The Brief

Intimacy coordinators could soon play a bigger role in Hollywood, one that many in the industry say is critical in creating a safe working environment.

While crumbling negotiations between writers, actors and major studios have brought the entertainment industry to a screeching halt, some interim agreements could improve the safety of actors and crew members when it comes to nudity, intimacy and simulated sex scenes.

What exactly is an intimacy coordinator?

There have long been passionate sex scenes in Hollywood, and if you watch shows like Bridgerton, Outlander, or Normal People, it might seem as if scenes are getting even steamier. Many actors today consider intimacy coordinators vital to the safety and integrity of their performance.

India Amarteifio as Young Queen Charlotte, Corey Mylchreest as Young King George in episode 101 of Queen Charlotte: A Bridgerton Story.

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An intimacy coordinator is several things: a choreographer, an advocate for the actors, and a liaison between actors and production for scenes that involve nudity, hyper-exposed work, simulated sex acts, and physical intimate contact in film and TV settings.

Marci Liroff, a Los Angeles-based intimacy coordinator and former casting director, says the primary role is to make sure actors feel safe.

"Many times on set, there is a power dynamic that exists, and it's very hard for an actor to say no when asked to do something," said Liroff, one of two intimacy coordinators who joined LAist's daily public affairs program AirTalk this week to discuss how industry negotiations could shape the future of the job.

Actors can be hardwired to say yes, especially early on in their careers, and may end up agreeing to things that make them feel deeply uncomfortable. Liroff said many actors have arrived on set in a robe to meet their scene partner for the first time.

"There was no discussion around consent, choreography, boundaries," she said.

That's changing.

People attend an intimacy workshop run by Intimacy Directors and Coordinators (IDC), to educate people in the entertainment industry, including directors, actors, and producers, on how to safely and effectively tell the story of intimacy in performance in New York City in October 2022.

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Mayra Amaya agrees. She's a filmmaker and trained actor who's in the process of becoming a certified intimacy coordinator. She recalls personal experiences that could have been improved with an intimacy coordinator on set.

"Oftentimes it'd be assumed that something as simple as a kiss was something I should say yes to," Amaya said. "I was in a show in high school where we did a curtain call, and our director thought it'd be adorable if the two love interests who never touched throughout the entire show would have that final kiss as part of the curtain call. And that was the expectation; I didn't have the opportunity to say no."

While there are a lot of training programs, Amaya says it's not a requirement to be certified. But she says the training provides a good structure in understanding how to deconstruct consent and different power structures.

Liroff said that in addition, ICs can be trained in trauma response.

"An actor may get triggered by doing a scene, or the crew — scenes that are especially violent," Liroff said.

Since Hollywood sex abuse revelations ignited the #MeToo movement five years ago, demand for on-set "intimacy coordinators" has soared — but resistance, power imbalances, and a fear of saying "no" to sexual scenes are deeply rooted in show business, experts say.

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How will the Hollywood strikes impact their work?

For one, as is the case for most people in the industry, they aren't working right now.

SAG-AFTRA developed new guidelines in 2020 to make intimacy coordinators mandatory on sets. But even three years ago, intimacy coordinators were still nascent, and there weren't enough of them to cover all the scenes that required one.

Now, there's an over-saturation, and the conversation is back on the table.

A committee of intimacy coordinators, including Liroff, has been working with SAG-AFTRA during the strikes on clauses to include in their contract. They would help protect actors and make the role of an intimacy coordinator more clear.

One of the clauses would require productions to give actors more time when intimate scenes change.

"If they want to add something new to the scene," said Liroff, "it pushes the clock back another 48 hours."

SAG-AFTRA is also negotiating to add intimacy coordinators to the union.

And Liroff says she often gets calls from small student projects asking her to work on set — perhaps another sign that, not only are there more people working as intimacy coordinators, but awareness about the position, and demand for it, are growing.

DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film "The Thing" and "Punky Brewster" on television, has died at the age of 69.

Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff's Department.

Police did not disclose a cause of death or other details, but said no foul play was suspected.

Thomas Kent "T.K." Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.

He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter's 1982 horror classic, "The Thing." He also had a recurring role in the 1980s sitcom "Punky Brewster."

Other big-screen roles include "Runaway Train" in 1985, "Ski Patrol" in 1990 and "Space Jam" in 1996.

"T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres," his publicist, Tony Freeman, said in a statement. "He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike."

