Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

The Brief

The most important stories for you to know today
  • They help unify communities post-disaster
    A group of dark brown-skinned feminine-presenting people dressed in flowy white garb dances on a grass field in front of a large concrete wall.

    Topline:

    From Appalachia to the Bayou to the desert Southwest, here's how culture can teach us about adapting to a warmer world.

    Why it matters: How will people carry their heritage into a world reshaped by climate change? It requires looking to tradition-bearers — the people within a community who are preserving its customs, songs, and stories and passing them on — for clues to how best to navigate this tumultuous time without losing generations of knowledge. In that way, folklorists across the country increasingly strive to help communities adapt to a new reality, understand how tradition shifts in times of crisis, and even inform climate policy.

    Read on ... for a deeper examination on how culture and climate can coexist.

    When politicians and planners think about climate adaptation, they’re often considering the hard edges of infrastructure and economics. Will we divert flooding? Should we restore shorelines? Can we fireproof homes? Folklorist Maida Owens believes such questions don’t capture the full picture. When climate disaster comes for the diverse Cajun and Creole fishing communities of Louisiana’s islands and bayous, it has the potential to tear their cultural fabric apart.

    This story was originally published by Grist. Sign up for Grist’s weekly newsletter here.

    Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future.

    “There’s more to community resilience than the physical protection of properties,” Owens, who works with Louisiana’s state folklife program, told Grist.

    Radical change is already occurring. Louisiana’s coast is slowly being swallowed by the sea; the Southwest is drying out; Appalachia’s transition from coal has been no less disruptive than a recent battery of floods and storms. These crises, which are unfolding nationwide, interrupt not only infrastructure, but the rituals and remembrances that make up daily life.

    The study of those rituals and remembrances may seem like an esoteric discipline, one relegated to exploring quaint superstitions of the past or documenting old men in overalls playing homemade instruments. It’s true that those who study and preserve folklore don’t concern themselves with high art — that is, the sort of thing supported by networks of patronage and philanthropy and gallery exhibitions. Their mission is to record the culture of ordinary people: us. Our jokes, our songs, our spiritual practices, our celebrations, our recipes. Such things are the glue that holds society together, and as the climate changes our ways of life, Owens and her peers say, it’s important to pay attention to how culture adjusts.

    Doing that goes beyond the practical question of how people will carry their heritage into a world reshaped by climate change. It requires looking to tradition-bearers — the people within a community who are preserving its customs, songs, and stories and passing them on — for clues to how best to navigate this tumultuous time without losing generations of knowledge. In that way, folklorists across the country increasingly strive to help communities adapt to a new reality, understand how tradition shifts in times of crisis, and even inform climate policy. Folklore doesn’t seem like it would teach us how to adapt to a warming world, but even as it looks over our collective shoulder at the past, it can prepare us for a future that is in many ways already here.

    In the coal towns of eastern Kentucky and West Virginia, Emily Hilliard has written extensively on this idea, which she calls visionary folklore. She looks for ways to sustain culture as those who practice it experience incredible change so that they might “send traditions on to the future.” As climate disaster threatens to wipe away entire towns and ways of life — both literally, in the case of the communities lost to the floods that ravaged Kentucky in 2022, and figuratively through the loss of archives and museums to those inundations — she considers this continuity an essential part of retaining a sense of place and identity, two intangible feelings that help give life meaning.

    A small yellow school bus with the words "Perry County Schools" on its left side is partially submerged in a creek, along with other kinds of wreckage.
    A Perry County school bus, along with other debris, sits in a creek near Jackson, Kentucky, on July 31, 2022.
    (
    Seth Herald
    /
    AFP via Getty Images
    )

    “Folklorists can help communities pass on these traditions,” she said.

    Hilliard is a former West Virginia state folklorist who has, among other things, collected oral histories, songs, artwork, and legends for the West Virginia Folklife Program. It’s impossible to talk about climate in Appalachia without talking about coal, and the communities she has documented have a gnarled and thorny relationship with that industry, which has both sustained them and helped create the climate impacts they’re left to grapple with.

