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The most important stories for you to know today
  • 2 friends walked 40 miles across town, just cuz
    Two men, both wearing hats, post in front of the Pasadena City Hall
    Tucker O'Neill and Wes Braumbaugh pose for a selfie at the starting point of their 40-mile walk across L.A.

    Topline:

    Tucker O’Neill and Wes Braumbaugh went out for a walk — from Pasadena to Santa Monica. Their 40-mile-plus journey took over 14 hours.

    Why'd they do it? O'Neill says he was inspired by a Reddit post “about someone who had taken a walk from basically Pasadena to Marina Del Rey, so across Los Angeles. And that really intrigued me. I kept the idea in my mind, [because] I knew I wanted to take it on eventually.”

    Read on... to learn more about their journey.

    Tucker O’Neill moved to Los Angeles in 2021. The freelance video editor had lived in Seattle and Chicago — cities that are “more pedestrian friendly, you know, smaller, so walking across the city doesn't seem like [a] whole journey,” O’Neill says.

    By comparison, his newly adopted city of Los Angeles is an endless sprawl — so antithetical to being explored on foot that it's forever associated with a new wave song from the 1980s.

    That’s what O’Neill thought, too, until he came across a post on Reddit.com. It was “about someone who had taken a walk from basically Pasadena to Marina Del Rey, so across Los Angeles. And that really intrigued me,” he says. “I kept the idea in my mind, [because] I knew I wanted to take it on eventually.”

    The route

    A map of Los Angeles with a purple line connecting Pasadena to Santa Monica through different communities in between
    The route Tucker O'Neill and his friend took to walk from Pasadena to Santa Monica.
    (
    Courtesy Tucker O'Neill
    )

    And that’s what O’Neill and his buddy did this past Sunday. They walked from Pasadena to Santa Monica. A 40-mile-plus journey that took over 14 hours.

    O’Neill posted about his exploits on, what else, Reddit.com. The item generated tons of comments, and caught our eyes at LAist, too.

    So we decided to seek out O’Neill, and his friend Wes Brumbaugh, and ask them about their epic trek across L.A.

    Our questions

    Q: So what finally made you take the plunge the past weekend?

    O’Neill: When I moved to L.A. originally, I kind of wanted it to be the city that I could treat like any other city that you can just walk wherever you want, take the train — not drive, essentially. And six months in, I was driving everywhere and sort of just accepted that reality.

    I [like] the idea of taking on that challenge of making L.A. as walkable as we could for ourselves, and just see what we could see along the way.

    Q: How did you two prepare?

    Brumbaugh: We brought an extra pair of socks, a bunch of water, a couple energy bars. A money clip with 20 bucks and our IDs so we could grab a beer at the end, but that was about it.

    O’Neill: And a phone charger, probably keeping the phone alive was the most important part, so we could track the journey, or if something happened, we could call somebody. But you know, besides that, you're really not doing much except walking. Like, we just talked to each other. That's all we did was talk the whole time.

    Q: What communities did you two hit?

    O’Neill: We started at Pasadena City Hall, went down to the Arroyo Seco. Then Highland Park. Eagle Rock. Then Glendale, we hit up the Americana because, you know, why not. Then down to Atwater, Silver Lake, Echo Park. That's where we got lunch.

    And then Downtown, and we went down Wilshire Blvd. And really stayed there until we hit the museums – LACMA and the Tar Pits. Then we went up to see a friend, kind of by the Grove, and then Beverly Hills, Century City. And this is when we really started going downhill, mentally. And then, Santa Monica.

    Brumbaugh: Yeah, towards the end, we were absolutely limping through the finish line (laugh). It was pretty brutal. Our knees were shot. We were pretty much hunched over and in pain by the end of it.

    Two men, both wearing hats, pose in front of a beach pier at night
    The guys celebrate the end of their journey at the Santa Monica Pier.
    (
    (Courtesy of Tucker O'Neill)
    )

    Q: What was your big takeaway? 

    O’Neill: I think the whole journey was kind of surprising. It’s interesting to see all these different neighborhoods on a single walk – to see MacArthur Park and then later see Beverly Hills, [which] feels like two ends of the spectrum, and you don't really associate those two together.

