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  • Dust risks at the Salton Sea have locals worried
    Dust from the exposed lakebed of the Salton Sea,
    Dust from the exposed lakebed of the Salton Sea, farm fields and the open desert all contribute to particulate pollution in the community of North Shore, on July 17, 2024.

    Topline:

    People in the Coachella Valley, breathe some of the nation’s unhealthiest concentrations of a pollutant known as PM10 — particles of dust small enough to inhale.

    Why it's an issue now: Local leaders and residents say more dust is covering cars and driveways, and even surfaces inside their homes. The particles exceed federal health limits, mostly when they are stirred up on windy days, and come from a variety of sources, including unpaved roads, construction sites, fallow farm fields and the dried-up Salton Sea. They're asking why more isn't being done to improve air quality.

    Who's at risk: People with lung and heart diseases, the elderly, pregnant people and children are most vulnerable.

    Read on: To learn about the full risks and the plan to clean up the pollution at the Salton Sea.

    Outside her home in Riverside County, near the north shore of the Salton Sea, Sara Renteria is struggling to breathe. She has to speak in short sentences, and pauses often to take a breath.

    When she was diagnosed with asthma as an adult about five years ago, Renteria said her doctor gave her a choice: Leave her home in the Coachella Valley or take an array of medications to treat her condition. It was the air, he told her, that worsened her asthma.

    Although by now Renteria is no stranger to this desert region’s poor air quality, she has noticed this year that dust storms kicking up clouds of particles have been increasing. She points to the horizon — it’s often so hazy that she can’t clearly see the desert mountains nearby.

    Some the nation's unhealthiest air

    People in the Coachella Valley, especially in Renteria’s low-income, Mexican American community, breathe some of the nation’s unhealthiest concentrations of a pollutant known as PM10 — particles of dust small enough to inhale. The particles exceed federal health limits, mostly when they are stirred up on windy days, and come from a variety of sources, including unpaved roads, construction sites, fallow farm fields and the dried-up Salton Sea.

    Renteria’s impression that the pollution has been severe in her community recently is backed up by the data: So far this year, 24 health warnings for windblown dust pollution have been issued in the region, each lasting several days. The latest was this week, along with odor and wildfire smoke warnings that added to the Coachella Valley’s pollution woes.

    Unhealthy peak levels of PM10 around Renteria’s community have been recorded on five days so far this year, based on preliminary South Coast Air Quality Management District data. Last year, five days exceeded the health standard and 10 days in 2022; in the decade before that, violations were rare.

    During the past two years, some Coachella Valley residents breathed maximum concentrations — usually recorded on high-wind days — two to three times higher than the amount deemed safe. Those are often the days when people, especially those with asthma or allergies, feel sick.

    Famous for two music festivals — Coachella and Stagecoach — the region draws hundreds of thousands of people each spring, when winds often stir up dust. Festival-goers and workers breathed high levels of particle pollution for several hours on the two days before the Stagecoach festival, and on its first day, April 26.

    Local leaders and residents say more dust is covering cars and driveways, and even surfaces inside their homes. A brown-gray haze lingers after high winds — so bad that it can cause car accidents. Hotels, restaurants and other businesses have expressed concerns that the dust is driving away tourists and raised their cleanup costs.

    “There’s no doubt in my mind that the air quality has been worse than I’ve certainly ever experienced it in my 28 yrs in the Coachella Valley,” said Tom Kirk, executive director of the Coachella Valley Association of Governments, which represents the area’s cities and tribes.

    Officials say the bad air quality isn't “out of the ordinary”

    But South Coast air district officials say the data doesn’t indicate there’s anything “out of the ordinary” this year.

    “We think dust levels are within the typical year-to-year variation we’d expect to see,” said Scott Epstein, the agency’s planning and rules manager who oversees air quality assessment. “It’s very unsatisfying for us because we want to confirm what the community is saying. But the science says things are within the realm of what we’ve seen in the past.”

    But South Coast air district officials say the data doesn’t indicate there’s anything “out of the ordinary” this year.

    “We think dust levels are within the typical year-to-year variation we’d expect to see,” said Scott Epstein, the agency’s planning and rules manager who oversees air quality assessment. “It’s very unsatisfying for us because we want to confirm what the community is saying. But the science says things are within the realm of what we’ve seen in the past.”

    Desert dust is usually coarse and packed into the ground. But when storm Hilary hit the area last August, the torrent of rain disturbed the dust and brought mud from mountains that turned into a fine, loose silt that raised PM10 levels.

    But Epstein said much of the dust that people are now seeing isn’t actually PM10 — it’s larger particles that do not pose a major health threat because they cannot be inhaled.

    What people living there are experiencing

    Some local leaders and residents disagree, based on the physical symptoms they feel and the fine dust they see.

    “Despite assertions to the contrary, air quality has not shown significant improvement,” state Assembly members Greg Wallis and Eduardo Garcia wrote in a letter to the air district. “The spring season, characterized by windy conditions, has exacerbated the issue by stirring up dust and clay deposits left behind in the wake of Tropical Storm Hilary.”

    Air pollution, particularly from dust-blown particles, has been a problem in the Coachella Valley for decades. The region was declared a federal PM10 “serious nonattainment” area back in 1993 — making it one of the nation’s worst areas for the pollutant.

    Since then, air quality and local officials have been struggling to figure out how to reduce the pollution, and residents have long pushed for more action.

    A state plan, mandated by the U.S. Environmental Protection Agency, outlines state and local efforts to require certain sources, including farms and construction businesses, to control dust. Local leaders already have a decades-old street-sweeping program to collect dust before it’s ground into finer particles, and other local rules have required dust control at construction sites and farm fields.