    People, Hilliard said, face a grave risk in “the way that climate disaster breaks up communities, so that communities may no longer be able to share food and music traditions.” Visionary folklore is, in part, about trying to restore, replace, and sustain these things, while finding ways to bulwark and adapt traditions for an uncertain future.

    Climate change, like the coal industry that fostered it, threatens to rewrite some of the region’s cultural memory. Hilliard recalls members of the Scotts Run Museum in Osage, West Virginia, a place where town elders regularly play music, tell stories, and share meals, talking of rising floodwaters threatening their community gathering spaces. She sees collaboration with communities to preserve these important community resources as part of her life’s work.

    As she strives to help communities sustain old traditions, Hilliard sees new ones emerging as coping strategies for a world in which foundations are shifting. As floods have repeatedly swept through Appalachia, she has seen communities come together to repair and replace family quilts, musical instruments, and other heirlooms and keepsakes, some of which were painstakingly crafted by hand and many of which have been handed down through generations. Community members in Scotts Run established “repair cafes” where people with various skills helped neighbors recover. Coal company towns’ often hardscrabble existence made such expertise necessary, and in an era of looming environmental destruction, those knowledge pathways allow people to simultaneously come together to grieve and to begin to rebuild their community. Such things are not limited to Appalachia, of course.

    “There may exist beneficial practices and adaptations to crises within our historical and current practices,” said Kimi Eisele, a folklorist with the Southwest Folklife Alliance in Tucson, Arizona. Eisele, who is beginning a folklife project focused on climate change, manages Borderlore, a journal operated by the Southwest Folklife Alliance. It recently received a $150,000 grant to collect oral histories that amplify the environmental history and future of the Southwest through the eyes of Indigenous peoples, immigrants, and other historically excluded people.

    In southern Arizona, where Eisele lives and works, triple-digit temperatures, aridity, and groundwater depletion present a dire threat to agriculture and even long-term human settlement. Many of the interviews Eisele and others have collected focus on the impacts of climate change on Indigenous traditions and how those traditions are changing. The Tohono O’odham, whose ancestral land is divided by the border with Mexico, have for example long relied on willow for basket-weaving, but as farms and groundwater diversion have lowered the water table, willows have dried up and died. Basket-weavers now use the hardier yucca plant. Climate change is also causing traditional adobe homes to crack and decay; Native architects are working to shore them up and explore how modern technology can preserve them, even as the structures provide a model for building cooler, more energy-efficient homes.

    The interviews describe adaptations made over millennia that still work – mind-boggling, perhaps, to a society that has managed to nearly deplete its resources in just a few hundred years. The Hopi, Tohono O’odham, Diné, and other peoples have weathered climate fluctuations, droughts, floods, and famine in the tens of thousands of years they’ve lived in the Southwest. Hopi farmer Michael Kotutwa Johnson, who raises corn, believes that heritage provides essential tools for adapting to the climate crisis. He is working to ensure others learn to use them.

    An Indigenous man with brown skin tone smiles at the camera as he kneels in a cornfields. He is wearing a maroon baseball cap, very light blue shirt and overalls.
    Hopi farmer Michael Kotutwa Johnson relies on the annual monsoon to water his cornfields, and on what he knows of the land to prepare for the season ahead. He believes traditional farming methods will become increasingly vital as the climate changes.
    (
    Courtesy Michael Kotutwa Johnson via Borderlore
    )

    “As Hopis, we adjust to these environmental fluctuations,” Johnson told Eisele in an interview for the Climate Lore oral history series. “It’s part of our faith.” Even if this period of climate crisis is unprecedented and unpredictable, Johnson says, he feels prepared to bear it out.

    Johnson is a dryland farmer, meaning he uses traditional farming methods that don’t require irrigation. He relies on the annual monsoon to water his fields, and on what he knows of the land to prepare for the season ahead. In 2018, for example, he realized early on that a drought was intensifying because “biological indicators that usually appear in April weren’t there,” he told Eisele. “Plants weren’t greening up, so we knew the soil moisture wasn’t going to be there.” In response, he and other Hopi farmers planted only a quarter of their usual crop to avoid depleting the soil. What he describes as “bumper” years can take communities through leaner times — if everyone is careful and pays attention.

