Shohei Ohtani, #17 of the Los Angeles Angels, pitches during a game against the Los Angeles Dodgers at Angel Stadium on June 21, in Anaheim.
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Sean M. Haffey
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Los Angeles Angels superstar Shohei Ohtani is often described as a once-in-a century talent, especially for his dual skills as pitcher and hitter. To understand how Ohtani became such a baseball prodigy, it helps to journey to Ohtani's hometown of Mizusawa, in northern Japan's Iwate prefecture, to see where he got his start in baseball.
The backstory: Ohtani's Little League team, the Mizusawa Pirates, still practices every weekend at a diamond sandwiched between a country road and a river where salmon swim upstream from the Pacific Ocean. Ohtani played here in the early 2000s, between the ages of 8 and 14.
Read on ... for bits of into from his Little League coach, and more on what a younger Ohtani was like back then.
MIZUSAWA, Japan — Los Angeles Angels superstar Shohei Ohtani is often described as a once-in-a century talent, especially for his dual skills as pitcher and hitter.
To understand how Ohtani became such a baseball prodigy, it helps to journey to Ohtani's hometown of Mizusawa, in northern Japan's Iwate prefecture, to see where he got his start in baseball.
Ohtani's Little League team, the Mizusawa Pirates, still practices every weekend at a diamond sandwiched between a country road and a river where salmon swim upstream from the Pacific Ocean.
Ohtani played here in the early 2000s, between the ages of 8 and 14.
"He and his parents came to this field to see me," recalls coach Shoji Asari, who founded the Pirates.
Asari thought that Ohtani might like to join his school's softball team with the rest of his friends.
A yearbook from the early 2000s shows a young Shohei Ohtani with his former Little League team, the Mizusawa Pirates.
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"But he looked straight into my eyes and said, 'I want to play hardball with this team,'" says Asari. "I thought this boy could make it big, and he gave that impression, but he was very skinny at the time."
Ohtani's capabilities quickly surpassed his teammates'. Batting left-handed, he often hit home runs over the right-field fence and into the river. Asari says the cost of lost baseballs began to add up.
"So I jokingly told him, 'Don't pull your hits, Shohei!'" he recalls. "He shot me a dagger-like look, and then hit his next homer to left field. I think that was when he found the fun of opposite-field hitting."
Ohtani's opposite-field home runs have become a signature of his hitting, including the hardest-hit opposite-field homer by a left-handed hitter since Major League Baseball's Statcast data system began tracking them in 2015. Opposite-field home runs require more power, as the batter swings later and the bat has less time to accelerate.
As a kid, Ohtani also excelled at pitching. He hurled faster fastballs and his sliders curved more than other pitchers'. Not only were they hard to hit, they were also very hard to catch.
"I had never caught a ball from a pitcher who could throw at more than 87 miles per hour," says Ryuki Sasaki, Ohtani's catcher in high school.
He remembers the numerous sprained fingers that the pitches caused. "Also, his slider curves too much," he says, "and my body couldn't react in time. In the beginning, I couldn't catch his pitches at all."
In Japanese, players who excel at both pitching and hitting are called nitoryu, or "two-sword style," a term that recalls the samurai warriors of Japan's past. As in martial arts, Japanese Little League players hone their skills through repetitive drills, and in Ohtani's days, strict discipline often included corporal punishment.
Players with the Mizusawa Pirates hop over a ladder for agility drills during a weekend practice. Young baseball players in Japan use repetitive drills to hone skills such as bunting or executing double plays.
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But Coach Asari took an unconventional approach, emphasizing fun over winning games.
"Most Japanese baseball players train hard how to play, suppress their own feelings, be patient and practice exactly as their coach says," explains sports journalist Nobuya Kobayashi, who has written a book about Ohtani. "But Coach Asari let his players grow freely. So Ohtani has continued to enjoy baseball the whole time."
Kobayashi says that anyone who has ever had fun playing baseball as a kid will be reminded of it when they see Ohtani play.
"No matter what the results are for him, his team's victory simply makes him happy," says former catcher Sasaki. "I think even now, he plays with the mind of an elementary school kid who loves baseball."
