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The Brief

The most important stories for you to know today
  • Disintegrating paintings and nature films
    A view of a museum gallery, with wood floors, white walls, and piles of dirt with boulders on them. A painting of a human-like figure is visible in the far background.
    "Several Eternities in a Day: Form in the Age of Living Materials," installation view, on display at the Hammer Museum in Los Angeles through Aug. 23.

    Topline:

    From a daylong festival at the Natural History Museum to an exhibition of art made from living materials at the Hammer Museum, there’s lots to learn about sustainability at L.A. museums this Earth Month.

    The context: The first Earth Day on April 22, 1970, led to the creation of the Environmental Protection Agency and landmark legislation like the Clean Air Act. In the years since, it's expanded to Earth Month, with schools, governments and organizations — including museums — using it as a way to spark conversations about protecting the environment.

    Read on … for our picks of Earth Day-related events and museum exhibitions to check out.

    The first Earth Day, in April 1970, led to the creation of the Environmental Protection Agency and landmark legislation like the Clean Air Act.

    In the years since, it's expanded to Earth Month, with schools, governments and organizations — including museums — using it as a way to spark conversations about protecting the environment.

    Here are some sustainability-focused museums, art exhibitions and events to check out in Los Angeles this Earth Month.

    Living materials centered at new exhibition

    The new Hammer Museum exhibition titled Several Eternities in a Day: Form in the Age of Living Materials includes a collection of works made from organic materials like avocado, cacao, flowers, stone, clay, sand and natural dyes.

    It invites visitors to rethink ideas of permanence and humanity's place in nature, through sculptures, paintings and collages made by 22 artists from across the Americas, including some based here in Los Angeles.

    Two approx 16-foot-tall paintings on a white museum gallery wall. Each are fully painted a shiny brown/black with a human-like figure formed by hand on each of them. The figure on the left is light brown and the one on the right is more red.
    A view of Carmen Argote's "an archetype of stillness" and "an archetype of touch" paintings in the Hammer Museum's "Several Eternities in a Day" exhibition.
    (
    Monica Bushman
    /
    LAist
    )

    L.A.-based Mexican American artist Carmen Argote's paintings — titled "an archetype of stillness" and "an archetype of touch" — are among the works that first catch your attention upon entering the exhibition.

    The pair of 16-foot-tall human-like figures that Argote painted — without brushes — by dipping her hands and feet in a mixture of avocado, cochineal dye and lemon juice, will change color throughout the length of the exhibition as the avocado continues to dry, release oil and eventually disintegrates the paper they were painted on.

    " This piece has taught me so much about letting go," Argote told LAist. "And really accepting the life of a material and life of an artwork."

    Stacks of red, brown and grey bricks in what appear to be random piles on a large plank of wood covered in a black gravel-like substance.
    "Cuerpos terrestres en fluidez" by Jackie Amézquita in "Several Eternities in a Day: Form in the Age of Living Materials" at the Hammer Museum.
    (
    Sarah M Golonka
    /
    smg photography
    )

    Another work, titled "Cuerpos terrestres en fluidez" (or "Terrestrial Bodies in Fluidity") by L.A.-based artist Jackie Amézquita consists of a set of sculptures that Amézquita built using the rammed earth technique (which dates back to the Neolithic period) and then split into fragments.

    The materials she used included decomposed granite from the Mojave Desert, lava rocks, obsidian, rain and ocean water.

    “There's this idea that we have of nature to not be permanent when it's actually older than us,” Amézquita noted.

    The questions that her and other artists’ use of organic materials raise about permanence or impermanence, Amézquita told LAist, “is just an echo to what life is.”

    “That is part of our human condition,” she explained. “We’re always confronted with the idea of life and death.”

    Her artistic practice, Amézquita added, is also about “ reminding us that we are part of the land, that we are soil, that our bodies are made of earth and also earth is made out of us. And so our footprint, or the decisions we make, has a ripple effect.”

    What an exhibition on rice cultivation can teach us about sustainable practices

    At the nearby Fowler Museum (also affiliated with UCLA), is Mountain Spirits: Rice and Indigeneity in the Northern Luzon Highlands, Philippines, a new immersive exhibition centered around the ecological wisdom of the rice cultivation practices of the indigenous Ifugao people in the Philippines.

