The Brief

This story first appeared on The LA Local.

Westlake has never been an easy neighborhood to summarize.

At its center sits MacArthur Park — a landmark that has come to embody the city’s sharpest contradictions, a place of beauty and crisis, history and neglect, that now anchors one of Los Angeles’s most contentious debates over how to address its unhoused crisis.

The neighborhood’s development arc is long. In the mid-19th century, it drew newcomers chasing California’s promise — the Gold Rush, the weather, the mythology of the West. Over time, the neighborhood evolved through many identities: home to members of the Hollywood and business elite, a more affordable enclave for middle- and working-class Angelenos, and later, a refuge for immigrants fleeing political unrest in Central America during the 1980s.

That layered past now finds expression in an unlikely form: art. 

But what truly sets Westlake apart from the many other artsy L.A. neighborhoods is how friendly it is to up-and-coming artists of all ages and backgrounds. Admittingly, that that ecosystem is fragile: Astralab, a cultural hub serving Southwest Asian and North African diaspora communities, was recently forced out of the neighborhood where it has operated for nearly two years. 

With Astralab’s loss, it becomes even more important to highlight four other institutions anchoring it, each operating on the conviction that creative life should be available to artists of every age and background, not just those who can afford a trendy address. 

Frida Kahlo Theatre — Moisés Rodríguez Ovidio González and Christopher John Magallanes en Ruben Amavizca-Murua’s “Ayotzinapa Situacion Desaparecido.”

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Courtesy Ruben Amavizca-Murua

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Mexican Center for Culture & Cinematic Arts

There is no shortage of Mexican artistry represented throughout the City of Angels, and few places offer a stronger starting point than the Mexican Center for Culture & Cinematic Arts.

Located within the Consulado General de México en Los Ángeles (Mexican Consulate General in Los Angeles), the venue showcases a wide range of work by Mexican and Mexican American artists, as well as creators whose work explores Mexican culture more broadly.

With both a gallery and theater space, the Mexican Center hosts art exhibitions, film screenings, lectures, conferences and cultural programming throughout the year, serving as a bridge between artistic expression and community identity.

Art Division

A painting class at Art Division.

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Courtesy Art Division

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Founded in 2010, Art Division was created by Dan McCleary, who recognized a critical gap in arts education for young adults over the age of 17.

This nonprofit is dedicated to supporting aspiring artists ages 18 to 27 — particularly those from underserved communities — as they continue developing their craft beyond high school.

Art Division’s campus includes a library of more than 10,000 books, studios for multidisciplinary workshops, a printmaking studio — where students learn linoleum and woodblock techniques — and a gallery space that hosts exhibitions throughout the year. 

The organization functions not only as a creative incubator but as a launchpad for emerging artists navigating professional pathways.

Heart of Los Angeles

For younger artists looking to develop their skills, Heart of Los Angeles (HOLA) has served children in grades K-12 since 1989 with programming that spans academics, athletics, music and visual arts.

HOLA has partnered with respected institutions such as the Los Angeles Philharmonic, the Eisner Foundation and the Los Angeles Children’s Chorus, offering students access to high-quality musical instruction and mentorship.

For visual artists, the organization provides classes, public artist residencies, exhibitions, field trips and additional creative opportunities that nurture both artistic growth and personal development, including classes, public artist residencies, field trips, exhibitions and more.

Frida Kahlo Theater

At the Frida Kahlo Theatre, Ruben Alejandro and Dina Jauregui in Ruben Amavizca-Murua's “Frida Kahlo.”

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Courtesy Ruben Amavizca-Murua

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The Frida Kahlo Theater is where the Grupo de Teatro SINERGIA hosts its groundbreaking productions in both English and Spanish, all of which shine a spotlight on stories and voices from Latin America.

Beyond its performances, the theater functions as both an incubator for rising talent and an educational platform for young creatives seeking a welcoming environment to explore storytelling and performance.

Programming includes the annual 10-Minute Play Festival (as well as the Theater Youth 10-Minute Play Festival), the Staged Reading Series and on-site workshops that foster artistic development across generations.

Frida Kahlo Theatre — Daniel Mora, Itzel Ocampo and Eden Vera en “Yellow” by Jose Henrickson.

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Courtesy Catherina Cojulun

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Southern California was built on radio.

"I can still hear the jingle KFWB News 98,” wrote  Taline in Los Feliz, during a recent conversation on LAist's daily news show, AirTalk, which airs on 89.3 FM. “I grew up hearing that in my dad's minivan on the way to and from school. It has a special place in my heart.”

Back in April, broadcast company Audacy announced KNX News — one of the last-remaining all-news FM stations — was leaving the FM dial where it had simulcast on 97.1 FM since 2021. The station, which is also one of the oldest in L.A., is not budging from 1070 AM where it has been on the air for more than 100 years. The move away from FM officially happened in May to make way for a new sports talk station, which Audacy officials called an area of growth for advertisers in today’s media landscape.

The move is one in a long line of changes for radio and a reminder that before podcasts, playlists and algorithms, many Southern Californians built their days around radio broadcasts.

Radio, a daily ritual

The construction of KNX

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Herman J. Schultheis

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Los Angeles Public Library

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Michael Jackson, a well-known KNX, personality

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Los Angeles Public Library

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Larry Mantle, now in his 41st year hosting AirTalk, remembers being a kid and dreaming of what it might be like to be behind the mic at one of these radio stations.

“ I grew up with KNX," he said. “My dream job as a kid was to be an anchor on KNX or KFWB, the two local all-news radio stations, 'cause there was nothing like hosting AirTalk that even existed at that point.”

