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The Brief

The most important stories for you to know today
  • An exhibit focuses on the stories behind the art
    A multicolored portrait of a Black woman with gray hair in side profile staring forward with a colorful background is on the left side of the image. On the right side are photos of a store, church and basketball hoop.
    "Here: Arts & Culture Along the K" features sketches and studies of the K Line's public art and portraits of transit riders, like Moses X. Ball's portrait featured here (left).

    Topline:

    Metro's Here: Arts & Culture Along the K exhibit at the Museum of African American Art in Baldwin Hills highlights the making of each public art piece on Metro's newest line.

    What you can see: Sketches and studies from the artists behind the K Line's exhibit are on display at the museum, along with portraits of Metro riders and video vignettes featuring South Los Angeles community members.

    The backstory: Metro began the selection and planning process for the artworks over 10 years ago. The agency carves out a fraction of construction costs for each station to be used for public art.

    Where to see it: The Museum of African American Art is located on the second floor of Baldwin Hills Crenshaw Plaza. If you want to see the final works, head from the museum to the K Line's stop on Martin Luther King Jr. Boulevard.

    How long you can see it: The exhibit will run until Feb. 25, 2024.

    When I ride the L.A. Metro, I'm usually in a hurry: I'm rushing to get to work, catch a movie, or see friends I was supposed to meet up with 15 minutes ago. But every so often, I have a second to sit and look around the station to appreciate the public artwork on display for the price of a Metro ticket.

    I'm always impressed at the quality of the artwork — Margaret Garcia's Tree of Califas at Universal City and May Sun's Untitled at Hollywood/Western are a couple personal favorites.

    With the opening of the K Line in 2022, Metro riders now have even more works to admire. And the stories behind those works are front and center at Here: Arts and Culture Along the K, now on display until Feb. 25 at the Museum of African American Art in Baldwin Hills.

    Zipporah Yamamoto, Metro's senior director of public art, told me that Metro wanted to highlight the process behind the art and show how the works came to be.

    "All the artists were selected by a community based panel of arts professionals," Yamamoto said. "Over the course of more than a decade of working on this project with the local community, over 150 artists, arts professionals, and arts and cultural organizations were involved in shaping the K Line. But when you go through the stations, you may not know that."

    Geoff McFetridge is one of the artists whose work is featured in the exhibit. He designed the artwork Us as a Measure of Openness for the Westchester/Veterans station, which is currently the K Line's terminus while the station connecting the train to LAX is under construction.

    Listen 3:54
    Listen: The Art Along The Metro K Line Tells LA's Stories. Find Out How They Were Made

    "The conceptual core of it is this idea that living in a city like Los Angeles is like living in a city that's constantly changing," McFetridge said. "So these people are like carrying the weight and then these people are risen up. It's almost like these people are carrying the stair that then these people step on to rise up."

    Works of art hang on a museum wall. To the left is an abstract blue, green and black work with blurred textures in a rectangular frame. To the right are line drawings of people holding up, or kicking down, white rectangular blocks.
    The exhibit at the Museum of African American Art features studies and sketches of the final public artworks displayed on the K Line, like Geoff McFetridge's studies (pictured right) for his work "Us As a Measure of Openness."
    (
    Courtesy of Metro
    )

    McFetridge said he wanted the work to speak to the change happening in South L.A. as its neighborhoods deal with gentrification.

    "Something like, for example, a train line coming to your neighborhood — there's going to be all these changes that are out of your control, and some of it's going to be great, and some of it's going to be maybe bad for you," McFetridge said.

    Other artists drew inspiration from history, like Shinique Smith's Only Light, Only Love, which is on display at the K Line's station on Martin Luther King Jr. Boulevard. The piece takes quotes from King and places them in a mosaic with mirrors so viewers can see themselves reflected alongside King's words.

    Five brightly colored small mosaics are on display with the words "honoring history" written in dots on a museum wall.
    These studies by artist Shinique Smith incorporated the words of Martin Luther King Jr. into public art. The full artwork is on display at the King Boulevard K Line Metro station.
    (
    Courtesy of Metro
    )

    In addition to the visual art on display at the museum, the exhibit also features video vignettes by documentarian Mobolaji Olambiwonnu, who profiled the artists behind the works along the K Line.