     ”We focus on rice because rice became this foundation for the Ifugao resistance against Spanish conquest, and they used rice to be able to consolidate their political and economic resources,” says Stephen Acabado, professor of anthropology and director of the Center for Southeast Asian Studies at UCLA.

    The exhibition is split into three galleries. In one gallery, visitors can see a time-lapsed video of the landscape that places into context the Ifugao mountain spirits and the indigenous belief system. Paired with the videos are wooden carvings of the bulul, or rice guardians, and fabrics that represent Ifugao deities.

    Two carved wooden figures of people sitting with their arms crossed and resting on their knees. They appear to have serious expressions on their faces and are unclothed.
    Wooden carvings of the bulul, or rice guardians, in the Fowler Museum's new "Mountain Spirits" exhibition.
    (
    Fowler Museum
    )

    A second gallery pairs rituals and tools that the Ifugao use for rice cultivation with videos showing them in practice. And the third gallery examines how the higher ranking Ifugao members keep the community alive through sustaining rituals.

     ”What we're seeing now, especially with climate change, looking at how they cared for the land for at least 400 years, [their] sustainable form of agricultural production … will give us at least an idea on how we can adapt their practices for food security and care for the environment,” Acabado says.

    Beyond sustainable practices, Acabado hopes the exhibition can dispel the idea the Philippines is a monolith and also strengthen a sense of identity for Filipinos.

    “Although we’re focusing on the Ifugao,” Acabado says, “the exhibit wants to highlight the diversity of the Philippines.”

    A museum with sustainability at its core

    LACMA’s newly opening Geffen Galleries are getting a lot of attention at the moment, but don’t overlook the nearby Craft Contemporary museum, which is also worth checking out (and a fun fact for The Pitt watchers: It was founded by Noah Wyle’s grandmother).

    A street view of a three-story house-like building painted with white, black and yellow shapes and office buildings on either side of it.
    The Craft Contemporary on Wilshire Boulevard in Los Angeles.
    (
    Craft Contemporary
    )

    Sustainability is a core tenet for the Craft Contemporary, according to its senior curator Frida Cano. The museum was a case study in the Getty’s 2025 Climate Action Report for sustainable exhibition design.

    Its practices include recycling materials from past exhibitions for public workshopping events, having artists sign printed exhibition materials so they become collectibles for guests and utilizing natural dyes in art installations.

    Its upcoming May exhibition, tierra, recycles pulp from a past paper-making workshop for artwork labels and creates paint utilizing cacti from Descanso Gardens.

    Two hands hold a wooden frame filled with paper pulp.
    A person participates in Craft Contemporary's paper making workshop.
    (
    Courtesy of Craft Contemporary
    )

    For Cano, it’s especially important to focus on the power of craft and sustainability in an increasingly tech-based era.

    “The world is larger than our little micro-universe of craft,” Cano said.  “So we're taking the power of craft to make sure that we contribute to the wellness of humanity, you know, mother Earth at large.”

    More exhibitions and Earth Day events to check out

    Earth Day Festival at the Natural History Museum: Events include exhibitions, art and science activities and free screenings of the museum’s film series “Green Screen: Our Planet on Film.” The event takes place Sunday. (And a tip: go full Earth Day and take the Metro there. The Los Angeles Times Festival of Books at USC will mean more traffic in the area.)

    Clay LA at the Craft Contemporary: A weeklong event that features air-clay activities and a market where artisans will sell their ceramic creations. This event runs from April 24-26.

    Material Prophecies: Craft as Divination at the Armory Center for the Arts: A group exhibition (which also features a work by Jackie Amézquita) that reflects on time through artists’ works made from fiber, wood, bronze, terracotta and earth. The exhibition is ongoing until Aug. 1.

  • Remembering SoCal stations and personalities
    A vintage black and white photo of an office building.
    A 1938 photo of KNX's studios.

    Topline:

    With KNX's shift last month back to AM radio only, we asked Southern Californians to share their memories of listening to the radio.

    Why now: Back in April, broadcast company Audacy announced it was moving KNX News — one of the last-remaining all-news FM stations — off 97.1 FM, but keeping the long-running news format on 1070 AM where it's been for more than 100 years. The move officially happened in May to make way for a new sports talk station.

    A radio time capsule: AirTalk, LAist's flagship daily news show which airs on 89.3 FM, asked listeners to share their favorite memories of listening to the radio.

