The Frame

Hello from Park City! Host John Horn, editor Darby Maloney and producer Michelle Lanz check in to talk about a few of the standout films they've seen so far, as well as which filmmakers you can look forward to hearing on The Frame in the coming weeks.

The Frame host John Horn reports from Sundance on the festival's opening night and he interviews director Sydney Freeland (“Deidra and Laney Rob a Train”) and the husband-and wife team of Janicza Bravo and Brett Gelman ("Lemon").

Sundance's new initiative, "The New Climate," features documentaries that are focused on the environment; Solange Knowles dissects “Cranes In the Sky” from her breakthrough album, “A Seat at the Table.”

Composer Nicholas Britell talks about combining classical music with hip-hop production techniques to create his compelling score; the 2017 Sundance festival is expecting nearly 50,000 movie lovers, Hollywood executives, filmmakers and entertainment journalists.

After John Lewis was criticized by President-elect Donald Trump, the Congressman's grahic novel trilogy about the Civil Rights Movement shot to the top of Amazon's best-seller list; Netflix has a new version of the Norman Lear sitcom that puts a 21st Century spin on matters.

Andrew Garfield, who can be seen in two current films,"Silence" and "Hacksaw Ridge," reflects on Meryl Streep's Golden Globes speech and opens up about how he finds meaning in his work as an artist; Oscar-winning editor William Goldenberg shares secrets from the editing room; and a new exhibit at the J. Paul Getty Museum has artists turning their attention to the news as a muse.

News that filmmaker George Lucas will build a museum for his personal art collection in Los Angeles has a lot of people talking about "Star Wars" but this passion project will house more than memorabilia, says L.A. Times architecture critic Christopher Hawthorne; and Jeffrey Kahane, the musician and conductor who led the LA Chamber Orchestra for two decades now leads the Lift Every Voice music festival which challenges racial and religious injustice.

A new study reports that there is more violence in PG-13 films than ever — even more than in R-rated movies; you may not recognize Finn Wittrock by name, but you surely know his face from FX's "American Horror Story" to big films such as "The Big Short;" Sarah Megan Thomas is adapting her female-centric film, "Equity," for the small screen.

The new comic book anthology, "Love Is Love," was curated by Marc Andreyko, who marshaled an army of artists in the wake of the 2016 massacre at the Pulse nightclub in Orlando; meet a music supervisor who worked with Issa Rae and Solange Knowles on HBO's "Insecure;" the Producers Guild of America makes its picks for the best films of 2016.

Is Hollywood pushing a liberal agenda through the entertainment it makes? If you watched Meryl Streep’s speech at the Golden Globes last night you might think so. Mary McNamara of the LA Times and James Poniewozik of the New York Times join The Frame to discuss; Then theater director Pam MacKinnon shares how she turned the beloved film "Amélie" into a stage musical with "Hamilton" star Phillipa Soo in the lead.

Now that the Academy Awards are behind us, how did Hollywood assess itself and what lessons will the industry learn going into 2016?; the executive producer of Samantha Bee's TBS show, "Full Frontal," on the 'unfiltered' and fearless tone of that late night show

OK Go takes its inventive music videos up a notch by shooting in an aircraft at zero gravity; 31-year-old comedian Quincy Jones, who has stomach cancer, used Kickstarter to finance his own stand-up special; Paco Delgado drew inspiration from singer Annie Lennox to design costumes for "The Danish Girl."

Author, religion scholar and TV consultant Reza Aslan adds talk show host to his credits with "Rough Draft"; Oscar nominee Lon Burden breaks down the sound design for a crucial scene in "The Revenant"; the toughest Oscars trivia contest happens at a pub in Santa Monica.

The Black Version is a group of improv performers who put an Afro-centric spin on mainstream movies; Leonardo DiCaprio sees environmental parallels between the 1820s when "The Revenant" is set and modern-day America; eligibility rules for the Oscars raise questions for the original score nominees.

Will this year’s Academy Awards be the tipping point for racial representation in Hollywood? Marc Bernardin of The Hollywood Reporter weighs in; The Song Exploder podcast takes apart a song with the band Clipping; "Inside Out" writer Meg LeFauve gets a Pixar education and now takes on Ms. Marvel.

USC's Institute for Diversity and Empowerment at Annenberg tracked the representation of women, people of color, and the LGBT community in film and television and found Hollywood is still "a straight, white boys club." Then co-star and co-creator of the HBO show 'Togetherness', Steve Zissis, mines his life-- failures and all-- for the show. And comedian Kamau Bell is excited to see Chris Rock turn #OscarsSoWhite into comic gold at the Academy Awards.

Comedian Paul Rust went from Iowa to working with his childhood heroes Judd Apatow and Paul Rubens, and now he's landed the Netflix series "Love," which comes out today. The Coen Brothers bring water ballet back to the big screen in "Hail, Caesar!" with the L.A. aquatic dance troupe Aqualillies. Also, we deconstruct the Oscar race for Best Picture with John Horn and Kyle Buchanan from The Awards Show Show.

Writer-director Robert Eggers' impressive feature debut is about witches in colonial New England; after camera assistant Sarah Jones was killed on a film set, her parents became advocates for production safety; the play 'Placas' tells the story of a man who escapes one of the world's most brutal gangs.

David Javerbaum created @TheTweetOfGod, which led to the hit Broadway play, "An Act of God," currently starring Sean Hayes; faced with low ratings, ABC fires network chief Paul Lee; singer-songwriter M. Ward revisits his early years in the Conejo Valley on his new album.

The producer of the Record of the Year Grammy talks about what went into making the dance hit, "Uptown Funk"; France's Academy Awards entry for Foreign Language Film was actually shot in Turkey by a Turkish-born filmmaker; Edward Gero played Supreme Court Justice Antonin Scalia in a show at Arena Stage.

Leonardo DiCaprio and Alejandro G. Iñárritu of "The Revenant" are among the filmmakers and actors on The Frame's annual Academy Awards preview. You'll also hear from Sylvester Stallone, Brie Larson, Bryan Cranston and many others.

Sylvester Stallone turned down the part of an ailing Rocky Balboa in "Creed" twice before agreeing to do it-- with the help of an acting coach. Now he's nominated for an Oscar. Grammy nominated musician Lianne La Havas finds inspiration in Jamaica. How only Kanye West could pack Madison Square Garden while playing an album off his laptop.