The Frame

Brian K. Vaughan, author of the popular sci-fi comics "Saga" and "Y: The Last Man," uses the medium to talk about issues such as immigration, the Cold War, and being a father; The Gilmore Guys talk about the return of "The Gilmore Girls;" Amazon wants to replace your cable with its own bundle.

Erin McKeown had never written a musical, but she couldn’t turn down the offer to work on "Miss You Like Hell"; N.Y. Times theater critic Ben Brantley on the impact of the incident between the cast of "Hamilton" and VP-elect Mike Pence; composer Jóhann Jóhannsson talks about his score for the movie, “Arrival."

Ford's 2009 directing debut, "A Single Man," was no lark. He's back with "Nocturnal Animals," a moody drama that stars Jake Gyllenhaal and Amy Adams.

Kelly Craig's directing debut on “The Edge of Seventeen" was made with the help of her mentor, James L. Brooks; now that Donald Trump is headed to the White House, is it possible the presidential election could also change the fortunes of movies that are competing for the Academy Awards?

Actress Ruth Negga may be Irish, but she says she related to Ruth Loving, the American woman she plays in “Loving.” Both women are of mixed race, a fact that got Ruth and her husband, Richard, into legal trouble when interracial marriage was illegal in some states.

Eric Heisserer, screenwriter for the new film "Arrival" (starring Amy Adams), reflects on why it was so important to him that the scientists in the movie speak the way real scientists do. He talks about working with director Denis Villeneuve and how the themes tribalism and fear of the "other" resonate with issues in the real world today.

The eight-part PBS documentary series presents "Stories from the Cutting Edge of Recorded Music," from the 1950s to present day. Featured artists include Sly Stone, The Beach Boys, The Beatles, Beck, Bon Iver, and Public Enemy.

Fifty years ago, Judy Collins recorded Leonard Cohen's “Suzanne” and introduced him to the wider world; music producer Hal Willner talks about the project that pulled Cohen out of semi-retirement; Pussy Riot co-founder Nadya Tolokno discusses artists' activism in the U.S. and Russia in the wake of Trump’s election; a visit to an open mic night where veterans jam and bond.

Jon Robin Baitz's "Vicuña" now has a different resonance for actor Harry Groener, who plays a Donald Trump-like character; the final part of Richard Nelson’s trilogy, “Women of a Certain Age,” was set on election day and it premiered at N.Y.'s Public Theater as Americans voted; Serj Tankian of the metal band System of a Down is also a symphonic composer.

If Hillary Clinton is elected, she probably won't want to emulate the women presidents depicted on TV and in films; The Second City comedy troupe and Slate magazine teamed up for a “completely unbiased political revue”; which late night shows have benefitted most from the wild presidential campaign?

Why was an ad attacking Alexandria Ocasio-Cortez allowed to air during the Democratic candidates debate?; N.Y. Times TV critic James Poniewozik on his new book, “Audience of One: Donald Trump, Television and the Fracturing of America”; "This Close" is a first: a TV show starring, created and written by deaf people.

The L.A.-based Grammy-winning quartet defies genres on its new album; a proposed state law could have major ramifications for independent musicians; in an excerpt from the podcast Song Exploder, Swedish singer and songwriter Robyn breaks down the title track from her 2018 album, "Honey."

The comedic actor talks about his live show, "All Rise," which he sees as medicine for a divided country; movie critic Beandrea July reports from the Toronto International Film Festival.

What's behind the rising price of concert tickets?; Grammy-winning classical music guitarist Sharon Isbin; photographer Robert Frank, RIP.

The singer is on top of the charts and she's in the upcoming movie, "Hustlers"; a preview of Variety's first-ever Climate Crisis issue; singer John Paul White.

Linda Ronstadt doc filmmakers reveal her range ; Eddie Redmaye and Felicity Jones show their new film in Telluride; Flor de Toloache is a modern mariachi band in more ways than one; the Oregon Shakespeare Festival gets a new Artistic Director and filmmaker Justin Chon takes us to Koreatown.

The festival is one of the leading regional theaters in the country, presenting traditional and non-traditional classics, along with cutting-edge new plays; the state of the music industry; the documentary, "Linda Ronstadt: The Sound of My Voice."

L.A.'s Koreatown is the setting for the filmmaker's new movie about a young woman who has to defer her musical dreams; what's new — and good — on TV right now; Flor de Toloache is not your traditional mariachi group.

The pioneering queer performance artist and writer talks about his evolution as an activist; highlights from the Telluride Film Festival; "Untouchable" is a new documentary about Harvey Weinstein and the multiple allegations of sexual assault and harassment that he faces.

Filmmaker Stanley Nelson talks about his new documentary on the iconic jazz trumpeter, Miles Davis; with more streaming services coming online, is binge watching the best way to enjoy TV?; producer Larry Klein takes "world music" literally on his new project.

Emmy nominees John Leguizamo ("When They See Us") and Mahershala Ali ("True Detective") talk about their acclaimed performances; Renée Zellweger chats with John Horn at the Telluride Film Festival about portraying Judy Garland.

The actress plays Judy Garland in a biopic that's premiering at the Telluride Film Festival; SAG-AFTRA keeps its president ahead of a crucial year; singer R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."