Many Little Leaguers in Japan are allowed both to hit and pitch, but it is rarer in pro baseball, partly because pitchers need to rest their arms, while hitters may play in every game. Kobayashi says Ohtani's efforts to continue his dual role.
Ohtani wanted to go play in the U.S. straight out of high school, but he consented to remain in Japan to play for the Hokkaido Nippon Ham Fighters, on the condition that he be allowed to both hit and pitch. He played for the team from 2013 to 2017.
Kobayashi says Ohtani succeeded in playing on his own terms, facing down objections.
"Because of the Japanese mentality," he says, "they wanted to believe that the double sword style was impossible, because it had no precedent. Maybe they didn't want someone as extraordinary as Ohtani to emerge."
In another example of how Ohtani's exceptional skills have allowed him to bend or even rewrite the rules of the game, Major League Baseball made it a rule last year that a pitcher can still bat as designated hitter, even after being relieved on the mound. It's called the "Ohtani rule."
Mizusawa Pirates warm up during a weekend practice.
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Shohei Ohtani
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Yet some observers, including Asari and Kobayashi, are concerned about the changes Ohtani has undergone since playing in the U.S., and the toll his dual path has exacted.
"It's up to the kids, but really, it's impossible," Asari says of the two swords style. "Even in America, only Babe Ruth could do it. You'd better not do it. You can get injured."
Kobayashi, meanwhile, argues that Ohtani has turned away from the Japanese style of baseball — which emphasizes controlling timing and distance — and adopted the American style, which he says is about power. He believes Ohtani has bulked up too much, and worries he could get hurt.
Ohtani has admitted feeling some fatigue this season, but he leads the Major Leagues in home runs and is among the top five pitchers when it comes to strikeouts.
"He made it big all due to his own efforts. We had nothing to do with it," Asari says modestly of Ohtani's success in the U.S.
Chie Kobayashi contributed to this report in Mizusawa and Tokyo.
Aaron Schrank
has been on the ground, reporting on homelessness and other issues in L.A. for more than a decade.
Published April 2, 2026 4:23 PM
Supervisor Holly Mitchell, L.A. County Department of Public Health Director Dr. Barbara Ferrer, actor Danny Trejo and others gathered at Charles R. Drew University of Medicine and Science in Wilmington.
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A new private foundation called The Fund for Advancing Public Health LA launched Thursday, aiming to raise $2 million to shore up county health services this year. It comes after the Department of Public Health closed seven clinics following $50 million in funding cuts since early 2025.
Who's behind it: The foundation's board includes Public Health Director Barbara Ferrer, the CEOs of Blue Shield of California Foundation and LA Care Health Plan, actors Sean Penn and Danny Trejo and more. Board member Saree Kayne of the R&S Kayne Foundation pledged $150,000 at the launch. Ferrer acknowledged it's "a hard day" when a public agency has to turn to private donors to fund basic services.
Deeper cuts ahead: The federal "Big Beautiful Bill" slashes Medi-Cal funding, and the department anticipates losing up to $300 million over the next three years. Federal dollars account for nearly half the public health budget.
Some government funding streams for L.A. County’s public health system are drying up, and officials are turning to private philanthropy to fill the gap.
A new privately funded foundation launched Thursday to strengthen public health services after $50 million in federal, state and local funding cuts to the county’s Department of Public Health since early last year.
“It is really a hard day for our community when we have to ask for private donations to fund a public good, but unfortunately, we've lost too much money to not take this important step,” said Public Health Director Barbara Ferrer.
In February, the county’s Public Health Department closed seven clinics, with six remaining open. About half of the patients seen in those clinics are uninsured, according to county officials. The department also cut hundreds of staff positions.
She said the fund will help the county maintain its basic public health infrastructure, including disease prevention, health promotion, environmental health, and emergency response efforts.
Other board members include several health insurance executives, as well as actors Sean Penn and Danny Trejo. Board member Saree Kayne of the R&S Kayne Foundation pledged $150,000 to the fund Thursday. Kayne said she hopes the donation encourages others to give.
The foundation aims to raise $2 million this year.
More cuts expected
L.A. County Supervisor Holly Mitchell said it’s crucial to have an alternative funding stream to protect services for the county's most vulnerable residents.
