The Frame

Director Angelina Jolie and producer Rithy Panh discuss their new film, "First They Killed My Father," about the Cambodian genocide. The film was made was made with an entirely Cambodian cast and crew and is the country's official foreign language entry for the Oscars. The online platform Patreon was created in 2013 to help artists connect with patrons. CEO Jack Conte explains what $60 million in new funding will mean for the site.

'Battle of the Sexes' co-directors Valerie Faris and Jonathan Dayton say their movie about the 1973 tennis match between Billie Jean King and Bobby Riggs is both about the public fight for gender equity and King's private struggle with her sexuality; newly minted Emmy winner Reed Morano on directing the first three episodes of 'The Handmaid's Tale'; What were the highs and lows of last night's Emmys?

We discuss some of the films that screened at TIFF and look at how the triad of fall film festivals (which includes Venice and Telluride) have already begun to shape the awards races; Reality TV veteran Jonathan Murray's latest show "Born This Way," follows a group of seven young adults with Down syndrome and their families.

The Pacific Standard Time art extravaganza features more than 60 institutions across Southern California presenting Latino art; Hollywood Reporter TV critic Daniel Fienberg chats about who will win at the Emmy Awards; actress Natalie Portman has helped turn Jonathan Safran Foer’s book, “Eating Animals," into a documentary of the same name.

Artist Ai Wei Wei, now no longer under house arrest in China, spent a year traveling around the world to track the global refugee crisis for his documentary, "Human Flow." He tells The Frame he wants audiences to realize this crisis is a human crisis that cannot be ignored. And actor Giancarlo Esposito reveals the personal reasons he wanted to direct, produce and star in "The Show"– a satire about society's obsession with sensationalized reality TV.

Actress Greta Gerwig goes behind the camera for her directing debut, "Lady Bird"; despite claims from studios, there's no apparent corollary between Rotten Tomatoes scores and box office performance; the Diaz sisters, aka Ibeyi, break down their song, "Deathless."

For his new movie, "Brad's Status," writer-director Mike White taps into his relationship with his father. The Whites discuss how their social anxieties are reflected in Ben Stiller's character in the film; we revisit conversations with Creative Arts Emmy winners: songwriter Common, voiceover actor Ashly Burch and "Fargo" composer Jeff Russo.

Actor and producer Nnamdi Asomugha ("Crown Heights") reveals how he made the transition from pro football player to Hollywood; the Toronto International Film Festival (TIFF) begins with hot movies starring the likes of Jennifer Lawrence and Shia LeBoeuf; how the Venezuelan artist Carlos Cruz-Diez and High School students turned the crosswalks outside the Broad museum into colorful art.

The French street artist JR has installed a provocative image on the U.S.-Mexico border; Oscar's new president, John Bailey, inherits big challenges; "Trophy" examines the politics and controversy of big-game hunting.

The filmmaker debuted his new movie at the Telluride Film Festival — an unlikely love story between a cleaning lady and an amphibious creature being held by the government; DACA recipient Christian Hurtado is included in a documentary about abuse of construction workers in Texas.

The film just received a Writers Guild Award nomination for Best Adapted Screenplay and is considered a contender for several Academy Award nods; 'Surviving R. Kelly' revisits scathing accusations against the singer; The Count Basie Orchestra swings its way to another Grammy nomination.

The photographer's wide-ranging vision is on exhibit at the Fahey/Klein Gallery in Los Angeles; Eugene Jarecki's Elvis Presley documentary, "The King," has a Grammy nomination for Best Music Film.

The singer/songwriter wrote his Grammy-nominated album, "American Utopia," prior to our recent political discord, but he remains determined to find the silver lining in society; studio executives are talking the talk but not walking the walk when it comes to hiring women directors.

Kit Steinkellner talks about creating the Facebook Watch series about a widow dealing with her husband's unexpected death; the 2019 Coachella headliners include Childish Gambino(!) and Ariana Grande(?); Janelle Monáe breaks down a song from her Grammy-nominated album, "Dirty Computer"

The stage director made history with "The Lifespan of a Fact" by assembling the first all-female design team for a Broadway show; Netflix has pulled an episode of Hasan Minhaj's "Patriot Act" from its service in Saudi Arabia after a protest from the Saudi government; Mary Gauthier's "Rifles and Rosary Beads" has a Grammy nomination for Best Folk Album.

The former Monty Python member revisits his life and career in the memoir, "Always Look on the Bright Side of Life: A Sortabiography"; Luciana Souza puts Leonard Cohen poems to music.

José James pays tribute to singer/songwriter Bill Withers with his new album "Lean on Me."

Alfonso Cuarón reveals the intense process of mining his own memory, and those of his siblings and childhood nanny, to recreate their shared story for the screen in "Roma."

Rosamund Pike reveals how she channeled the late war reporter Marie Colvin in the film "A Private War."

Afghan-American artist Ariana Delawari documents the process of recording an album of music in her family's homeland; Max Baca of the band Texmaniacs on covering the Woody Guthrie song "Deportee"; Boz Scaggs still sings the blues.

We bring you some of our favorite interviews from the year — covering television, movies, music and the arts. Guests include Tessa Thompson, Riz Ahmed, Lena Waithe and Hannah Gadsby.

John C. Reilly joins "Stan & Ollie" director Jon S. Baird to talk about making a movie about the legendary comedic duo Laurel and Hardy. Then, Joanna Kulig stars in "Cold War," Poland's official submission for Oscar which is also the story of filmmaker Pawel Pawlikowski's parents.