The Frame

Director Angelina Jolie and producer Rithy Panh discuss their new film, "First They Killed My Father," about the Cambodian genocide. The film was made was made with an entirely Cambodian cast and crew and is the country's official foreign language entry for the Oscars. The online platform Patreon was created in 2013 to help artists connect with patrons. CEO Jack Conte explains what $60 million in new funding will mean for the site.

'Battle of the Sexes' co-directors Valerie Faris and Jonathan Dayton say their movie about the 1973 tennis match between Billie Jean King and Bobby Riggs is both about the public fight for gender equity and King's private struggle with her sexuality; newly minted Emmy winner Reed Morano on directing the first three episodes of 'The Handmaid's Tale'; What were the highs and lows of last night's Emmys?

We discuss some of the films that screened at TIFF and look at how the triad of fall film festivals (which includes Venice and Telluride) have already begun to shape the awards races; Reality TV veteran Jonathan Murray's latest show "Born This Way," follows a group of seven young adults with Down syndrome and their families.

The Pacific Standard Time art extravaganza features more than 60 institutions across Southern California presenting Latino art; Hollywood Reporter TV critic Daniel Fienberg chats about who will win at the Emmy Awards; actress Natalie Portman has helped turn Jonathan Safran Foer’s book, “Eating Animals," into a documentary of the same name.

Artist Ai Wei Wei, now no longer under house arrest in China, spent a year traveling around the world to track the global refugee crisis for his documentary, "Human Flow." He tells The Frame he wants audiences to realize this crisis is a human crisis that cannot be ignored. And actor Giancarlo Esposito reveals the personal reasons he wanted to direct, produce and star in "The Show"– a satire about society's obsession with sensationalized reality TV.

Actress Greta Gerwig goes behind the camera for her directing debut, "Lady Bird"; despite claims from studios, there's no apparent corollary between Rotten Tomatoes scores and box office performance; the Diaz sisters, aka Ibeyi, break down their song, "Deathless."

For his new movie, "Brad's Status," writer-director Mike White taps into his relationship with his father. The Whites discuss how their social anxieties are reflected in Ben Stiller's character in the film; we revisit conversations with Creative Arts Emmy winners: songwriter Common, voiceover actor Ashly Burch and "Fargo" composer Jeff Russo.

Actor and producer Nnamdi Asomugha ("Crown Heights") reveals how he made the transition from pro football player to Hollywood; the Toronto International Film Festival (TIFF) begins with hot movies starring the likes of Jennifer Lawrence and Shia LeBoeuf; how the Venezuelan artist Carlos Cruz-Diez and High School students turned the crosswalks outside the Broad museum into colorful art.

The French street artist JR has installed a provocative image on the U.S.-Mexico border; Oscar's new president, John Bailey, inherits big challenges; "Trophy" examines the politics and controversy of big-game hunting.

The filmmaker debuted his new movie at the Telluride Film Festival — an unlikely love story between a cleaning lady and an amphibious creature being held by the government; DACA recipient Christian Hurtado is included in a documentary about abuse of construction workers in Texas.

"Captain America: Civil War" directors Joe and Anthony Russo went from directing TV sitcoms to the massive Marvel movie machine; how Beyoncé and Radiohead are changing the music marketing game; Millennials are forcing film schools to make MFA programs more responsive to their needs.

Tyler is a comedian, actress, talk show and podcast host, a voice on the animated series “Archer,” and she's about to direct her first film; David O. Russell and other prominent directors talk about the important job of script supervisor.

Playwright Stephen Karam tells the story of making "The Humans" a Broadway hit; "Hamilton" broke a Tony nomination record and Broadway proves more diverse than Hollywood; Anybody who's anyone in the digital media world is making online videos, so what's hot at the Newfronts?

The Broadway musical "School of Rock" stars Alex Brightman in the role originated by Jack Black in the 2003 movie of the same name; the married musical duo Marty and Elayne celebrate 35 years of their lounge act at The Dresden Room; a massive festival planned by the promoters of Coachella is stacked with some of the biggest — and oldest — names in classic rock.

Susan Sarandon and Rose Byrne star in Lorene Scafaria's film that was inspired by her own meddlesome mother; North Carolina’s so-called “bathroom law" has some film/TV studios threatening to move out of state. Three below-the-line workers tells us how their lives and careers could be upended; Pace Gallery opens its first West Coast venue in Palo Alto.

Tracy Oliver co-wrote "Barbershop: The Next Cut," her biggest credit in a career that's only getting bigger; What does Comcast's $3.8 billion deal to buy DreamWorks Animation say about the state of Hollywood?; musician and composer Adam Young is writing scores for movies that haven't been made.

Raymond Lee channels the mindset of a school shooter, and the legacy of Korean rage, in the new play "Office Hour"; Vulture's Kyle Buchanan on the trend of casting actors such as Idris Elba and Lupita Nyong'o in roles where you don't see their faces; Kevin Morby finds musical inspiration in his L.A. neighborhood.

Eddie Huang criticized ABC's adaptation of his memoir, "Fresh Off The Boat." He's turned to reality TV for the Viceland food-travel series "Huang's World"; Turner Classic Movies and Criterion Collection are creating a streaming service for film fanatics; painter Lily Simonson's new exhibit depicts the world she found while on a research expedition to Antarctica.

The official weapons master for "Game of Thrones," Tommy Dunne, shares secrets from the show's war chest; "After The Thrones" is the official GoT after-show, hosted by Andy Greenwald; Beyoncé takes a bold artistic and personal leap forward with her new album and short film.

John Carney ("Once") makes a love letter to '80s rock with his new movie, "Sing Street"; playwright, choreographer and theatrical activist Larissa FastHorse chronicles what it means to be a Native American in Los Angeles through her play, "Urban Rez."

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.