    “We’ve had a system in place to handle a lot of it. We plant enough to last three to five years,” Johnson told Eisele. “When you have everybody doing that, then you have to have a good supply to get through climatic changes.”

    He hopes other farmers, particularly Native farmers, collaborate in practicing regenerative agriculture rather than relying on destructive groundwater withdrawal to maintain crops the desert simply can’t support. Eisele finds stories like Johnson’s invaluable in helping people everywhere adapt. “We are really looking at folklife as a tool for liberation,” she said.

    A jazz funeral procession features several horn players dressed mostly in black and white, with others trailing behind them during the day.
    Dr. Michael White and Company lead a jazz funeral procession during a wreath-laying event to remember the 10th anniversary of Hurricane Katrina at the New Orleans Katrina Memorial.
    (
    Joe Raedle
    /
    Getty Images
    )

    Along the Gulf Coast of Louisiana, Maida Owens, takes such work a step farther, trying to use folklore to shape public policy and make the world more welcoming toward those displaced by the climate crisis.

    The Bayou State has been losing up to 35 square miles of coastland each year for the better part of a century. As erosion and rising seas have remade the state, entire communities have had to move. Climate migration, new to some parts of the world, is as much a fact of life for Louisianans as the changing of the tides.

    Even as Louisiana has focused on reclaiming lost land and restoring coastal wetland, Owens has urged special attention to adaptation, teaching people in harms’ way how to adjust their ways of life without losing what’s most important to them. She works with the Bayou Culture Collaborative, which brings together tradition bearers from impacted communities to talk “about the human dimension of coastal land loss” so residents, and their elected leaders, can better plan for the migration already afoot. Research has shown that when people make the difficult decision to pack up and leave, most of them go only a few miles.

    “People from all over the coast are starting to leave and move inland,” Owens said. In the parlance of her field, the places they leave behind are “sending communities”; where they’re headed, “receiving communities” await them. Owens has begun to convene meetings online and in receiving communities to discuss cultural sensitivity to help people prepare for their new neighbors, knowing that migration can exacerbate class and racial tension.

    In the Louisiana folklife program’s ongoing “Sense of Place – And Loss” workshop series, Owens hosts discussions about the future of bayou traditions to collectively imagine what the near future might look like as the Gulf Coast changes. Artists, other tradition bearers, and community leaders are invited to envision how they might make their towns and counties more welcoming for climate migrants, and Owens assists them in developing concrete action plans. Such an effort includes having receiving communities inventory their cultural and economic resources to see what they can offer newcomers, invest in trauma-informed care for disaster survivors, and consider what they might need to make themselves ready to integrate newcomers.

    A large path of rising water is flanked by wet grass. A tilted structure sits at the edge of the grass to the right and appears to be leaning into the water.
    Louisiana’s combination of rising waters and sinking land give it one of the highest rates of relative sea level rise in the nation.
    (
    Drew Angerer
    /
    Getty Images
    )

    The Louisiana state coastal protection and restoration authority has identified some towns that might have the capacity, and need, for more people; many of these places have the space but lack the social infrastructure to support the continuation of rural peoples’ foodways and artistic traditions. Though receiving communities may not be far away, those most vulnerable to displacement are often Indigenous, French-speaking, or otherwise culturally distinct, and moving even a short distance can expose them to unfamiliar circumstances. In her workshops, Owens is proposing ideas lifted in part from the adaptation strategies immigrants often rely upon, like cultural festivals and an emphasis on cultural exchange and language education. In a recent project, several coastal parishes (what Louisianans call counties) near Terrebonne created a collaborative quilt at a regional community festival as a way to draw attention to the beauty and ancestral importance of their wetlands and deepen their connections with one another.

    That’s where Owens hopes folklorists can affect policy change, too. Owens is keeping a close eye on the state’s Coastal Master Plan, providing feedback with an eye towards supporting the culturally rich, and vanishing, coastal parishes. The Louisiana Folklore Society has urged the state to conduct its planning with respect to the desires and needs of the people who live on the coast, prioritizing engagement before any major mitigation project, and saving habitat not merely for its inherent value but also for its importance to the coastal tribes it sustains.