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Downtown Los Angeles

A person in an inflatable frog suit holds a sign during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

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A woman holds incense during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

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A person holds up a sign during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis. (Photo by ETIENNE LAURENT / AFP via Getty Images)

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A person holds up a sign during a protest in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

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A tourist bus drives past as people protest in front of the Metropolitan Detention Center (MDC), in Los Angeles, California on January 10, 2026 against US Immigration and Customs Enforcement (ICE) after the fatal shooting of Renee Nicole Good in Minneapolis.

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Pasadena

Alison Brett (far right) of La Crescenta at the Ice Out For Good protest in Pasadena on Jan. 10, 2026.

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Casey Law of South Pasadena at Ice Out For Good protest in Pasadena on Jan. 10.

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People have been taking to the streets nationwide this weekend to protest the Trump administration's immigration enforcement tactics following the death of Renee Good in Minneapolis, a 37-year-old woman who was shot and killed by a U.S. Immigration and Customs Enforcement (ICE) officer this week.

At least 1,000 events across the U.S. were planned for Saturday and Sunday, according to Indivisible, a progressive grassroots coalition of activists helping coordinate the movement it calls "ICE Out For Good Weekend of Action."

Leah Greenberg, a co-executive director of Indivisible, said people are coming together to "grieve, honor those we've lost, and demand accountability from a system that has operated with impunity for far too long."

"Renee Nicole Good was a wife, a mother of three, and a member of her community. She, and the dozens of other sons, daughters, friends, siblings, parents, and community members who have been killed by ICE, should be alive today," Greenberg said in a statement on Friday. "ICE's violence is not a statistic, it has names, families, and futures attached to it, and we refuse to look away or stay silent."

Large crowds of demonstrators carried signs and shouted "ICE out now!" as protests continued across Minneapolis on Saturday. One of those protestors, Cameron Kritikos, told NPR that he is worried that the presence of more ICE agents in the city could lead to more violence or another death.

"If more ICE officers are deployed to the streets, especially a place here where there's very clear public opposition to the terrorizing of our neighborhoods, I'm nervous that there's going to be more violence," the 31-year grocery store worker said. "I'm nervous that there are going to be more clashes with law enforcement officials, and at the end of the day I think that's not what anyone wants."

Demonstrators in Minneapolis on Saturday, Jan. 10, 2026.

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The night before, hundreds of city and state police officers responded to a "noise protest" in downtown Minneapolis. An estimated 1,000 people gathered Friday night, according to Minneapolis Police Chief Brian O'Hara, and 29 people were arrested.

People demonstrated outside of hotels where ICE agents were believed to be staying. They chanted, played drums and banged pots. O'Hara said that a group of people split from the main protest and began damaging hotel windows. One police officer was injured from a chunk of ice that was hurled at officers, he added.

Minneapolis Mayor Jacob Frey condemned the acts of violence but praised what he said was the "vast majority" of protesters who remained peaceful, during a morning news conference.

"To anyone who causes property damage or puts others in danger: you will be arrested. We are standing up to Donald Trump's chaos not with our own brand of chaos, but with care and unity," Frey wrote on social media.

Commenting on the protests, Department of Homeland Security (DHS) spokesperson Tricia McLaughlin told NPR in a statement, "the First Amendment protects speech and peaceful assembly — not rioting, assault and destruction," adding, "DHS is taking measures to uphold the rule of law and protect public safety and our officers."

Good was fatally shot the day after DHS launched a large-scale immigration enforcement operation in Minnesota set to deploy 2,000 immigration officers to the state.

In Philadelphia, police estimated about 500 demonstrators "were cooperative and peaceful" at a march that began Saturday morning at City Hall, Philadelphia Police Department spokesperson Tanya Little told NPR in a statement. And no arrests were made.

In Portland, Ore., demonstrators rallied and lined the streets outside of a hospital on Saturday afternoon, where immigration enforcement agents bring detainees who are injured during an arrest, reported Oregon Public Broadcasting.

A man and woman were shot and injured by U.S. Border Patrol agents on Thursday in the city. DHS said the shooting happened during a targeted vehicle stop and identified the driver as Luis David Nino-Moncada, and the passenger as Yorlenys Betzabeth Zambrano-Contreras, both from Venezuela. As was the case in their assertion about Good's fatal shooting, Homeland Security officials claimed the federal agent acted in self-defense after Nino-Moncada and Zambrano-Contreras "weaponized their vehicle."
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Bob Weir, the guitarist and songwriter who was a founding member of the popular and massively influential American rock band the Grateful Dead, has died. According to a statement from his family posted on his website and social media pages, Weir died from underlying lung issues after recently beating cancer. He was 78.

