The Frame

Alice Armendariz, aka Alice Bag, became part of L.A.'s punk scene in the late '70s and she's still keeping that spirit alive; members of SAG-AFTRA want a share of revenue from the lucrative video game industry; Gianfranco Rosi’s “Fire At Sea” is about African migrants risking their lives in the Mediterranean.

Actress Naomie Harris wasn’t sure about playing a drug-addicted mother in “Moonlight,” but she couldn’t resist the powerful coming-of-age story; Donald Trump's campaign hosted a Facebook Live show before, during and after the debate; the latest album by Natalie Mering, aka Weyes Blood, was inspired by growing up in a devoutly religious household

Documentarian Dawn Porter had a legal career before picking up a film camera. Now she uses her legal knowledge to look at social issues such as abortion rights in her new film, "Trapped"; "Hamiltunes LA" was created by a group of superfans whose love of the Broadway musical, "Hamilton," led to the sing-along event that's now being replicated nationwide

Actress Rebecca Hall knew nothing of troubled news reporter Christine Chubbuck before she received the script for "Christine." She discusses the larger issues at work in Chubbuck's life; China's Wanda Group announced plans for a huge new studio facility in China and a hefty production incentive to lure filmmakers; After the election, will Donald Trump create his own media empire?

In the HBO series "Westworld," Thandie Newton plays a robot prostitute who's one of the "hosts" in the dystopian theme park. She opens up about how this role is empowering in that it gives her the opportunity to challenge sexism and the objectification of women; Guatemalan singer-songwriter Gaby Moreno talks about why she moved to LA and she reflects on border culture in her new album "Illusion."

Filmmaker Gavin O'Connor worked with Ben Affleck to make sure the actor's portrayal of a character on the autism spectrum was accurate and respectful; Stevie Wonder, Chaka Khan and an army of former Prince collaborators were on hand for the tribute; Jess Wolfe and Holly Laessig from the band Lucius on working with the Pink Floyd legend.

The New Yorker editor David Remnick on Bob Dylan's literary cred; Jonás Cuarón explains why he made a movie about immigration as an action-thriller; Amazon wants your music streaming business; "A Nation Engaged": "Fresh Off the Boat" creator Nahnatchka Khan; Neon Trees singer Tyler Green comes out and leaves the Mormon church.

America Ferrera says she's as much an activist as she is an actress, and she proves it in a documentary for the Epix cable channel; is NBC's attempt at synergy to blame for the Donald Trump/Billy Bush tape debacle?; visual artist Edgar Arceneaux imagines a better future for creatives.

"Improvisos Peligrosos" (Dangerous Improvisations) is diversifying the improv comedy scene in L.A.; Actress Constance Wu on what it means to be an American; "Newtown" is a portrait of the small Connecticut town in the wake of the 2012 massacre at Sandy Hook Elementary School.

How did NBC get beat on its own "Access Hollywood" tape of Donald Trump and Billy Bush? What does this tell us about the blurring of lines between news and entertainment?; the first weekend of Desert Trip was full of music, politics and high-end food; "The Birth of a Nation" underwhelms at the box office; "A Nation Engaged": playwright Jon Robin Baitz

Why was an ad attacking Alexandria Ocasio-Cortez allowed to air during the Democratic candidates debate?; N.Y. Times TV critic James Poniewozik on his new book, “Audience of One: Donald Trump, Television and the Fracturing of America”; "This Close" is a first: a TV show starring, created and written by deaf people.

The L.A.-based Grammy-winning quartet defies genres on its new album; a proposed state law could have major ramifications for independent musicians; in an excerpt from the podcast Song Exploder, Swedish singer and songwriter Robyn breaks down the title track from her 2018 album, "Honey."

The comedic actor talks about his live show, "All Rise," which he sees as medicine for a divided country; movie critic Beandrea July reports from the Toronto International Film Festival.

What's behind the rising price of concert tickets?; Grammy-winning classical music guitarist Sharon Isbin; photographer Robert Frank, RIP.

The singer is on top of the charts and she's in the upcoming movie, "Hustlers"; a preview of Variety's first-ever Climate Crisis issue; singer John Paul White.

Linda Ronstadt doc filmmakers reveal her range ; Eddie Redmaye and Felicity Jones show their new film in Telluride; Flor de Toloache is a modern mariachi band in more ways than one; the Oregon Shakespeare Festival gets a new Artistic Director and filmmaker Justin Chon takes us to Koreatown.

The festival is one of the leading regional theaters in the country, presenting traditional and non-traditional classics, along with cutting-edge new plays; the state of the music industry; the documentary, "Linda Ronstadt: The Sound of My Voice."

L.A.'s Koreatown is the setting for the filmmaker's new movie about a young woman who has to defer her musical dreams; what's new — and good — on TV right now; Flor de Toloache is not your traditional mariachi group.

The pioneering queer performance artist and writer talks about his evolution as an activist; highlights from the Telluride Film Festival; "Untouchable" is a new documentary about Harvey Weinstein and the multiple allegations of sexual assault and harassment that he faces.

Filmmaker Stanley Nelson talks about his new documentary on the iconic jazz trumpeter, Miles Davis; with more streaming services coming online, is binge watching the best way to enjoy TV?; producer Larry Klein takes "world music" literally on his new project.

Emmy nominees John Leguizamo ("When They See Us") and Mahershala Ali ("True Detective") talk about their acclaimed performances; Renée Zellweger chats with John Horn at the Telluride Film Festival about portraying Judy Garland.

The actress plays Judy Garland in a biopic that's premiering at the Telluride Film Festival; SAG-AFTRA keeps its president ahead of a crucial year; singer R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."