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The Brief

The most important stories for you to know today
  • Species invades CA delta for first time
    A woman examines a dark-colored mussel while wearing white gloves.
    Brazilian researcher Marcela Uliano da Silva shows samples of the golden mussel at the Carlos Chagas Filho Biophysics Institute in Rio de Janeiro, Brazil, in 2015.

    Topline:

    The golden mussel’s appearance in the Sacramento-San Joaquin Delta is its first confirmed detection in North America — and it has the potential to clog major water supply pumps.

    Why it matters: Unfortunately, the creature’s only connection to the Golden State is the fact that it is California’s most recently identified invasive species — and it’s a bad one, with the capacity to clog major water supply pipes.

    Why now: On Oct. 17, the tiny freshwater mollusks, which have already laid siege to waterways of southern South America, were found at Rough and Ready Island, near Stockton. Since then, state officials said, it has been in at least one other location, O’Neill Forebay, in Merced County.

    The context: Its appearance in the Sacramento-San Joaquin Delta is the mussel’s first confirmed detection in North America, according to a news release from the California Department of Fish and Wildlife.

    Read on... for more on the implications of the mussel's invasion.

    From the glittery bling of its name, the golden mussel sounds like it could be California’s state bivalve.

    Unfortunately, the creature’s only connection to the Golden State is the fact that it is California’s most recently identified invasive species — and it’s a bad one, with the capacity to clog major water supply pipes.

    On Oct. 17, the tiny freshwater mollusks, which have already laid siege to waterways of southern South America, were found at Rough and Ready Island, near Stockton. Since then, state officials said, it has been in at least one other location, O’Neill Forebay, in Merced County.

    Its appearance in the Sacramento-San Joaquin Delta is the mussel’s first confirmed detection in North America, according to a news release from the California Department of Fish and Wildlife.

    It’s also very possibly just the beginning of a long battle ahead to slow its spread. The top concerns at the moment include potential impacts to the environment and to the Delta pumping stations that send water to 30 million people and millions of acres of farmland.

    Unless it is contained and eliminated immediately, said UC Davis biologist Peter Moyle, there might be no getting rid of it.

    “If we’re lucky, and we stage a real eradication effort in the area where it’s presently found, it might not be too costly and would be worth it,” he said.

    But if such efforts fail, it could become a major problem for native species that the mussels outcompete for food.

    The Department of Fish and Wildlife is already considering these worst-case outcomes.

    “The species poses a significant immediate threat to the ecological health of the Delta and all waters of the state, water conveyance systems, infrastructure and water quality,” staff officials wrote.

    The Department of Water Resources is already conducting vessel inspections in the hopes of preventing spread of the mussels. In the San Luis State Recreation Area, officials have been inspecting watercraft exiting O’Neill Forebay, San Luis Reservoir, and Los Banos Creek Reservoir, said Tanya Veldhuizen, the department’s special projects section manager. The inspections are to “ensure all water is drained from livewells and bilges to prevent spread of invasive species to other water bodies.”

    The department, she said, is also taking heightened measures to protect the State Water Project — the system of pumps, pipes, and canals that exports water south from the Delta. This enhanced vigilance to mitigate “mussel biofouling,” she said, requires more frequent inspections, as well as cleaning and flushing. The mussels, she said, are likely to build up in screens, strainers, and trashracks.

    A native of China and Southeast Asia, the golden mussel — taxonomically Limnoperna fortunei — fixes itself to underwater surfaces, forming thick “reefs” built of millions of the animals. They feed by filtering nutrients and plankton from the water and, by this passive action, can have devastating impacts. Essentially, they filter the nutrition out of the native food web. In Argentina and southern Brazil, where golden mussels appeared in the 1990s, they have pushed out other species and smothered river beaches and native vegetation. Scientists have watched them spread north as rapidly as 150 miles per year, and they fear the invaders will find their way into the world’s largest river system and the hottest hotspot of biodiversity on Earth, the Amazon basin.

    They’ve also wreaked mayhem with underwater infrastructure, from hydroelectric plants to water supply systems. The mussels, for example, reportedly clogged the intake pipes of an urban water supply system in Brazil’s Lake Guaíba.

    “If we’re lucky, and we stage a real eradication effort in the area where it’s presently found, it might not be too costly and would be worth it.”
    — Peter Moyle, biologist, UC Davis

    No one can be certain how the mussels got to California, but sources suspect they arrived the same way they are believed to have traveled to South America — in the bowels of commercial ships, where ballast water used to stabilize vessels at sea is often drained in the port of arrival.