    But when you walk from one to the other, and you know, they're actually not that far [from each other], but the disparities are pretty large, just in terms of what kind of neighborhoods they are.

    Q: It’s been almost a week, are you physically recovered from the walk? 

    O’Neill: I don't know if I'm recovered yet (laugh)...

    Brumbaugh: Yeah, ongoing…

    O’Neill: That night and the next day were tough, you know, just from being sore.

    Q: So, never again, right?

    Braumbaugh: So Tucker's already got a second route planned out…

    O’Neill: The one I proposed to Wes was starting in where we ended in Santa Monica, then going down to Venice and heading east from there. So Culver City and USC, and different parts of the city.

  • State and federal TV and film tax credits
    Two female presenting persons stand inside a room painted gray. Several couches are behind them.
    Marielle Abaunza, left, executive vice president of business development at Signature Post in Burbank and Monica Levinson, a longtime Hollywood producer, in one of the facility's mix stages.

    Topline:

    Advocates say the recently passed post-production tax credit will make California more competitive, but a federal production tax credit may be the blockbuster.

    Why it matters: TV and film productions and their post-production work, such as editing, color correction and sound mixing, are being pulled to other states and countries because of attractive tax incentives. It’s hoped this new tax credit will begin drawing work back to California.

    Why now: The bill was recently signed into law by Gov. Newsom, although it currently offers $10 million a year, much lower than the $100 million originally asked for. It’s likely to make California more competitive — but a federal production tax credit bill now going through Congress may be the blockbuster. The Motion Picture, Television and Entertainment Revitalization Act is co-authored by Sens. Adam Schiff, a Democrat, and Tim Scott, a Republican. President Donald Trump supports it.

    The backstory: California started a tax incentive in 2009 to try to stop runaway productions. The current version of the incentive was extended three years ago.

    What's next:

    Read on… To hear about the limitations of the new California post-production tax credit law.

    At Signature Post in Burbank, Mariella Abaunza, the post-production company’s executive vice president for business development, shows off a photo of her talking to Gov. Gavin Newsom at the recent signing of AB 2319 at the Television Academy in North Hollywood.

    A woman with dark hair holds a framed, black and white photograph and smiles looking down at it.
    Marielle Abaunza holds a photo of her and Gov. Gavin Newsom at the signing ceremony for California's new stand-alone post-production tax credit.
    (
    Adolfo Guzman-Lopez
    /
    LAist
    )

    She was there with the coalition that lobbied for the creation of a new stand-alone tax credit for post-production work done in California.

    “It definitely restored my faith in government. ... Advocacy works,” she said.

    It was a sizable coalition. Abaunza is president of the California Post Alliance, the post-production industry’s trade group. Leaders of the Motion Picture Association and the Editors Guild were there too.

    It definitely restored my faith in government… advocacy works.
    — Marielle Abaunza, Signature Post in Burbank

    The post-production tax credit is aimed at stopping the flight of TV and film work to other states and countries, attracted by generous tax incentives.

    While there are existing tax credits for filming in California, under the new law, productions qualify for a 35% to 50% tax credit if post-production work such as editing, color correction, scoring and sound mixing is done in California, even if the filming was done outside the state.

    But industry advocates acknowledge there’s a weakness in the law: Proponents initially asked lawmakers to set aside $100 million for the post-production tax breaks. By the time Newsom signed the bill into law, that amount had been drastically reduced to $10 million.

    “That's going to get used up in a couple days. … It's not hard to allocate $10 million in post-production in California,” said Stephen Weizenecker, an entertainment lawyer based in Atlanta who advises TV and film productions on how to take advantage of tax credits in U.S. states and overseas.

    But he said that regardless of the much lower cap, the credits will make California more competitive.

    It's not hard to allocate $10 million in post-production in California.
    — Stephen Weizenecker, Atlanta-based entertainment lawyer

    Abaunza hopes it will be a boost for Signature Post. The 6-year-old post-production company, which mixed sound for films and shows like  "Everything Everywhere All at Once," "American Fiction," and "Lessons in Chemistry," has been experiencing a slowdown, like many others.