    Despite these efforts, over the past 20 years, PM10 remains a “serious” health problem in the region, according to the EPA. Average annual concentrations have improved in some areas, particularly in Indio, but not enough to meet health standards, air district data shows. The town of Mecca, on the north shore of the Salton Sea, has the worst problem.

    “The biggest driver of changes in PM10 is the wind,” said William Porter, an atmospheric physicist at UC Riverside who studies the air pollutant. “We get these big winds that blow very strong from the east. Whenever we have those conditions we see big increases in blow dust.” He added that the pollution also can worsen with “changes in the surface properties of the land.”

    The desert, of course, is dusty, with little rainfall and not much vegetation to hold soil in place. But there are human sources, too, that officials are struggling to control. The region is a transportation corridor, with exhaust spewed by trucks, trains and cars driving from Los Angeles. Dust on roadways is ground up into finer pieces that can be picked up and distributed throughout the air. Particles also flies off farm fields and construction sites.

    And the receding playa of the Salton Sea generates small particles that are picked up by winds. Created by Colorado River flooding, the shallow, salty lake now is made up mostly of contaminated runoff from Imperial Valley farms that have been draining its water supply.

    At risk: Elderly, children and those with lung disease

    PM10 — particles that are 10 microns or smaller, a fraction of the diameter of a human hair — is considered a health threat because the particles are small enough to be inhaled. They are larger than another pollutant, PM2.5 or fine particles of soot, which can travel farther into the respiratory system and enter the bloodstream, triggering heart attacks. PM10 is more likely to be trapped in the upper respiratory system — the nose and throat.

    Geoffrey Leung, Riverside County’s public health officer, said when PM10 is inhaled, it can worsen symptoms for people with asthma and lung diseases, such as chronic obstructive pulmonary disease. Symptoms can range from moderate to severe, from coughing, wheezing and eye irritation to asthma attacks. 

    People with lung and heart diseases, the elderly, pregnant people and children are most vulnerable, Leung said. Leung advises people with those conditions to stay indoors and limit physical activity on days with poor air quality.

    In the Riverside County portion of the Coachella Valley, about 41,422 adults and 10,675 children have been diagnosed with asthma, according to county data. That’s about 12% of the population, compared with the national average of about 7%.

    The Salton Sea is part of the reason that pollutant levels are so dangerous in the region. Porter’s unpublished research indicates that particles blown from the direction of the Salton Sea is linked to a larger increase in hospitalizations for respiratory or cardiovascular problems compared to when wind blows from other directions. The explanation could be the content of its dust, since it picks up metals, pesticides and other hazardous substances.

    Many residents living near the Salton Sea know to stay indoors to avoid the dust if winds are blowing from that direction. On two days earlier this week, odor advisories were issued when noxious sulfur fumes, which can cause headaches and nausea, blew in from the inland lake.

    “When it’s coming from the sea, we definitely don’t go outside. When it’s coming from L.A. it’s less worrisome,” said Conchita Pozar, who lives just about a mile from the shore of the Salton Sea.

    Asthma attacks, allergies and headaches

    On a recent evening at her home in North Shore — a tiny desert community of about 2,600 people, 97% of them Hispanic, next to the Salton Sea — Renteria recalled a scary asthma attack she had just a few weeks earlier. On the drive home from visiting her siblings, she started hyperventilating, seemingly out of the blue.

    “I felt like there was a rock on my chest,” Renteria said, mimicking the short, quick breaths she felt that day. “And like needle pricks all over my skin.”

    She spent a night in the hospital before her breathing stabilized.

    Renteria, a farmworker, has to carry her inhaler with her at all times, especially when she’s active and working in date fields part of the year. At home, she has a nebulizer, which is a machine with a mask that delivers medicine to her airways, and vials of medications.

    Pozar, recruited by UC Riverside researchers, is one of a handful of “promotoras” or community workers who interview their neighbors about their symptoms. Many report bloody noses, allergies and eye irritation. Some children don’t have an asthma diagnosis but struggle with similar symptoms and are instructed to use inhalers.

    Pozar’s teenage daughter suffers from allergies that give her eye irritation so severe that she often keeps her home from school. On windy days with poor air quality, Pozar keeps her daughters home and they wear masks when they go outside.

    “Her allergies are so bad that we sometimes can’t turn on the lights or go outside because it irritates her eyes,” Pozar said. “A specialist told me that it was because of the dust that surrounds her.”

    Many people have already moved out — North Shore’s population has dropped almost 13% in just one year. But moving isn’t an option for Pozar. She’s lived in the Coachella Valley half of her life after immigrating from Michoacan, Mexico. She wants to stay connected to her indigenous Purepecha friends, neighbors and family members who live there, and she and her husband have made their livelihoods here.

    “We’ve adapted, and with housing prices so high, I don’t think we’d be able to find a home that we’d be comfortable in somewhere else,” she said.“The government should make an effort to resolve the problems here.”

    Alianza Coachella Valley, a nonprofit that focuses on improving the health of the valley’s vulnerable communities, has trained Renteria and other community members to use air monitors in their homes to provide localized data and help protect themselves from the pollution, said Silvia Paz, the organization’s executive director.

    The group has educated residents about air quality, especially in the eastern Coachella Valley where the towns of Mecca, Thermal and North Shore are separated by miles of open desert and farm fields.

    “These communities are mostly rural and they’re lacking in infrastructure,” said Silvia Paz, the organization’s executive director. “We have less parks, we have less trees, we have less roads. We can experience the difference in exposure because we have less elements to keep dust down or protect us from the dust blowing.”

    In 2017, Alianza deployed air monitors throughout the eastern Coachella Valley that tracked real-time data. This provided evidence that the region should be included in a state program to reduce pollution in communities with the poorest air quality, Paz said.