    Not everyone is particularly surprised, either. Moyle, for one, said he’s been expecting the golden mussel to arrive in the state for years. The California Delta, he noted, has been described as one of the most invaded estuaries in the world. It has been colonized by at least 185 foreign species, from Himalayan blackberries and fig trees to black bass, striped bass, and water hyacinth. According to one estimate, invasive species account for an astounding 95% or more of the estuary’s total biomass. The nutria — a large water-loving rodent from South America — has spread through the estuary in recent years amid concerns that it could, among other things, damage levees with its burrows.

    There are even some Asian bivalves already living in the Bay and Delta. The Eurasian overbite clam, for one, spread through the waterway in the 1980s. Biologists say the species has likely played a role in the downfall of native fishes by absorbing the tiny food particles that they depend on. The failed recovery of the Delta smelt, for example, has been linked to the spread of these clams.

    Now, scientists fear the golden mussel could add to these pressures.

    But not necessarily. Moyle said the Delta is so heavily impacted already, and its food resources already claimed, by other species — notably the filter-feeding clams — that there may be no room for the golden mussel to move in.

    “The invasive clams take up a lot of niche space,” he said.

    On the other hand, Moyle said, “it could be a super-invader” — an invasive species so adaptable and persistent that it replaces other invaders that came before it. The Delta’s average range of water temperatures and salinity, he said, are just right for the golden mussel.

    But in such an ecologically ransacked place as the Delta, not everyone is concerned about another bump in the road. Brett Baker, a water attorney with the Central Delta Water Agency and a sixth-generation resident on Sutter Island — and a former biology student of Moyle — isn’t fazed by the golden mussel’s appearance.

    “I’ve heard alarms all my life about quagga mussels, zebra mussels, mitten crabs, and nutria,” he said. “I just don’t think there’s enough slack in the system, or enough niche space, particularly for a species that isn’t evolved to live here … I’m pretty sure we won’t be talking about the golden mussel in 20 years, but I could be wrong.”

  • SFX designer reveals secrets behind the props
    A humanoid monster hurls at a man looking at it.
    Finn Wolfhard as Mike Wheeler in "Stranger Things: Season 5."

    Topline:

    Part one of the last season of Stranger Things is out now. From demogorgons atop a driving truck to a made up decibel systems device, special effects designer Shane Dzicek says the hands-on aspect of practical effects will keep his industry alive.

    The context: Beyond Stranger Things, Dzicek worked on the Faztalker device in the most recent Five Nights at Freddy’s film, the jets on Top Gun: Maverick and the Roomba-esque vacuum cleaner shoes in Hocus Pocus 2.

    Read on… to hear what props Dzicek designed and his thoughts about the SFX industry.

    From demogorgons clasping onto a white truck to a decibel reader device, much of the props in Stranger Things were designed with the intention to feel vintage and authentic.

    Much of that is thanks to Shane Dzicek, a special effects designer based out of Burbank. Beyond Stranger Things, Dzicek worked on the Faztalker device in the most recent Five Nights at Freddy’s film, the jets on Top Gun: Maverick and the Roomba-esque vacuum cleaner shoes in Hocus Pocus 2.

    LAist’s Julia Paskin talked with Dzicek about working on this latest season of Stranger Things and what it’s like to design special effects in the age of AI.

    The process of designing the props in “Stranger Things”

    Julia Paskin: What can you share on this date in terms of anything that you worked on in the new season?

    Shane Dzicek:  One of the things that I was excited to work on was a device that Steve actually has in the squawk van. It's this great device that counts from zero to 99.

     I put in an alpha numerical display. Back in the ‘80s, they might have used different tech…And the original one weighed like 35, 40 pounds. So I hollowed the ones that we remade from scratch. So that way, Steve [Harrington] could have this thing with him and not have to worry about the weight.

    A man looks to the top left while finagling a knob. A red LED display on a device to the right of him reads a number.
    A screengrab from the "Stranger Things" season 5 trailer. Special effects designer Shane Dzicek created the decibel system device to the right of Joe Keery's character Steve Harrington.
    (
    Courtesy of Netflix
    )

    Julia Paskin: In the trailer, there's the truck with demogorgons on top of it. And you did some work on that. Can you tell us about that as well?

    Shane Dzicek:  Murray [Bauman] was driving the truck. [The actors inside] need to be able to act. They need to have cameras right there, so you can't always have this all strapped on a big truck or on a process trailer moving down the road. So we built rigs that we can move the trucks around [and] be able to do any type of heavy riding, if there's big bumps they gotta go over, if you gotta move and flip the truck over any of that type.

    Humanoid monsters clasp onto a white moving truck.
    A screengrab from the trailer for "Stranger Things" Season 5. Special effects designer Shane Dzicek rigged the truck to withstand heavy riding.
    (
    Courtesy Netflix
    )

    The impact of AI on the SFX industry

    Two years ago, actors and writers in Hollywood went on strike, demanding protections from AI in TV and film writing. Last year, those same fears creeped into labor negotiations between the Animation Guild and studios and streaming companies, with the Guild calling generative AI a top concern.