“We are saving public health,” Mitchell said. “This fund represents a new approach, one that brings together government philanthropy in the private sector to invest in community-based solutions, protect vulnerable populations, and strengthen our public health infrastructure.”
Officials say more public health cuts are coming, through the federal budget law known as the "Big Beautiful Bill," which slashes funding for Medi-Cal.
The county Department of Public Health anticipates losing up to $300 million in revenue over the next three years because of the federal budget bill and other potential funding freezes. Federal funding accounts for almost 50% of the public health budget, according to county officials.
Mitchell also led an effort to put a half-percent county sales tax increase to fund public health on the June ballot.
If approved by voters, that proposal, known as Measure ER, is expected to raise about $1 billion a year for county safety net health services, including about $100 million for the public health department.
Adolfo Guzman-Lopez
is an arts and general assignment reporter on LAist's Explore LA team.
Published April 2, 2026 4:20 PM
Water infrastructure such as pipes that feed water to drinking fountains and toilets at the Rose Bowl Stadium are getting an infusion of $1 million for fixes.
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Rep. Laura Friedman today announced that she secured $1 million for improvements to the water infrastructure at the aging Rose Bowl Stadium as it prepares for a global starring role in the LA28 Olympics.
Why it matters: The pipes may be working fine — for now — but the fear of backed-up toilets as the world watches is an ongoing worry at the venue.
Why now: Public officials have been pushing for spending to improve Olympic venues and surrounding areas as L.A. and other municipalities roll out the red carpet for the world to attend the Olympics. But they’ve hit road bumps and detours.
The backstory: The Rose Bowl is 103 years old and public officials have committed to spending $200 million to upgrade the Pasadena venue over the next two decades.
The Rose Bowl in Pasadena may be a centenarian, but it’s holding up pretty well as it continues to host events on its way to a starring role in the LA28 Olympics.
But before it can host the soccer final, it needs fixes, especially to the infrastructure serving the bathrooms and drinking fountains. Fears of a toilet backup while in the world’s spotlight led Rep. Laura Friedman to seek federal funds for upgrades. On Thursday she announced she secured just over $1 million.
“Two years from now, athletes around the world are going to compete for gold right where we are standing. This is not the time to find out whether or not these pipes are up to the task,” Friedman said.
The planned work, she added, will lead to improved water flow capacity and water drainage, eliminating the risk of backups and emergency maintenance.
The funds came from the House of Representatives Interior and Environment subcommittee. The fixes, an official said, will be completed by the LA28 Olympics.
The funds, however, are a drop in the bucket when it comes to what’s needed to make needed improvements to the Pasadena venue.
Officials, including (left to right) Rose Bowl Legacy Foundation President Dedan Brozino, Deputy Fire Chief of the City of Pasadena Tim Sell, Congresswoman Laura Friedman, and Rose Bowl Stadium CEO Jens Weiden announced infrastructure funding for the 103-year old Rose Bowl.
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“Over the next 20 years there's about $200 million that we need to put in and that's everything from updating light fixtures to updating gas, water, wastewater lines, etc.,” said Dedan Brozino, president of the Rose Bowl Legacy Foundation, the nonprofit that supports the Rose Bowl stadium's preservation and enhancement.
Getting venues ready will be expensive
The money is a much-needed win at a time when elected officials in city, county, state and federal offices have been struggling to find the funds to get L.A.-area venues ready for the global Olympic stage in two years.
The entrance to a men's bathroom at the Rose Bowl.
Additionally, to save money, LA28 organizers moved Olympic diving to the Rose Bowl complex last year because it has two Olympic-sized pools, while the Exposition Park complex doesn't and would need expensive upgrades.
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Kevin Tidmarsh
is a producer for LAist, covering news and culture. He’s been an audio/web journalist for about a decade.
Published April 2, 2026 3:39 PM
This Cape vulture chick hatched March 14 at the L.A. Zoo.
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The zoo said it’s the first major breeding success in its Cape vulture habitat, which opened up last year. The chick now joins the zoo’s committee — that’s the name for a group of vultures.
About the chick: The chick hatched on March 14. The zoo opened its Cape vulture enclosure in February 2025 after years of planning to encourage the birds to roost and nest, welcoming a new breeding pair that year. When it grows to be an adult, it’ll have a wingspan of eight and a half feet.
