The Brief

LOS ANGELES — Mitzi Gaynor, the effervescent dancer and actor who starred as Nellie Forbush in the 1958 film of "South Pacific" and appeared in other musicals with Bing Crosby, Frank Sinatra and Gene Kelly, has died. She was 93.

Gaynor, among the last survivors of the so-called golden age of the Hollywood musical, died of natural causes in Los Angeles on Thursday morning, her long-time managers Rene Reyes and Shane Rosamonda confirmed in a statement to The Associated Press.

“As we celebrate her legacy, we offer our thanks to her friends and fans and the countless audiences she entertained throughout her long life,” Reyes and Rosamonda said in a joint statement. “Your love, support and appreciation meant so very much to her and was a sustaining gift in her life.”

Her entertainment career spanned eight decades across film, television and the stage, and appeared in several notable films including “We’re Not Married!” and “There’s No Business Like Show Business,” but she is best remembered for her turn in “South Pacific.”

The screen version of “South Pacific” received three Academy Award nominations and won for best sound, while Gaynor was a best actress nominee for a Golden Globe.

Mitzi Gaynor photographed in 1953 with mentalist Jack Swimmer.

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Los Angeles Herald Examiner Photo Collection

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L.A. Public Library

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The role of the love-sick nurse Nellie, created on Broadway by Mary Martin, had been eagerly sought by Hollywood stars. Sinatra helped Gaynor land it.

She was starring with him in “The Joker Is Wild,” when she had a one-day opportunity to audition for lyricist Oscar Hammerstein II. It was the same day she was scheduled for her biggest scene with Sinatra. When she explained her plight, he told her, “Don’t worry, I’ll change the schedule.”

Hammerstein was impressed with Gaynor, who had already won the approval of director Josh Logan and composer Richard Rodgers. She was cast opposite Rossano Brazzi, about whom she sang “I’m in Love with a Wonderful Guy.”

Gaynor's career spanned film, television and Vegas

“South Pacific” was not the turning point in her career that Gaynor had hoped it would be, and she shifted her focus from film to television, making early appearances on Donald O’Connor’s variety series “Here Comes Donald,” and on CBS’ “The Jack Benny Hour.” In October of 1959, she was the only women to guest star alongside Sinatra, Crosby, Dean Martin and Jimmy Durante on ABC’s “The Frank Sinatra Timex Show” special.

Later in her career, Gaynor reinvented herself as a performing entertainer. Working with her husband and manager Jack Bean, she starred in her own musical revue that was a big draw in theaters throughout the U.S., Canada, the U.K. and Australia.

She became the highest paid female entertainer in Las Vegas and was the first woman to be awarded the Las Vegas governor’s trophy for “Star Entertainer of the Year" in 1970.

When touring with a full orchestra, a corps of dancers and backstage personnel became too unwieldy and expensive, Gaynor slimmed down the production, eventually making it a one-woman show. They continued touring every year until 2002 when Bean’s illness required a hiatus.

“I love touring; I’ve been doing it much of my life,” Gaynor said in a 2003 interview. “We go back to the same places; it’s like visiting friends. After the show, people come backstage to the dressing room, and we renew friendships. We send out almost 3,000 Christmas cards every year.”

“Off stage, she was a vibrant and extraordinary woman, a caring and loyal friend, and a warm, gracious, very funny and altogether glorious human being. And she could cook, too!” the statement from Rosamonda and Reyes said, referencing a song from the musical “On the Town” that Gaynor sang in one of her revue shows.

Gaynor also starred in several television variety specials, including “Mitzi...Zings Into Springs" and “Mitzi...Roarin’ in the 20’s.” Many of the specials received nominations for Emmy Awards, with wins for choreography, lighting, art design and costume design, the last of which was awarded to Gaynor's longtime collaborator, Bob Mackie. The specials were the subject of the 2008 documentary “Mitzi Gaynor: Razzle Dazzle! The Special Years.”

She began singing and dancing at a young age

Born Francesca Marlene de Czanyi von Gerber (Mitzi is diminutive for Marlene) in Chicago on Sept. 4, 1931, she was a part of a musically inclined family and started singing and dancing at a young age.

In a 2003 AP interview, Gaynor said she has a clear memory of her stage debut. She had been taking ballet and tap lessons and at age 7 she was scheduled for a tap routine at the dance school recital. She had neglected to use the bathroom, and when she faced the audience, a puddle formed on the stage.

“I ran kicking and screaming off the stage,” she recalls. “But I got huge applause. So I dried off and put some lipstick on. After the next girl did a hula with batons and slipped on the wet floor, I went out and said, ‘I’m OK now. Can I do it?’ And I got cheers!”

Gaynor and Bean married in 1954 and in 1960 bought a spacious house in Beverly Hills that became their home until his death in 2006. They rarely appeared at Hollywood events, preferring to entertain a few close friends. The couple had no children.
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The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.