    The program, mandated by a 2017 law, holds meetings with community members and has recently set aside $4.6 million to pave public and private roads in the eastern Coachella Valley, as well as $2.8 million to provide household air filters in communities statewide.

    Sweeping streets: Local efforts to fix the problem

    The South Coast air district monitors 24-hour average PM10 levels at three stations in Indo, Mecca and Palm Springs, and tracks when levels exceed the federal health standard, which is 150 micrograms of particles per cubic meter of air, as well as a state standard of 50.

    Emily Nelson, an environmental consultant for Coachella Valley Association of Governments, was part of a district working group that studied PM10 in the 1990s to develop ways to solve the problem.

    In 2003, the agency approved its plan to reach PM10 standards. Under the plan, cities implemented ordinances that directed certain industries, such as construction and agricultural businesses, to reduce dust. That includes such practices as spraying soil stabilizers and nonpotable water on construction sites and implementing certain methods when mowing golf courses.

    “There were a lot of implemented appropriate meaningful strategies that in the end saved many of these industries money and made them better neighbors,” Nelson said.

    In 2010, the state Air Resources Board and South Coast district asked the U.S. EPA to redesignate the area as in attainment with the health standard based on 2005-2007 data. The request was denied “and we started exceeding it again,” Nelson said.

    The Coachella Valley Association of Government spends more than $760,000 a year on street sweeping as part of the state’s plan for cleaning up PM10, according to a 2022 contract effective through 2025. Street sweepers clean 896 miles of roads at least on a biweekly basis.

    Kirk, executive director of the association, said street sweepers have recently picked up more dust than they have in the past.

    He said the cities need more funding from the South Coast air district and that agency officials should spend time in the Coachella Valley to see the problem themselves.

    “We rely on the district’s expertise to not just understand the air quality problem but solve it,” Kirk said. “The air district isn’t in the problem-solving mode because they don’t see there’s a problem.”

    In response to community concerns, South Coast air district officials say they are trying to get a better picture of the pollution by deploying a temporary monitor in Indio that can measure total suspended particulates and one in Whitewater Wash. The agency is also analyzing satellite data in collaboration with Colorado State University researchers.

    Even if the recent pollution concentrations are mostly larger particles, not smaller, inhalable ones, Nelson said she worries about how it affects the region’s welfare. More research is needed to see how they affect visibility, crops and other industries, like tourism.

    “The wind will stop and the valley still looks like we’re in a soup of dust,” Nelson said. “Everything is coated with this very fine dust. I mean the car washes have been doing the best business ever.”

    What you can do to protect yourself

    Our colleagues at NPR recently had these tips for protecting yourself:

    • Check the Air Quality Index at AirNow.gov or PurpleAir.com.
      • If the AQI is above 100, avoid outdoor exercise.
      • If it’s above 150, wear a tight-fitting N95 mask when you’re outside.
      • Run your air conditioner with a high-efficiency filter installed — the EPA recommends MERV 13 or above — or use a portable HEPA air purifier. (The EPA provides instructions for making your own HEPA air cleaner with a box fan, here.)Check the Air Quality Index at AirNow.gov or PurpleAir.com to see what the current AQI (air quality index) is near you.

    Get more tips on how to cope with poor air quality due to wildfires and other factors:

    John Osborn D’Agostino, CalMatters’ data and interactives editor, contributed to the reporting on this article.

  • The Polar Bear Plunge, comedy and more
    A person in a polar bear costume runs toward the water from the beach alongside a group of people in bathing suits, ranging from young children to middle-aged adults.
    Take the Polar Bear Plunge... if you dare.

    In this edition:

    Take the Polar Bear Plunge in Santa Monica, head to a comedy show, watch a movie on a rooftop and more of the best things to do this weekend.

    Highlights:

    • Dena United is hosting the all-day Power Up Altadena! festival at Altadena’s historic Zorthian Ranch to commemorate one year since the devastating Eaton Fire. 
    • Cold plunge, or really cold plunge? Start your year with fellow polar bears at the Annenberg Community Beach House and take a group jump into the Pacific.
    • Two special afternoons of concerts from Piano Spheres at the Wende Museum on Sunday and The Brick on Monday span the masterworks of legendary American composer Morton Feldman.
    • Chaos/riotous laughter/who knows what will happen when these three incredibly funny women get together on stage? Chelsea Peretti (Brooklyn Nine-Nine), Natasha Leggero (Chelsea Lately), and Sabrina Jalees (Search Party) take to the Elysian.

    If you’re looking for fire anniversary events (many of which continue through the weekend), check out our roundup here.

    We’re continuing with our staff L.A. resolutions, and Associate Editor Anthony Schneck has on his list some old and new adventures for 2026. First, it’s to have a martini at Musso and Frank (despite the touristy rep!), then it’s a trip to a Grand Ole Echo night at The Echo for some country music vibes. Later in the year, he’s excited to watch World Cup matches at the boisterous fan villages.

    Senior K-12 education reporter Mariana Dale is trying not to take our beautiful landscape for granted this year; she hopes to spot an octopus at the tidepools after lucking out seeing a bat star and a colorful nudibranch during the last king tide at White Point tidepools in San Pedro. She also plans a valiant return to Eaton Canyon once the damaged trails begin to reopen.

    Our friends at Licorice Pizza have tons of new music on their 2026 to-do list; this weekend, Mike Garson wraps up this three-night Bowie tribute residency at the Sun Rose with a rotating cast of all-stars, including Billy Corgan, Chad Smith, Jake Wesley Rogers, Judith Hill, Luke Spiller and Licorice Pizza’s own all-star Carmine Rojas. Friday and Saturday, Galantis play the Hollywood Palladium, and on Saturday there’s another big benefit show at the Shrine, Artists For Aid, to raise funds for those affected by the ongoing crises in Sudan and Palestine. Also on Saturday, you could also check out Unwritten Law at the Teragram Ballroom, or American Idol winner Lee DeWyze at the Hotel Café.

