The Frame

We continue our series on how police are depicted on TV with the creators of “COPS,” the longest-running reality show in TV history. Creator John Langley tells us about the show’s genesis and why it continues to be so popular; the Latino Comics Expo is unofficially known as the “Latino Comic-Con"; Comedy Central says Larry Wilmore's show failed to gain traction with viewers.

From refugee athletes to individual profiles, Olympics mini-docs are a big part of the broadcast and have been since the 1970s. NBC Sports' Jimmy Roberts joins us from Rio where he's reporting on his 16th Olympics; Part 2 of our look inside the Sundance Directors Lab, where eight budding filmmakers are encouraged to take risks and seize the opportunity of a lifetime.

We visit the Sundance Director's Lab where Robert Redford and a group of industry pros mentor up and coming filmmakers. Variety's chief TV critic Maureen Ryan breaks down the CBS news coming out of the Television Critics Association press tour; Colburn Conservatory of Music graduates endure stressful mock auditions to prepare for the real thing.

Actress Taraji P. Henson opens up about the career path that led her to her Emmy-nominated role of Cookie Lyon on the hit Fox show, "Empire"; amid the bad reviews for "Suicide Squad," we look at the unsustainable — but enduring — Hollywood business model of taking big swings at expensive movies in hopes of finding a franchise.

In our #CopsOnTV series, writer-producer Cheo Hodari Coker reveals what he learned about the LAPD while producing the police drama, "Southland," and how that connected with his experiences as a black man; the bad news/good news of NBC's Olympic ecosystem: broadcast viewership is down, but online streaming is booming.

In the first of a continuing series of conversations, former "Law & Order: SVU" executive producer Neal Baer says studios and networks want police to be depicted as heroes; how soon will virtual reality become a big thing in entertainment?

Stuntwoman and "American Ninja Warrior" contestant Jessie Graff teaches host John Horn some tricks of her trade; the opening ceremony for the Summer Olympics has become a job for film directors; Aubrey Plaza's amateur basketball team, the Pistol Shrimps, has quite the following.

The comic actress' star-turn in "Ghostbusters" and another Emmy nod for "SNL" have her primed for bigger things; fans of the kids' show 'Doc McStuffins' are worried about the future of one of the few kids' shows with a black lead character; DanceSafe provides education and and even drug-testing at raves, but its hands are tied by a federal law.

Artist and animator Jorge Gutiérrez discusses the creative inspirations of the U.S.-Mexico border and the painting spree that led to his gallery show; HBO, Netflix and NBC face the press at the Television Critics Association; screenwriter, producer and former studio chief James Schamus makes his directorial debut with "Indignation."

Director Marc Osborne didn't want to make a straight-ahead adaptation of "The Little Prince," so he came up with a novel approach; "Equity" is the rare movie about Wall Street that stars and is made by women; Claire Boucher, aka Grimes, dissects her song, “Kill V. Maim.”

Jocelyn DeBoer and Dawn Luebbe talk about their satirical film, which they wrote, directed, and star in; the legacy of film producer Robert Evans; Song Exploder with Raphael Saadiq.

What Robert Pattinson loves about acting and why he made the surreal film "The Lighthouse"; the buried American history inside HBO's "Watchmen," and "Jojo Rabbit" director Taika Waititi defends his anti-hate satire.

The sound editor turns director for her documentary on "The Art of Cinematic Sound"; pianist Cameron Graves is part of L.A.'s young generation of jazz artists.

The actor has in recent years taken on dark roles in the movie "Get Out" and the TV series, "The Handmaid’s Tale.” So he decided to lighten up with a sitcom.

The filmmaker — who endured an ill-advised screening at a major film festival, followed by The Weinstein Company filing for bankruptcy — is finally seeing the release of “The Current War: Director’s Cut”; is "South Park" worth $500 million on the streaming market?; Morrissey's political leanings may be jeopardizing his large Latino fanbase.

The actor bought the rights to Jonathan Lethem's book in 1999, and finally was able to direct his own adaptation of the novel.

In the singer/songwriter's new memoir, she reflects on death, sex, motherhood and misogyny.

Why Bradley Whitford is following his dark roles in "Get Out" and "The Handmaids Tale" with a new NBC sit-com; "Batwoman" creator says her lead was always going to be gay; The Chambers Brothers recount their musical journey

The actor has two major films this Fall, “Marriage Story” and “The Report.” He spoke with John Horn at the Telluride Film Festival.

The director adapted the screenplay for "JOJO Rabbit," a satire about a young German boy and his imaginary friend, Adolf Hitler; the plight of assistants in Hollywood.

The actor stars in the thriller, which is a departure from the “Twilight” franchise that brought him fame.

Director Roxanne Benjamin on Shudder's new anthology series, "Creepshow"; why Fortnite went dark; Art Alexakis, the frontman of Everclear, is back with a solo album.