About the enclosure: The L.A. Zoo said it spent years developing the vulture habitat, which was designed to mimic the vultures’ natural environment in South Africa. Dominick Dorsa II, the zoo’s director of animal care, said in a statement the successful hatching is “a testament to the design and construction” of the habitat.
How to see the chick: You can’t for the time being. Zoo officials are keeping it away from visitors until the chick matures, though you can still see adult Cape vultures at the zoo’s enclosure.
Though visitors will have to wait until the chick matures to see it in the enclosure, you can still take in the impressive eight and a half foot wingspan of the adult Cape vultures.
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What zoo officials are saying: “Welcoming a Cape vulture chick is a thrilling moment for our team and a beacon of hope for African vultures,” the L.A. Zoo’s curator of birds Rose Legato said in a statement. “Vultures are one of nature's most misunderstood marvels, and I cannot wait for our guests to eventually watch this chick grow and learn just how vital they are to our ecosystems.”
About the species: Cape vultures are listed as a vulnerable species due to human activities and encroachment. According to the L.A. Zoo, African vultures are more closely related to eagles and hawks than vultures native to the Americas, like the California condors that just hatched last year at the L.A. Zoo.
Topline:
The Los Angeles Zoo said it’s the first major breeding success in its Cape vulture habitat, which opened up last year. The chick now joins the zoo’s committee — that’s the name for a group of vultures.
About the chick: The chick hatched March 14. The zoo opened its Cape vulture enclosure in February 2025 after years of planning to encourage the birds to roost and nest, welcoming a new breeding pair that year. When it grows to be an adult, it’ll have a wingspan of 8 1/2 feet.
About the enclosure: The L.A. Zoo said it spent years developing the vulture habitat, which was designed to mimic the vultures’ natural environment in South Africa and nearby countries. Dominick Dorsa II, the zoo’s director of animal care, said in a statement the successful hatching is “a testament to the design and construction” of the habitat.
How to see the chick: You can’t for the time being. Zoo officials are keeping it away from visitors until the chick matures, though you can still see adult Cape vultures at the zoo’s enclosure.
Though visitors will have to wait until the chick matures to see it in the enclosure, you can still take in the impressive eight and a half foot wingspan of the adult Cape vultures.
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Courtesy Jamie Pham/L.A. Zoo
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What zoo officials are saying: “Welcoming a Cape vulture chick is a thrilling moment for our team and a beacon of hope for African vultures,” the L.A. Zoo’s curator of birds Rose Legato said in a statement. “Vultures are one of nature's most misunderstood marvels, and I cannot wait for our guests to eventually watch this chick grow and learn just how vital they are to our ecosystems.”
About the species: Cape vultures are listed as a vulnerable species due to human activities and encroachment. According to the L.A. Zoo, African vultures are more closely related to eagles and hawks than vultures native to the Americas, like the zoo's California condors that hatched last year.
What should have been a celebration for formerly incarcerated youth completing a reentry program at the Boyle Heights Arts Conservatory (BHAC) last week instead ended with seven students and two staff members detained by the Los Angeles Police Department, according to witnesses.
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Last week, seven students and two staff members from the Boyle Heights Arts Conservatory (BHAC) were detained by the Los Angeles Police Department, according to witnesses. Now, BHAC staff and city officials are demanding answers from the LAPD, with some accusing officers of racial profiling.
What happened: According to the LAPD, officers observed a large group gathered on the corner of Cesar E. Chavez Avenue and Mott Street around 4:16 p.m. on March 26. The group, classified by police as an “aggressive gang group,” consisted of seven 18-year-old students from the BHAC’s Bridge Academy Movement (BAM) program and two BHAC staff members.
Allegations of racial profiling: In total, seven 18-year-old students and two staff members were detained. BHAC staff said one student and one staff member were taken to Hollenbeck Community Police Station and released less than two hours later after advocacy from community members and Councilmember Ysabel Jurado. According to Rene Weber, a teaching artist at the BHAC, the students had gone to coffee across the street at Milpa Kitchen as they often did. After Weber told the officers that all of the students were 18, they said they would investigate whether the group had any gang affiliation.