    Elsewhere on LAist, you can keep up with anniversary events marking one year since the Eaton and Palisades fires, meet five new species discovered in 2025 and catch up on the new laws that will affect California schools in 2026.

    Events

    Power Up Altadena!

    Sunday, January 11, 11 a.m.
    Zorthian Ranch 
    3990 N. Fair Oaks Ave., Altadena 
    COST: FREE, $10 SUGGESTED DONATION; MORE INFO

    A red digital poster listing bands for Power Up Altadena!
    (
    Courtesy KCRW
    )

    Dena United is hosting this all-day festival at Altadena’s historic Zorthian Ranch to celebrate the community’s diverse culture and commemorate one year since the devastating Eaton Fire. Expect to see a wide range of performances from acts including Bobby Bradford, Dwight Trible, Baba Onochie Chukwurah & the Rhythms of the Village Family Band, the Pan Afrikan Peoples Arkestra, Earthseed Band and the Whispering Giants with MCs Medusa and Myka 9.


    Polar Bear Plunge

    Saturday, January 10, 10:15 a.m.
    Annenberg Community Beach House
    415 Pacific Coast Highway, Santa Monica 
    COST: FREE, $10 for heated pool admission; MORE INFO

    A person in a polar bear costume runs toward the water from the beach alongside a group of people in bathing suits, ranging from young children to middle-aged adults.
    (
    Courtesy Annenberg Community Beach House
    )

    Cold plunge, or really cold plunge? Start your year with fellow polar bears at the Annenberg Community Beach House and take a group jump into the Pacific, followed by a 300-yard swim out and back to warm up for those with a little more stamina. Brrr!


    Morton Feldman: Centennial Marathon

    Sunday, January 11, 3 p.m. to 9 p.m. 
    Wende Museum 
    10808 Culver Blvd., Culver City 
    COST: FREE; MORE INFO 

    A painting of Morton Feldman in reddish hues.
    (
    Courtesy Wende Museum
    )

    Two special afternoons of concerts from Piano Spheres at the Wende Museum on Sunday and The Brick on Monday span the masterworks of legendary American composer Morton Feldman. The two days will feature works including Crippled Symmetry, For Bunita Marcus, and Patterns in a Chromatic Field. Special guests like Amy Williams, Conor Hanick and more will perform. On Monday, head to Melrose Hill to art space The Brick (518 N. Western Ave.) from 3 p.m. to 9 p.m. for a second set of music.


    Eternal Sunshine of the Spotless Mind

    Saturday, January 10, 8:30 p.m.
    Rooftop Cinema Club
    888 S. Olive Street, Downtown L.A.
    COST: $31; MORE INFO

    A light-skinned man with a light beard has the top part of his head in a strange device.
    (
    Focus Features
    )

    The rainy weather seems to be taking a break, so take advantage and enjoy some eternal sunshine of your own at Rooftop Cinema Club’s Fireside Films. The modern classic Eternal Sunshine of the Spotless Mind (2004), starring Kate Winslet and Jim Carrey, is a meditation on memory — and the setting is cozy, with outside heaters and a roaring fire. Tickets include a hot beverage.


    Historic Main St. Santa Monica Walk

    Saturday, January 10, 10:30 a.m. to 12 p.m. 
    Shotgun House 
    2520 2nd. Street, Santa Monica 
    COST: FREE; MORE INFO 

    A stone street lined with palm trees at night.
    (
    Piermario Eva
    /
    Unsplash
    )

    Santa Monica Conservancy hosts this walk along historic Main Street and through the vibrant Ocean Park neighborhood, led by street historian and author of the award-winning blog The Street Seen, Mark Gorman. Miss this week? The SMC leads tours every second Saturday of each month.


    Two films by Zoe Beloff 
    Friday, January 9, 6 p.m. 
    Velaslavasay Panorama 
    1122 W. 24th Street, West Adams
    COST: $18; MORE INFO 

    There’s no more unique place in L.A. than the Velaslavasay Panorama, and filmmaker Zoe Beloff will be there in person to debut two new films at the space, Josephine the Singer or The Mouse People and Life Forgotten. The first looks at the history of New York’s Lower East Side through its community gardens, told through the text of a Franz Kafka short story; the second centers on a silent movie theater and storefront cinema in early 20th-century New York City.


    CHAOS: Chelsea Peretti, Natasha Leggero, Sabrina Jalees

    Sunday, January 11, 7:30 p.m. 
    Elysian Theater 
    1944 Riverside Drive, Elysian Valley  
    COST: FROM $25; MORE INFO

    Three women lie on their backs with their heads put together.
    (
    Courtesy The Elysian
    )

    Chaos/riotous laughter/who knows what will happen when these three incredibly funny women get together on stage? Chelsea Peretti (Brooklyn Nine-Nine), Natasha Leggero (Chelsea Lately) and Sabrina Jalees (Search Party) take to the Elysian for a night of much-needed antics.


    Ukrainian Christmas Dinner

    Sunday, January 11, 2 p.m. to 5 p.m. 
    Ukrainian Cultural Center 
    4315 Melrose Ave., East Hollywood 
    COST: FROM $81; MORE INFO 

    A poster for a Ukrainian Christmas event on a blue poster with snowflakes.
    (
    Ukrainian Culture Center of Los Angeles
    /
    Eventbrite
    )

    Keep the holiday celebrations going with this Ukrainian Christmas Dinner — the Schedriy Vechir (“generous evening”) Holiday Gala — celebrating the resilience of the Ukrainian people in this challenging time. The fundraising event includes performances from the Kobzar Choir, KOLO Choir of St. Volodymyr’s Church, Blagovist Choir of St. Andrew’s Church, Vova Zi Lvova, Vsudy Svoya, Chervona Kalyna Dance Ensemble and more.


