The Frame

“GLOW” (Gorgeous Ladies of Wrestling) is a new Netflix series loosely based on women’s wrestling from the 1980s. Creators Liz Flahive and Carly Mensch reveal some behind-the-scenes stories from the set; Kirsten Tan's debut film, "Pop-Aye," is a road movie where the buddies on the surreal journey are an aging architect and his long lost elephant.

Filmmaker Edgar Wright has made an action movie that revolves around an extensive playlist of pop, rock and R&B songs; the National Geographic channel presents "Earth Live," a real-time special broadcast from six continents.

Writer-director David Lowery had a tiny budget for "A Ghost Story," but he managed to attract Casey Affleck and Rooney Mara to the cast; Errol Morris is known for his serious documentaries, but he switches gears with The B-Side," a profile of photographer Elsa Dorfman.

Jay-Z's new album, "4:44," may be a hit, but the business model behind his music streaming service Tidal is in question; Two leaders of Outfest — the Los Angeles LGBT film festival — discuss how far has event has come and the history of queer cinema in Hollywood; How the New York Times became an outlet for documentary filmmakers.

Comedian Hasan Minhaj is doing more with his stand-up act than just making people laugh. He’s representing a vision of America. With the release of the album "The Hamilton Instrumentals," super fans like the people behind Hamiltunes LA get their wish. And keyboardist Benmont Tench, plays his ode to LA in the backseat of a car.

Two music supervisors who work on TV shows like "Fargo" and "Breaking Bad" say they love what they do but they discourage others from going into the field. And 50 years later, a new book looks at the legacy of the Summer of Love.

This year, the Emmy Awards will finally recognize music supervision. In the first of a two-part interview, John Horn chats with Maggie Phillips (“Fargo”) and Thomas Golubic (“Breaking Bad”) about their work; Andrew Jay Cohen makes the leap from writing to directing with “The House,” a comedy starring Will Ferrell and Amy Poehler.

“The Big Sick” tells the true story of how comedian Kumail Nanjiani and writer Emily V. Gordon became a couple; The Academy of Motion Picture Arts and Sciences invited a record 744 actors, writers, directors and other movie industry workers; Ginnifer Goodwin and Allen Leech star in “Constellations," a play that combines a love story with physics.

Writer-director Jeff Baena turned a series of 14th-Century novellas set in a convent into a bawdy sex comedy; The Kronos Quartet is expanding the repertoire of contemporary music for string quartets; American movie studios benefit from taking on Chinese partners.

Paul Dano stars in “Okja,” the story of a seemingly benevolent conglomerate working to help feed the world through genetically modified animals. Dano speaks about the issues raised in the film, and about working with director Bong Joon-Ho; The Arroyo Seco Weekend attracted about 24,000 people for each day of the two-day music festival on the grounds of the Rose Bowl. Two L.A. Times music writers have different takes.

Comedian and art collector Cheech Marin walks the galleries of Frank Romero's retrospective with the artist himself; "Hacksaw Ridge" sound mixer Kevin O'Connell has 21 Oscar nominations but no win ... yet; political and topical ads are likely during the Academy Awards. Who's advertising and how are they hoping to benefit?

Melanie Lynskey felt a deep connection with her character in the Sundance hit, "I Don't Feel at Home in This World Anymore"; a federal judge issues an injunction against a law that prevented websites such as IMDb from publishing the birthdate of actors.

Jordan Peele (of "Key & Peele" fame) makes his film directing debut with the horror movie, “Get Out," which takes on racism in the creepiest fashion; John Horn debates how to improve the Academy Awards broadcast with his "Awards Show Show" podcast co-host, Kyle Buchanan, and TV mavens Alex Jung and Jen Chaney.

The Oscar-nominated movie "Lion" is based on the memoir of Saroo Brierly, whose unbelievable life story was turned into a two-hour film by screenwriter Luke Davies; an annual report on diversity in Hollywood makes a strong case that on-camera diversity is directly linked to box office and ratings success; the WGA honored the screenwriters of "Moonlight" and "Arrival."

The Oscar-nominated editors behind "Moonlight," Joi McMillon and Nat Sanders, discuss working with director Barry Jenkins, editing reality TV and making history at the Oscars; A new study from USC finds best picture Academy Award nominees rarely have characters over 60.; What are the trends for the current TV pilot season?

The Equal Employment Opportunity Commission is in settlement talks with all of the major movie studios after a lengthy investigation into how directors are hired in Hollywood. Is change coming? Then "La La Land" composer Justin Hurwitz reveals how he went about scoring the modern day movie musical that's become an Oscar favorite.

The off-beat show "Baskets" is much closer to the actor's own comic and storytelling sensibilities. He calls it a "slapstick drama"; Facebook is hoping to add more music content to its influential platform.

The latest Marvel TV series doesn’t look anything like a Marvel TV series. And that’s what show creator Noah Hawley had in mind for “Legion”; "4.1 Miles" is a documentary whose title refers to a small strip of the Aegean Sea where tens of thousands of migrants try to make the treacherous crossing.

The HBO documentary “Eagles of Death Metal: Nos Amis” recounts the band's experience in the Paris terrorist attacks; Sting collaborated with J. Ralph for the Oscar-nominated song, “The Empty Chair”; the Grammy Awards are like a car wreck: you can't look away.

French electronic music pioneer Jean-Michel Jarre — who's nominated for a Grammy this year — takes us on a journey through the past, present and future of the electronica genre; It's no accident that five of the last 10 films starring David Oyelowo were directed by women, including his latest, "A United Kingdom"; Hollywood studio execs and filmmakers may get a new relationship with China later this month.

Violin virtuoso Rachel Barton Pine proves that classical music and heavy metal have a whole lot in common. Solange Knowles breaks down her Grammy-nominated song “Cranes In the Sky" in a Song Exploder segment. And the Los Angeles City Attorney Mike Feuer is trying to put an end to one of the oldest scams in Hollywood- pay to play casting agencies.

Producer Dan Lin proved with "The Lego Movie" that he could make a critically and commercially successful film based on a toy. Now the pressure is on to do the same with "The Lego Batman Movie"; Dave and Pos of De La Soul reveal their innovative approach to making their latest album, which paid off with a Grammy nomination; can Warner Bros. help subvert the traditional way movies get distributed?