    Olambiwonnu also interviewed community members, including the owner of Randy's Donuts and elders who remembered the streetcar that ran through South L.A. in the first half of the 20th century.

    "Communities are made up of people, and so for me the videos are really about, how do I showcase the humanity, and how do I connect people with the community?" he said. "So yes, there's a train, yes, there's infrastructure, but around that infrastructure, there are people, there are businesses, and those people are what make the community what it is."

    Metro is able to feature so many artists because of its Percent for Art Program, which sets aside a fraction of construction costs for each train station for public art.

    And Metro's public arts offering will only expand in the months to come — the station connecting the K Line to LAX and two stations extending the D Line to Mid-Wilshire are both expected to open later this year.

  • Metro advances plan for Long Beach-San Pedro ferry
    Sunset at a marina with water in the foreground and small personal boats in the background.
    Metro is considering a water taxi project for the 2028 Olympic Games.

    Topline:

    The L.A. Metro Board has advanced a plan for a water-taxi service between Long Beach and San Pedro during the 2028 Olympic Games.

    Why a water taxi? Long Beach will host more than a dozen Olympic and Paralympic competitions. Metro's board has for months been considering investing in a service to ferry spectators along the harbor for the Olympics, positioning it as a way to reduce traffic and increase access to the Games in the South Bay.

    What did Metro do today? The motion, introduced by L.A. County Supervisor Janice Hahn, asks the Metro CEO to start identifying private and public operators that could deliver the water taxi program. It also directs the county executive to assess funding options, including sponsorship models and public-private partnerships.

    How new is this idea? A model for this type of passenger ferry already exists. Long Beach Transit operates water taxis each summer. A 40-minute trip between Downtown Long Beach and Alamitos Bay costs $5. Supervisor Hahn also noted Thursday that other cities have water taxis.

    Read on ... for estimates on how much this project could cost.

    The L.A. Metro Board has advanced a plan for a water taxi service between Long Beach and San Pedro during the 2028 Olympic Games.

    Metro's board has for months been considering investing in a service to ferry spectators along the harbor for the Olympics, positioning it as a way to reduce traffic and increase access to the Games in the South Bay. Long Beach will host more than a dozen Olympic and Paralympic competitions.

    The motion, introduced by L.A. County Supervisor Janice Hahn, asks the Metro CEO to start identifying private and public operators that could deliver the water taxi program. It also directs the county executive to assess funding options, including sponsorship models and public-private partnerships.

    At Metro's meeting Thursday, Hahn said passengers would be able to use their TAP cards on the water taxis.

    " Other cities already run successful water transit systems," she told the board, naming San Francisco, Seattle and New York City. "There's no reason why we can't do the same here, especially with weather as good as ours."

    A model for this type of passenger ferry already exists. Long Beach Transit operates water taxis each summer. A 40-minute trip between Downtown Long Beach and Alamitos Bay costs $5.

    A feasibility study submitted to Metro this fall found that Metro launching and operating its own service on the water by 2028 wasn't feasible, instead recommending it pursue private operators or public-private partnerships to pull off the plan.

    The report, put together by the Metro CEO's office, outlined four possible budgets and plans for a ferry program, including one using hybrid-electric vessels and three others using diesel ships.

    The expected cost of operating the boats during the Olympic and Paralympic Games ranged from $750,000 for two 75-passenger diesel vessels and $1.34 million for two 350-passenger hybrid-electric ships.

    The report also found that local funds likely would be needed to cover the bulk of the costs of a short-term water taxi service but suggested grant funding might be available for a service that would extend beyond the Olympic Games.

    The water taxi is just one of many transit plans Metro is working on to deliver a "transit-first" Olympic Games. It requested more than $2 billion in federal funding for a fleet of thousands of buses to help get spectators around Southern California during the Games. Whether the federal government will deliver on that ask isn't clear.

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  • Report: More anti-Black crimes reported last year
    A pair of people hold cardboard signs reading "Racism is a Pandemic" and "Stop Hate".
    People hold signs during the "We Are Not Silent" rally against anti-Asian hate in response to recent anti-Asian crime in Seattle on March 13, 2021.

