The Frame

Yuja Wang is an internationally recognized piano genius who is in L.A. for the next two weeks to perform Bartók's piano concertos with the L.A. Phil; David Michod talks about how he’d been looking to make a film about America’s wars in Iraq and Afghanistan for about a decade before he came across Michael Hastings’ book.

Luhrmann's love of hip-hop history brought him on to the series 'The Get Down' which Netflix has just decided not to renew for a second season. He discusses his first foray into television– an ambitious project that Luhrmann says was like producing a Broadway show in every episode. And The Frame visits writer-director Robin Swicord on the set of her Bryan Cranston-Jennifer Garner movie 'Wakefield.'

"Long Strange Trip" documents how The Grateful Dead found its sound and made Jerry Garcia a reluctant leader. "Wait Wait Don't Kill Me" is a podcast musical that satirizes the podcast "Serial," but it's also about our fascination with true crime and murder. Can Snapchat build an audience for short form shows by well-known TV celebs like Conan O'Brien?

Documentary filmmaker Ryan White's investigation of a nun's murder led to uncovering a sex abuse scandal in Baltimore; music critic Ann Powers on the connection between young girls and live music.

"Black Mirror" creator Charlie Brooker and co-executive producer Annabel Jones on their sci-fi show that has become a touchstone for certain moments in real life; promoters of the ill-fated Fyre Festival are reportedly facing a federal fraud investigation.

'Guardians of the Galaxy' director James Gunn opens up about how Marvel Comics and Alice Cooper made him realize he wasn't alone in the world. He explains the importance of score and music to the success of the 'Guardians' franchise; Daniel Fienberg, TV critic for The Hollywood Reporter, and Jeanine Poggi, media reporter at AdAge, recap Upfronts 2017.

In "The Handmaid's Tale" Yvonne Strahovski plays Serena Joy. Her cruelty and coldness toward Offred (Elisabeth Moss) — who is essentially a sex slave — made her easy to hate. But as the Hulu series unfolds so do the layers of her character. Dwain Worrell was living an expat's life in China when he submitted his script for "The Wall" to an online Amazon contest. Quickly it got greenlit and now it's a film, starring John Cena and Aaron Taylor-Johnson.

Sam Hodges and Michael Killen are commercial directors turned TV showrunners whose debut series “Downward Dog" premieres tonight on ABC; Playwright Anna Ziegler puts a microscope on the issue of consent and sexual assault on college campuses in her provocative new play, "Actually."

Did Conan O'Brien steal jokes from another comedian? A jury may soon deliberate over that very question. Actor and playwright Wallace Shawn wrote "The Designated Mourner" in 1996. Now the play, which is about totalitarianism and anti-intellectualism, is being remounted by director André Gregory. And the artist known as Perfume Genius breaks down a song off his new album in an episode of Song Exploder.

Bryan Fuller and Michael Green open up about turning the Neil Gaiman book 'American Gods' into the new television series for Starz. They discuss how they approached issues of religion, race, immigration, sex and violence in the show. And Brad Grey, the former CEO of Paramount Pictures, passed away last night. In the wake of his death we discuss his legacy and the fact that he was the sort of movie mogul that Hollywood studios don't hire anymore.

There were surprises ("Green Book"! Olivia Colman!) and some history was made (Hannah Beachler, Ruth Carter). John Horn recaps the show with film critic Claudia Puig and L.A. Times film reporter Jen Yamato.

John Horn and Rebecca Keegan of The Hollywood Reporter co-host the hour-long special, which features interviews with many nominees, including Glenn Close, Rami Malek, Spike Lee and Rachel Weisz.

Bo Burnham's script won a top award from the Writers Guild, but it wasn't nominated for an Oscar; there's now an algorithm that writes movie scripts; Anthony Wilson's album of songs and photographs.

Twenty years after its premiere, the musical based on E.L. Doctorow's novel gets an elaborate revival at the Pasadena Playhouse; unpacking the Jussie Smollett story; what to expect (and not to expect) at the Academy Awards this weekend.

The prolific photographer talks about the survey that chronicles 50 years of documenting pop culture and politics; Hollywood Reporter TV critic Daniel Fienberg on the state of television.

In 1993, Lorena Bobbitt became famous for cutting off her husband's penis, but a new Amazon docu-series reveals the more complicated story; how the Oscar-nominated sound editors of "First Man" conveyed the anxiety of space flight; the Hollywood guilds spread awards love.

Barry Jenkins talks about his adaptation of James Baldwin's novel, and composer Nicholas Britell explains and demonstrates how he created the film's score.

The singer/songwriter is part of country music royalty, but her politics are out of the Nashville mainstream; the documentary about Supreme Court Justice Ruth Bader Ginsburg, "RBG," is up for an Academy Award.

Colombia's official Oscar entry for foreign language film did not make the final cut of nominees, but many critics say it should have; the microscope of the #MeToo era has found pop music's Ryan Adams; the Oscar-nominated sound editors from "A Quiet Place."

The actress has an Academy Award nomination for her supporting role in the period drama; The Academy of Motion Pictures has stirred up a hornet's nest by pulling four awards from the Oscars telecast; Arturo O’Farrill took his New York-based Afro-Latin Jazz Orchestra to the U.S.-Mexico border to record an album.

"Period. End of Sentence." is about students in North Hollywood helping girls in India stay in school by providing access to sanitary products; "A Night at the Garden" is about a 1939 Nazi Party rally in ... Madison Square Garden!; Judithe Hernandez is the first Chicana to have a solo show at the Museum of Latin American Art.

After 45 years as a working actress she has seven Academy Award nominations, but no wins. After picking up this year's Screen Actors Guild award, could this be Close's year?; the Grammy Awards made a dramatic improvement in its representation of women artists.