    But when it comes to special effects, Dzicek is optimistic about his field withstanding AI’s threats to job security.

    Julia Paskin:  Are you dealing with the same kind of AI anxiety that other industries are fearful of, including myself?

    Shane Dzicek: [AI] is a powerful tool. I'll probably end up seeing directors and producers and creative people that might be using it as references, being like: "Hey, I AI generated a thing now. I need you to make this come to life and be physical and practical." So I don't see AI necessarily taking that practical part of making this a real thing. That takes a lot of just ingenuity and years of education on how to fabricate and build things and bring all these elements together to create a working prop.

    The other thing is you gotta train AI on the knowledge that we have. And [this] kind of knowledge is all handed by word of mouth. It's not written down anywhere. So good luck trying to protect that. Good luck trying to get the information out of all of us.

    These excerpts have been condensed and edited for clarity. Watch the full interview below.

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  • $83 billion deal would create streaming giant
    Netflix is spelled out in large red letters on top of a grey building against a blue sky
    The Netflix logo is seen on top of their office building in Hollywood

    Topline:

    Netflix is in final talks to buy Warner's film and TV studios, plus its streaming assets and some debt, in a deal worth nearly $83 billion.

    Why it matters: The deal would give Netflix one of Hollywood's most valuable libraries, including the Harry Potter, Game of Thrones, and the DC Comics properties.

    The context: The announcement caps what had been a closely watched bidding war in Hollywood that involved top competitor Paramount.

    What's next: The deal still has to clear regulatory and other hurdles, and would likely take around a year to close.

    We have a winner in the bidding war for Warner Bros-Discovery.

    Netflix is in final talks to buy Warner's film and TV studios, plus its streaming assets and some debt, in a deal worth nearly $83 billion.

    In a statement Friday, Netflix said the two entertainment giants had "entered into a definitive agreement under which Netflix will acquire Warner Bros., including its film and television studios, HBO Max and HBO." The announcement caps what had been a closely watched bidding war in Hollywood that involved top competitor Paramount.

    The deal would be valued at $82.7 billion, or an "equity value of $72.0 billion," the streaming giant said.

    “Our mission has always been to entertain the world,” Ted Sarandos, co-CEO of Netflix, said in a statement. “By combining Warner Bros.’ incredible library of shows and movies — from timeless classics like Casablanca and Citizen Kane to modern favorites like Harry Potter and Friends — with our culture-defining titles like Stranger Things, KPop Demon Hunters and Squid Game, we'll be able to do that even better. Together, we can give audiences more of what they love and help define the next century of storytelling.”

    The deal would give Netflix one of Hollywood's most valuable libraries, including the Harry Potter, Game of Thrones, and the DC Comics properties.

    The Directors Guild of America told Variety that the deal "raises significant concerns."

    “The news that Netflix had secured exclusive rights to negotiate for WBD raises significant concerns for the DGA,” the guild said. “We believe that a vibrant, competitive industry — one that fosters creativity and encourages genuine competition for talent — is essential to safeguarding the careers and creative rights of directors and their teams."

    For its part, Netflix said in it's statement that it "expects to maintain Warner Bros.’ current operations and build on its strengths, including theatrical releases for films."

    The deal still has to clear regulatory and other hurdles, and would likely take around a year to close.

  • Temps back up to mid-60s to low 70s
    BUENA-PARK-KOREATOWN
    Breezy winds will taper off today.

    Quick Facts

    • Today’s weather: Mostly sunny
    • Beaches: mid-60s to around 70 degrees
    • Mountains: upper 50s to low 60s
    • Inland: 67 to 73 degrees
    • Warnings and advisories: Beach hazards

      What to expect: Sunny and about three degrees warmer for the region.

      Beach Hazards: There's a chance of tidal overflow that could cause pooling of water over low-lying areas around the ocean.

      Read on ... for more details.

      Quick Facts

      • Today’s weather: Mostly sunny
      • Beaches: mid-60s to around 70 degrees
      • Mountains: upper 50s to low 60s
      • Inland: 67 to 73 degrees
      • Warnings and advisories: Beach hazards

      Breezy conditions will linger today for L.A. County mountains, but otherwise, expect a mild weather day. Come Sunday, temperatures will rise significantly continuing into next week.

      Temperatures in the Inland Empire and Coachella Valley will range from 67 to 73 degrees.

      In Orange County, inland and coastal areas will stay in the 64- to 70-degree range.

      For the L.A. County coast, expect highs from 64 to 72 degrees. For the valley communities, highs there will range from 68 to 74 degrees. In the Antelope Valley, highs will range from 60 to 65 degrees, but foothill communities will still see daytime highs in the upper 50s to around low 60s.