    Dry January at Burden of Proof
    Various dates 
    1012 Mission Street, South Pasadena
    COST: VARIES; MORE INFO

    The interior of a bottle shop with shelves stacked with bottles and cans of beverages.
    (
    Courtesy Burden of Proof
    )

    If drinking less is on your January to-do list, you couldn’t pick a better place to start than Burden of Proof in South Pasadena. While other N.A. bars have closed in the past year (The New Bar, Stay), Burden of Proof is thriving, with a variety of events featuring local producers to help keep you on the straight and narrow for dry January and all year long.

  • Sponsored message
  • Where authenticity means diversity
    Three doctors stand in a hospital room, all wearing black scrubs and stethoscopes around their necks, with serious looks on their faces. In the center is a white man with a beard, on either side of him are two younger female South Asian doctors.
    Shabana Azeez, Noah Wyle and Supriya Ganesh in a scene from the first season of 'The Pitt.'

    Topline:

    The second season of the medical drama The Pitt premieres today on Max. The show has been lauded for its authenticity (including by medical professionals) and also for its casting, which the show’s Emmy-winning casting directors see as connected.

    The context: Their number one directive in casting The Pitt, casting directors Cathy Sandrich Gelfond and Emma Berger say, was always showing the truth of working in an emergency department, which meant putting together a diverse cast.

    In a moment where networks and streamers are pulling back on pledges to diversity, equity and inclusion, Gelfond and Berger say they haven’t seen that have an impact on their work.

    Read on ... for more about the process of casting The Pitt.

    The acclaimed Max series The Pitt returns for a second season today.

    The Pitt centers around Dr. Michael Robinavitch (aka “Dr. Robby”) played by Noah Wyle — probably best known for his 13 season run as a doctor on another medical drama, ER — and a large cast of other doctors, nurses, patients and hospital staff.

    The series has a unique format: a season spans just one day, with each episode representing an hour in the emergency room of a fictional Pittsburgh hospital. It’s been lauded for its authenticity (including by medical professionals) and also for its casting, which the show’s Emmy-winning casting directors see as connected.

    Cathy Sandrich Gelfond and Erica Berger, who took home an Emmy for their work casting The Pitt’s debut season, say their main directive from the show’s producers was showing the truth of working in an emergency department.

    ‘If they’ve got the goods, they’ve got the goods’

    “ I think the great gift of this show for both of us is that everybody [from the] top down agreed — We didn't need ‘names.’ We had Noah. And that we could just go discover,” Gelfond says. “Best person wins and [it] doesn't matter if they've never done anything. If they've got the goods, they've got the goods. Cause everybody has to have a first job.”

    Gelfond and Berger cast a wide net, and got three to five thousand submissions for each character. They narrowed that down to 20 to 40 candidates to read for the role (and more for series regulars), and then submitted five to eight of their favorites to the producers.

    Gelfond says considering and casting a lot of newcomers also contributed to the show’s authentic feel. “Part of why this worked is a lot of these people [Erica and I] didn't know either, so they fell into the parts. You have no baggage and you have no expectations, and then they just suddenly become the character.”

    ‘There can’t be two of us’

    The directive for realness also led to a diverse cast, including a Filipino doctor and nurses who sometimes speak Tagalog, and multiple South Asian doctors.

    “At the end of the day, what we're trying to do is show the truth of who works in these hospitals,” casting director Gelfond says. “And guess what? There are more than two South Asians.”

    But it was something that Gelfond says surprised even the South Asian actresses cast on the show. Similar to what Brooklyn Nine-Nine actresses Stefanie Beatriz and Melissa Fumero described experiencing back in 2019, The Pitt actresses Supriya Ganesh (who plays med student Victoria Javadi) and Shabana Azeez (who plays Doctor Samira Mohan) told the casting directors they thought, “There can’t be two of us.”

    ‘The climate hasn’t changed what we’re up to’

    Their assumption, rooted in their experiences auditioning for other roles, is also reflected in the data on casting in Hollywood. The most recent Hollywood Diversity Report from UCLA that focuses on streaming shows from 2024 found that among the most watched streaming comedies and dramas that year, 79.6 percent of lead actors were white.

    And while BIPOC actors “fared much better as co-leads than they did as leads,” they were still underrepresented as co-leads, filling only 29.7 percent of the roles in that year’s top streaming comedies and dramas.

    That’s despite continued evidence that shows with diverse casts get good ratings, and that rolling back representation gains comes with substantial financial risks.

    In a moment where networks and streamers are pulling back on pledges to diversity, equity and inclusion, Gelfond and Berger say they haven’t seen that have an impact on their work.

     “We're fortunate that we can be open on a lot of parts [...] the role goes to the person who gave the best performance, kind of regardless of anything else,” Berger says. “The climate hasn't changed what we're up to over here.”

  • How bulk buying could help Altadenans return
    A man wearing a long sleeve T-shirt, jeans, boots and a black cap is assembling parts of building roof. Empty dirt lots are seen in the distance below a blue sky.
    Group purchasing can save significant money, fire survivors are finding. But the tradeoffs are in efficiency and time. .

    Topline:

    A year after L.A. went up in flames, survivors are looking to rebuild quickly and affordably. As just one person, the costs of rebuilding add up fast. But by pooling their purchasing power, neighborhoods — or what's left of them — are working together to curtail rebuilding costs.