    Though climate disasters have already thrown towns along the Louisiana coast and beyond into disarray and prompted seismic changes in how residents live, this is just the beginning. As floods and fires, droughts and erosion, and the myriad other impacts of a warming world wreak greater havoc, some of the answers to the crisis won’t be found in engineering or science, but in the cultural fabric that binds us together.

    This article originally appeared in Grist at https://grist.org/culture/as-climate-change-fractures-communities-folklorists-help-stitch-them-back-together/.

    Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future. Learn more at Grist.org

  • LA beats Braves to clinch NLDS
    A baseball player for the Dodgers wearing number 44 celebrating on the field.
    Dodgers center fielder Andy Pages celebrates after hitting a two run RIB-single during the seventh inning in Game 4 of the National League Division Series against the Atlanta Braves.

    Topline:

    The Dodgers beat the Atlanta Braves 4-1 on Wednesday night to clinch their NL Division Series, as they seek to become the first NL team to win three straight World Series.


    What happened: Andy Pages drove in two runs with a bases-loaded single in the seventh inning to give Los Angeles the lead.

    What's next: The Dodgers will face Milwaukee or San Diego in Game 1 of the NLCS on Sunday.

    Andy Pages drove in two runs with a bases-loaded single in the seventh inning to give Los Angeles the lead, and the Dodgers beat the Atlanta Braves 4-1 on Wednesday night to clinch their NL Division Series.

    The Dodgers won back-to-back games in Atlanta to take the best-of-five matchup 3-1 and advance to the National League Championship Series as they seek to become the first NL team to win three straight World Series.

    Pages lined a 3-2 pitch from Robert Suarez up the middle to drive in Teoscar Hernández, who singled off starter Tyler Mahle, and pinch-runner Tommy Edman for a 3-1 lead. Didier Fuentes walked pinch-hitter Josue De Paula and Kyle Tucker to load the bases. Edman ran for De Paula.

    Max Muncy’s solo shot off Raisel Iglesias in the ninth padded the lead and gave the slugger 19 postseason homers with the Dodgers, extending his franchise record.

    Dodgers right-hander Tyler Glasnow, making his first start since Sept. 24, allowed only one hit but walked five batters in 4 2/3 innings. After he issued two walks in the fifth, left-hander Alex Vesia ended the inning on Matt Olson’s groundout to second base.

    The missed opportunity left the Braves with 18 walks in the series, and none scored.

    Glasnow and four relievers combined to give up just three hits. Tanner Scott pitched a perfect eighth before Edwin Díaz got three quick outs for the save.

    Mahle, a native of Newport Beach, California, who grew up a Dodgers fan, allowed two runs — one earned — in 6 1/3 innings.

    Michael Harris II hit Glasnow’s first pitch for a single before stealing second and eventually scoring from third on a wild pitch that bounced off catcher Will Smith’s chest protector.

    The Dodgers pulled even in the second with the help of two Atlanta errors. Shohei Ohtani walked, stole second and advanced to third on catcher Sean Murphy’s errant throw into center field. Muncy’s pop fly into shallow left field was dropped by shortstop Mauricio Dubón for another error, allowing Ohtani to score.

    Hernández crashed into the wall while attempting to catch Ozzie Albies’ double off Vesia leading off the sixth. Hernández pointed to his head and neck when talking to an athletic trainer but remained in the game.

    Edgardo Henriquez stranded Albies at second. Henriquez allowed one hit in 1 2/3 scoreless innings for the win.

    Injury report

    Dodgers second baseman Miguel Rojas was held out after leaving Tuesday night’s 3-1 win during an at-bat in the eighth inning with lower back soreness. Los Angeles manager Dave Roberts said Rojas would not be available off the bench.

    Ronald Acuña Jr. started in right field for Atlanta one day after being moved to designated hitter in a late lineup change due to right knee soreness.

    Up next

    The Dodgers will face Milwaukee or San Diego in Game 1 of the NLCS on Sunday.

