The Frame

“GLOW” (Gorgeous Ladies of Wrestling) is a new Netflix series loosely based on women’s wrestling from the 1980s. Creators Liz Flahive and Carly Mensch reveal some behind-the-scenes stories from the set; Kirsten Tan's debut film, "Pop-Aye," is a road movie where the buddies on the surreal journey are an aging architect and his long lost elephant.

Filmmaker Edgar Wright has made an action movie that revolves around an extensive playlist of pop, rock and R&B songs; the National Geographic channel presents "Earth Live," a real-time special broadcast from six continents.

Writer-director David Lowery had a tiny budget for "A Ghost Story," but he managed to attract Casey Affleck and Rooney Mara to the cast; Errol Morris is known for his serious documentaries, but he switches gears with The B-Side," a profile of photographer Elsa Dorfman.

Jay-Z's new album, "4:44," may be a hit, but the business model behind his music streaming service Tidal is in question; Two leaders of Outfest — the Los Angeles LGBT film festival — discuss how far has event has come and the history of queer cinema in Hollywood; How the New York Times became an outlet for documentary filmmakers.

Comedian Hasan Minhaj is doing more with his stand-up act than just making people laugh. He’s representing a vision of America. With the release of the album "The Hamilton Instrumentals," super fans like the people behind Hamiltunes LA get their wish. And keyboardist Benmont Tench, plays his ode to LA in the backseat of a car.

Two music supervisors who work on TV shows like "Fargo" and "Breaking Bad" say they love what they do but they discourage others from going into the field. And 50 years later, a new book looks at the legacy of the Summer of Love.

This year, the Emmy Awards will finally recognize music supervision. In the first of a two-part interview, John Horn chats with Maggie Phillips (“Fargo”) and Thomas Golubic (“Breaking Bad”) about their work; Andrew Jay Cohen makes the leap from writing to directing with “The House,” a comedy starring Will Ferrell and Amy Poehler.

“The Big Sick” tells the true story of how comedian Kumail Nanjiani and writer Emily V. Gordon became a couple; The Academy of Motion Picture Arts and Sciences invited a record 744 actors, writers, directors and other movie industry workers; Ginnifer Goodwin and Allen Leech star in “Constellations," a play that combines a love story with physics.

Writer-director Jeff Baena turned a series of 14th-Century novellas set in a convent into a bawdy sex comedy; The Kronos Quartet is expanding the repertoire of contemporary music for string quartets; American movie studios benefit from taking on Chinese partners.

Paul Dano stars in “Okja,” the story of a seemingly benevolent conglomerate working to help feed the world through genetically modified animals. Dano speaks about the issues raised in the film, and about working with director Bong Joon-Ho; The Arroyo Seco Weekend attracted about 24,000 people for each day of the two-day music festival on the grounds of the Rose Bowl. Two L.A. Times music writers have different takes.

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Actress Ellen Page and Ian Daniel are co-hosts of a new Viceland channel show that documents LGBTQ communities around the world; a Marine's experience in Iraq is dramatized by the adventurous Long Beach Opera.

Actress Sarah Paulson is getting rave reviews for her performance as prosecutor Marcia Clark in "The People v. O.J. Simpson"; the music collective known as Dublab partnered with Metro to create an ambient music experience at L.A.'s Union Station.

Writer-producer Terence Winter creates an HBO drama out of the 1970's music business in "Vinyl"; SNL alumnus Seth Meyers injects politics into his "Late Night" humor; Swedish-Argentine musician José González redefines "global music."

Nahnatchka Khan's experience as a daughter of immigrants helped shape the outsider perspective of "Fresh Off the Boat"; the box office success of "Zootopia" is due to Disney's embrace of Pixar's ethic; KT Tunstall deconstructs the song that launched her career, "Suddenly I See."

David Litt was President Obama's funniest speechwriter and now he's mining Washington for Funny or Die; Robert Carlock talks about adapting "Whiskey Tango Foxtrot" for his longtime writing partner, Tina Fey; Kendrick Lamar drops a surprise album.

Series creator Beau Willimon tees up the fourth season of "House of Cards" on Netflix; the trailer for the remake of "Ghostbusters" depicts a very different New York City; Pulitzer Prize-winning composer Julia Wolfe readies the West Coast premiere of her oratorio.

Over the past 25 years, Jon Brion has quietly become a go-to producer and composer for musicians and filmmakers; L.A. County tightens the rules for raves on public property; the Colburn School teaches its students how to audition for orchestra jobs.

Roger Guenveur Smith on directing "The Mountaintop," a play set in a Memphis motel on the eve of Martin Luther King Jr.'s assassination; criticism mounts over Chris Rock's treatment of diversity and Asian-Americans; high school students perform August Wilson monologues.