The Frame

Tom Petty recently finished a 40-year anniversary tour with his band. L.A. Times pop music critic Mikael Wood joins us for a remembrance of the music icon's career; in the wake of the mass shooting at a music festival in Las Vegas, NPR music critic Ann Powers talks about country music's complicated relationship with gun culture.

The Pasadena Playhouse marks its 100th anniversary with a collaboration on "Our Town" with Deaf West Theatre; some outdoor concert venues are using a pre-screening process for ticket buyers similar to what the TSA uses at airports.

Megyn Kelly's "Today Show" debuted to mixed reviews and negative social media chatter; coming soon to an L.A. film festival is a little-seen North Korean film with an incredible back story; Clive Davis reflects on six decades in the music business, making stars and shepherding careers.

"Stronger" tells the inspiring true story of Jeff Bauman, a man who after enduring the Boston Marathon bombing, lost both legs and became a reluctant hero. Jake Gyllenhaal, who stars in and produced the film, discusses how personal the story was and answers criticisms that the lead should not have been played by an able-bodied actor; we look at Hugh Hefner lesser known history as a regular backer and producer of documentaries about pioneering women in early Hollywood.

Actor-turned-director John Carroll Lynch talks about making "Lucky" with Stanton, who died earlier this month; the Academy Museum of Motion Pictures is moving toward a 2019 opening; after Sofia Maldonado finished a mural in Long Beach, her return home was canceled by Hurricane Maria.

Zach Anner has cerebral palsy, which helps him as a writer on the TV series, "Speechless"; voice actors who work on video games end their long strike against game producers; Facebook has a new feature where you can watch original video content.

Hannah Beachler's career as a production designer is booming — from "Fruitvale Station" to "Moonlight," "Lemonade" and "Black Panther"; how will the clash between the NFL and President Trump affect TV ratings?; "It" is now the highest grossing R-rated horror film of all time, so who is that little girl featured in the creepy score?

In "Unrest," Jennifer Brea documents life with Myalgic Encephalomyelitis or ME–commonly known as Chronic Fatigue Syndrome. By turning the camera on herself and others she hopes to teach audiences about this misunderstood illness; In 1992, a 24-year-old black man named William Ford, Jr. was shot and killed by a white man in Long Island. Now, his brother, Yance Ford has made the documentary “Strong Island" to uncover why it happened and what the aftereffects were.

Choreographer Matthew Bourne has made a career out of adapting his favorite movies and novels into dance productions. His latest work is based on the 1948 film, "The Red Shoes"; the new streaming service Revry is filling a niche that other platforms miss by targeting an LGBTQ audience; the family of Colombian drug lord Pablo Escobar ratchets up their trademark dispute with Netflix over "Narcos," while refusing to comment on the killing of a crewmember in Mexico.

Director Darren Aronofsky explains his divisive thriller, "mother!"; MacArthur fellow and USC professor Josh Kun and percussionist Alberto Lopez discuss their curation of the soundtrack to "Pacific Standard Time: LA/LA"; The new players who replaced the familiar, traditional buyers at the 2017 Toronto International Film Festival.

Lin-Manuel Miranda may have turned Alexander Hamilton's life into a hit Broadway show, but he tells us that passion, not politics, drives his art, "Your job as an artist is to chase what inspires you and finish it"; Gaby Moreno's fusion of R&B with Spanish lyrics has earned her a Grammy nomination; The FTC calls out Vizio for using their TVs to collect data on their users without their consent.

"Moonlight" director Barry Jenkins has gone from virtual unknown to eight Academy Award nominations; "Saturday Night Live" finds comedy gold in the Trump presidency; veteran R&B singer William Bell has two Grammy nods for his comeback album.

Zoe Lister-Smith directed “Band Aid,” a hit at this year’s Sundance Film Festival that just got picked up for distribution; Fox's new “24” reboot is being criticized because the villains on the series are from the Middle East; Andrew Lockington talks about his untraditional score for the new movie, “The Space Between Us.”

For bands, landing a song in a Super Bowl ad (or any other televised event) is a HUGE pay day; how 'Jackie' composer Mica Levi created a mesmerizing score for Pablo Larrain's psychological drama; Academy Award-nominated filmmaker Raoul Peck could have made a conventional documentary about James Baldwin, but instead he uses only Baldwin’s words to create his powerful film, “I Am Not Your Negro."

The madcap "Billy on the Street" TV series has added a political edge; arts leaders from Western states visit D.C. to advocate for the National Endowment for the Arts; the latest Hollywood story from USC has more dire news for women in the industry.

Muslim-American writer, producer and author Reza Aslan's family fled the Iranian Revolution when he was 7-years-old — now believes that the best way to change American hearts and minds about Islam is through entertainment; Sony Pictures is reporting a $1 billion loss in its third quarter alone. The report comes as the company embarks on a new head for the studio, which executives in Japan maintain is not for sale.

How SAG Award winners used the platform to comment on Trump's executive order barring refugees from select Muslim-majority countries; one L.A.-based concert promoter had to cancel shows with Iranian musicians planning to play in the U.S.; "Cries from Syria" filmmaker wants to generate understanding and empathy for Syrian refugees with his new doc, airing on HBO in March.

"Nobody Speak" looks at free press issues through the Hulk Hogan lawsuit and the presidential election; "The Salesman" is the latest from Iranian filmmaker Asghar Farhadi; the Wallis Youth Theater Company is breaking new ground.

How Late Night host Seth Meyers is seizing the Trump era for political commentary and comedy; rapper Roxanne Shanté's life is the basis of a new Sundance biopic "Roxanne Roxanne;" Bryan Fogel is a cyclist who set out to document his experiments with performance-enhancing drugs only to find himself making a movie that uncovers a massive doping scandal inside Russia.

Director David O. Russell remembers working with Mary Tyler Moore in his 1996 dysfunctional family comedy "Flirting with Disaster," then the married couple Kumail Nanjiani and Emily V. Gordon turned their real-life love story into the new romantic comedy "The Big Sick" which just sold to Amazon at the Sundance Film Festival.

The Frame host John Horn reports from Sundance where he interviews Lakeith Stanfield (“Atlanta” and "Crown Heights"), and talks Oscars nominations with Vulture's Kyle Buchanan.

The Frame host John Horn reports from Sundance where he interviews Jessica Williams (“The Incredible Jessica James”), and documentary director Peter Bratt ("Dolores") and the subject of his film, activist Dolores Huerta.