    Why it matters: Many face an issue that some fire survivors refer to simply as "the gap" — the financial hole between what insurance will give and what it will actually cost to rebuild. Working together could be the difference that allows some people to return home.

    L.A. isn't the first: Jennifer Gray Thompson, who leads the advocacy organization After the Fire, said that since her group launched in 2017, she has seen communities in California, Colorado and elsewhere purchase goods and services together to bring costs down.

    How bulk purchasing can work: Unlocking this type of coordination depends on a number of factors, including how tight-knit the recovering community is, how close together homes are, and how affluent the disaster zone is.

    Read on ... to hear from fire survivors banding together to rebuild.

    If you need a new refrigerator, you go to a hardware store. But what if you need a thousand refrigerators?

    This is a math problem in the era of urban mega-fires. A year after L.A. went up in flames, survivors are looking to rebuild quickly and affordably.

    As just one person, the costs of rebuilding add up fast. But by pooling their purchasing power, neighborhoods — or what's left of them — are working together to curtail rebuilding costs.

    It turns out needing a thousand fridges could be a good issue to have. In Altadena, fire survivors are working together to buy things in bulk. And they're trying to find the most efficient and fair way to do it.

    " When you see that deal on the shelf: 'Buy four, get the fifth for 20% off,' all you have to do is consult your wallet," said Michael Tuccillo, whose home was damaged in the Eaton Fire. "But when you're bulk purchasing, it becomes complicated because you have to make a choice that's right for the entire community."

    Morgan Whirledge first tried the group approach when he needed a land survey of his property. He's an Eaton Fire block captain, meaning he coordinates with neighbors and other block captains on all types of issues related to fire recovery.

    " If you're bringing out survey equipment to an area … why not knock out a few properties at the same time in one day, as opposed to coming out over and over again?" Whirledge said.

    A lot of other neighborhoods had the same idea.

    This process allowed block captains like Whirledge to try out their negotiating skills — and understand the limits of their leverage. He made a deal for a handful of plots, including his own.

    "The surveyor we ended up with was saying, 'Hey, there's kind of a threshold where it stops being more economical for me,'" Whirledge said.

    It also revealed the challenges of making big financial decisions with other homeowners. Tuccillo scored a great deal for himself and two dozen neighbors: around $1,700 a lot for a land surveyor, compared to a one-off price of $5,000. But someone had to go first, and someone had to go last.

    " It took like two months, maybe three months for some of these people to get service, which is a big deal," said Tuccillo, who is also a block captain. "And people were upset at me."

    A partially built wooden structure stands among empty dirt lots. A few trees are peppered between the property lines.
    A house under construction in Altadena in June.
    (
    Myung J. Chun
    /
    Los Angeles Times via Getty Images
    )

    'The gap'

    Land surveying is simple compared to the decisions that lie ahead for most people rebuilding in Altadena and the Palisades.

    Many face an issue that some fire survivors refer to simply as "the gap" — the financial hole between what insurance will give and what it will actually cost to rebuild.

    Working together could be the difference that allows some people to return home.

    Elizabeth Campbell has been thinking a lot about this problem. She negotiates bulk purchases for a living, and has worked as a buyer for companies like Saks Fifth Avenue and the North Face. When she lost her home in the Eaton Fire, she found a new arena for her expertise.

    "Asking a vendor for a discount is not always the best way to get the best price," she said. "When you're purchasing a large amount of goods, you're thinking a little bit more broadly. Where are they manufacturing? Is it something that they need to manufacture six months in advance?"

    In the first year of recovery, a lot of these logistical questions were playing out on Discord and in WhatsApp groups. Seeking a bigger fix, some fire survivors have teamed up with David Lee, a software developer.

    Lee launched Buildnotes — an online platform to help more people do group purchasing with less logistical and interpersonal hassle. The site is a wholesale marketplace for materials and services needed for rebuilding. Right now, a big goal is to get homeowners and vendors to sign up.

    " We try to line up homeowners and projects along three primary dimensions. One is geography. Two is chronology. What's the start date of your project and do the phases of your project line up with other homes? And then third is style of home," Lee said.

    A large tree sits in the center of the frame with lots of overgrown brush beside a street curb.
    Some homeowners in Altadena scored great deals with other neighbors to pay for things such as a land surveyor. The cost went from $5,000 for a one-off price for one property to $1,700 for two dozen neighbors each.
    (
    Libby Rainey
    /
    LAist
    )

    The biggest group purchase: a home

    The largest group purchase fire survivors can make is the home itself.

    That's the route Brad Sherwood took after losing his house in Santa Rosa to the Tubbs Fire in 2017. He quickly realized that his insurance payout wasn't enough for him and his wife to rebuild a custom home, and they started talking with neighbors about rebuilding together.

    In the end, Sherwood and around 20 other families in his neighborhood went in on the same builder: Stonefield Development of Orange County.

    "They allowed neighbors to get into different focus groups, and based on how many bedrooms you wanted or your lot size, they allowed you to develop a floor plan," he said. "If we got enough people to do this particular floor plan, then we could do an assembly production of our homes. And that really benefited us in terms of construction costs, timeline, labor costs."

    Sherwood said initial estimates were $700 a square foot. By purchasing his home alongside his neighbors, he spent $400 a square foot.

    " The group buy was kind of like therapy in a way," Sherwood said. "Because we all were doing this together, and you didn't feel alone or scared."

    Sherwood said custom finishes and small details made sure the neighborhood he returned to wasn't "cookie cutter" compared to the pre-fire hodgepodge of custom, older homes.

