The Frame

Veteran music producer Harvey Mason, Jr. produced dozens of songs for the animated film, "Sing"; Sandra Hüller is a standout in the likely Oscar nominee, "Toni Erdmann"; a N.Y. judge rules that pre-1972 songs don't have copyright protection.

When Dennis Lehane's novel "Live By Night" was adapted by Ben Affleck into a feature film, it was just the latest gritty, crime-filled book of his to get the movie treatment; voice actor Rob Paulsen has been going strong in the business since the early 1980s, but a recent bout with throat cancer almost derailed his career.

Gibney's documentary about cyber warfare all but predicted the hacking of the Democratic National Committee; the operator of an illegal venue says the city should not take a blanket approach to its crackdown; life as a voiceover actor (part 1).

The 2016 election has ignited Beau Willimon to action. The creator of "House of Cards" has formed the Action Group Network to embark on a new form of advocacy; singer-songwriter Angelica Garcia opens up about how moving from L.A. to a small colonial-era Virginia town gave rise to her debut album, “Medicine For Birds."

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

The Beijing-based Wanda Group financed "Southpaw," just the latest example of Chinese investments in Hollywood; The Next MacGyver contest hopes to encourage women engineers with the promise of a TV pilot; Juilliard-trained Brad Segal has become the go-to composer for reality shows.

The British actor reunites with director Bill Condon to play a 93-year-old version of Sherlock Holmes in "Mr. Holmes" (pictured); Chinese authorities have returned the passport of dissident artist Ai Weiwei, who had been unable to leave the country since 2011; the makers of the documentary about crowd-funding, "Capital C," financed their film through a crowd-funding campaign.

Noted muralist Kent Twitchell (pictured) has created a new work for the Special Olympics; playwright Todd Almond was inspired by Matthew Sweet's 1991 album, "Girlfriend," for his musical about growing up gay; the Teragram Ballroom tries to carve out a niche on the local live music landscape.

Kurt Sutter has been writing film scripts while working on demanding TV shows, and now his first feature, "Southpaw" (pictured), is being released; the singer Miguel talks about growing up mixed-race in his beloved L.A.; the box office for "Me and Earl and the Dying Girl" and "Dope" hasn't measured up to their indie darling hype.

A landmark album from 1966 (pictured) pairing the singer and bandleader is revisited as part of a Sinatra tribute at the Hollywood Bowl; YouTube is betting that audiences will pay for a commercial-free service; Camp Reel Stories is a summer camp designed to introduce teenaged girls to filmmaking.

Lisa Hanawalt's lifelong equine obsession pays off in her role as production designer for the animated series, "BoJack Horseman" (pictured); with embassies re-opening in Washington and Havana, cultural exchange could be on the upswing; costume designers for superhero movies take comic book drawings and turn them into flashy but practical outfits.

The film's director, Peyton Reed, says Marvel's smallest superhero (pictured) has always had a bit of an inferiority complex; Disney chief Bob Iger gave a preview this week of the long-in-the-works resort and theme park; Kristina Wong is out to destroy stereotypes of Asian women.

The host of "Comedy Bang! Bang!" (pictured) didn't get an Emmy nomination for the show, but he and his staff will write jokes for Emmy host Andy Samberg; Grantland's Andy Greenwald on the Emmy nods; Kyle Patrick Alvarez revisits an infamous episode in "The Stanford Prison Experiment."

The Emmy nominations will be announced on July 16, but have the awards lost their luster?; Inara George and Greg Kurstin, aka The Bird and the Bee (pictured), are back with a new album after a five-year gap; writer and performer Sandra Tsing Loh's new stage show draws, as usual, on just about anything she sees and hears.

The feature film "Tangerine" (pictured), directed by Sean Baker, was ingeniously shot on an iPhone; a report from the Berklee College of Music calls for transparency in the record business; Tim Heidecker and Eric Wareheim turn their twisted humor into a parody of a self-help book.

A new documentary follows comedian Tig Notaro (pictured) after her cancer diagnosis and double mastectomy; 'True Detective' is shot in Southern California, but avoids the usual postcard locales; Comic-Con teased audiences with some of the most anticipated films in nerd culture.

“The Gospel at Colonus,” the 1980s musical that blends gospel and greek tragedy still resonates with people today; Why comic-con and comic books appeal to people with disabilities; We get the highlights from the first days of Comic-Con and how thousands of fake weapons get real inspections at the Con.