The Frame

Veteran music producer Harvey Mason, Jr. produced dozens of songs for the animated film, "Sing"; Sandra Hüller is a standout in the likely Oscar nominee, "Toni Erdmann"; a N.Y. judge rules that pre-1972 songs don't have copyright protection.

When Dennis Lehane's novel "Live By Night" was adapted by Ben Affleck into a feature film, it was just the latest gritty, crime-filled book of his to get the movie treatment; voice actor Rob Paulsen has been going strong in the business since the early 1980s, but a recent bout with throat cancer almost derailed his career.

Gibney's documentary about cyber warfare all but predicted the hacking of the Democratic National Committee; the operator of an illegal venue says the city should not take a blanket approach to its crackdown; life as a voiceover actor (part 1).

The 2016 election has ignited Beau Willimon to action. The creator of "House of Cards" has formed the Action Group Network to embark on a new form of advocacy; singer-songwriter Angelica Garcia opens up about how moving from L.A. to a small colonial-era Virginia town gave rise to her debut album, “Medicine For Birds."

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

Actress and "Daily Show" veteran Jessica Williams is now starring in "The Incredible Jessica James," her first feature film; the California Film Commission announced tax incentives for eight movies, including titles with budgets over $75 million; and Hollywood Reporter film writer Borys Kit talks about the winners and losers at Comic-Con.

Thomas Wilkins wears many musical hats, including being the principal conductor for the Hollywood Bowl Orchestra; Trent Reznor and Atticus Ross have collaborated on film scores and Nine Inch Nails albums, and now they're bandmates; Jeffrey Katzenberg is seeking backers for his idea to create high-quality content for mobile devices.

Edie Falco has gone from “The Sopranos” to “Nurse Jackie,” and now her latest is the indie film, “Landline”; “Hansel & Gretel” at New York's Park Avenue Armory is an installation by the Chinese artist Ai Weiwei and architects Jacques Herzog and Pierre de Meuron that explores the meaning of public space in our surveillance-laden world.

The filmmakers behind "Chasing Coral" hope to show the world how dire things are under the sea; the annual pop culture nerd-fest known as Comic-Con prepares to welcome huge crowds to the San Diego Convention Center.

The virtuoso bass player Stephen Bruner, aka Thundercat, is a key part of a jazz and R&B renaissance in L.A.; there's more to "Baby Driver" than the hip soundtrack; Netflix is growing fast, but can it make the economics work in the long run?

We look at the legacy of horror movie director George Romero and the work he left behind; veteran stunt coordinator Conrad Palmisano talks about how safety has improved on TV and film sets; real-life married couple Francesa Delbanco and Nick Stoller collaborated on the new Netflix series, "Friends from College.”

Filmmaker Marti Noxon drew on her own experience with eating disorders for her movie, “To the Bone”; Universal Music has exited its $31 million deal to acquire the distribution rights to much of Prince’s music; With “Game of Thrones” returning, one of the show’s sound designers talks about how she creates those dragon sounds. (Hint: think giant tortoises having sex. Really.)

What do the nominations tell us about today's television landscape? And how does our social-political climate affect what's been nominated?; "The Cake" is a new play about a conservative Christian baker who's deeply conflicted when she gets asked to make a cake for a lesbian wedding.

The Broadway production of “1984" is a chilling adaptation of George Orwell’s dystopian novel whose graphic torture scenes are eliciting intense reactions from audience members; After “Lady Macbeth” opens this weekend, young actress Florence Pugh will likely surface on Hollywood's radar.

Filmmaker Matthew Heineman's timely new documentary, “City of Ghosts,” follows a group of Syrian citizen journalists who have been reporting on the battle for the city of Raqqa; The New York Musical Festival is underway is an annual showcase of works-in-progress whose creators have Broadway dreams.

“GLOW” (Gorgeous Ladies of Wrestling) is a new Netflix series loosely based on women’s wrestling from the 1980s. Creators Liz Flahive and Carly Mensch reveal some behind-the-scenes stories from the set; Kirsten Tan's debut film, "Pop-Aye," is a road movie where the buddies on the surreal journey are an aging architect and his long lost elephant.

Filmmaker Edgar Wright has made an action movie that revolves around an extensive playlist of pop, rock and R&B songs; the National Geographic channel presents "Earth Live," a real-time special broadcast from six continents.