The Frame

You know him from comedies like "Beverly Hills Cop" and "The Nutty Professor," but Eddie Murphy's return to the big screen is the dramatic lead role in “Mr. Church"; Vulture.com senior editor Kyle Buchanan tells us what's hot at the Toronto Film Festival, which kicks off today; Filmmaker Ryan Suffern on his new doc, "Finding Oscar," about the aftermath of the civil war in Guatemala.

"Moonlight" director Barry Jenkins adapted the script for his new movie from a Tarell McCraney play, but it's a truly personal story for him. The movie is set in the Miami neighborhood where both he and McCraney grew up and borrows from both men's biographies; A new USC study looks at 800 Hollywood films and finds the same old thing — a lack of diversity both on and off the screen.

Eastwood directs Hanks in the story of the airline pilot who safely landed his damaged plane in the Hudson River with 155 people onboard; the three-day electronic music festival at the San Manuel Amphitheater saw hundreds of arrests, mostly for drug possession or being under the influence.

The new boxing drama "Bleed For This" tells the real life story of Vinny Pazienza's rise in the boxing world, and how a car accident nearly paralyzed him. The film made its world premiere at the Telluride Film Festival.

Amy Adams is at the 43rd Telluride Film Festival for the North American premiere of her movie “Arrival." She's also being honored by the festival for her body of work. This Q&A was recorded in front of an audience and covers a wide range of topics, from how she got started doing dinner theater and her early years struggling in L.A., to her recent run of successful movies like "American Hustle" and "Her."

Casey Affleck is at the Telluride Film Festival for his new drama, "Manchester By The Sea" and a career tribute for his more than twenty years of acting. He had a live Q&A with The Frame's John Horn in which he reflected on a time when he was disillusioned with acting. He also talked about his creative partnerships with directors Gus Van Sant and Kenneth Lonergan and actors Rooney Mara, Christian Bale, and his longtime friend Joaquin Phoenix.

As part of NPR's "A Nation Engaged," project we look at America's changing role as the world's leading exporter of pop culture; David Schwartz writes wacky music for Maria Bamford’s wacky show, “Lady Dynamite”; a San Francisco theater company wrestles with the use of "yellowface" makeup for "The Mikado"

Actress Tika Sumpter was also a producer on "Southside with You," the film about The First Couple's first date; this weekend's Telluride Film Festival once again features Oscar-hopefuls; Melora Marshall takes on an acting marathon every weekend at Theatricum Botanicum.

Matt and Ross Duffer are the brothers behind the hit Netflix show, "Stranger Things"; as part of our Cops on TV series, professor Kathleen Donovan connects the dots between TV dramas and our attitudes about police; there's a new battlefront in the fight for subscribers between Apple and Spotify.

"Complete Unknown," starring Rachel Weisz, is Joshua Marston's third film, but his first in English; in a new epsiode of "Song Exploder," Andra Day dissects "Forever Mine"; more people than ever are canceling pay TV services, and that has networks worried.

Artist Rafa Esparza uses traditional handmade adobe bricks in his installations and to bond with his father; Led Zeppelin goes to trial for "Stairway to Heaven" copyright case; meet MØ, a Danish pop singer with the most-played song on Spotify.

Director James Wan took a detour with "Furious 7," but he's back to the horror genre in "The Conjuring 2"; "Harry Potter and the Cursed Child" begins previews in London; Pulitzer Prize winner Caroline Shaw is one of the featured composers at the Ojai Music Festival.

"The Fits" filmmaker Anna Rose Holmer makes a coming-of-age movie that has very little dialogue but a whole lot to say; the L.A.-based band The Allah-Las found early inspiration while working at Amoeba Records; the movie "Me Before You" has revived the debate over how Hollywood portrays people with physical disabilities.

Cellist Yo-Yo Ma and his Silk Road Ensemble are the center of the new documentary, "The Music of Strangers." He reflects on what drives his passion and how music is a source of creative connection and cultural diplomacy; Dissecting where Clinton, Sanders and Drumpf stand in Hollywood on the eve of the California primary.

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.