The Frame

The new Hulu series, co-created by Moira Buffini, has been likened to Sofia Coppola’s "Marie Antoinette" and the sharply modern feminist commentary of “Orange Is the New Black.”

Danger Mouse is an adventurous music producer whose 2004 project, “The Grey Album,” put him on the map. Since then he’s won six Grammy Awards and worked with some of the biggest names in pop. Now he has a collection of songs he imagined would be heard on the radio station on Amazon’s dystopian WWII series, “The Man in the High Castle.”

Actor Jason Segel made his career in big studio comedies such as “Forgetting Susan Marshall," the TV sitcom, “How I Met Your Mother," and as author David Foster Wallace in the film “The End of the Tour,” which won him a lot of acclaim. Now he's taking that new image into his latest movie, the sci-fi love story “The Discovery,” which co-stars Rooney Mara and Robert Redford.

Jessica Williams was a correspondent on "The Daily Show" and now co-hosts the popular podcast, “2 Dope Queens." And this summer she can be seen in the Netflix movie, “The Incredible Jessica James"; movie theater owners are gathered in Las Vegas for CinemaCon. While movie studios preview their big 2017 releases, hovering over the party is the looming threat of streaming and video-on-demand.

The Wooster Group’s latest stage show, “The Town Hall Affair,” re-creates an infamous 1971 public debate about feminism moderated by – of all people – the chauvinistic writer Norman Mailer. Now on stage at the REDCAT in downtown Los Angeles, the show has resonance in an era when a presidential candidate can get away with ugly talk about women and millions of women took to the streets on the day after his inauguration.

Film producers Bonnie Curtis and Julie Lynn have made several small budget, character-driven movies together including “Albert Nobbs” with Glenn Close and “Last Days in the Desert” with Ewan McGregor. But "Life" is completely different. They talk with The Frame about managing a bigger budget –with special effects and zero gravity– and what makes their partnership work.

Caro's latest film is “The Zookeeper’s Wife," but her next project, the live-action version of “Mulan,” will make her only the 4th woman to have a budget over $100 million; The Writer’s Guild is negotiating its next contract, and there has been talk of a strike over wages for TV writers; children’s book author/illustrator Claire Keane worked with her Disney animator father on a story about Rapunzel that is being turned into a TV series.

"The Americans" creator Joe Weisberg and fellow showrunner Joel Fields talk about creating their 1980's Russian espionage show in the era of Russian hacking. The two are joined by director Chris Long– who shot some of the show in Moscow– to talk about creating a family drama that's also a secret agent story.

The 1991 Disney animated film "Beauty and the Beast," is considered by many to be a classic. But the man behind the lyrics of some of our favorite songs never got to see the final film. We put together this oral history/remembrance of his life and legacy; “Good Grief" is a new play by LA-based playwright Ngozi Anyanwu that can help people cope with their own losses; Drake’s new album "More Life” was the soundtrack to this past weekend. Literally.

Deborah Borda is leaving her post as CEO of the L.A. Philharmonic to run the N.Y. Philharmonic; filmmaker Taylor Hackford recalls making his 1987 documentary about Chuck Berry; Discostan is a monthly club night that features Middle Eastern music.

Now that "Game of Thrones" is over (and many viewers are over it), HBO and other networks are looking for The Next Big Thing; Andrew Bird's latest album is cleverly titled, "My Finest Work Yet"; rapper Little Simz explores the "Grey Area."

The popular HBO series concludes this Sunday, but can it possibly go out on a high note?; Megan Mullally and Stephanie Hunt talk and perform as their musical altar egos, Nancy and Beth.

The comedian was the victim of a rumor that his wife had left him, so he wrote an entire album of heartbreak songs inspired by his non-existent divorce; Amy Lemisch talks about her long tenure as head of the California Film Commission.

Anna Konkle and Maya Erskine co-created and co-star in the Hulu series that finds all the awkwardness and humor in being a young teen; broadcast and cable networks continue to pitch their Fall schedules to advertisers in New York City.

The singer, who has roots in both Mexico and the U.S., has a new album that takes on issues of the day; TV networks are laying out their fall plans for advertisers and the press; a new KPCC series reunites artists with the high school teachers who influenced them.

KPCC's newest podcast, "Tell Them, I Am," profiles Muslims from various walks of life who defy stereotypes about Islam and its followers; comedian Ramy Youssef has a new series on Hulu; the Japanese pop-punk band, Chai.

Actress D'Arcy Carden has become a fan favorite on the popular NBC series, but her success didn't come overnight; a preview of the Cannes Film Festival.

The Tony Award-winning actor and playwright has an ambitious podcast musical titled “Anthem: Homunculus”; Disney's $400 million bet on Vice Media is coming up dry; Anita Sarkeesian is out to halt harmful depictions of LGBTQ characters in video gaming.

The anniversary festival is up in the air as the promoter and his one-time backer are at odds; Max Joseph made a film that's a paean to bookstores and reading; Song Exploder deconstructs a song from The Cranberries' final album.

"Gay of Thrones" is the hilarious Funny or Die web series that recaps each episode of the HBO hit; Georgia's governor signed an abortion bill that might impact film and TV production in the state; the singer who goes by Cimafunk is known as "the Cuban James Brown."

The Korean boy band performed two shows to loud audiences, cementing its place in the global pop music world; filmmaker Mike Mills made an unlikely collaboration with the band, The National; the Write Girl program gives teen girls a boost.

Latinos go the movies in numbers that far surpass their percentage of the U.S. population. So why don't studios cater more to that audience?; the HBO documentary, "At the Heart of Gold," looks at the U.S. gymnastics sexual abuse scandal; creating a soundtrack for "Conversations With a Killer: The Ted Bundy Tapes."