each Monday night from 7:30 p.m. to 10 p.m., when most are home recovering from the first work day of the week, ready to sit in a folding chair and sing.

    " Churches aren't buildings… and choirs aren't buildings. They're groups of people," Bernstein said last Saturday. "Being here today is a very tangible way of remembering that."

    A light-skinned man stands in front of a group, hands raised above his head. He stands in front of two stained windows, with an indoor plant. Rows of people sit in chairs looking at him.
    The Pasadena Chorale rehearses at a church in La Verne after the Eaton Fire.
    (
    Libby Rainey
    )

    Stories of destruction and hope

    The smoke was still hanging in the air in many parts of Los Angeles last weekend when the choir assembled for the first time after losing the church. Almost everybody had a story to tell.

    Chris Tickner evacuated his home near Eaton Canyon with his wife in terror, only to learn that his home miraculously survived.

    Siobhán Dougall and Jen Wang piled their kids into their cars in the middle of the night and fled their home in Monrovia, along with their giant pet tortoise named Strawberry. The next day they heard that their children's school had been lost to the fire.

    There were others who didn't come that day at all – some having lost homes or entire neighborhoods. It's these stories that were being shared between songs, in tears and in laughter. Together, people were processing the loss of so many shared spaces.

    "We spend so much time in Altadena and so many of the places we love are there. And it's not even like just the places we love. It's the McDonald's where the french fries were always cold. Or the Arco station you always go to right after you dropped off your kids and you're out of gas," Wang said.

    "There's this guy on Altadena Drive who always had a sign out for very local honey. I always meant to go and I never did. And I wonder if his bees are okay."

    A large room with high ceilings and white walls. Lights hang from the ceiling, which has wooden boards. A cross and altar can be seen at the front of the room. Dozens of paper cranes hang from the ceiling, creating the illusion that they are floating.
    The Pasadena Chorale rehearsed at the Church of the Brethren in La Verne after the Altadena Community Church burned down.
    (
    Libby Rainey
    )

    Lessons from music-making

    Where the choir will gather in the long-term is still undecided. For now, it's being plotted out rehearsal by rehearsal. The locations for each meeting are reminders of all the landmarks that remain despite the terrible fires: one of last week's meetings was held in the historic First United Methodist Church. This week, the group will gather at the 100-year old Pasadena Playhouse.

    For us, rebuilding will also happen through the music itself. To sing in a choir is to sing with one voice – or to try your very best to. To blend in with your fellow singer rather than stand out, trusting that together you can make something deeper and more interesting than one voice alone can.

    This idea – that we can do more together than on our own – will be important in the months to come, not just for the choir but for all of Altadena as it faces a long and uncertain recovery.

    " I have no doubt that this community is going to come back. And it's going to be pretty special," Tickner said. "But it's going to take time, and we're all going to do it together. And singing in this choir is a part of that."

  • Trump admin cites mismanagement at local agency
    An aerial view of a street with the downtown L.A. skyline in the distance. A set of red buildings are to the left, in front of a line of tents, canopies and shelters in a homeless encampment. Large piles of trash can be seen on the other side of the encampment along train tracks.
    Large trash piles and sprawling homeless encampment in downtown Los Angeles in 2025.

    Topline:

    Federal authorities say they are immediately suspending funding for the Los Angeles region’s lead homelessness agency, pending an investigation into whether it broke the law in its handling of federal grant money, according to a letter released Thursday.

    Why it matters: The U.S. Department of Housing and Urban Development sent the letter to the Los Angeles Homeless Services Authority, or LAHSA, both agencies confirmed. The move could jeopardize tens of millions in federal dollars that flows from HUD to LAHSA each year. It’s a major escalation in a conflict between federal and L.A.-area officials over the region’s approach to its homelessness crisis.

    Why now? HUD claims it has adequate evidence to suspect LAHSA violated its contracts with the agency — in part by repeatedly certifying it had adequate financial controls and conflict-of-interest safeguards when it did not.

    What's next? LAHSA said it will fight the suspension. The agency can contest the suspension by requesting a hearing within 30 days of today’s notice, according to the letter.

