The Frame

Zoe Lister-Smith directed “Band Aid,” a hit at this year’s Sundance Film Festival that just got picked up for distribution; Fox's new “24” reboot is being criticized because the villains on the series are from the Middle East; Andrew Lockington talks about his untraditional score for the new movie, “The Space Between Us.”

For bands, landing a song in a Super Bowl ad (or any other televised event) is a HUGE pay day; how 'Jackie' composer Mica Levi created a mesmerizing score for Pablo Larrain's psychological drama; Academy Award-nominated filmmaker Raoul Peck could have made a conventional documentary about James Baldwin, but instead he uses only Baldwin’s words to create his powerful film, “I Am Not Your Negro."

The madcap "Billy on the Street" TV series has added a political edge; arts leaders from Western states visit D.C. to advocate for the National Endowment for the Arts; the latest Hollywood story from USC has more dire news for women in the industry.

Muslim-American writer, producer and author Reza Aslan's family fled the Iranian Revolution when he was 7-years-old — now believes that the best way to change American hearts and minds about Islam is through entertainment; Sony Pictures is reporting a $1 billion loss in its third quarter alone. The report comes as the company embarks on a new head for the studio, which executives in Japan maintain is not for sale.

How SAG Award winners used the platform to comment on Trump's executive order barring refugees from select Muslim-majority countries; one L.A.-based concert promoter had to cancel shows with Iranian musicians planning to play in the U.S.; "Cries from Syria" filmmaker wants to generate understanding and empathy for Syrian refugees with his new doc, airing on HBO in March.

"Nobody Speak" looks at free press issues through the Hulk Hogan lawsuit and the presidential election; "The Salesman" is the latest from Iranian filmmaker Asghar Farhadi; the Wallis Youth Theater Company is breaking new ground.

How Late Night host Seth Meyers is seizing the Trump era for political commentary and comedy; rapper Roxanne Shanté's life is the basis of a new Sundance biopic "Roxanne Roxanne;" Bryan Fogel is a cyclist who set out to document his experiments with performance-enhancing drugs only to find himself making a movie that uncovers a massive doping scandal inside Russia.

Director David O. Russell remembers working with Mary Tyler Moore in his 1996 dysfunctional family comedy "Flirting with Disaster," then the married couple Kumail Nanjiani and Emily V. Gordon turned their real-life love story into the new romantic comedy "The Big Sick" which just sold to Amazon at the Sundance Film Festival.

The Frame host John Horn reports from Sundance where he interviews Lakeith Stanfield (“Atlanta” and "Crown Heights"), and talks Oscars nominations with Vulture's Kyle Buchanan.

The Frame host John Horn reports from Sundance where he interviews Jessica Williams (“The Incredible Jessica James”), and documentary director Peter Bratt ("Dolores") and the subject of his film, activist Dolores Huerta.

Simmonds stars in the new film, "Wonderstruck" and Harvard is featured in the Deaf West Theatre production of "Our Town"; Netflix will spend $8 billion on content in 2018; low budget horror films like "Happy Death Day" are a bright spot for movie studios.

Mexican jazz drummer Antonio Sánchez has made a career of composing for film ("Birdman") and TV ("Get Shorty"). His new album is called "Bad Hombre"; WSJ reporter Ben Fritz discusses the Weinstein Company's possible sale to Colony Capital; Film producer Emily Best on the power dynamics that foster a culture of abuse in Hollywood.

"Lore" creator Aaron Mahnke reveals how he adapted his horror legend podcast into a new Amazon TV show; country music artist Jason Aldean performed last night for the first time since the Las Vegas shooting. We hear from one person who was at the show; and New York Times film critic Manohla Dargis puts the Harvey Weinstein story of alleged sexual misdeeds into the context of Hollywood history which has kept men in positions of power, women marginalized and many silenced.

Why did Ronan Farrow, a reporter for NBC News, publish his story about Harvey Weinstein in The New Yorker?; over the past 25 years, Geoff Elliott and Julia Rodriguez-Elliott, co-producing directors of A Noise Within, have built a respected, classical repertory company from the ground up; musician Rostam breaks down a song from his first solo album since leaving the band Vampire Weekend.

Agnes Varda and JR travel through their native France to photograph their fellow citizens in the documentary, "Faces Places"; IMAX is trying to lure audiences to its new virtual reality experience centers; experimental opera director Yuval Sharon is among this year's MacArthur Fellowship honorees.

Published reports of Harvey Weinstein's predatory behavior spotlight the non-disclosure agreements that prevent whistleblowers and victims from telling their stories; Brandon Micheal Hall is the lead in ABC's new comedy "The Mayor." He's happy to combine politics and rap in his first big acting gig.

Veteran actor Joe Morton talks about his stage portrayal of the late comedian and activist, Dick Gregory; producer Amy Ziering, whose documentary "The Hunting Ground" was distributed by The Weinstein Company, wants to make a film about sexual harassment in Hollywood; can The Weinstein Company survive without Harvey?

The published report of Harvey Weinstein's history of sexual harassment begs the questions: How did his behavior go unchecked for so long? And how are Democratic politicians trying to distance themselves from Weinstein?; Larry David's "Curb Your Enthusiasm" once helped exonerate a murder suspect. The story is told in the documentary, "Long Shot."

Filmmaker Brett Morgen's "Jane" uses never-seen footage that National Geographic had stored for decades; there are more than usual women among this year's nominees for the Rock and Roll Hall of Fame; from Amish country to Hollywood, and classical piano to Dolly Parton: the evolution of singer-songwriter Our Lady J.

Lukas Nelson learned a lot from his dad, Willie, but he's making his own musical way; David Geffen has pledged $150 million for the planned new building at the L.A. County Museum of Art; movie studios are increasingly trying to limit what critics can divulge in a review.

Tom Petty recently finished a 40-year anniversary tour with his band. L.A. Times pop music critic Mikael Wood joins us for a remembrance of the music icon's career; in the wake of the mass shooting at a music festival in Las Vegas, NPR music critic Ann Powers talks about country music's complicated relationship with gun culture.

The Pasadena Playhouse marks its 100th anniversary with a collaboration on "Our Town" with Deaf West Theatre; some outdoor concert venues are using a pre-screening process for ticket buyers similar to what the TSA uses at airports.