The Frame

Fede Alvarez directed the thriller "Don't Breathe" with a $10 million budget and it grossed $26 million in its opening weekend; Kamala Lopez's documentary explains why women in the U.S. don't have equal protection under the law; Mexican singer Juan Gabriel died suddenly in L.A. at the age of 66.

Sam Esmail originally wrote "Mr. Robot" as a screenplay, but he realized it would work better as a TV series. The first season nabbed six Emmy nominations, including for Best Drama; Julia Holter's music is a blend of experimental compositions and indie pop.

"BoJack Horseman" creator Raphael Bob-Waksberg reveals how Hollywood awards culture led to the story arc for his show's third season; how Markees Christmas got his unexpected break as the lead in "Morris from America" after making a web series with his Big Brother mentor; are there too many mega music festivals?

Richard Tanne's film, "Southside with You," imagines the first date between Barack Obama and Michelle Robinson; "South Park" turns 20 with an interactive exhibit at the Paley Center for Media; Spanish-language TV powerhouse Univision has been buying popular English-language websites.

Jazz great Herbie Hancock has been a boundless musical explorer and now he's working with L.A. producer Flying Lotus; a U.S. District Court has ruled in favor of the Norton Simon Museum in a case involving ownership of 16th Century paintings of Adam and Eve; the Pokemon Go! craze seems to be waning.

As a fledgling screenwriter, Stephen Chin traveled to war-torn Iraq and lived to tell some of his stories in "War Dogs"; Cubans get current TV programming from the U.S. and other countries illicitly, but openly, through a home-delivery service; Paramount's woes continue with its big budget remake of a famous period film.

The filmmaker's new documentary is a look at how almost all aspects of our lives are somehow intertwined with the Internet; NBC's TV ratings for the Olympics are down, but online streaming is way up; indie director So Yong Kim's latest is "Lovesong."

The actress is both in front of and behind the camera for “A Tale of Love and Darkness”; author James Andrew Miller goes behind the scenes in “Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency”; a guerrilla arts group erected nude statues of Donald Trump in several cities.

Fox Searchlight invested a lot in "The Birth of a Nation," but now an old rape case against filmmaker Nate Parker has re-surfaced; Laika Studios CEO Travis Knight makes his directing debut with "Kubo"; pianist and composer Manuel Lima is spending 10 days inside a cube on the Sunset Strip.

The acclaimed cellist's interests in world music and education cross paths in The Silk Road Ensemble; a former policeman who's appeared multiple times on "COPS" says scripted TV has created unreasonable expectations for officers.

Writer/director John Ridley (far right, with actor Timothy Hutton) talks about his edgy new TV series, “American Crime"; We crash a viewing party for the breakout TV hit, “Empire"; Musician and attorney Joe Escalante on the fallout from the “Blurred Lines” verdict.

A jury ruled that Robin Thicke (pictured) and Pharrell Williams violated the copyright to Marvin Gaye's "Got to Give It Up"; an assistant director on the film "Midnight Rider" was found guilty of charges relating to the death of a camera assistant; producer David Shore revived a TV project created a dozen years ago by Vince Gilligan, before his "Breaking Bad" success.

"Midnight Rider" director Randall Miller was sentenced to two years in prison after pleading guilty to charges resulting from the death of a crew member on the set; Clint Eastwood talks about "American Sniper" (pictured) becoming the biggest-grossing film released in 2014; actress Gillian Jacobs has added director to her resumé with a documentary about computer pioneer Grace Hopper.

A fan laments that legendary radio DJ Art Laboe (pictured) can't be heard in L.A., at least for now; Robert Christgau, the Dean of American Rock Critics, has a memoir covering his 40-plus years on the music beat; Claire Keane is a third-generation artist who left a cushy job to write and illustrate children's books.

The trial for the lawsuit brought by Marvin Gaye's children against Robin Thicke and Pharrell Williams is nearing an end; how "Dead Man Walking" was transformed from a movie to an opera (pictured); comedian Wayne Federman rounds up his hilarious friends to host a film festival where they chose the lineup; comic book writer Scott Snyder put his anxieties into his version of "Batman."

Ed Piskor’s "Hip Hop Family Tree” (pictured) takes a look at the music's history in a comic book series; young comedians test their chops in roast battles; the Writer's Guild examines the lack of racial and gender diversity among TV writers.

Late night host Conan O'Brien tells us about his trip to Cuba and his thoughts on the late night TV shuffle; Vulture.com's Margaret Lyons recommends some TV shows that have an air of optimism; comic book writer Ed Brubaker goes from Captain America and Batman to a Hollywood noir graphic novel.

Will Smith's "Focus" (pictured) did middling business in its opening weekend, so where does this leave his career?; filmmaker Ed Burns on the highs and lows of his career since bursting on the scene with "The Brothers McMullen" in 1995; Valiant Entertainment has a simple goal: make comic books like they used to be made.

Leonard Nimoy (pictured) died today. We discuss his artistic journey as an actor, writer and photographer; the copyright trial pitting Robin Thicke, Pharrell Williams and T.I. against Marvin Gaye's children is underway; Will Forte is "The Last Man on Earth," a new Fox comedy.

Singer-songwriter Gabriel Kahane (pictured) wrote "The Ambassador," a song cycle inspired by architectural landmarks around L.A.; Yann Demange's new film is set amidst the violent Northern Ireland conflict known as The Troubles; a new study concludes that watching even just one film can change minds about a topic as charged as politics.

A new report by the Ralph J. Bunche Center for African American Studies at UCLA says movies and TV shows with diverse casts (such as "Empire," pictured) make good financial sense; Song Exploder breaks down the theme song for "House of Cards"; a new stage production at CalTech takes "Alice Through the Wormhole."

How did Amy Poehler's sitcom (pictured) survive seven seasons of average ratings?; Sam Beam, aka Iron & Wine, returns to his musical roots with "Archive Series Volume Number One"; Wes Anderson's Oscar-winning film is the subject of a new book; the L.A. Philharmonic stages a multimedia production of "Alice in Wonderland."