    U.S. officials said they were suspending funding for the Los Angeles region’s lead homelessness agency pending an investigation into whether it broke the law when handling federal grant money, according to a letter released Thursday.

    The U.S. Department of Housing and Urban Development sent the letter to the Los Angeles Homeless Services Authority, or LAHSA, both agencies confirmed.

    The move could jeopardize tens of millions in federal dollars that flow from HUD to LAHSA each year. It’s a major escalation in a conflict between federal and L.A.-area officials over the region’s approach to the homelessness crisis.

    LAHSA has received $944 million in HUD funding since 2021, according to HUD.

    HUD claims it has adequate evidence to suspect LAHSA violated its contracts with the federal agency — in part by repeatedly certifying it had adequate financial controls and conflict-of-interest safeguards when it did not.

    “HUD cannot ignore LAHSA’s wanton management of public funds,” wrote Andrew Hughes, a deputy secretary at the federal agency.

    “LAHSA’s repeated false statements and its irresponsible actions and failures, including its lack of financial management, internal controls and safeguards against conflicts of interest, pose a threat to HUD, the public, and those living on the streets of Los Angeles,” he added.

    LAHSA said HUD’s action could result in thousands of formerly homeless people landing back on the street.

    “This appears to be a blatant attempt to pull yet more resources from Los Angeles, a city they have targeted time and again, when it is clear that LAHSA has either corrected or is in the process of correcting nearly all of the issues raised,” LAHSA spokesperson Ahmad Chapman told LAist in a statement.

    The agency can contest the suspension by requesting a hearing within 30 days, according to the letter. If LAHSA fails to respond to the suspension notice, the action will be final.

    Details from HUD

    The letter called LAHSA’s failures “severe and pervasive,” pointing to systemic accountability and compliance failures dating back decades.

    HUD cited a November 2024 L.A. County Auditor-Controller report that found LAHSA paid contractors late and failed to secure repayment agreements with some providers. The letter also cites a March 2025 court-ordered review that found the city of Los Angeles failed to properly track billions in homelessness spending, largely because of problems at LAHSA.

    Following those reports, L.A. County officials voted to pull more than $300 million a year from LAHSA and manage its own homelessness dollars through a new homelessness department at the county.

    The HUD letter also noted other recent documented issues scandals at LAHSA, including continued payment delays, legal settlements over misconduct allegations, and conflict of interest concerns around LAHSA voting to allow its former CEO to authorize more than $2 million to her husband's employer without disclosing it to HUD.

    Though it is not mentioned in the letter, funding through LAHSA also has been at the center of a fraud case against one of its contractors. In January, federal and L.A. County prosecutors charged Alexander Soofer, the director of a South L.A. charity hired by LAHSA, with stealing $10 million of the $23 million he obtained in homeless funds.

    “LAHSA's lack of financial management and internal controls violates HUD's requirements, violates the terms of LAHSA's agreements with HUD, undermines the integrity of HUD programs, and exposes taxpayer funds to heightened risk of fraud and abuse,” Hughes wrote.

    LAHSA is making changes, agency says

    LAHSA said it is already making changes to put a stop to many of the issues HUD raised, including working with the firm KPMG to modernize its payment systems.

    “If HUD’s Inspector General actually conducts a fair review of LAHSA’s current and future practices, they will clearly see how our systems now allow us to clearly track the work and investments that have resulted in LA outperforming the nation by reducing homelessness over the last two years,” Chapman told LAist.

    L.A. city and county officials have been worried about the possibility of HUD cutting off homelessness funding for at least a year.

    Last summer, President Donald Trump signed an executive order aimed to reduce federal support for “housing-first” policies. That same week, HUD officials told local homelessness officials the agency was considering pulling more homelessness funding from L.A.

    The federal housing agency’s investigation into LAHSA is in coordination with the White House Task Force to Eliminate Fraud, according to HUD.

    “While hundreds of millions of taxpayer dollars were funneled to LAHSA with little accountability, homelessness skyrocketed,” HUD Secretary Scott Turner posted on X Thursday. “Taxpayers will not bankroll LA’s fraud-filled homelessness industrial complex.”

    While HUD’s review continues, LAHSA said it will explore all available options to ensure that federal funds continue to keep thousands of Angelenos housed. 