  • Sponsored message
  • L.A. to limit sale of nitrous oxide
    A tall white building, Los Angeles City Hall, is poking out into a clear blue sky. A person walking on the sidewalk in front of the building is silhouetted by shadows.
    A pedestrian is walking past City Hall in Los Angeles on Tuesday, July 8, 2025.
    Listen 0:39
    LISTEN: LA joins other local governments that have banned nitrous oxide sales

    Topline:

    The L.A. City Council voted Wednesday to ban tobacco and cannabis shops from selling nitrous oxide, a drug often called laughing gas or whippits. The new city ordinance will add penalties that include up to a $1,000 fine or six months in county jail if approved by Mayor Karen Bass.

    Why it matters: The FDA warns that inhaling or misusing nitrous oxide, which is sometimes used by dentists and medical doctors to sedate patients, can lead to serious health problems or death. Many community members say they have seen the drug’s recreational use become normalized. Among those who advocated for the City Council to approve the ban were several students from Bert Corona High School in Pacoima.

    “  I want to grow up in a community that's drug-free, where we feel safe just walking around, where this isn't just accepted as a part of everyday life,”  Mayra Rodriguez said during public comment at the City Council meeting. “We shouldn't have to grow up around this.”

    Other laughing gas bans: Local governments have banned nitrous oxide in places like Rialto, Huntington Beach, Santa Ana and unincorporated areas of Orange County. Gov. Gavin Newsom signed two bills last month that put statewide bans on nitrous oxide from being sold at retail locations, with added flavors or in containers larger than 8 grams.

    More context: It has been a misdemeanor under state law to knowingly sell or possess nitrous oxide for use as a recreational drug for more than a decade, but the state allows it to be used for things like medical care, vehicle performance and cooking.

    Councilmember Imelda Padilla, who introduced the motion that passed Wednesday, said the city ordinance will strengthen existing protections enacted by the state. She asked community members to report any cannabis or tobacco shops selling nitrous oxide to the City Attorney’s office at TEP@lacity.org.

  • The suit alleges they were illegal
    President Donald Trump speaks during an event on health care affordability in the Oval Office at the White House on Thursday in Washington.

    Topline:

    The Democratic National Committee on Wednesday sued President Donald Trump’s administration for recent television advertisements that promoted his political message while costing taxpayers millions of dollars. The complaint, filed in the U.S. District Court for the District of Columbia, alleges that the ads are illegal government-sponsored propaganda and accuses Trump of personally directing them. It asks the court to declare the ads illegal and stop the use of federal funds to pay for them.

    The backstory: The spots, which began airing in September, already have cost more than $12 million to run, according to the media tracking firm AdImpact, and a total of $20 million in Homeland Security Department funding has been tapped to pay for them. Responding Monday to the criticism, Trump defended the ads as “positive promotion for our Great U.S.A.” but said he’d pay for them using his MAGA Inc. super PAC going forward.

    What's next: The complaint, filed in the U.S. District Court for the District of Columbia, alleges that the ads are illegal government-sponsored propaganda and accuses Trump of personally directing them. It asks the court to declare the ads illegal and stop the use of federal funds to pay for them. Trump has faced bipartisan backlash for the ads, which glorify him and echo his campaign pitch as voters cast early ballots with the midterm elections less than a month away.

    The Democratic National Committee on Wednesday sued President Donald Trump’s administration for recent television advertisements that promoted his political message while costing taxpayers millions of dollars.

    The complaint, filed in the U.S. District Court for the District of Columbia, alleges that the ads are illegal government-sponsored propaganda and accuses Trump of personally directing them. It asks the court to declare the ads illegal and stop the use of federal funds to pay for them.

    Trump has faced bipartisan backlash for the ads, which glorify him and echo his campaign pitch as voters cast early ballots with the midterm elections less than a month away.

    The spots, which began airing in September, already have cost more than $12 million to run, according to the media tracking firm AdImpact, and a total of $20 million in Homeland Security Department funding has been tapped to pay for them.

    Responding Monday to the criticism, Trump defended the ads as “positive promotion for our Great U.S.A.” but said he’d pay for them using his MAGA Inc. super PAC going forward.

    But on Tuesday, the fifth ad in the campaign began airing with the notice “paid for by the U.S. Government,” promoting Trump’s military actions in Venezuela earlier this year. The same day, Trump made it clear he hasn’t committed to reimbursing any money that has already been spent, telling reporters “we’ll decide.”