Mantle opened up the phone lines on a recent show to hear from his fellow SoCal radio lovers about the shows they miss and the memories they have. Here's what they had to say:

A love for radio, then and now  

A pilot of KMPC's traffic alert helicopter pictured with his daughter and grandson.

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Los Angeles Public Library

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A 1963 picture of Valley State College (now Los Angeles Valley College) preparing to launch KVCM

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Larry Leach

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Los Angeles Public Library

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“When you'd walk down Hollywood Boulevard where the station was, you could hear it playing as you went down the street,” said  Olivia in Glendale about KLAC 570 with Al Jarvis.

 Larry in Yorba Linda shouted out KBCA Jazz for its 24-hour jazz, saying “When I first moved out here in '68 from Phoenix, which had like an hour a week, it was a real wonder.”

 Mark in Glassell Park emailed that he loves KCRW’s Henry Rollins, writing, “I used to bristle at his unique DJ persona, but over time, I came to love him and his crazy eclectic playlists. I find his knowledge in history and punk rock fascinating. He's a gem and a legend."

"I'd like to give a shout-out to all the DJs working at KXLU, the college station at Loyola Marymount University, said  Jeremy in Culver City in an email. “That station's been on the air for nearly 60 years. I believe it's one of the best examples of what's possible with radio."

"KFWB and KRLA back in the day when they were rock music stations —  Dr. Demento, one of my favorite on-air personalities, also had eclectic music taste," said  Carrie in Desert Edge.

“ Dr. Demento was must listening when I was a kid in junior high school at Le Conte Junior High in Hollywood,” Mantle added. “Every Sunday night on KMET, we would make sure we were listening to Dr. Demento and his funny records.”

The question remains…

An 11-year-old winning a car in a KMPC contest in 1963.

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Los Angeles Public Library

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Listener support is vital to any radio station, and it’s clear KNX has many lifelong fans. AirTalk listeners highlighted their support for household KNX names over the decades like Bill Keene, Melinda Lee, Mike Roy and Jackie Olden.

As KNX makes changes, many are watching closely and thinking about the future of radio.

Listeners like Tommy in La Quinta are left wondering if the radio dial will be the same…

“I’m a hardcore listener, but I don't know about casual listeners [and] if they'll tune to AM,” he said.

After months of hand-wringing, Los Angeles and LA28 have come to a tentative agreement on how Olympics organizers will reimburse the city for its expenses for the 2028 Summer Games.

According to the deal, the private Olympic organizing committee will pay upfront for the estimated cost of services that are not eligible for federal reimbursement, like trash pick-up and traffic control. Under another proposal, the city would also be able to tap an LA28 contingency fund if it isn't fully repaid by the federal government for policing costs at Olympic venues.

The agreement is nearly nine months overdue and still needs approval by Mayor Karen Bass and the City Council.

The 2028 Olympics are intended to be privately financed, and an existing city agreement with LA28 states that the Olympics organizers, not L.A., will pay for extra costs for public services in support of the Games. But L.A. is the financial back-stop for the Olympics, meaning if LA28 goes in the red, taxpayers will pick up the bill.

Beyond that, the city services agreement presents another area where L.A. could incur additional unexpected expenses for hosting the Games. L.A. City Councilmember Monica Rodriguez warned LA28 CEO Reynold Hoover earlier this year that a bad deal could "bankrupt" the city.

Jacie Prieto Lopez, an LA28 spokesperson, and Paul Krekorian, who leads the city's office of major events, said in statements that the freshly inked agreement would help deliver a fiscally responsible Games.

"Mayor Bass’ priority is that the 2028 Olympic and Paralympic Games be fiscally responsible, protect taxpayers, and benefit Angelenos for decades to come. This agreement helps deliver that commitment," Krekorian said.

But the contract between the two parties doesn't fully resolve one of the biggest areas of financial risk for the city: the enormous cost of security for an event as extensive and high-profile as the summer Olympics and Paralympics.

Organizers are counting on the federal government to pay for public safety at Olympic venues that are considered part of a "national special security event." That includes costs for LAPD staffing. LA28 has not included security costs in its $7.1 billion budget — a fact that City Attorney Hydee Feldstein Soto criticized earlier this year.

The federal government has so far allocated $1 billion for security costs for the Olympics. Exactly where those federal funds will go has not yet been determined, and there's no guarantee they will cover all of L.A.'s policing costs.

To address this, city officials have also proposed an amendment to a 2021 agreement between the city and LA28. That amendment would establish that if L.A. is not reimbursed by the federal government for all its eligible expenses, it could dip into LA28's contingency fund of $270 million before the private organizing committee could use those funds for any legacy projects.

But that bucket of money will first be used for any costs that Olympics organizers still owe if they run out of revenue — meaning if the Olympics don't turn a profit, the city's access to that money will depend on how much is left for the taking.

Civil rights attorney Connie Rice, who has been tracking the city's negotiations with LA28, told LAist the agreement was a "PR document" not a deal. She pointed out that if the federal government does not pay up for security spending as expected, L.A. could be in trouble.

" It leaves the taxpayers with a GoFundMe strategy," she said.

The city services agreement lays the groundwork for more negotiations between LA28 and the city. Each venue will require its own agreement, to be negotiated by July 1, 2027. Venues in the city of L.A. include Dodger Stadium, the L.A. Convention Center, L.A. Memorial Coliseum and the Venice Beach Boardwalk.

The City Council's ad-hoc committee on the 2028 Games will meet Tuesday afternoon to vote on the agreement.