    Topline:

    Black people were “grossly overrepresented” in the overall total of those targeted by hate crimes last year in Los Angeles County and made up 51% of racial hate crime victims, according to a new report from the county Commission on Human Relations.

    Why now: The annual Hate Crime Report, released Thursday, found there were 345 anti-Black crimes recorded in 2024 — the highest number ever recorded since the commission started reporting on hate crimes in 1980.

    Other findings: Last year also saw the largest number of anti-transgender crimes ever documented in the area — 102 — of which “a staggering” 95% were violent, the report said.

    The context: In all, there were 1,355 hate crimes reported in 2024, the second highest number of cases ever recorded, following the highest number of hate crimes the previous year prior.

    Read on ... for details on the data and the reported crimes.

    Black people were “grossly overrepresented” in the overall total of those targeted by hate crimes last year in Los Angeles County and made up 51% of racial hate crime victims, according to a new report from the county Commission on Human Relations.

    The annual Hate Crime Report, released Thursday, found there were 345 anti-Black crimes recorded in 2024 — the highest number ever recorded since the commission started reporting on hate crimes in 1980.

    Last year also saw the largest number of anti-transgender crimes ever documented in the area — 102 — of which “a staggering” 95% were violent, the report states.

    In all, there were 1,355 hate crimes reported in 2024, the second highest number of cases ever recorded, following the highest number of hate crimes the previous year prior.

    “These numbers remain unprecedented, reflecting both the alarming persistence of hate and the Commission’s ongoing efforts to respond and take action against hate,” the report states.

    Hate crimes and incidents

    The report has numerous examples of hate crimes.

    In one documented case, a trans woman was standing outside her home with her boyfriend when an unknown assailant approached them and called them transphobic and homophobic insults, according to the report. The situation escalated when the attacker struck the victim with a rock on the neck, head and arms.

    “Unfortunately, we live in a society where there is a lot of ignorance and a lot of resistance to accepting the fact that transpeople exist in this world,” said Bamby Salcedo, who is with the Trans Latin@Coalition.

    She attended the news conference where the report was released.

    “We also have a current administration that has been dedicated to targeting our community directly,” said Salcedo, referring to the Trump administration.

    In another case, a school principal reported that a classroom was vandalized and ransacked. Inside the classroom, walls, ceilings and equipment were defaced with the word “NAZI” and the N-word racial slur written in pink marker, according to the report.

    Second to Black people, the largest group targeted was the LGBT community. The report found 255 crimes motivated by sexual orientation, with nearly three quarters targeting gay men.

    Religious groups were the third most commonly targeted by hate crimes. While religious crimes decreased 13%, they still accounted for nearly 260 incidents. Jewish people were the largest religious group to be targeted by far. They accounted for 80% of all victims.

    In one case in the West San Fernando Valley, a 15-year-old girl at a high school got into a verbal altercation with a male classmate. He called her a religious slur and punched her multiple times, according to the report.

    More on the data

    Last year had the highest numeric increase of violent crimes in L.A. County from 464 to 508 — a 9% increase. Seventy-five percent of racial crimes were of a violent nature, according to the report.

    The most common criminal offense was simple assault followed by vandalism, aggravated assault and intimidation.

    Crimes in which anti-immigrant slurs and taunts were used decreased 31% to 85 last year, the report states. It does not capture hate crimes for this year, when the region saw widespread immigration raids and heightened anti-Latino rhetoric by President Donald Trump and others.

    Officials predicted an increase in anti-immigrant and anti-Latino crimes this year.

    “We’re probably, unfortunately, going to come out higher for Latino-based hate crimes in relation to the immigration issue that’s going on right now in the region,” LAPD Deputy Chief Alan Hamilton said at the news conference.