    Continue reading... for vintage photos from The Los Angeles Public Library's digital archive collections highlighting Southern California's rich radio history.

    Southern California was built on radio.

    "I can still hear the jingle KFWB News 98,” wrote  Taline in Los Feliz, during a recent conversation on LAist's daily news show, AirTalk, which airs on 89.3 FM. “I grew up hearing that in my dad's minivan on the way to and from school. It has a special place in my heart.”

    Back in April, broadcast company Audacy announced KNX News — one of the last-remaining all-news FM stations — was leaving the FM dial where it had simulcast on 97.1 FM since 2021. The station, which is also one of the oldest in L.A., is not budging from 1070 AM where it has been on the air for more than 100 years. The move away from FM officially happened in May to make way for a new sports talk station, which Audacy officials called an area of growth for advertisers in today’s media landscape.

    The move is one in a long line of changes for radio and a reminder that before podcasts, playlists and algorithms, many Southern Californians built their days around radio broadcasts.

    Radio, a daily ritual

    Larry Mantle, now in his 41st year hosting AirTalk, remembers being a kid and dreaming of what it might be like to be behind the mic at one of these radio stations.

    “ I grew up with KNX," he said. “My dream job as a kid was to be an anchor on KNX or KFWB, the two local all-news radio stations, 'cause there was nothing like hosting AirTalk that even existed at that point.”

    Mantle opened up the phone lines on a recent show to hear from his fellow SoCal radio lovers about the shows they miss and the memories they have. Here's what they had to say:

    A love for radio, then and now  

    “When you'd walk down Hollywood Boulevard where the station was, you could hear it playing as you went down the street,” said  Olivia in Glendale about KLAC 570 with Al Jarvis.

     Larry in Yorba Linda shouted out KBCA Jazz for its 24-hour jazz, saying “When I first moved out here in '68 from Phoenix, which had like an hour a week, it was a real wonder.”

     Mark in Glassell Park emailed that he loves KCRW’s Henry Rollins, writing, “I used to bristle at his unique DJ persona, but over time, I came to love him and his crazy eclectic playlists. I find his knowledge in history and punk rock fascinating. He's a gem and a legend."

    "I'd like to give a shout-out to all the DJs working at KXLU, the college station at Loyola Marymount University, said  Jeremy in Culver City in an email. “That station's been on the air for nearly 60 years. I believe it's one of the best examples of what's possible with radio."

    "KFWB and KRLA back in the day when they were rock music stations —  Dr. Demento, one of my favorite on-air personalities, also had eclectic music taste," said  Carrie in Desert Edge.

    “ Dr. Demento was must listening when I was a kid in junior high school at Le Conte Junior High in Hollywood,” Mantle added. “Every Sunday night on KMET, we would make sure we were listening to Dr. Demento and his funny records.”

    The question remains…

    A vintage black and white photo of a male-presenting child being handed the keys to a car (seen behind him). A radio station sign, KMPC, can be seen in the background.
    An 11-year-old winning a car in a KMPC contest in 1963.
    (
    Los Angeles Public Library
    )

    Listener support is vital to any radio station, and it’s clear KNX has many lifelong fans. AirTalk listeners highlighted their support for household KNX names over the decades like Bill Keene, Melinda Lee, Mike Roy and Jackie Olden.

    As KNX makes changes, many are watching closely and thinking about the future of radio.

    Listeners like Tommy in La Quinta are left wondering if the radio dial will be the same…

    Im a hardcore listener, but I don't know about casual listeners [and] if they'll tune to AM,” he said.

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  • LA has a delayed deal to recoup Olympics costs
    A man wearing glasses and a jacket that has a patch that reads "LA28". He leans in to speak to the woman on his left who is leaning in to hear him. They sit behind a desk that reads "Paris 2024."
    LA28 chair Casey Wasserman speaks with L.A. Mayor Karen Bass at the Olympic Games Paris 2024 on August 10, 2024.

    Topline:

    After months of hand-wringing, Los Angeles and LA28 have come to a tentative agreement on how Olympics organizers will reimburse the city for its expenses for the 2028 Summer Games.

