The Frame

Eleanor Coppola writes and directs her first feature film 'Paris Can Wait.' She opens up about her marriage with Francis, her daughter Sophia, and her lifelong struggle to find artistic fulfillment. An LA actor takes his Trump impersonation into the land of improv. A star-studded cast in NY engages in "documentary theater" with a reading of the play “All the President’s Men?”

Yes, there is too much TV content these days, but the field is winnowing; Graham Nash says he's found a new life at the ripe young age of 75; Diane Rodriguez's play, "The Sweetheart Deal," looks at labor politics and personal sacrifice in California, circa 1970.

Actress Mary Elizabeth Winstead has coveted a part in FX's "Fargo," and she finally got her wish in the current third season; Summer will bring the usual slate of remakes and sequels, but there are also some promising original films on the horizon.

Now that ABC is resurrecting "American Idol," we discuss why the network would do such a thing; how will TV networks prove that they're still the best place for advertisers to spend their ad money?; playwright Dan O'Brien tells us how he created a play out of his family’s history of betrayal, isolation and secrets.

A new documentary aims to give proper credit to storyboard artist Harold Michelson and his researcher wife, Lillian; John Oliver once again goes after the FCC over net neutrality debate; San Miguel Perez recorded his debut album in L.A. with help from Colin Hay of Men at Work.

“The Lost City of Z,” writer/director James Gray talks about how he approached adapting the source book for the screen; Facebook announced it’s shutting down its in-house virtual reality studio; “The Circle” director James Ponsoldt about his film and his own social media habits.

Does the Netflix series, “13 Reasons Why,” glorify teen suicide? How can the streaming service better warn audiences about sensitive topics?; Why Frank Lloyd Wright’s Hollyhock House in L.A. was built for theater but didn't stage a play until now; Brett Berns makes "Bang! The Bert Berns Story," a documentary tracking his father's legendary career in the music business.

Debra Winger co-stars in the new movie "The Lovers" with Tracy Letts. It's the kind of character-driven film that Hollywood movie studios might have made in the 1980's when Winger was racking up Oscar nominations. She reflects on the changing business and her place in it. Hulu made news today at the Newfronts with streaming deals for "This is Us" and "Atlanta" and their live TV bundle.

Justin Simien reflects on how the 2016 election factored into the TV version of "Dear White People"; a tentative deal has been reached between the Writers Guild of America and TV/film producers, averting a strike; bass saxophonist Colin Stetson on the intricate method for recording his latest album and the physical demands of his sound.

In the new documentary "Risk," Oscar-winning filmmaker Laura Poitras grapples with unexpected contradictions about Julian Assange and Wikileaks. And as talks between the WGA and AMPTP come close to an end, the creators of two new TV shows, "Dear White People" and "Downward Dog," weigh in on what a strike could mean.

Now that "Game of Thrones" is over (and many viewers are over it), HBO and other networks are looking for The Next Big Thing; Andrew Bird's latest album is cleverly titled, "My Finest Work Yet"; rapper Little Simz explores the "Grey Area."

The popular HBO series concludes this Sunday, but can it possibly go out on a high note?; Megan Mullally and Stephanie Hunt talk and perform as their musical altar egos, Nancy and Beth.

The comedian was the victim of a rumor that his wife had left him, so he wrote an entire album of heartbreak songs inspired by his non-existent divorce; Amy Lemisch talks about her long tenure as head of the California Film Commission.

Anna Konkle and Maya Erskine co-created and co-star in the Hulu series that finds all the awkwardness and humor in being a young teen; broadcast and cable networks continue to pitch their Fall schedules to advertisers in New York City.

The singer, who has roots in both Mexico and the U.S., has a new album that takes on issues of the day; TV networks are laying out their fall plans for advertisers and the press; a new KPCC series reunites artists with the high school teachers who influenced them.

KPCC's newest podcast, "Tell Them, I Am," profiles Muslims from various walks of life who defy stereotypes about Islam and its followers; comedian Ramy Youssef has a new series on Hulu; the Japanese pop-punk band, Chai.

Actress D'Arcy Carden has become a fan favorite on the popular NBC series, but her success didn't come overnight; a preview of the Cannes Film Festival.

The Tony Award-winning actor and playwright has an ambitious podcast musical titled “Anthem: Homunculus”; Disney's $400 million bet on Vice Media is coming up dry; Anita Sarkeesian is out to halt harmful depictions of LGBTQ characters in video gaming.

The anniversary festival is up in the air as the promoter and his one-time backer are at odds; Max Joseph made a film that's a paean to bookstores and reading; Song Exploder deconstructs a song from The Cranberries' final album.

"Gay of Thrones" is the hilarious Funny or Die web series that recaps each episode of the HBO hit; Georgia's governor signed an abortion bill that might impact film and TV production in the state; the singer who goes by Cimafunk is known as "the Cuban James Brown."

The Korean boy band performed two shows to loud audiences, cementing its place in the global pop music world; filmmaker Mike Mills made an unlikely collaboration with the band, The National; the Write Girl program gives teen girls a boost.

Latinos go the movies in numbers that far surpass their percentage of the U.S. population. So why don't studios cater more to that audience?; the HBO documentary, "At the Heart of Gold," looks at the U.S. gymnastics sexual abuse scandal; creating a soundtrack for "Conversations With a Killer: The Ted Bundy Tapes."