    Other takeaways from the report:

    • Anti-Latino crimes decreased by 1% to 143.
    • Crimes targeting Middle Eastern people sharply increased from 22 to 48, the highest count ever in this report.
    • Crimes with evidence of white supremacist ideology decreased 42% to 123, comprising 9% of all hate crimes.
    • Reported hate crimes taking place at schools grew 6% from 139 to 147. This is the highest count ever documented in the report. These hate crimes included those taking place in K-12 schools, as well as college and university campuses.
    • Anti-woman crimes grew 75% from 20 to 35.
  • DOJ to eliminate LGBTQ safety standards

    Topline:

    The Department of Justice has instructed inspectors to stop evaluating prisons and jails using standards designed to protect transgender, intersex and gender-nonconforming people from sexual violence, according to an internal memo obtained by NPR.

    About the memo: It explains that DOJ is in the process of revising federal standards related to the 2003 Prison Rape Elimination Act (PREA) in order to align with President Donald Trump's executive order on "gender ideology extremism." The Jan. 20 executive order asserts that the United States recognizes only two sexes: male and female. In practice, the memo says auditors will no longer review whether facilities house transgender people based on their gender identity and on a case-by-case basis. Among other changes, the memo also says auditors should no longer consider whether sexual assaults were motivated by gender-identity bias. The facilities include federal prisons, state prisons and jails, juvenile detention centers and immigration detention centers.

    Why it matters: This population is uniquely vulnerable to attacks while incarcerated, data shows, and advocates say the change will put such people in even more danger. A major 2015 survey from the criminal justice group Black and Pink found that LGBTQ prisoners were over six times as likely to be sexually assaulted as the general prison population. This is based on survey responses from more than 1,110 inmates.

    The Department of Justice has instructed inspectors to stop evaluating prisons and jails using standards designed to protect transgender, intersex and gender-nonconforming people from sexual violence, according to an internal memo obtained by NPR.

    This population is uniquely vulnerable to attacks while incarcerated, data shows, and advocates say the change will put such people in even more danger.

    The memo explains that DOJ is in the process of revising federal standards related to the 2003 Prison Rape Elimination Act (PREA) in order to align with President Trump's executive order on "gender ideology extremism." The Jan. 20 executive order asserts that the United States recognizes only two sexes: male and female.

    According to the DOJ memo, while the revision process is underway, detention centers that undergo PREA audits will no longer be inspected using standards specifically designed to keep LGBTQ and intersex people safe. The facilities include federal prisons, state prisons and jails, juvenile detention centers and immigration detention centers. These inspectors, referred to as auditors, are not employed by the DOJ, but are hired by corrections agencies or by individual facilities. The DOJ certifies the auditors and can decertify them.

    The DOJ did not respond to NPR's request for comment on the memo. But this is the latest policy move by the Trump administration that removes legal protections for trans people — particularly those who are incarcerated. In his first few days in office, Trump upended long-standing federal policies that would allow incarcerated trans women to be housed in a facility that aligns with their gender identity. Trump has also signed an executive order banning transgender troops from serving openly in the military and another restricting gender-affirming care for minors. These orders have faced a host of legal challenges and are still being fought in court.

    PREA mandates regular audits for prisons and jails. Those audits are among the few oversight tools for evaluating whether detention centers follow laws meant to stop rape, harassment and retaliation.

    Auditors visit facilities regularly to ensure the staff and officials are doing everything they are supposed to under PREA to prevent sexual abuse and harassment. They interview staff and inmates, tour the facilities and check existing procedures.

    Linda McFarlane, executive director of Just Detention International, said this rollback "will immediately put people in danger." JDI is a human rights group dedicated to ending sexual abuse in detention. McFarlane also was involved in advocating for the passage of PREA in 2003.

    "It's going to make people less safe," she said. "And when facilities are less safe for the most vulnerable and marginalized, they're less safe for everybody."

    In practice, the memo says auditors will no longer review whether facilities house transgender people based on their gender identity and on a case-by-case basis. Among other changes, the memo also says auditors should no longer consider whether sexual assaults were motivated by gender-identity bias.

    A major 2015 survey from the criminal justice group Black and Pink found that LGBTQ prisoners were over six times as likely to be sexually assaulted as the general prison population. This is based on survey responses from more than 1,110 inmates. According to Brenda Smith, a professor at American University Washington College of Law and director of The Project on Addressing Prison Rape, the available data doesn't show the whole picture and that rate could be higher.

    (In 2003, Smith was appointed to the National Prison Rape Elimination Commission, which helped develop these very standards.)