    “We're still ahead of the game, and we still have the largest concentration of post-production talent of anywhere in the world,” Abaunza said of Southern California.

    But she said that post-production advantage has been eroded by new facilities and worker talent in the U.K. and Canada, among other countries.

    Monica Levinson, executive producer of FX’s "Love Story," "Say Nothing," and many other TV and film projects, points out that those countries have another advantage: a lot more government social services.

    She compared that to the U.S. “The one thing that this country has are unions, and it has health insurance, and it has pension plans, and the things that need to be put into the budgets of productions,” she said.

    Weizenecker also noted that as much as producers might want to keep production in California or the U.S., they may not be the ones making the decisions about where work is done.

    “ If Netflix only gives you so much to spend on the production, including post,” he said, “you're gonna go where it's the most cost-effective.”

    Federal game changer

    While the California tax credit is a step in the direction of keeping productions in the state, a much bigger tax credit is now making its way through the federal legislative process that may be even more transformative.

    It’s called the Motion Picture, Television and Entertainment Revitalization Act and was co-authored by U.S. Sens. Adam Schiff, a Democrat from California, and Tim Scott, a Republican from South Carolina. President Donald Trump has also said he supports it.

    If the bipartisan birth and early life of the bill isn’t enough to raise eyebrows, what it promises may be: a 20% federal, labor-based tax credit to U.S. TV and film productions where 75% of the days spent on principal photography happen in this country.

    The bill would also favor post-production work and extend benefits to productions in some rural areas and places affected by disasters.

    A light skinned woman with long dark hair stands in front of a desk. She wears a dark blue outfit.
    Marielle Abaunza is executive vice president of business development for Signature Post in Burbank.
    (
    Adolfo Guzman-Lopez
    /
    LAist
    )

    “These things could be real game changers to bring back the work here,” Levinson said. She’s the co-chair of the legislative committee for Producers United, a 3-year-old group that advocates for established TV and film producers. That position led her to join the coalition of groups working to get the federal bill passed.

    TV and film production and post-production used to be dominated by California, and L.A. County in particular. But Hollywood, as it refers to what you see on the big and small screen, is a national business now.

    “Everybody in this country is behind this federal incentive. And therefore, that's why it's become such a bipartisan effort because there's production in every state right now,” Levinson said.

    Supporters have not said how much less money would go to public coffers if this federal tax credit passes.

  • Sponsored message
  • Court order to build new homes in West LA paused
    West LA VA
    A federal appeals court on Thursday agreed to temporarily pause the order to construct more than 2,500 new housing units on the Veterans Affairs campus in West L.A.

    Topline:

    A long-running court battle between California veterans and the Trump administration will continue, as federal officials consider asking the U.S. Supreme Court to overturn a lower court’s order to build more housing for unhoused L.A. veterans.

    What does the decision mean? A federal appeals court on Thursday agreed to temporarily pause the order to construct more than 2,500 new housing units on the Veterans Affairs campus in West L.A.

    Background: The years-long court battle was initiated in 2023 by veterans struggling with homelessness in L.A. The case has centered on the 400-acre V.A. campus, which U.S. District Judge David O. Carter has ruled should offer more housing to the approximately 2,250 veterans experiencing homelessness in L.A. County.

    What’s next? VA officials now have until Dec. 10 to decide whether to appeal their fight to the Supreme Court. Judges with the Ninth Circuit Court of Appeals told lawyers for the federal government that if they do not decide to appeal by Dec. 10, “the stay will be lifted immediately.”

    Read on… to see what veteran advocates have to say about the latest development.

    A long-running court battle between California veterans and the Trump administration will continue, as federal officials consider asking the U.S. Supreme Court to overturn a lower court’s order to build more housing for unhoused L.A. veterans.

    A federal appeals court on Thursday agreed to temporarily pause the order to construct more than 2,500 new housing units on the Veterans Affairs campus in West L.A.

    Mark Rosenbaum, an attorney with Public Counsel representing the plaintiffs, told LAist the delay could spell life or death for unhoused veterans, especially as the region braces for strong El Niño-driven storms.