    What's in the deal? The private Olympic organizing committee will pay upfront for the estimated cost of services that are not eligible for federal reimbursement, like trash pick-up and traffic control. Under another proposal, the city would also be able to tap an LA28 contingency fund if it isn't fully repaid by the federal government for policing costs at Olympic venues.

    What happens now: The agreement is nearly nine months overdue and still needs approval by Mayor Karen Bass and the city council. The City Council's ad-hoc committee on the 2028 Games will meet Tuesday afternoon to vote on the agreement.

    Concerns remain: The contract between the two parties doesn't fully resolve one of the biggest areas of financial risk for the city: the enormous cost of security for an event as extensive and high-profile as the summer Olympics and Paralympics.

    Read on...for more on concerns over security costs for 2028.

    After months of hand-wringing, Los Angeles and LA28 have come to a tentative agreement on how Olympics organizers will reimburse the city for its expenses for the 2028 Summer Games.

    According to the deal, the private Olympic organizing committee will pay upfront for the estimated cost of services that are not eligible for federal reimbursement, like trash pick-up and traffic control. Under another proposal, the city would also be able to tap an LA28 contingency fund if it isn't fully repaid by the federal government for policing costs at Olympic venues.

    The agreement is nearly nine months overdue and still needs approval by Mayor Karen Bass and the City Council.

    The 2028 Olympics are intended to be privately financed, and an existing city agreement with LA28 states that the Olympics organizers, not L.A., will pay for extra costs for public services in support of the Games. But L.A. is the financial back-stop for the Olympics, meaning if LA28 goes in the red, taxpayers will pick up the bill.

    Beyond that, the city services agreement presents another area where L.A. could incur additional unexpected expenses for hosting the Games. L.A. City Councilmember Monica Rodriguez warned LA28 CEO Reynold Hoover earlier this year that a bad deal could "bankrupt" the city.

    Jacie Prieto Lopez, an LA28 spokesperson, and Paul Krekorian, who leads the city's office of major events, said in statements that the freshly inked agreement would help deliver a fiscally responsible Games.

    "Mayor Bass’ priority is that the 2028 Olympic and Paralympic Games be fiscally responsible, protect taxpayers, and benefit Angelenos for decades to come. This agreement helps deliver that commitment," Krekorian said.

    But the contract between the two parties doesn't fully resolve one of the biggest areas of financial risk for the city: the enormous cost of security for an event as extensive and high-profile as the summer Olympics and Paralympics.

    Organizers are counting on the federal government to pay for public safety at Olympic venues that are considered part of a "national special security event." That includes costs for LAPD staffing. LA28 has not included security costs in its $7.1 billion budget — a fact that City Attorney Hydee Feldstein Soto criticized earlier this year.

    The federal government has so far allocated $1 billion for security costs for the Olympics. Exactly where those federal funds will go has not yet been determined, and there's no guarantee they will cover all of L.A.'s policing costs.

    To address this, city officials have also proposed an amendment to a 2021 agreement between the city and LA28. That amendment would establish that if L.A. is not reimbursed by the federal government for all its eligible expenses, it could dip into LA28's contingency fund of $270 million before the private organizing committee could use those funds for any legacy projects.

    But that bucket of money will first be used for any costs that Olympics organizers still owe if they run out of revenue — meaning if the Olympics don't turn a profit, the city's access to that money will depend on how much is left for the taking.

    Civil rights attorney Connie Rice, who has been tracking the city's negotiations with LA28, told LAist the agreement was a "PR document" not a deal. She pointed out that if the federal government does not pay up for security spending as expected, L.A. could be in trouble.

    " It leaves the taxpayers with a GoFundMe strategy," she said.

    The city services agreement lays the groundwork for more negotiations between LA28 and the city. Each venue will require its own agreement, to be negotiated by July 1, 2027. Venues in the city of L.A. include Dodger Stadium, the L.A. Convention Center, L.A. Memorial Coliseum and the Venice Beach Boardwalk.

    The City Council's ad-hoc committee on the 2028 Games will meet Tuesday afternoon to vote on the agreement.

  • Bass signs orders to boost Boyle Heights recovery
    A black and white SUV police car is parked in the middle of a street behind yellow police tape. Several red fire trucks are also parked in the street and thick black smoke is pictured in the distance.
    Cleanup is underway now at the Boyle Heights food storage warehouse that spewed smoke around L.A. earlier this month.