    LAist correspondent Nick Gerda contributing reporting.

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  • Overhaul of busy, dangerous Orange Ave
    A mural painted on the side of a hollow block fence depicts three orange and black monarch butterflies flying above orange poppies. The mural its on a street corner with a street sign that reads, "Orange Ave."
    The monarch mural stands at the intersection of Orange Avenue and Del Amo Boulevard, which will be revamped as part of an Orange Avenue bikeway project.

    Topline:

    In a unanimous decision, the Long Beach city council approved the next phase of an 8.28-mile bike route along Orange Avenue, a busy north-south thoroughfare.

    About the project: Orange Avenue will be overhauled with protected cycling lanes and intersections, upgraded crosswalks, new bus stops and extensive sidewalk repairs. The project, which began in 2017, is more than halfway finished. This phase will cover roughly another third, from 52nd Street to Wardlow Road and Hill Street to Pacific Coast Highway.

    Why it matters: Last year, 32 people were killed while walking, biking or riding an e-scooter in Long Beach — more than the 29 people murdered that year. Orange Avenue is flagged as one of the city’s most dangerous streets. It’s a long and fast arterial, running through multiple neighborhoods with narrow shoulders, poorly lit intersections and too few marked crosswalks that has landed it in the city’s high-injury network.

    Cyclists in Long Beach scored a victory at the City Council meeting Tuesday. In a unanimous decision, the council approved the next phase of an 8.28-mile bike route along Orange Avenue, a busy north-south thoroughfare that will be overhauled with protected cycling lanes and intersections, upgraded crosswalks, new bus stops and extensive sidewalk repairs.

    The project, which began in 2017, is more than halfway finished. This phase will cover roughly another third, from 52nd Street to Wardlow Road and Hill Street to Pacific Coast Highway, leaving the last 16% to be built in future phases, said Public Works Director Josh Hickman.

    If they do not run into any unforeseen hitches, construction should start this fall and finish by fall 2028. Hickman added they will have more information on road closures then.

    Once complete, this phase will bring 2.66 miles of upgraded bike lanes — some parts divided by a sharrow, other parts with a barrier — as well as five protected intersections at major cross streets, 10 upgraded crosswalks with flashing beacons, 15 new or relocated bus stops and 2.5 miles of sidewalk addition or repairs.

    A rendering of a street intersection. Each corner has an outcropping of foliage protecting pedestrian and bicycle lanes painted green.
    A concept design of a revamped intersection on Orange Avenue.
    (
    Courtesy city of Long Beach
    )

    At the request of residents, spot repairs will be made using concrete.

    Tara Riggi, president of the California Heights Neighborhood Association, asked that the project minimize the amount of green paint used in striping between Bixby Avenue and Wardlow Road, and that spot repairs use concrete and not asphalt slurry seal, to preserve the neighborhood’s original aesthetic.

    “We believe that safety improvements and historic preservation can coexist when projects are thoughtfully designed and implemented,” she said.

    The project skips a 1.47-mile segment of road that cuts through the city of Signal Hill.

    There was urgency to get this section of the project approved, considering nearly half of the $29.4 million budget — a $13.2 million Caltrans grant — expires next month if it’s not allocated.

    Marked as a project the city wants finished by the 2028 Olympics, the bikeway is meant to alleviate a sense of dread and discomfort faced by cyclists and pedestrians zigzagging the street each day.

    Last year, 32 people were killed while walking, biking or riding an e-scooter in Long Beach — more than the 29 people murdered that year. Orange Avenue is flagged as one of the city’s most dangerous streets. It’s a long and fast arterial, running through multiple neighborhoods with narrow shoulders, poorly lit intersections and too few marked crosswalks that has landed it in the city’s high-injury network.

    In past coverage by the Long Beach Post, residents have flagged particular issues along Orange Avenue, including the especially dangerous stretch between Seventh Street and Hellman Avenue, and the traffic signal at 36th and Orange Avenue, where drivers speed through to make the light.

    Councilmember Megan Kerr said her office has heard from multiple residents who feel unsafe crossing roads, adding she hopes the plan will “make Orange Avenue a safe street for all.”