    A familiar approach

    Fire survivors in L.A. aren't the first to try out group purchasing after a large-scale disaster. Jennifer Gray Thompson, who leads the advocacy organization After the Fire, said that since her group launched in 2017, she has seen communities in California, Colorado and elsewhere purchase goods and services together to bring costs down.

    In Maui, where the Lahaina Fire destroyed thousands of homes in 2023, many residents need trusses — structures made of wood or steel that form the base of a roof. It's inefficient to order them separately, especially in a place as hard to reach as Maui. So Gray Thompson said community members are working on placing a bulk order.

    Two dirt lots next to each other are partially lined with trees and wooden stakes that mark the property edges. A building in the distance is partially built beneath a clear blue sky.
    In Altadena, fire survivors are working together to buy things in bulk. And they're trying to find the most efficient and fair way to do it.
    (
    Libby Rainey
    /
    LAist
    )

    "Trusses are really hard to get on Maui," she said. "So what you have to find is what in the market is the barrier, and then you can often unlock that barrier by group buying."

    But this type of coordination depends on a number of factors, including how tight-knit the recovering community is, how close together homes are, and how affluent the disaster zone is.

    The collective decision making seen after the Tubbs Fire in Santa Rosa was harder to pull off in more rural communities destroyed in the 2021 Dixie Fire in Northern California, according to Gray Thompson. People lived farther apart and were scattered to the winds after their town was destroyed.

    Still, she said, the idea that it's better to work together, as a community — the ethos of group purchasing — applies to all fire survivors.

    " Nobody can walk through this alone. It's an inefficient way to do it. It's not healthy — emotionally or financially or politically or socially," she said. " All of rebuilding is a group project.”

    That's what Morgan Whirledge is finding in Altadena.

    " If you are a survivor, being able to turn that corner from dread ... that's like a huge part of this effort," he said. " We're all looking for those steps in this process that give us the resiliency and the optimism to carry forward."

    Wherever they may fall in the spectrum, engaging in the idea of group purchasing has given some fire survivors something that's in even shorter supply than building materials: hope.

    Do you have a question about the wildfires or fire recovery?
    Check out LAist.com/FireFAQs to see if your question has already been answered. If not, submit your questions here, and we’ll do our best to get you an answer.

    _

  • A year later, many survivors still need help
    A woman with light skin tone stands out in a yard looking at burnt and wilted vegetation.
    Coleen Sterritt had plans for her art practice and life in her community. She said that has been erased, and many of the people in her community do not plan to return.

    Topline:

    Fire survivors who received aid have ongoing needs beyond what those homegrown efforts have provided, and those who manage aid say more needs to be done to improve relief systems ahead of the next disaster.

    Lessons learned from one mutual aid group: The Grief and Hope fund was intended to draw attention to the economics of working in culture and to the art workers who go unrecognized. It was among a number of initiatives to support artists and art workers after the fires; it raised approximately $1.6 million, much of that already distributed to 271 people.

    The takeaway: The most dominant response Grief and Hope’s organizers heard from aid recipients in a survey was their gratitude for “how little information and hoops we required people to jump through,” Pittman said. She pointed out “the number of people who were just like, ‘thank you for not asking me to quantify my suffering to receive support.’”

    When Ariel Pittman thinks about the Eaton Fire, she said she thinks about the person with a disability who died waiting to be evacuated, and about the importance of knowing who’s in the area.

    “We need to have a sense of responsibility for each other,” Pittman said.

    And she thinks about how to get relief money to survivors immediately, Pittman said, “rather than making them fill out mountains of paperwork and drive all over town trying to get resources.”

    Pittman, owner and founder of the art gallery Official Welcome in Westlake, is among a group of five women art workers and artists — including Kathryn Andrews, Andrea Bowers, Olivia Gauthier, and Julia V. Hendrickson — who created the mutual aid fund Grief and Hope.

    Mutual aid refers to individuals pooling resources to help one another. This collective action can build new social relationships but can also represent a shared understanding that existing relief systems often fail to help everyone.

    After the Palisades and Eaton fires a year ago, there was an outpouring of giving for artists and art workers who experienced loss. In small and large gestures, this aid created connection, served as recognition of this shared moment, and suggested new ways of relating to one another.

    But those who received aid have ongoing needs beyond what those homegrown efforts have provided, and those who manage aid told LAist that more needs to be done to improve relief systems ahead of the next disaster.

    Supporting the art community after the fires

    The Grief and Hope fund was intended to draw attention to the economics of working in culture and to the art workers who go unrecognized. It was among a number of initiatives to support artists and art workers after the fires; it raised approximately $1.6 million, much of that already distributed to 271 people.

    “I think we all had this shared sense too of just not wanting to see our art world disappear here. And that felt very prescient when the fires happened,” gallery director Gauthier said.

    A recent survey about artists in the labor force found more than half of the artists reported being “somewhat or very worried” about being able to afford “food, housing, medical care, or utilities” and around 10% “juggled three or more jobs.”

    While some artists do well financially, Pittman said, she has seen art workers living on the edge: self-employed workers, underpaid gallery and museum employees, people who are underemployed or managing multiple jobs.

    A disaster only makes their situations more precarious.

    Four women pose in a group portrait. One of them holds a small yellow dog. Behind them are two quilts hanging in an art gallery.
    The organizers of the mutual aid fund Grief and Hope. From left standing, clockwise: Olivia Gauthier; Ariel Pittman; Kathryn Andrews, Julia V. Hendrickson. Not pictured: Andrea Bowers.
    (
    Bonnie Ho
    /
    LAist
    )

    Grief and Hope’s organizers were already active in supporting artists before the fires, so it came naturally to continue to do so. They quickly set up a fiscal sponsor through The Brick nonprofit to manage the money and researched the minimum requirements needed to distribute aid.