    “These are veterans who risked their lives and suffered both the visible and invisible wounds of war,” Rosenbaum said. “What the government is saying to them is, you're supposed to stay on the street."

    VA officials did not immediately respond to LAist’s request for comment.

    Veterans' lawyers in a court filing called a possible appeal to the Supreme Court a “hopeless shot.”

    “The government has lost every time they have taken this to court. No court has ruled for them on any of these matters,” Rosenbaum told LAist. “This is part of the administration’s war on its own veterans, and it’s time for that war to come to an end.”

    Could long-running case end up at the Supreme Court?

    The litigation was initiated in 2023 by L.A. veterans struggling with homelessness. The case has centered on the 400-acre V.A. campus, which U.S. District Judge David O. Carter has ruled should offer more housing to the approximately 2,250 veterans experiencing homelessness in L.A. County.

    In 2024, Carter ordered officials to add thousands of temporary and permanent homes, and end leases with UCLA, a private K-12 school and an oil drilling company, which he said did not serve the needs of veterans.

    An appeals court last month blocked the federal government’s efforts to halt the housing construction. But veteran advocates knew that federal officials could ask for further delays as the case winds through the courts.

    VA officials now have until Dec. 10 to decide whether to appeal their fight to the Supreme Court. Judges with the Ninth Circuit Court of Appeals told lawyers for the federal government that if they do not decide to appeal by Dec. 10, “the stay will be lifted immediately.”

  • Applications open through Nov. 6
    A bright illustration of a school, a parent walking with their child, and other generic school imagery.
    The Choices application window for the 2027-28 school year is open now through Nov. 6, 2026.

    Topline: 

    The Los Angeles Unified School District shortened the application window for specialized academic programs this year, and will no longer accept paper forms. Applications for the district’s magnet, dual-language and affiliated charter schools for the next academic year opened Oct. 1 and are due Nov. 6, 2026.

    The backstory: If you want your child to attend their neighborhood school, enrollment is fairly straightforward; there’s a separate process for the district’s specialized programs called Choices.

    Those include:

    • Magnets: Programs on a specific theme, such as science, math, language, advanced studies or art. These programs were originally established to integrate segregated schools and have a unique “points” system to prioritize applications. 
    • Dual language or immersion: Students learn in English and in a second language such as Spanish, Mandarin, Korean or Armenian. 
    • Affiliated charter schools: District-run schools with more freedom to try different types of teaching or other programs. 

    What's next: LAUSD also hosts fairs, organized by geographic region, where multiple schools table and share information about their programs, through mid-October. The on-time application deadline is Nov. 6, 2026, and the late application process starts Dec. 1.

    Read on … to learn more about the Choices process and all the options available.

    The Los Angeles Unified School District shortened the application window for specialized academic programs this year, and will no longer accept paper forms.

    Applications for the district’s magnet, dual language and affiliated charter schools for the next academic year opened Oct. 1 and are due Nov. 6, 2026.

    How does it work?

    If you want your child to attend their neighborhood school, enrollment is fairly straightforward. There’s a separate process for the district’s specialized programs called Choices.

    There are two windows to apply — on-time and late. The latter consists of all the spaces left after families who applied on time accept their offers.

    Here’s the timeline for the 2027-28 school year:

    • Sept. 2026: School fairs start.
    • Oct. 1, 2026: Choices application opens.
    • Nov. 6, 2026:  Deadline to apply online.
    • Dec. 1, 2026:  Late applications begin. 
    • February 2027: On-time applicant results sent. 
    • March 5, 2027: Deadline to accept or decline school offers for on-time applicants. School assignments for late applications follow the processing of on-time applications. Students may be offered a spot through the start of the spring semester. 
    • Aug. 12, 2027: The school year begins.

    LAUSD will no longer accept paper Choices applications. If families do not have a computer, they can use a smartphone to complete an application. LAUSD will also allow families to use computers at school parent centers.

    How to prepare

    Every child within LAUSD boundaries is assigned a school — find yours through the district’s “resident school identifier.”

    But there are also hundreds of other programs available through the Choices process.