    Reducing all types of crashes, city experts say, is possible if Long Beach is willing to dramatically reshape streets by adding medians, widening sidewalks and putting in dedicated bus and bike lanes, at the expense of car lanes.

    Long Beach has yet to see success on that front. Despite a goal of eliminating traffic deaths by 2026, there were 53 deadly car collisions last year, the highest in a decade.

  • The official celebration kicks off in Los Angeles
    A large crowd of people inside a stadium with multiple large screens.
    FIFA Fan Festival Los Angeles at Los Angeles Memorial Coliseum begins June 11, 2026.

    Topline:

    The World Cup kicks off today, and so does a four-day fan festival at L.A. Memorial Coliseum.

    What's at the party: The festival features live broadcasts of the games, music and food, and provides a place for fans to celebrate as Team USA plays its first game against Paraguay at SoFi Stadium in Inglewood on Friday.

    Read on... to check out what it's like inside.

    The World Cup kicked off Thursday, and so does a four-day fan festival at L.A. Memorial Coliseum.

    The festival features live broadcasts of the games, music and food, and provides a place for fans to celebrate during the first weekend of the tournament.

    General admission tickets are $10, but today’s event is sold out.

    Gaby Cardona lives in Los Angeles and came to the Fan Festival to root for Mexico.

    “My family is from Michoacan so we're here to support Mexico and you know I'm just so excited to be part of this culture and to be able to represented here in L.A.,” Cardona said.

    Other fans rooting for Mexico said they think the team could make it all the way and win the World Cup.

    Raul Burgos lives in South L.A. and took the bus to the fan festival at the Coliseum.

    “We're taking it all the way!” Burgos said.

    Fans can also purchase tickets at the Coliseum’s box office at Gate 29.

    The first match of the tournament kicks off at noon Thursday, when Mexico plays South Africa. Then at 7 p.m., South Korea will play Czechia. Both matches are in Mexico.

    On Friday, USA plays its first game against Paraguay at SoFi Stadium in Inglewood. Fans at the festival will be able to watch this match.

    Here’s a look inside the festival:

    This is a developing story and will be updated.

  • Explores what Team Korea means to the diaspora
    Three people sit on a couch wearing different colored jerseys.
    Emanuel Hahn, Ray An and Josh Lee are the creators of "Korea, Away," a documentary series exploring the Korean diaspora through the Korean men's national soccer team ahead of the 2026 FIFA World Cup.

    Topline:

    More than two decades after South Korea’s 2002 World Cup run, three friends are aiming to find out what the national team means to Korean Americans.

    Why it matters: Memories like Josh Lee’s sit at the center of Korea, Away, a documentary series exploring the Korean diaspora through the Korean men’s national soccer team. The title, the creators say, refers to the experience of always being the away team, even in your home country.

    The backstory: Behind the series is Lee, a Los Angeles-based creative and member of a Koreatown-based LAFC supporters group; Ray An, founder and creative director of a LA streetwear brand; and Emanuel Hahn, a filmmaker and photographer. Drawing on interviews and reporting from Korean communities across North America throughout the 2026 FIFA World Cup, the three are trying to understand why people support a team from a country they no longer live in — or, in many cases, have never lived in at all.

    Read on... for more on the docuseries.

    This story first appeared on The LA Local.

    In 2002, Josh Lee watched South Korea’s World Cup run from a Korean Pentecostal megachurch in New York.

    Congregants gathered before dawn to watch the matches, packing into a sanctuary normally reserved for worship. When Ahn Jung-hwan scored the golden goal that sent South Korea past heavily favored Italy and into the World Cup quarterfinals, the church erupted.

    “We’re used to people praying in tongues and stuff, but people were going even crazier at like three in the morning,” Lee said. “It literally was in a house of worship and I think that bridged a lot of things for me of how important this is.”

    Memories like Lee’s sit at the center of Korea, Away, a documentary series exploring the Korean diaspora through the Korean men’s national soccer team. The title, the creators say, refers to the experience of always being the away team, even in your home country.