      Beach hazards

      High surf has come and gone, but now look out for high tides that could lead to pooling of water around walkways, parking lots or other low-lying areas near the ocean. These conditions will last until Saturday morning.

    • Who's helping those who care for children?
      A blue and white swing set with green swings. Half the ground on the left side is covered in sand. The right side is covered in green fake grass. There are three swings on the swing set, but only the middle and right hand one are in tact. The swing on the left has just chains and no swing seat. The chains look charred. Behind the swing set, a children's red plastic truck is semi-melted. A tangle of other plastic colorful toys are behind it. Branches and ash is strewn across the ground.
      Dozens of home childcare providers have not been able to re-open since the January fires.

      Topline:

      Eleven months after the January fires, childcare providers — especially those who operated businesses out of their homes — still are struggling to open up their doors.

      The backstory: Unlike during COVID, childcare providers didn’t receive dedicated relief money to recover from the fires. That left them to piece together federal support, state unemployment and private grants.

      Why it matters: As communities rebuild, families need reliable childcare. “The childcare field has been present in the community through devastating times, yet we are often overlooked when creating policy, allocating funds or recognizing the important role we play in our society in a disaster,” said Cristina Alvarado, executive director of the Child Care Alliance of Los Angeles, at a recent legislative hearing.

      What's next: The state Assembly select committee on child care costs is looking at how to help the industry in times of natural disasters.

      Read on ... to listen to the full story on 'Imperfect Paradise'.

      Eleven months after the January fires, childcare providers — especially those who operated businesses out of their homes — still are struggling to open up their doors.

      “There were no state or federal funds provided to support families or providers connected to childcare,” said Cristina Alvarado, executive director of the Child Care Alliance of Los Angeles, at a recent legislative hearing. “Sadly, we will experience another disaster, another fire, another loss.”

      The California Department of Social Services said as of this summer, 50 of 280 impacted childcare facilities remained closed. They stopped tracking the data in August.

      Providers told lawmakers in October that they needed more support to survive in an already fragile childcare industry. Preschools have been closing in L.A. County. There also are not enough childcare providers, and those who are in business are chronically underpaid. A recent study out of Stanford found that most childcare workers struggle to afford basic needs.

      Imperfect Paradise Main Tile
      Listen 27:21
      At least 280 childcare spaces were affected by the Eaton and Palisades fires in January. LAist reporter Libby Rainey and early childhood senior reporter Elly Yu followed two women who ran childcare businesses out of their homes until the Eaton Fire destroyed them. In this episode of Imperfect Paradise, they look at how these two childcare providers are rebuilding their lives and businesses, the catch-22 they found themselves in around government assistance, and the state of the child care industry at large.
      Altadena childcare providers' struggle to rebuild raises questions about government disaster response
      At least 280 childcare spaces were affected by the Eaton and Palisades fires in January. LAist reporter Libby Rainey and early childhood senior reporter Elly Yu followed two women who ran childcare businesses out of their homes until the Eaton Fire destroyed them. In this episode of Imperfect Paradise, they look at how these two childcare providers are rebuilding their lives and businesses, the catch-22 they found themselves in around government assistance, and the state of the child care industry at large.

      This means those childcare providers and the system as a whole are particularly vulnerable when a disaster strikes, like January's fires.

      “ I lost my only source of income without a place to operate. I cannot work. I still had to pay my rent and my mortgage payment, as well as our living expenses such as food,” said Francisca Gunawardena, who lost her house and childcare business in the Eaton Fire. Nearly a year later, she still hasn't been able to re-open.

      What was available for providers? 

      Unlike during COVID, childcare providers didn’t receive dedicated relief money to recover from the fires. That left them to piece together federal support, state unemployment and private grants.

      Providers who took care of children from low-income families and received state subsidies did receive payments from the state for 30 days after the fire. But that didn't get them very far. Gov. Gavin Newsom’s office then directed childcare workers to an unemployment phone line.

      Providers who looked for help from FEMA and other agencies sometimes found a bureaucratic maze. Felisa Wright, a childcare provider who lost her home and business in the Eaton Fire, spent months trying to get the agency's support. She encountered a series of catch-22s. She was rejected when applying for a small business loan because she didn't make enough money. But to start making money again, she needed to reopen her childcare center.

      In a statement, the agency said, “FEMA makes every effort to ensure that everyone eligible for assistance receives the help they need to recover,” and its program for assisting individuals has provided over $150 million to about 35,000 households.

      The office of state Assemblymember Cecilia Aguiar-Curry, who co-chairs the select committee on childcare costs, said this fall that the committee will look at identifying legislation to help the childcare industry in times of natural disasters.

      Providers say some kind of relief is necessary.

      Hear the stories of two providers — Francisca Gunawardena and Felisa Wright — who both lost their homes and what their journeys reveal about recovery overall after the L.A. fires on the latest episode of Imperfect Paradise.