    She said the current changes laid out in the memo ignore this grim reality.

    In the spring, the DOJ made massive funding cuts to crime-victim advocacy programs across the nation, including the National PREA Resource Center — the organization that trains auditors, tracks the outcomes of investigations and provides resources to victims and auditors. More than 360 grants were cut in April, but funding was reinstated for many of them following media reports of the cuts.

    The DOJ at the time told NPR that it was "focused on prosecuting criminals, getting illegal drugs off of the streets, and protecting American institutions from toxic DEI and sanctuary city policies. Discretionary funds that are no longer aligned with the administration's priorities are subject to review and reallocation."

    The standards designed to protect inmates from sexual violence were developed after years of bipartisan work. They were created in response to overwhelming data, anecdotal evidence and a landmark Human Rights Watch report that showed sexual violence was, and continues to be, a serious problem behind bars.

    The most recent data from the Bureau of Justice Statistics shows that in 2020, correctional administrators reported 36,264 allegations of sexual victimization in prisons, jails and other adult correctional facilities. The allegations included incidents of sexual violence, harassment and misconduct carried out by inmates against other inmates and by staff members against inmates. The report said 2,351 of those allegations — a rate of 1.2 incidents per 1,000 inmates — were substantiated after investigation.

    Lingering confusion

    McFarlane's group, Just Detention International, says the DOJ memo lays out the government's plan to permanently revise the PREA standards and marks the first time the administration has publicly indicated what requirements it aims to remove.

    But until the revisions are finalized through the ongoing rulemaking process, the memo instructs auditors to mark those standards as "not applicable" during audits — even though the rules technically remain in effect, according to the memo.

    In a statement, the National Association of PREA Coordinators, a professional organization for coordinators who ensure agencies' compliance with the law, said that since the DOJ has not finalized any new regulations related to PREA, the current standards remain unchanged.

    In the absence of a separate state or municipal law, the statement said, the DOJ memo allows each corrections agency or detention facility "to continue following the regulation or, if they choose, to ignore it."

    The memo allows the DOJ "to implement the President's policy while allowing state and local governments to determine how to best meet the needs of incarcerated people who are transgender and gender diverse," according to the statement.

    "Whether a system adopts a binary sex approach or one that recognizes a spectrum of gender, we cannot forsake our primary responsibility to keep the most vulnerable individuals in our care safe from those who present a threat of sexual abuse or sexual harassment," the statement said.

    It's unclear how the DOJ plans to enforce the memo, and it's already sparked some confusion for at least one auditor.

    Kenneth L. James, a PREA auditor for detention centers in multiple states, told NPR in an email that the memo makes the auditors' jobs "both more confusing and more difficult."

    He said it will affect how the auditors are trained. "Some auditors have been auditing for over 10 years and conduct audits systematically," James said. "By removing these elements, auditors will have to reevaluate how they are auditing and may miscalculate compliance due to these unexpected changes."

    But because PREA has been in place for more than 20 years and the prevalence of sexual abuse within the prison system is well-known, James said, "I believe and trust" that facilities "will do what is best for the incarcerated population."
    Copyright 2025 NPR

  • Venerable LA concert bookers open own venue
    Two people dressed in black sit in the middle of a concert venue with yellow curtains on the stage. They're sitting on top of a pickleball court with a cat logo on half court.
    Sid the Cat cofounders Kyle Wilkerson (left) and Brandon Gonzalez say that they've been planning for this space for about eight years.

    Topline:

    After 10 years of throwing shows with the likes of Fiona Apple and Boygenius, the indie concert promoters Sid the Cat are opening a space of their own.

    About Sid The Cat: The concert promoting agency Sid the Cat has become a key part of Los Angeles’s indie music scene over the last 10 years. Their shows often aren’t in full-time concert spaces, but in historic buildings and other unorthodox places.

    The history of the space: Built in 1931, the building the auditorium is in used to be an elementary school. Around the venue, you can find historical documents linked to South Pasadena and mementos from past Sid the Cat shows.

    Upcoming shows: The venue’s first show, featuring the L.A. bands Peel Dream Magazine and Goon, is tonight. You can see the full upcoming lineup on Sid the Cat’s website.

