The Frame

Yuja Wang is an internationally recognized piano genius who is in L.A. for the next two weeks to perform Bartók's piano concertos with the L.A. Phil; David Michod talks about how he’d been looking to make a film about America’s wars in Iraq and Afghanistan for about a decade before he came across Michael Hastings’ book.

Luhrmann's love of hip-hop history brought him on to the series 'The Get Down' which Netflix has just decided not to renew for a second season. He discusses his first foray into television– an ambitious project that Luhrmann says was like producing a Broadway show in every episode. And The Frame visits writer-director Robin Swicord on the set of her Bryan Cranston-Jennifer Garner movie 'Wakefield.'

"Long Strange Trip" documents how The Grateful Dead found its sound and made Jerry Garcia a reluctant leader. "Wait Wait Don't Kill Me" is a podcast musical that satirizes the podcast "Serial," but it's also about our fascination with true crime and murder. Can Snapchat build an audience for short form shows by well-known TV celebs like Conan O'Brien?

Documentary filmmaker Ryan White's investigation of a nun's murder led to uncovering a sex abuse scandal in Baltimore; music critic Ann Powers on the connection between young girls and live music.

"Black Mirror" creator Charlie Brooker and co-executive producer Annabel Jones on their sci-fi show that has become a touchstone for certain moments in real life; promoters of the ill-fated Fyre Festival are reportedly facing a federal fraud investigation.

'Guardians of the Galaxy' director James Gunn opens up about how Marvel Comics and Alice Cooper made him realize he wasn't alone in the world. He explains the importance of score and music to the success of the 'Guardians' franchise; Daniel Fienberg, TV critic for The Hollywood Reporter, and Jeanine Poggi, media reporter at AdAge, recap Upfronts 2017.

In "The Handmaid's Tale" Yvonne Strahovski plays Serena Joy. Her cruelty and coldness toward Offred (Elisabeth Moss) — who is essentially a sex slave — made her easy to hate. But as the Hulu series unfolds so do the layers of her character. Dwain Worrell was living an expat's life in China when he submitted his script for "The Wall" to an online Amazon contest. Quickly it got greenlit and now it's a film, starring John Cena and Aaron Taylor-Johnson.

Sam Hodges and Michael Killen are commercial directors turned TV showrunners whose debut series “Downward Dog" premieres tonight on ABC; Playwright Anna Ziegler puts a microscope on the issue of consent and sexual assault on college campuses in her provocative new play, "Actually."

Did Conan O'Brien steal jokes from another comedian? A jury may soon deliberate over that very question. Actor and playwright Wallace Shawn wrote "The Designated Mourner" in 1996. Now the play, which is about totalitarianism and anti-intellectualism, is being remounted by director André Gregory. And the artist known as Perfume Genius breaks down a song off his new album in an episode of Song Exploder.

Bryan Fuller and Michael Green open up about turning the Neil Gaiman book 'American Gods' into the new television series for Starz. They discuss how they approached issues of religion, race, immigration, sex and violence in the show. And Brad Grey, the former CEO of Paramount Pictures, passed away last night. In the wake of his death we discuss his legacy and the fact that he was the sort of movie mogul that Hollywood studios don't hire anymore.

Actress and "Daily Show" veteran Jessica Williams is now starring in "The Incredible Jessica James," her first feature film; the California Film Commission announced tax incentives for eight movies, including titles with budgets over $75 million; and Hollywood Reporter film writer Borys Kit talks about the winners and losers at Comic-Con.

Thomas Wilkins wears many musical hats, including being the principal conductor for the Hollywood Bowl Orchestra; Trent Reznor and Atticus Ross have collaborated on film scores and Nine Inch Nails albums, and now they're bandmates; Jeffrey Katzenberg is seeking backers for his idea to create high-quality content for mobile devices.

Edie Falco has gone from “The Sopranos” to “Nurse Jackie,” and now her latest is the indie film, “Landline”; “Hansel & Gretel” at New York's Park Avenue Armory is an installation by the Chinese artist Ai Weiwei and architects Jacques Herzog and Pierre de Meuron that explores the meaning of public space in our surveillance-laden world.

The filmmakers behind "Chasing Coral" hope to show the world how dire things are under the sea; the annual pop culture nerd-fest known as Comic-Con prepares to welcome huge crowds to the San Diego Convention Center.

The virtuoso bass player Stephen Bruner, aka Thundercat, is a key part of a jazz and R&B renaissance in L.A.; there's more to "Baby Driver" than the hip soundtrack; Netflix is growing fast, but can it make the economics work in the long run?

We look at the legacy of horror movie director George Romero and the work he left behind; veteran stunt coordinator Conrad Palmisano talks about how safety has improved on TV and film sets; real-life married couple Francesa Delbanco and Nick Stoller collaborated on the new Netflix series, "Friends from College.”

Filmmaker Marti Noxon drew on her own experience with eating disorders for her movie, “To the Bone”; Universal Music has exited its $31 million deal to acquire the distribution rights to much of Prince’s music; With “Game of Thrones” returning, one of the show’s sound designers talks about how she creates those dragon sounds. (Hint: think giant tortoises having sex. Really.)

What do the nominations tell us about today's television landscape? And how does our social-political climate affect what's been nominated?; "The Cake" is a new play about a conservative Christian baker who's deeply conflicted when she gets asked to make a cake for a lesbian wedding.

The Broadway production of “1984" is a chilling adaptation of George Orwell’s dystopian novel whose graphic torture scenes are eliciting intense reactions from audience members; After “Lady Macbeth” opens this weekend, young actress Florence Pugh will likely surface on Hollywood's radar.

Filmmaker Matthew Heineman's timely new documentary, “City of Ghosts,” follows a group of Syrian citizen journalists who have been reporting on the battle for the city of Raqqa; The New York Musical Festival is underway is an annual showcase of works-in-progress whose creators have Broadway dreams.

“GLOW” (Gorgeous Ladies of Wrestling) is a new Netflix series loosely based on women’s wrestling from the 1980s. Creators Liz Flahive and Carly Mensch reveal some behind-the-scenes stories from the set; Kirsten Tan's debut film, "Pop-Aye," is a road movie where the buddies on the surreal journey are an aging architect and his long lost elephant.

Filmmaker Edgar Wright has made an action movie that revolves around an extensive playlist of pop, rock and R&B songs; the National Geographic channel presents "Earth Live," a real-time special broadcast from six continents.