The Frame

The Oscar-nominated editors behind "Moonlight," Joi McMillon and Nat Sanders, discuss working with director Barry Jenkins, editing reality TV and making history at the Oscars; A new study from USC finds best picture Academy Award nominees rarely have characters over 60.; What are the trends for the current TV pilot season?

The Equal Employment Opportunity Commission is in settlement talks with all of the major movie studios after a lengthy investigation into how directors are hired in Hollywood. Is change coming? Then "La La Land" composer Justin Hurwitz reveals how he went about scoring the modern day movie musical that's become an Oscar favorite.

The off-beat show "Baskets" is much closer to the actor's own comic and storytelling sensibilities. He calls it a "slapstick drama"; Facebook is hoping to add more music content to its influential platform.

The latest Marvel TV series doesn’t look anything like a Marvel TV series. And that’s what show creator Noah Hawley had in mind for “Legion”; "4.1 Miles" is a documentary whose title refers to a small strip of the Aegean Sea where tens of thousands of migrants try to make the treacherous crossing.

The HBO documentary “Eagles of Death Metal: Nos Amis” recounts the band's experience in the Paris terrorist attacks; Sting collaborated with J. Ralph for the Oscar-nominated song, “The Empty Chair”; the Grammy Awards are like a car wreck: you can't look away.

French electronic music pioneer Jean-Michel Jarre — who's nominated for a Grammy this year — takes us on a journey through the past, present and future of the electronica genre; It's no accident that five of the last 10 films starring David Oyelowo were directed by women, including his latest, "A United Kingdom"; Hollywood studio execs and filmmakers may get a new relationship with China later this month.

Violin virtuoso Rachel Barton Pine proves that classical music and heavy metal have a whole lot in common. Solange Knowles breaks down her Grammy-nominated song “Cranes In the Sky" in a Song Exploder segment. And the Los Angeles City Attorney Mike Feuer is trying to put an end to one of the oldest scams in Hollywood- pay to play casting agencies.

Producer Dan Lin proved with "The Lego Movie" that he could make a critically and commercially successful film based on a toy. Now the pressure is on to do the same with "The Lego Batman Movie"; Dave and Pos of De La Soul reveal their innovative approach to making their latest album, which paid off with a Grammy nomination; can Warner Bros. help subvert the traditional way movies get distributed?

Lin-Manuel Miranda may have turned Alexander Hamilton's life into a hit Broadway show, but he tells us that passion, not politics, drives his art, "Your job as an artist is to chase what inspires you and finish it"; Gaby Moreno's fusion of R&B with Spanish lyrics has earned her a Grammy nomination; The FTC calls out Vizio for using their TVs to collect data on their users without their consent.

"Moonlight" director Barry Jenkins has gone from virtual unknown to eight Academy Award nominations; "Saturday Night Live" finds comedy gold in the Trump presidency; veteran R&B singer William Bell has two Grammy nods for his comeback album.

The FX series "Trust" explores the characters and circumstances surrounding the 1973 kidnapping of J. Paul Getty III. Director Danny Boyle and screenwriter Simon Beaufoy who won Oscars for "Slumdog Millionaire" re-team for their first American TV series.

"On the Exhale" is a play that's told from the perspective of a mother whose child was a victim at Sandy Hook Elementary; "Roxanne, Roxanne" charts the unlikely rise of rapper Roxanne Shonte; incentivizing diversity in the state’s film & TV tax credit program could help change the industry’s biased hiring practices.

In his new HBO series, Hader plays an assassin who doesn’t find his career totally satisfying. When he accidentally walks into an acting class, a whole new world opens up for him.

Actress Lola Kirke talks about her new noir thriller, which is set in Los Angeles; in The Actors' Gang's "The New Colossus," the audience votes on which characters should be allowed to stay in the U.S.; The Weinstein Co. releases employees from the non-disclosure agreements that kept them silent.

"Wild Wild Country" tells the story of an Indian guru who in the 1980s tried to transform an Oregon town into a massive utopia of enlightenment. But friction and violence ensued; "Rise" revolves around a group of high school drama kids in a struggling, working-class Pennsylvania town.

In “Sell/Buy/Date," playwright and performer Sarah Jones explores empowerment, sex and culture by inhabiting a variety of characters; the film and TV industries are undergoing a reckoning with #MeToo, but the music business has certain barriers that have kept women silent.

Filmmaker Rebecca Miller takes on a tough documentary subject: her iconic playwright father; Merrill Garbus addresses cultural appropriation on Tune-Yards' new album; Aaron Sorkin’s Broadway adaptation of "To Kill a Mockingbird" hits a legal roadblock from the estate of author Harper Lee.

Playwright Lauren Yee play is inspired by Cambodian psychedelic rock of the '70s, before Pol Pot singled out the nation’s artists; CherryPicks will aggregate movie, music and video game reviews from female critics; Ludwig Göransson dissects a song from his score for "Black Panther."

Taylor Mac is the theater artist, drag performer, MacArthur fellow and creative mind behind a 24-hour-long retelling of American history through popular songs; was James Levine allowed to remain in power at the Metropolitan Opera because of "maestro worship"?

Boots Riley of the hip-hop group The Coup talks about his directing debut, "Sorry To Bother You" – a satire about race in America; “High Maintenance” co-creator Katja Blichfeld says she and fellow co-creator Ben Sinclair kept the show intact despite their breakup; the massive SxSW tech, film and music fest is underway in Austin.

"A Wrinkle In Time" author Madeleine L'Engle mixed spirituality and science in her controversial book, now it's a big Disney movie; filmmaker Alma Har'el challenges the advertising business to hire more women to direct commercials; Spotify promises to expand your musical choices, but does it?

Hiro Murai had only directed music videos when Donald Glover tapped him to direct "Atlanta"; Amy Adrion's documentary, "Half the Picture," takes an empowering view of women in filmmaking; Tom Brosseau's latest album is titled "Treasures Untold."