    Behind the series is Lee, a Los Angeles-based creative and member of a Koreatown-based LAFC supporters group; Ray An, founder and creative director of a L.A. streetwear brand; and Emanuel Hahn, a filmmaker and photographer. Drawing on interviews and reporting from Korean communities across North America throughout the 2026 FIFA World Cup, the three are trying to understand why people support a team from a country they no longer live in — or, in many cases, have never lived in at all.

    For An, the question “Why do we support Team Korea?” begins with a contradiction. Many of the people around him are U.S. citizens who don’t closely follow soccer. An, while a soccer fanatic — he’s been to every World Cup since 2014 — was raised in the U.S. Yet every four years, when the World Cup arrives, they find themselves pulling for South Korea.

    Again and again, their interviews returned to 2002, when South Korea stunned the world with a run to the semifinals.

    The 2002 of it all

    Hahn was 12 years old at the time, living in Singapore with his brothers. The family didn’t have cable, so they followed South Korea’s matches through Yahoo Sports’ live updates.

    “I didn’t even understand the significance of winning against a powerhouse like Italy. We were just so ecstatic.”

    For Hahn, who jumped from place to place as he was growing up — Singapore, Cambodia, Saipan, New York and L.A. — soccer was a constant in his life and how he found his identity.

    The tournament left a similarly lasting impression on James Kim, who was 21 and watching matches at Liberty Park in Koreatown.

    “I just remember they were selling ‘Be the Reds’ shirts everywhere,” Kim, 45, said. “I even had the ‘Be the Reds’ and Korean flags attached to my car and you just kind of saw that all over Koreatown and it was a really big, cultural experience.”

    Kim, who is half Korean and half Filipino, was raised primarily in a Korean household by his Korean father and stepmother. He said the tournament also changed the way he thought about himself.

    “I don’t look full-Korean,” he said, “so whether it was at the market or at a restaurant, I never really got treated like I was Korean, and so that was always a little bit of a struggle.”

    “I felt like I was able to be a part of something that everyone else — all the other Korean Americans around me — were also a part of,” he continued. “I think that was probably the first time I felt just very proud to be Korean.”

    Finding a place on Team Korea

    Hahn said many of the people they spoke with described support for the national team in terms of belonging, particularly among immigrants and members of the diaspora navigating questions of identity.

    Many immigrants arrive in the U.S. expecting to assimilate, Hahn said, only to discover that that is often more complicated than they imagined.

    “When that assimilation is thwarted for whatever reason, there is this response to finding a place that they feel like they can belong,” he said.

    The team’s reputation as an underdog resonates with many immigrants who see parallels in their own experiences.

    “When they see the South Korean team, especially in 2002, overcoming the odds to go on this sort of Cinderella run, it’s hard not to be romantic about that,” Hahn said.

    The interviews also revealed very different relationships to Korean identity.

    One of the earliest interviews featured in the project was with Meeja Richards, a biracial Korean and the child of an adopted Korean parent.

    Lee said Richards described supporting the national team as a way to connect with a culture she did not grow up around.

    “The Korean national team became this choice that she made in adulthood as a way to be like, ‘hey, I want an extension, I want an extra branch, I want a bridge to the Korean culture that I’m not very familiar with,'” Lee said.

    Another interviewee, Lee said, considers it his “birthright” to support South Korea despite being a U.S. citizen.

    The project tries to understand what lies beneath those convictions, An said.

    The interviews also revealed generational differences, Hahn said.

    While younger interview subjects grew up surrounded by Korean cultural exports such as BTS, Blackpink and Son Heung-min, older interview subjects often viewed the success of the national team through the lens of immigration and sacrifice.

    “What I gathered from these interviews was it’s very gratifying, I think, for them to see the success of the Korean men’s national team and to see someone like Sonny, it almost feels like a validation of all the hard work that they’ve done,” he said.

    While the docuseries focuses on Korean identity, An, Hahn and Lee say that diversity is central to the series.

    “We want to highlight just how diverse the diaspora is,” Hahn said. “How can soccer be a tool to inform the parts of yourself? We want to build a big tent where hopefully people can see a bit of themselves in the interviews that we do.”

    The series is expected to be released after the World Cup, likely in late summer or early fall. Follow the project on Instagram, @korea.away, for updates.