    DNC Chair Ken Martin said in a statement that Trump is misusing taxpayer dollars in “a last-ditch attempt to save Republicans in November.”

    “Americans deserve better than to have their hard-earned tax dollars used for Trump’s illegal schemes,” he added.

    Legal experts have suggested the ads run afoul of a federal statute against congressionally appropriated money being used for “publicity or propaganda,” and potentially other federal laws. The Homeland Security money tapped for the ads comes from a $175 million package Congress gave to the department as part of Trump’s immigration enforcement agenda.

    The White House has defended the ads as public service announcements akin to what past administrations have done to promote various policies. Legal experts have said the recent ads differ from many past public service announcements because they aren’t aimed at helping members of the public benefit from specific government programs.

    The defendants in the lawsuit — Trump, the White House, DHS and the Office of Management and Budget — didn’t immediately respond to requests for comment.

  • Time to get your shot given 2026's trend

    Topline:

    The annual flu season usually starts in October or November. But this year, it looks like the flu started to pick up in early September.

    Why now: The timing of the flu season isn't the only thing that's odd. It's also unusual that flu activity seems to have started in Western states, such as California, Washington, Hawaii and Alaska, experts say.

    The backstory: It's unclear why flu activity would have started so early, and in such an unusual part of the country. But one clue might be a new variant that evolved a mutation, which appears to make it better at evading existing immunity, especially among teenagers.

    What's next: Experts suggest scheduling your flu shot.

    Fall has only just begun, but it's already time to start thinking about the quintessential winter bug: the flu.

    The annual flu season usually starts in October or November. But this year, it looks like the flu started to pick up in early September.

    "There are enough signs pointing in the same direction to make me think, 'OK, yes. This is the start of flu season,'" says Caitlin Rivers, an epidemiologist at the Johns Hopkins Bloomberg School of Public Health.

    The percentage of people testing positive for the flu in the West has been rising steadily since around the beginning of September, she says. And the number of people showing up in emergency departments because of the flu has also been rising for weeks, she adds.


    "It's very uncommon to see flu activity rising this early. It's activity that we might normally see more like November or December," she says.

    The timing of the flu season isn't the only thing that's odd. It's also unusual that flu activity seems to have started in Western states, such as California, Washington, Hawaii and Alaska.

    "It typically starts in the South and then expands from there," Rivers says. "So two uncommon developments there."

    Rivers stresses that the amount of flu activity is still very low in most parts of the country. But that's starting to change as the flu picks up nationwide.

    It's unclear why flu activity would have started so early, and in such an unusual part of the country. But one clue might be a new variant that evolved a mutation, which appears to make it better at evading existing immunity, especially among teenagers.

    "That's our best argument for what's going on right now in terms of this early flu season," says Dr. Alex Greninger, a virologist who heads infectious disease diagnostics at the University of Washington. Doctors there are seeing as much flu right now as they usually would around Christmas, and the mutated variant appears to be common, he says.

    So Greninger, Rivers and others are urging people to think about getting their flu shot earlier than usual.

    "It's crucial that people get an influenza vaccine," says Scott Hensley, a virologist at the University of Pennsylvania. "And this might be a year that people might want to get a vaccine early."

    But the Centers for Disease Control and Prevention hasn't been promoting flu shots as it usually does. Health Secretary Robert F. Kennedy Jr., who oversees the CDC, is a long-time vaccine skeptic.

    "It is disappointing that CDC is quiet given that flu kills of hundreds of kids a year and can result in tens of thousands of hospitalizations and tens of thousands of deaths," says Dr. Demetre Daskalakis, who resigned last year as the director of the National Center for Immunization and Respiratory Diseases at the Centers for Disease Control and Prevention to protest what he called political interference at the agency.

    The CDC declined to make an official available to NPR for this story. In a statement, a CDC spokesperson said, "CDC is developing a communications strategy to provide clear, accessible information about influenza vaccination and other critical steps people can take to protect themselves during respiratory virus season. This includes information about the benefits and risks of vaccination to support informed decision-making."
    Copyright 2026 NPR