    The concert-promoting agency Sid the Cat has become a key part of Los Angeles’s indie music scene over the last 10 years. Their shows often aren’t in full-time concert spaces, but in historic buildings and other unorthodox places.

    Keeping with that tradition, the Sid the Cat Auditorium, which holds its first show Thursday night, is in an old South Pasadena elementary school built in 1931.

    About Sid the Cat

    Music fans may know Sid the Cat’s place in the independent music ecosystem, but if you don’t, here’s just one anecdote: Pasadena’s own Phoebe Bridgers met her future collaborator Conor Oberst of Bright Eyes after cofounder Kyle Wilkerson put the two of them on the same bill before Bridgers became nationally known.

    Sid the Cat books shows in venues of all sizes, from the tiny Permanent Records Roadhouse all the way to the Hollywood Bowl — and they book artists big and small to fill them.

    “ Me, as the booker, I try to remain curious to new sounds and new music and new songwriters,” Wilkerson said. “It's the same when we come into a space. We get geeked on putting on an event that maybe nobody has ever done a show in this room.”

    Wilkerson said the new auditorium reminds the team most of the midsized venues, including Highland Park Ebell Club, where they booked some of their first ever shows.

    An outside space with bar stools and high tables.
    This bar area next to the Sid the Cat Auditorium will be open even on nights when there aren't any shows.
    (
    Kevin Tidmarsh/LAist
    )

    The new venue

    The venue has two main spaces, a main auditorium and a side bar area. The bar will host DJs nightly, even when there’s no main concert going on.

    Besides being concert promoters, the Sid the Cat team are history buffs. A case in the bar area shows off historical documents from the building and mementos from the 10 years of Sid the Cat concerts.

    “ Our dream was always to have a trophy case and to celebrate art, the way that people celebrate sports and other, other major events,” Sid the Cat cofounder Brandon Gonzalez said.

    Another thing that’s on display in the main room: four murals from Lucile Lloyd, a prominent 20th century decorative artist. Wilkerson had a hunch based on historical documents that her art was somewhere in the elementary school, but couldn’t corroborate it even after consulting with the University of California, Santa Barbara, which hosts her collections.

    Four decorative murals in the rafters of a building.
    These murals, the only surviving Lucile Lloyd murals on this site, were originally covered when the Sid the Cat team bought the venue.
    (
    Courtesy Sheva Kafai
    )

    It was a lucky rainstorm that partially revealed the murals under some paneling in the rafters, Wilkerson said. The murals are now on display, along with a plaque commemorating Lloyd.

    The venue has a few modern touches, too, including a new sound system and a pickleball court on the floor with the Sid the Cat logo in the middle. They even have a net for staff and artists to play during off hours.

    Halfcourt of a pickleball court on a floor with green curtains in the back. A cat logo is in the middle of the halfcourt circle.
    The Sid the Cat team said they long dreamed of a basketball court with their logo in the middle, but due to space issues they settled on a pickleball court.
    (
    Courtesy Sheva Kafai
    )

    “I hope people show up”

    Concertgoers might notice a couple slogans around the venue. One is "Yesterday, Today and Tomorrow," a nod to the motto of Wilkerson’s grandfather’s bottling company. The other one is, “I hope people show up.”

    Two people stand outside a school-style marquee for the Sid the Cat Auditorium. The sign also reads "1022 El Centro Street" and "Yesterday today tomorrow," with "I HOPE PEOPLE SHOW UP" spelled out in temporary lettering.
    Sid the Cat's cofounders.
    (
    Courtesy Sheva Kafai
    )

    Gonzalez said that’s because in the live music industry, it’s never guaranteed people will come out on any given night.

    “ It truly is hard for people to show up and when they do, it's really beautiful and it's powerful,” Gonzalez said. “I love that uniqueness about each night that we put on shows and if it's raining or there's something going on, it's like, we truly don't know if people are gonna show up.”

    Upcoming shows

    The venue’s first show, featuring the L.A. bands Peel Dream Magazine and Goon, is Thursday, Dec. 4.

    You can see the full upcoming lineup on Sid the Cat’s website.