The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.

What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."

What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."

Every year in Santa Ana, Luis Cantabrana turns the front of his home into an elaborate altar in honor of La Virgen de Guadalupe that draws hundreds of visitors.

Along the front of the house, the multi-colored altar is filled with lights, flowers and a stained-glass tapestry behind a sculpture of the Lady of Guadalupe. Cantabrana’s roof also is lit up with the green, white and red lights that spell out “Virgen de Guadalupe” and a cross.

Visitors are welcomed with music and the smell of roses as they celebrate the saint, but this year’s gathering comes after a dark year for immigrant communities.

Luis Cantabrana stands in front of the stunning altar he built in front of his home in honor of La Virgen de Guadalupe. Every year, his display draws hundreds of visitors.

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Destiny Torres

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LAist

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Why do they celebrate? 

In 1513, the Virgin Mary appeared before St. Juan Diego between Dec. 9 and Dec. 12, asking him to build a church in her honor. Her image — a brown-skinned woman wearing a green veil with her hands together in prayer and an angel at her feet — miraculously appeared on his cloak.

To celebrate in Santa Ana, worshippers gathered late-night Wednesday and in the very early hours Dec. 12 to pray the rosary, sing hymns and celebrate the saint.

Cantabrana has hosted worshippers at his home for 27 years — 17 in Santa Ana.

The altar started out small, he said, and over the years, he added a fabric background, more lights and flowers (lots and lots of flowers).

“It started with me making a promise to la Virgen de Guadalupe that while I had life and a home to build an altar, that I would do it,” Cantabrana said. “Everything you see in photos and videos is pretty, but when you come and see it live, it's more than pretty. It's beautiful.”

The Santa Ana home's elaborate altar in honor of La Virgen de Guadalupe draws hundreds of visitors each year.

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Destiny Torres

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LAist

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Gathering in a time of turmoil 

Many also look to the Lady of Guadalupe for protection, especially at a time when federal enforcement has rattled immigrant communities.

“People don’t want to go to work, they don’t want to take their kids to school, but the love we have for our Virgen de Guadalupe,” Cantabrana said. “We see that la Virgen de Guadalupe has a lot of power, and so we know immigration [enforcement] won’t come here.”

Margarita Lopez of Garden Grove has been visiting the altar for three years with her husband. She’s been celebrating the Virgencita since she was a young girl. Honoring the saint is as important now as ever, she said.

“We ask, and she performs miracles,” Lopez said.

Claudia Tapia, a lifelong Santa Ana resident, said the Virgin Mary represents strength.

“Right now, with everything going on, a lot of our families [have] turned and prayed to the Virgen for strength during these times,” Tapia said. “She's a very strong symbol of Mexican culture, of unity, of faith and of resilience.”

See it for yourself

The shrine will stay up into the new year on the corner of Broadway and Camile Street.

California’s unemployment agency kept paying cellphone bills for 4 1/2 years without checking whether its workers actually were using the devices.

That’s how it racked up $4.6 million in fees for mobile devices its workers were not using, according to a new state audit detailing wasteful spending at several government agencies.

The Employment Development Department’s excessive cellphone bills date to the COVID-19 pandemic, when it shifted call center employees to remote work and faced pressure to release benefits to millions of suddenly unemployed Californians.

It acquired 7,224 cellphones and wireless hotspots by December 2020. State auditors analyzed 54 months of invoices since then and found half the devices were unused for at least two years, 25% were unused for three years and 99 of them were never used at all.

The investigation, which auditors opened after receiving a tip, identified 6,285 devices that were unused for at least four consecutive months, and said the department spent $4.6 million on monthly service fees for them.

From the beginning, the department had about 2,000 more cellphones than call center employees, according to the audit. The gap widened over time after the pandemic ended and the department’s staffing returned to its normal headcount.

As of April, the audit said the department had 1,787 unemployment call center employees, but was paying monthly service fees for 5,097 mobile devices.

“Although obtaining the mobile devices during COVID-19 may have been a good idea to serve the public, continuing to pay the monthly service fees for so many unused devices, especially post-COVID-19, was wasteful,” the audit said.

Department officials told auditors they were unaware of the spending, but auditors pointed to regular invoices from Verizon that showed which phones were not being used.

“We would have expected EDD management to have reconsidered the need to pay the monthly service fees for so many devices that had no voice, message, or data usage,” the audit said.

The unemployment department began acting on the auditors’ findings in April, when it canceled service plans for 2,825 devices. It has since implemented a policy to terminate service plans for devices that go unused for 90 days.

The California state auditor highlighted the mobile devices in its regular report on “improper activities by state agencies and employees.” The audit also showed that the California Air Resources Board overpaid an employee who was on extended leave as he prepared to retire by $171,000.

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.