What is BAM? The BAM program pays formerly incarcerated youth to complete 200-250 hours in media and visual arts training to prepare them for creative careers. That day, students were set to showcase their work at the BAM program graduation for families and community members.
What should have been a celebration for formerly incarcerated youth completing a reentry program at the Boyle Heights Arts Conservatory (BHAC) last week instead ended with seven students and two staff members detained by the Los Angeles Police Department, according to witnesses.
Now, nearly a week later, BHAC staff and city officials are demanding answers from the LAPD, with some accusing officers of racial profiling.
According to the LAPD, officers observed a large group gathered on the corner of Cesar E. Chavez Avenue and Mott Street around 4:16 p.m. on March 26. Authorities then requested backup for what they described as “a large group surrounding officers,” LAPD Public Information Officer Tony Im said.
The group, classified by police as an “aggressive gang group,” consisted of seven 18-year-old students from the BHAC’s Bridge Academy Movement (BAM) program and two BHAC staff members.
The BAM program pays formerly incarcerated youth to complete 200-250 hours in media and visual arts training to prepare them for creative careers. That day, students were set to showcase their work at the BAM program graduation for families and community members.
Rene Weber, a teaching artist at the BHAC, had been with the students setting up for the ceremony minutes before the incident occurred.
According to Weber, the students had gone to coffee across the street at Milpa Kitchen as they often did, when staff were alerted that they were being detained.
Weber said he arrived to find students and a staff member pressed against the wall in handcuffs.
Video from the scene, taken by a staff member at the BHAC, shows multiple officers surrounding the group. At one point, an officer orders a person to “get on the wall” and displays a stun gun.
“No, none of that, these are kids right here,” the staff member replies.
Another staff member, Teotl Veliz, recorded a large police response.
“I counted 12 cop cars, that’s at least 25 cops, and they had a helicopter,” Veliz said. “It was just so comedic, tragically comedic, that it was on their graduation day too.”
Officers established a perimeter with yellow tape along the side of Ashley’s Beauty Salon as local business owners and witnesses gathered around the students.
“I was just incredibly disappointed in LAPD… because it became so apparent to everybody, all at the same time, that it was racial profiling and nothing else,” Veliz said.
Weber said officers gave shifting explanations for the stop at the scene, including blocking the sidewalk and possible underage vaping. After Weber told the officers that all of the students were 18, they said they would investigate whether the group had any gang affiliation.
Police have not responded to questions about what led officers to believe that the group was gang-affiliated.
Weber recalled pleading with the officers to let the group go and explaining to them that they worked across the street. Community members and local business owners also stepped in to vouch for the students.
“Our job is to help them gain a new perspective on life,” Weber said. “They’re coming out of juvenile detention and they’re turning their lives around. We can do our part in keeping them off the streets and keeping them doing better but what does it mean if they’re going to be profiled and treated exactly the same way?”
In total, seven 18-year-old students and two staff members were detained. BHAC staff said one student and one staff member were taken to Hollenbeck Community Police Station and released less than two hours later after advocacy from community members and Councilmember Ysabel Jurado.
The incident ultimately resulted in an infraction for smoking a cannabis e-vape on a public sidewalk, according to a photo of the infraction shared with the Beat. LAPD did not provide details about the people taken to Hollenbeck Station or the infraction.
The graduation ceremony was cancelled that night and is expected to be rescheduled in April.
“Graduation should be a moment of pride and possibility — not fear,” Jurado said in a statement. “I’m seeking answers about what occurred, and this underscores the need for stronger relationships between law enforcement and community organizations so moments like these are protected, not disrupted.”
Carmelita Ramirez‑Sanchez, the conservatory’s executive director, said she was grateful to the community and Jurado for advocating for the students’ release. Jurado met her at Hollenbeck Station within 20 minutes of being alerted to the incident, she said.
“They had store owners, señoras, barbers, that ran out and were trying to explain to the police who our kids were,” Ramirez‑Sanchez said.
Still, she said the incident tarnished what should have been a joyous celebration.
“I imagine that what this does is derail this entire idea that you can be an active participant in your own restorative growth,” she said.