    Hendrickson, a small business owner of the arts agency Verge, checked applications for false information, but overall the group aimed to cut red tape — an example they hope bureaucracies can learn from.

    The most dominant response Grief and Hope’s organizers heard from aid recipients in a survey was their gratitude for “how little information and hoops we required people to jump through,” Pittman said. She pointed out “the number of people who were just like, ‘thank you for not asking me to quantify my suffering to receive support.’”

    Recipients also reported in the survey that they felt more connected.

    With its organizers bearing close ties to the community, Grief and Hope was also a hub for information, channeling requests from people wanting to help and sharing opportunities like temporary housing, access to studio space and free art supplies.

    In their efforts to distribute funding quickly, members of Grief and Hope recognized that they missed a lot of older people who weren’t on social media or connected to those that are. To remedy this, Grief and Hope organizers were able to distribute funding to those who were less online at a later date.

    I hope that the people who saw what we did would do the same for us, that there would be another group like this in the future, for the next thing that needs it, you know?
    — Ariel Pittman, Grief and Hope organizer

    Pittman said this is another reason why there needs to be data for those distributing resources after a disaster, so that resources could be brought to people, rather than people having to find them or rely on an algorithm to learn about them.

    Pittman said her group plans to make one more payment to applicants, but speaking for herself, she doesn’t see Grief and Hope being revived unless they’re uniquely situated to help.

    “I hope that the people who saw what we did would do the same for us, that there would be another group like this in the future, for the next thing that needs it, you know?” she said.

    And better data would mean future aid groups could get a head start. This group shares an understanding that with climate change, disasters will inevitably become more frequent.

    One of Pittman’s collaborators, Andrews, an artist and founder of the gender equality nonprofit Judith Center, has now lost her home twice (first to the Bobcat Fire in 2020, second to the Palisades Fire).

    She recognized this is a unique opportunity where people can come together and think about a different future, on how to construct a community anew, but also how to prepare for a different disaster response.

    “I don't think a solution after the fact is the right approach because there's just not enough we can do. We need to reengineer it on the front end,” Andrews said. “And I think collectively we should make demands that the government does step up differently, that insurance performs differently.”

    Needs after a disaster

    Margaret Ross Griffith learned from her neighbor’s car camera that the Eaton Fire had made it to her Altadena home.

    She also lost her and her husband’s art studios, their art storage, and also the period of time, the “soft space” she called it, that her family of four shared before her eldest daughter would go off to college.

    When various relief efforts sprung up in the aftermath, the last thing she could imagine doing was driving anywhere to pick up anything.

    “You're like, ‘I have to drive where?’” she recalled. “I mean, you're just in such a state of shock that driving anywhere is a hardship.”

    Friends showed up for her and her family. At least two rented trucks to bring items to fill their empty rental home. One day five of her husband’s friends came with shovels and screen to remove and filter debris. The friends who took Griffith and her family in after the Eaton Fire said they could stay as long as they needed.

    It also helped that she could receive funds quickly from Grief and Hope. There were immediate costs to cover, including paying for a security deposit and rent for a place that cost twice as much as their mortgage.

    Even before having furniture for their rental, Griffith said with some amusement, she used aid from art groups to invest in a laser cutter. Griffith, an artist who makes intricate sculptures by cutting repeated patterns through metal and other materials, said it was an essential need for her art practice.

    The value of having a space to create

    At 72 years old, Coleen Sterritt had retired from teaching at a community college and had plans for her art practice and life in her community. She said that this has now been erased. The materials gathered for future projects have burned, along with her house and two art studios. The people in her former Altadena community who consider themselves too old to rebuild or who rented do not plan to return.

    “It was like one day you had your life and the next day you did not,” Sterritt said. “It was just gone.”

    Listen 0:44
    For survivors of Eaton Fire, recovery has been a full-time job

    After the Eaton Fire, Sterritt, her husband, and their two dogs have moved five times. She said it helps to be around people who understand what they went through. There is a sense of isolation among others, including family.

    “They don't really understand that it's with us all the time. It's with us all the time,” she said.

    Going to art galleries today is a reminder of the art she has lost: sculptural art in the last 15 years, and the works on paper that went back nearly 50 years, her notebooks, and her sketchbooks.

    Sterritt received mutual aid from a GoFundMe a former student created for her. Sterritt was initially reluctant, but was persuaded that the GoFundMe was a connection to others who wanted to give, regardless of how much someone could contribute.

    But as the one-year mark approached, she said she has noticed that the attention has begun to fade. Sterritt points out, for example, businesses that were so quick to offer discounts at the time of the fires, did not continue much past early 2025. By summertime, businesses appeared to have moved on, she said.

    Recovery has been a full-time job — between working to create an inventory of all that was lost and participating in the lawsuit against SoCal Edison, Sterritt has not been able to make art.

    Sterritt misses having a studio and the privacy it affords. The loss of a physical place for an artist isn’t the same as it is for a person whose profession isn’t so tied to having a space for creativity, Sterritt said. And space in Los Angeles is hard to come by.

    Griffith, too, has found it challenging to make art since the fire. She said to do so, she needs to have three components — time, money and space. She recently was given access, however, to a temporary studio for her eight-week art residency with Arts at Blue Roof. There she seemed to relax.

    “There're no distractions here. I'm not, you know, dealing with the burdens of the house rebuild when I come into this room,” she said in an interview at her Blue Roof studio. 

    She is not expecting her new home to be ready until 2027, so she hopes that organizations continue to offer studio space to those affected by the fires.

    And she hopes people do not forget how long recovery takes.

    Funding for this story was provided by UC Berkeley's Greater Good Science Center, as part of its "Spreading Love Through the Media" initiative, supported by the John Templeton Foundation.