Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

REDCAT's New Original Works Fest Brings On The Women!

EmilyMast.jpg
photo of Emily Mast courtesy of the artist

Truth matters. Community matters. Your support makes both possible. LAist is one of the few places where news remains independent and free from political and corporate influence. Stand up for truth and for LAist. Make your year-end tax-deductible gift now.

The final program of the three weekends' New Original Works Festival at REDCAT brings the work of three daring women artists to the downtown stage. Emily Mast, Melanie Rios Glaser and Heather Woodbury each investigate deep, important and meaningful questions through lenses that are unique, compelling and entertaining.

Ms. Mast, working with a group of seven performers, examines the intersection of visual art and theater as she reveals the problems inherent in human communication. B!rdbrain is performed by a cast that includes a sign language interpreter, an auctioneer and a stutterer amongst others. Promotional materials say the work alludes to ”the true story of Alex, a verbally skilled parrot that was the subject of controversial findings.” Hmmm . . . controversial findings?

Collaborating with four multi-talented movement improvisers, Melanie Rios Glaser brings her personal Guatemalan performance history into new original scores for “messy, obsessive movement and humorously confessional commentary” in La Tribu. Karinne Keithley Syers, Jmy James Kidd (back after last weekend’s Program 2 “Lake”), Rebecca Bruno, Luke Hegel-Cantarella and Rios Glaser reflect on the impulses that energized the 20th century creative responses to Guatemala’s violence, enforced social norms and repressive politics.

Stemming from a whole different plant species, As The Globe Warms offers a first glimpse into Obie Award-winning theater artist Heather Woodbury‘s solo distillation of her planned 12-hour opus web-cast soap opera. Ambitiously weaving the stories of a multitude of characters that inhabit Vane Springs, Nevada, Woodbury uncovers the social complexities of the climate crisis with sympathetic humor and a sweeping dramatic narrative.

Sponsored message

Sounds like a bold and daring climax to the laboratory festival. See you there!

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive before year-end will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible year-end gift today

A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right