The Frame

The film, which opened in theaters in early February, has been rushed onto on demand platforms, which is just fine with director Cathy Yan; with the summer Olympics postponed, where does that leave NBC?; how are stand-up comedians faring in the Covid era?

The story of a camp for disabled teens that was established in the early 1970s in upstate New York is told in a new Netflix documentary; what issues are facing movie exhibitors now that they've been shut down?; and now, they've even closed drive-ins!

With COVID-19 shutting down venues, stand-up comics are left without a platform and Hollywood assistants are struggling to make it; "The Climb" gets delayed; plus M. Ward is releasing a new album; Why Amy Ryan made the Netflix movie 'Lost Girls;' and singer/songwriter Sudan Archives finds inspiration in youtube videos; Plus The Frame team has some recommendations for you.

The film was supposed to open today, but now co-writers, co-stars and best friends Michael Angelo Covino and Kyle Marvin face an uncertain future; who gets paid in Hollywood in the Covid era?; singer-songwriter and violinist Sudan Archives shares her influences.

The veteran French photographer has been creating iconic images since the 1960s; performing artists who rely on touring are taking hit in the Covid era; an Armenian-American guitarist who fell for flamenco.

Akiko Stehrenberger has made a career out of designing posters for feature films; what happens now that most TV production has shut down?; a farewell to KISS as the band tours for the final time.

The singer/songwriter's latest album was inspired by headlines and conversations about immigration; the #PayUpHollywood movement is rallying behind assistants as production is virtually halted; smart dance music by French Vanilla.

Based on a true story, the actress plays a woman whose daughter is among several sex workers who went missing in Long Island and then were found murdered; with movie theaters closed in L.A. and N.Y., what does that mean for exhibitors and streaming services?; 50 years ago, "Abbey Road" won only one Grammy —and it wasn't a major prize.

The violent satire 'The Hunt' finally comes to theaters; 'Pandemic' docuseries in production years before COVID-19; and how loss of Dan Scanlon's dad inspired Pixar's 'Onward' and more...

In the documentary, "Siempre, Luis," the famous father leads hurricane relief efforts on behalf of his native Puerto Rico; how are movie theaters coping with Covid-19?; Europe's version of South-by-Southwest.

The Playhouse's new producing artistic director inherits a theater organization at a crossroads; KC Green created the "On Fire" comic that's become a popular meme; Apple TV is having trouble negotiating movie rights with studios.

Actor Lakeith Stanfield caps a busy year with his starring role in "Crown Heights"; Annie Clark, aka St. Vincent, breaks down her song, "New York," for Song Exploder; Cinefamily is temporarily closed while it deals with sexual harassment complaints and resignations.

Comedians Cameron Esposito and Rhea Butcher join discuss their Seeso comedy series "Take My Wife," and what they hope happens to the show now that NBC is shutting Seeso down; musicians Jimmy Hendrix, Link Wray and Robbie Robertson are all part American Indian. They're featured in a new documentary about the contributions of Native Americans to pop music called "Rumble," co-directed by Alfonso Maiorana.

Gregg Allman's manager, Michael Lehman, and the late musician's youngest daughter, Layla, reveal how he confronted life and death at the end; "Master of None" music supervisor Zach Cowie may be new to the field, but his history in the record business, and as a DJ, prepped him well for the work.

Character actress Ann Dowd gets some Emmy love for her complicated roles on "The Leftovers" and "The Handmaids' Tale"; The National Latino Media Council has embarked on a campaign to pressure the four major broadcast TV networks into hiring more Latinos; Don McLeod uses his training in mime for a career as a living statue.

Venezuelan President Nicolás Maduro canceled a U.S. tour by that nation's youth orchestra in response to criticism from L.A. Philharmonic conductor Gustavo Dudamel; most Americans have likely never encountered a trans person, aside from maybe on TV. We hear from three people who talk about what goes into telling authentic stories of trans people in Hollywood.

The late L.A. artist Carlos Almaráz is the subject of a new exhibition at the L.A. County Museum of Art; filmmaker Gregory Monro spotlights Jerry Lewis' directing career in "The Man Behind the Clown;" playwright Gretchen Law remembers comedian and activist Dick Gregory, the subject of her play, "Turn Me Loose."

First-time director Geremy Jasper drew from his musical past to make "Patti Cake$," the story of an overweight, white female rapper; the film 'La La Land' gets a drag parody that's so bad it's good; summer box office numbers are down 12 percent from last year. What's keeping fans away from the multiplex?

Spotify takes down some white supremacist music; Disney Jr. show "Doc McStuffins" draws praise and some criticism for a recent episode that includes a family with same-sex parents; “Gook,” a new film written, directed by and starring Justin Chon, revisits the 1992 L.A. riots from the perspective of Korean Americans.

Apple plans to spend $1 billion on original content to rival streaming services; "Lemon" filmmakers Janicza Bravo and Brett Gelman channel their own anxieties into an uncomfortable comedy; Adam Langdon plays a character with an unspecified disorder in the stage adaptation of "The Curious Incident of the Dog in the Night-Time."

What goes into playing Jaime Lannister on "Game of Thrones?" Where did Nikolaj Coster-Waldau find the time to make the new movie "Shot Caller?" The Danish actor opens up about all this and more; investigations are underway in Vancouver where a fatal stunt occurred Monday on the set of “Deadpool 2.”

Producer Will Packer has several hit movies under his belt, and now he has the provocative TV series, "Black America," in the works at Amazon; Shonda Rhimes' move is a major development in the networks’ ongoing struggle with the aggressive streaming services.