    Topline:

    Los Angeles Mayor Karen Bass signed a pair of executive orders Monday to ramp up efforts to clean the mess left by the fire that burned for a week at a Boyle Heights warehouse.

    Why now: Since the warehouse fire was put out, the 85 million pounds of frozen food stored inside is now rotting, spreading foul smells throughout surrounding neighborhoods and raising concerns about an influx of pests. Residents have also been left with worries about air and water contamination after the fire and possible long-term public health effects.

    Spoiled food removal: Bass and city officials said Monday the warehouse owner, Lineage, began moving food debris on Sunday to landfills in Ventura and Riverside counties. The company predicts it will take 5,000 truckloads to remove it all.

    Reducing odors: Lineage plans to apply a chemical deodorizer, likely chlorine dioxide, to the food, debris and trucks leaving the warehouse. It’s also installing devices within the warehouse that will spray mist over the food inside until it is moved.

    Pest control: Lineage is responsible for pest management inside the warehouse, while the city of Los Angeles is responsible for it outside the warehouse. Both have hired private contractors to manage pest control.

    Air and water testing: The South Coast Air Quality Management District is overseeing efforts to measure harmful material in the air and posting data to its online air quality map. Lineage also hired private contractor Onterris to monitor air quality in the community surrounding the warehouse, with South Coast AQMD’s oversight. The Los Angeles Department of Sanitation has been monitoring water flowing from the site since firefighting operations began. It’s using a variety of methods, including containment tanks and catch basins, to divert the runoff into the sewer and prevent it from flowing into the L.A. River.

    What’s next: Bass’ two executive orders are intended to accelerate cleanup efforts, protect residents and hold accountable the companies responsible for the facility and its safety. One order directs the Fire Department to report on its investigation into the cause of the fire within 90 days. The orders also include a number of provisions to help Boyle Heights residents and businesses, including free public transit, financial assistance and expanded public health resources.

    Why it matters: Officials and advocates have called for transparency around the cleanup, especially because they say the neighborhood has been historically under-resourced and disproportionately subjected to environmental burdens. One of the orders signed Monday directs city officials to compile a report within 45 days on industrial areas across Los Angeles that sit close to homes and schools. The report also must include possible zoning and land use changes that would reduce negative health effects from existing and future industrial facilities.

  • Lawsuit filed over frozen federal funding
    Tents on a sidewalk in front of a downtown skyline
    Tents in the Skid Row area of downtown Los Angeles on June 11, 2026.

    Topline:

    L.A.’s lead homelessness agency, LAHSA, filed a lawsuit against the U.S. Department of Housing and Urban Development on Monday, asking a judge for relief from a federal funding suspension it calls unjustified.

    How we got here: On June 11, HUD suspended the Los Angeles Homeless Services Authority from federal grant activity pending an investigation into alleged mismanagement. The federal agency said the suspension means LAHSA cannot fulfill its role as collaborative applicant for the entire region’s application for federal homelessness dollars for the upcoming fiscal year. In its lawsuit, LAHSA says the suspension is the Trump administration’s back door attempt to eliminate the Continuum of Care program in L.A., which gives local officials discretion over homelessness projects submitted for federal funding.

    LAHSA’s challenge: LAHSA says HUD has failed to identify any public agreement or transaction that LAHSA has violated or cite proper evidence of mismanagement. LAHSA also claims several inaccuracies and misrepresentations in HUD’s original suspension letter, including relying on reviews that LAHSA says were irrelevant to federal funding. “HUD supports its position with an amalgamation of uncorroborated hearsay information apparently cherry-picked from the internet,” the complaint states.

    Legal argument: LAHSA's attorneys contend that HUD unlawfully suspended funding, arguing that the action violates the Administrative Procedure Act, the Constitution's separation of powers principle, and the Tenth Amendment. LAHSA is asking for a stay of the HUD suspension pending judicial review and a permanent injunction barring head from suspending LAHSA or blocking the work of the Los Angeles Continuum of Care.

    Why it matters: The deadline for the L.A. region to submit its application to HUD for regional homelessness grants is Aug. 26. LAHSA says the suspension jeopardizes $241 million in federal funding that supports more than 11,000 people across L.A. County. LAHSA says the HUD suspension could prevent the agency from other activities, including releasing the findings of its 2026 homeless count conducted in January.