The Frame

Benjamin Millepied opens up about why he abandoned a lifetime appointment at the Paris Opera Ballet to return full-time to the L.A. Dance Project; 'Doctor Strange' is the latest Marvel movie that will dominate the box office, but there's a casting controversy around Tilda Swinton in a role that originated in the comic book as an Asian character.

"The Ivory Game" directors used hidden cameras and bulletproof vests as they captured the underground ivory trade for the documentary that they hope will save elephants from extinction; writer-director Barry Jenkins opens up about the personal backstory to making his hit film, "Moonlight"; GLAAD releases its annual study of how LGBTQ characters are portrayed on TV.

Actor Aaron Eckhart says he’s come to terms with the reality of aging in Hollywood; it’s no longer rare to come across a women’s mariachi group, so the accomplished musicians of La Victoria are making their mark in different ways; the annual American Film Market in Santa Monica is crucial to the financing of independent movies.

The podcast network Gimlet Media's new shows include a radio drama with Oscar Isaac, Catherine Keener and David Schwimmer and a docuseries from the producers of HBO's The Jinx; Filmmaker Janicza Bravo got her first TV break directing the most recent episode of "Atlanta"; Playwright Donald Margulies on the origin story of his play "The Model Apartment."

The film “Loving” is about the couple behind the landmark 1967 Supreme Court case that legalized interracial marriage in the U.S. Writer-director Jeff Nichols says he decided to concentrate on the relationship between Mildred and Richard Loving, instead of the case; Playwright Jon Robin Baitz’s talks about his new play, “Vicuña,” conceived just seven months ago when it became likely that Trump would be the GOP’s nominee.

British actress Phoebe Waller-Bridge turned her solo stage show, "Fleabag," into a hit TV series for the BBC and Amazon; comedian and rapper Pedro Herrera put his marketing degree to use when he created his stage persona, Chingo Bling; Vine is being shut down, but those six-second videos helped launch many careers.

Did you know 'The Good Place' is a tutorial on good and evil disguised as a network sit-com? Creator Mike Schur shares his hopes for his new NBC comedy starring Kristen Bell; The Frame gets a rare fly on the wall view of how the filmmakers of "Ouija: Origin of Evil" created the scary soundscape of the movie; CA film commissioner says the production economy in the Golden State is strong.

The co-creator of "The Blair Witch Project” talks about the genre of "found footage" movies that followed the 1999 hit; Hollywood's awards season is underway and it looks like there could be a diverse slate of actor nominees; execs from top tech and entertainment companies meet to figure out their next moves.

The legendary TV producer is going strong at the age of 94, with a remake of "One Day at a Time" set for Netflix; Janelle Monáe takes a break from music to act in her debut feature film, “Moonlight”; could Facebook challenge TV networks and YouTube as a platform for live streaming?

Prentice Penny, showrunner of "Insecure," shares his passion for making a slice-of-life comedy about young African-American women; a look inside USC's Glorya Kaufman International Dance Center; is AT&T's play for Time Warner a good business move?

Adam Driver went from the Marines to Julliard where he tapped into his emotions, now he's one of the best actors of his generation. Indie rocker Liz Phair reconsiders how singing about sex got her pigeon-holed. And why is China mad at "South Park"? Plus, "Parasite" filmmaker Bong Joon-Ho tackles class dynamics and economic inequality inside a funny film.

The singer, who has roots in both Mexico and the U.S., takes on issues of the day in her latest album; what we know about the re-named Michael Jackson musical; R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."

An exhibit at the Annenberg Space for Photography depicts barriers all over the world — from prisons to refugee camps to fences at the U.S./Mexico border; studio musicians are seeking streaming revenue; singer-songwriter Nilüfer Yanya.

The South Korean director blends horror, comedy and sci-fi into an entertaining story about class struggle; "South Park" is banned in China; Nellie McKay moves her quirky music to the stage.

The actor's solo show examines the dark and often funny work of absurdist playwright, Samuel Beckett; how is "cancel culture" affecting pop culture?; Janet Jackson's “Rhythm Nation 1814” turns 30.

Antonio Banderas talks about reuniting with Pedro Almodóvar for "Pain and Glory"; how is "Cancel Culture" affecting what we see and hear?; the documentary "Diego Maradona"; the creators of Amazon's "Undone"; and the latest from singers Lupita Infante, Jay Som and Gaby Moreno.

The veteran R&B singer has had a long stop-and-start career, but she's still demonstrating her sense of adventure and musical curiosity; James Franco faces a lawsuit that alleges sexual harassment at his former acting school; "Joker" composer Hildur Guðnadóttir.

Forty years after its release, Alexandre Philippe's documentary looks back at Ridley Scott's landmark film; how is Warner Bros. marketing "Joker"?; “Variedades: Little Central America, 1984” is a theatrical performance that puts today’s migration crisis in conversation with the past.

The actor plays a film director in Pedro Almodóvar's autobiographical film; Plácido Domingo resigns as general director of L.A. Opera.

The new HBO documentary by Asif Kapadia examines the life and career of the talented and troubled soccer legend; living in the era of Big Podcast; Gaby Moreno's new album; Jessye Norman, RIP.

The documentary, shot entirely on cell phones, follows an Afghani family's efforts to flee the Taliban and seek asylum; the Endeavor talent agency's growth plan hits a snag; singer/songwriter Jay Som.

Jill Soloway closes out "Transparent" with a massive musical finale; Robbie Roberston and Rhiannon Giddens each reflect on their lives in music, we hear the remarkable story of "Unbelievable" and look back at Janet Jackson's 1989 album Rhythm Nation.