A member of the Dead for its first three decades, and a keeper of the flame of the band's legacy for three more, Weir helped to write a new chapter of American popular music that influenced countless other musicians and brought together an enormous and loyal audience. The Grateful Dead's touring, bootlegging and merchandising set an example that helped initiate the jam-band scene. Its concerts created a community that brought together generations of followers.

Known to fans as "Bobby," he was born in San Francisco as Robert Hall Parber, but was given up for adoption and raised by Frederick and Eleanor Weir. In 1964, when he was still a teenager, Weir joined guitarist Jerry Garcia in a folk music band, Mother Mcree's Uptown Jug Band. In May of 1965 Weir and Garcia were joined by bassist Phil Lesh, keyboard player Ron "Pigpen" McKernan and drummer Bill Kreutzmann to form an electric, blues-based rock and roll band that was briefly named The Warlocks. After discovering that there was another band using that name, Jerry Garcia found a phrase that caught his eye in a dictionary and in December of that year they became the Grateful Dead, launching a 30-year run over which time they grew into a cultural institution.

Weir was a singular rhythm guitarist who rarely played solos, choosing instead to create his own particular style of chording and strumming that gracefully supported Garcia's distinctive guitar explorations especially during the extended jams which were the heart of the band's popularity.

Lyrics were largely a product of a communal effort between Weir and Garcia, as well as lyricists John Perry Barlow, Robert Hunter, that often blurred the lines between who wrote what. The opening lines to "Cassidy," which first appeared on Weir's 1972 solo album Ace and was played by the Dead on live recordings including the 1981 double album Reckoning, reflect the combination of metaphor, rhyme and storytelling set to memorable melodies that the band's audiences could memorize, analyze and sing along to:

I have seen where the wolf has slept by the silver stream
I can tell by the mark he left you were in his dream
Ah, child of countless trees
Ah, child of boundless seas
What you are, what you're meant to be
Speaks his name, though you were born to me
Born to me, Cassidy

Weir's emotive singing, on "Cassidy" and other songs like "Sugar Magnolia," "One More Saturday Night" and the band's unofficial theme, "Truckin', " often included whoops and yells, in contrast to Garcia's calm and steady approach. His occasional tendency to forget lyrics was usually greeted by thunderous applause from fans.

After Garcia's death in 1995, at age 53, the surviving members of the band carried on in various forms and arrangements, the longest running of which was Weir's Dead & Company, which also featured Grateful Dead drummers Kreutzmann and Mickey Hart. Weir and the band concluded their "final tour" in July of 2023, but then returned to the stage for two extended residencies at the Sphere in Las Vegas, in 2024 and 2025.

A self-described "compulsive music maker," in 2018 Weir formed yet another band to mine the depths of the Grateful Dead catalog. It was a stripped-down guitar, acoustic bass and drums outfit that he called Bobby Weir & Wolf Bros. Its members included renowned bassist and producer Don Was.In October of 2022, Weir & Wolf Bros worked with a classical music arranger to present yet another iteration of the Dead's catalog, notable for never being played the same way twice, with a group that largely only plays what's written on the paper in front of them, the 80-piece National Symphony Orchestra.

In a 2022 interview with NPR, Weir explained the reason for that collaboration, and in doing so, seemed to offer a possible explanation for why the band's music stayed so popular for so long: "These songs are … living critters and they're visitors from another world — another dimension or whatever you want to call it — that come through the artists to visit this world, have a look around, tell their stories. I don't know exactly how that works, but I do know that it's real."

After Jerry Garcia's death in 1995, Weir kept the legacy of the Grateful Dead alive, touring with bands that came to include generations of musicians influenced by the group. Here, Weir performs with The Dead at Madison Square Garden in New York City in 2009.

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Weir's work to shepherd and sustain the Dead's legacy was rewarded by ever younger generations of Deadheads, the band's loyal following, who attended tour after tour, often following the band from city to city as their parents and grandparents did during in the 1960's, '70s, '80s and '90s.

In an interview with Rolling Stone in March 2025, Weir shared his thoughts on his legacy, as well as on death and dying, that had a hint of the Eastern philosophies that were popular when the Grateful Dead emerged from the peace and love hippie movement of San Francisco. "I'll say this: I look forward to dying. I tend to think of death as a reward for a life well-lived," he said.

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