The Frame

The Telluride Film Festival premiered the movie about the 1973 tennis match between Billie Jean King and Bobby Riggs; "Dolores" tells the story of the woman who co-founded the United Farm Workers union.

Several venues in Houston's downtown theater district suffered flood damage from Hurricane Harvey; director Scott Cooper debuts his period western, "Hostiles," at the Telluride Film Festival; a new virtual reality experience puts you in flatline mode.

The Telluride festival has become a reliable bellwether for Academy Award attention; Kira Kelly is a Hollywood rarity: an African-American female cinematographer; behind the scenes with the sound engineers at the Bowl.

In the wake of Hurricane Harvey, we revisit our recent interview with former Vice-President Al Gore about his latest climate change documentary; in "Patti Cake$," Danielle MacDonald plays a rapper from New Jersey whose rocky road is not unlike the path traveled by the actress herself.

The Playhouse's new producing artistic director inherits a theater organization at a crossroads; KC Green created the "On Fire" comic that's become a popular meme; Apple TV is having trouble negotiating movie rights with studios.

Actor Lakeith Stanfield caps a busy year with his starring role in "Crown Heights"; Annie Clark, aka St. Vincent, breaks down her song, "New York," for Song Exploder; Cinefamily is temporarily closed while it deals with sexual harassment complaints and resignations.

Comedians Cameron Esposito and Rhea Butcher join discuss their Seeso comedy series "Take My Wife," and what they hope happens to the show now that NBC is shutting Seeso down; musicians Jimmy Hendrix, Link Wray and Robbie Robertson are all part American Indian. They're featured in a new documentary about the contributions of Native Americans to pop music called "Rumble," co-directed by Alfonso Maiorana.

Gregg Allman's manager, Michael Lehman, and the late musician's youngest daughter, Layla, reveal how he confronted life and death at the end; "Master of None" music supervisor Zach Cowie may be new to the field, but his history in the record business, and as a DJ, prepped him well for the work.

Character actress Ann Dowd gets some Emmy love for her complicated roles on "The Leftovers" and "The Handmaids' Tale"; The National Latino Media Council has embarked on a campaign to pressure the four major broadcast TV networks into hiring more Latinos; Don McLeod uses his training in mime for a career as a living statue.

Venezuelan President Nicolás Maduro canceled a U.S. tour by that nation's youth orchestra in response to criticism from L.A. Philharmonic conductor Gustavo Dudamel; most Americans have likely never encountered a trans person, aside from maybe on TV. We hear from three people who talk about what goes into telling authentic stories of trans people in Hollywood.

"Captain America: Civil War" directors Joe and Anthony Russo went from directing TV sitcoms to the massive Marvel movie machine; how Beyoncé and Radiohead are changing the music marketing game; Millennials are forcing film schools to make MFA programs more responsive to their needs.

Tyler is a comedian, actress, talk show and podcast host, a voice on the animated series “Archer,” and she's about to direct her first film; David O. Russell and other prominent directors talk about the important job of script supervisor.

Playwright Stephen Karam tells the story of making "The Humans" a Broadway hit; "Hamilton" broke a Tony nomination record and Broadway proves more diverse than Hollywood; Anybody who's anyone in the digital media world is making online videos, so what's hot at the Newfronts?

The Broadway musical "School of Rock" stars Alex Brightman in the role originated by Jack Black in the 2003 movie of the same name; the married musical duo Marty and Elayne celebrate 35 years of their lounge act at The Dresden Room; a massive festival planned by the promoters of Coachella is stacked with some of the biggest — and oldest — names in classic rock.

Susan Sarandon and Rose Byrne star in Lorene Scafaria's film that was inspired by her own meddlesome mother; North Carolina’s so-called “bathroom law" has some film/TV studios threatening to move out of state. Three below-the-line workers tells us how their lives and careers could be upended; Pace Gallery opens its first West Coast venue in Palo Alto.

Tracy Oliver co-wrote "Barbershop: The Next Cut," her biggest credit in a career that's only getting bigger; What does Comcast's $3.8 billion deal to buy DreamWorks Animation say about the state of Hollywood?; musician and composer Adam Young is writing scores for movies that haven't been made.

Raymond Lee channels the mindset of a school shooter, and the legacy of Korean rage, in the new play "Office Hour"; Vulture's Kyle Buchanan on the trend of casting actors such as Idris Elba and Lupita Nyong'o in roles where you don't see their faces; Kevin Morby finds musical inspiration in his L.A. neighborhood.

Eddie Huang criticized ABC's adaptation of his memoir, "Fresh Off The Boat." He's turned to reality TV for the Viceland food-travel series "Huang's World"; Turner Classic Movies and Criterion Collection are creating a streaming service for film fanatics; painter Lily Simonson's new exhibit depicts the world she found while on a research expedition to Antarctica.

The official weapons master for "Game of Thrones," Tommy Dunne, shares secrets from the show's war chest; "After The Thrones" is the official GoT after-show, hosted by Andy Greenwald; Beyoncé takes a bold artistic and personal leap forward with her new album and short film.

John Carney ("Once") makes a love letter to '80s rock with his new movie, "Sing Street"; playwright, choreographer and theatrical activist Larissa FastHorse chronicles what it means to be a Native American in Los Angeles through her play, "Urban Rez."

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.