    Those include:

    • Magnets: Programs on a specific theme, such as science, math, language, advanced studies or art. These programs were originally established to integrate segregated schools and have a unique “points” system to prioritize applications. 
    • Dual language or immersion: Students learn in English and in a second language such as Spanish, Mandarin, Korean or Armenian. 
    • Affiliated charter schools: District-run schools with more freedom to try different types of teaching or other programs. 

    No one type of school is inherently better than another, and no one metric defines a great school — there are many factors beyond test scores to consider, and we go over some of those here.

    By far the most frequent piece of advice we’ve heard is to go on an in-person school tour if possible.

    “The very best thing that people can do is go to the school and try to watch the way that educators interact with students, the way that students interact with each other, and the way that families are included or not in the life of a school,” said Jack Schneider, a University of Massachusetts, Amherst, education researcher and parent. “Once you do that, you really get a sense of what kind of place kids are going to school.”

    Some schools post tour information online, but you may need to call for details.

    LAUSD also hosts fairs, organized by geographic region, where multiple schools table and share information about their programs, through mid-October.

  • DOJ says race illegally considered in admissions
    A wide view of UCLA's Royce Hall building. The photo is from a lower angle so the building appears to tower above.
    The University of California, Los Angeles

    Topline:

    The Justice Department found Thursday that the law school at the University of California, Los Angeles, illegally considered race in admissions.

    DOJ findings: The Justice Department’s investigation found UCLA’s law school discriminated against white and Asian American students by favoring Black and Hispanic applicants in its 2023, 2024 and 2025 incoming classes. Its analysis found the mean LSAT score was lower for admitted Black applicants than for admitted white applicants.

    The backstory: Affirmative action in college admissions has been illegal since a 2023 Supreme Court ruling forbade it. The same ruling said colleges could continue to assess how applicants’ backgrounds might speak to broader characteristics, but President Donald Trump has accused colleges of using applicants’ personal statements and other proxies to consider race in admissions — which conservatives view as illegal discrimination.

    The Justice Department found Thursday that the law school at the University of California, Los Angeles, illegally considered race in admissions.

    The announcement follows a similar finding against the university’s medical school and comes as President Donald Trump’s administration ramps up scrutiny of colleges’ processes for selecting students. The administration also has accused the UC Berkeley Law School and the medical school at the University of California, San Diego, of illegally discriminating against white and Asian applicants.

    The UCLA School of Law said in a statement that it was committed to making admissions decisions in compliance with all applicable laws.

    “Students are admitted through a comprehensive, merit-based review process that considers each applicant’s achievements and experiences,” the statement said. “We are confident in our process.”

    Affirmative action in college admissions has been illegal since a 2023 Supreme Court ruling forbade it. The same ruling said colleges could continue to assess how applicants’ backgrounds might speak to broader characteristics, but Trump has accused colleges of using applicants’ personal statements and other proxies to consider race in admissions — which conservatives view as illegal discrimination.

    The Justice Department’s investigation found UCLA’s law school discriminated against white and Asian American students by favoring Black and Hispanic applicants in its 2023, 2024 and 2025 incoming classes. Its analysis found the mean LSAT score was lower for admitted Black applicants than for admitted white applicants.


    The department also said admissions staff at the law school instructed applicants during recruitment efforts, including one called the “Diversity Admissions Open House,” how to reveal their race in essays.

    “Like many of its peer institutions, UCLA Law School runs a two-tiered admissions system whose academic bar for acceptance shifts up or down depending on the color of your skin,” said Harmeet Dhillon, head of the department’s Civil Rights Division, in a news release.

    California voters ended affirmative action in college admissions in a 1997 ballot measure. In a brief filed in the Supreme Court case, the UC system said the change led to a precipitous drop in underrepresented minorities, especially at the system’s most selective campuses. The brief said UC went on to implement a range of race-neutral measures to increase diversity.

    The Trump administration also has sued over the main UCLA campus’s response to allegations of antisemitic harassment. The administration’s latest finding sets the stage for a voluntary resolution to bring UCLA into compliance with the Justice Department’s legal interpretation or, if none can be reached, potential legal action.

    ___

    The Associated Press’ education coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP’s standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.